Sunday, March 3, 2013

Sometimes I Get The Feeling



Whenever I go to New Haven and drive close to I-95 it makes me think of IKEA, even if I'm not actually going to IKEA, probably because I'm almost always needing batteries for my camera and IKEA's got good ones for $1.99, plus their batteries are bright yellow which makes them easier to see when your camera dies at a show and you have to change batteries in the dark. Have you ever gone to Wal-Mart and tried to buy batteries? Shit's like $6.79 for a 4-pack, when you could go to IKEA instead and they're all over that shit. That's why when the Swedes come with their tanks they're gonna roll right through Arkansas and take that Wal-Mart asshole with them, except the screws will pop out of the tanks every so often and they'll have to jump out and use those little hex wrenches to put 'em back in. And then roll over the top of that asshole from Wal-Mart a few more times. I own like six pieces of furniture from IKEA, I don't own any furniture from fucking Wal-Mart, just things like the little 99 cent bottles of ibuprofen and stuff, they're good for that.

MOTO's got a new LP out, "No Sleep 'Til Turku", it's got a gatefold sleeve and was recorded in Finland, which is pretty close to Sweden even though probably none of you could pick out either one on a map anyway. It's a damn solid record, too, especially if you liked the "Kill MOTO" material (for instance), where some of it's kinda quiet and poppy while some of it rocks harder than the rest. Only 500 pressed, though if you're not able to find a copy you can still buy the files on CD Baby for 5 bucks or something, which seems like a pretty good deal. There's a track down below that I ripped from the vinyl, just for you.

Friday night's show at Cafe Nine with M.O.T.O. and Medication was like a dream bill, even if the two bands sound nothing like each other. But there's a reason for everything that I say, although it doesn't seem like it sometimes, especially like right now for instance. (Am I gonna bother explaining what I mean, then? No.) Medication's set was almost a complete turnaround from any other time I've seen them: not only were there two new songs-- and I can't think of any other Medication set I've seen that included even one new song-- but Kryssi, from Mt. Movers/Colorguard, was on second guitar instead of Stefan. Then halfway through the set Mikey broke like 8 strings at once and had to borrow a guitar, a lime-green Jaguar/Jazzmaster-looking thing, which looked and sounded totally different from his usual gold top Les Paul. There was hardly any of the extra reverb on "Fog", for instance (I'm guessing Mikey couldn't find the switch), so it came out sounding a lot chunkier. Not like Foreigner's "Hot Blooded" or anything, which would've been a pretty neat trick, but still a lot chunkier than usual. One of the new songs is called "Far", and it's actually somewhat of a screamer, which was a different thing in its own right. Afterwards I listened to some newer Medication demos on Mikey's iPhone-type thing, and then completely forgot what they sounded like by the next morning, other than he's recording the vocals differently now so that they sound like the Everly Brothers or Brian Wilson, which is totally friggin' amazing.

I've been lucky enough to see MOTO at Cafe Nine three times now, and Friday's set was maybe the best out of all of them, because the band was tight (as if they'd actually practiced or something) and so all the songs sounded like they were supposed to, and pretty much ripped. They played "Magic Words", which I don't think I've ever seen them play before, and some other oldies like "Dick About It", which is the kind of song that Paul doesn't write as much anymore, with a rock history lesson hidden inside of it (in this case it's two Beatles rips, although most people are only smart enough to cop to the first one). There wasn't a singular moment like the last time when Paul finished off the set by coming out and singing "Ghosts" by himself, but rock 'n roll isn't always about those Hallmark Card type moments ("afterwards we all went out into the night air, still singing all the words aloud and celebrating the new friendships that we'd just made," as the content-focused blog always puts it). Sometimes rock 'n roll is Paul not being able to read the set list because it's all the way down on the floor and in 4-point type, or having to change key in the middle of a verse because he's got a cold called "I'm fifty years old now, motherfucker". Those drink straws with the ends of the paper still stuck on them, those are annoying, too. I took out "Bolt!" and played it right after I got home, so now I know which song it is that Mikey is always talking about.


M.O.T.O. -

"Hard On Rock 'n' Roll"

Medication -

"Factory Made"



























Saturday, March 2, 2013

I Seem To Get That An Awful Lot



Here's a 7" that I bought a long time ago, mostly because of The Ergs, and I still haven't listened to any of the other bands on it since (except maybe Mazeffect once -- it's amazing how far Doc Hopper's influence goes). Bad bands are influenced by bad bands, good bands are influenced by good bands. When you see a band that took its name from a Groovie Ghoulies song, that's a clue for you to keep on walking. "Saturday Night Crap-O-Rama" later appeared (in a better version) on "DorkRockCorkRod", a record that I love so much I bought it twice. Here you can hear it without the back-masked outro, though. Apparently those are Paul Westerberg's shoes on the cover, which is pretty neat if it's true.




The Ergs -

"Saturday Nite Crap-O-Rama"





Sunday, February 24, 2013

I Heard Those Kinds Of Records Are Coming Back In Style



I totally missed out on seeing Bedroom Rehab Corporation last night, walking through the door at Cafe Nine at 9:40 just as Adam was saying "thanks alot guys, Stone Titan are up next". I mean, when has a show at Cafe Nine ever started before ten?? *grumble grumble* Even though I missed Bedroom Rehab, I did score a copy of their new "Red Over Red" CD, which is not only friggin' hot -- I mean, seriously, the recording came out sounding huge and totally amazing -- but EVERYTHING about the CD looks sharp as hell. They really hit a home run with this one, plus it's being pressed to vinyl right now, and that includes a small handful of copies which'll be on clear red vinyl, which is bound to look incredible. I've posted a couple of my favorite tracks from the album down at the bottom of this post, check 'em out and then go pick up a copy for yourself. No doubt the LP will be on my year-end best-of list, you know, the one that nobody reads or anything.

Stone Titan also have a new album coming out soon, on Safety Meeting, called "Scratch n' Sniff" (after Scott's favorite Poison record). Stone Titan pretty much killed it last night, and made it worth the drive down even though they were the only band that I stuck around for. Couldn't hear Scott's vocals much, although I like the songs that the bass player sings better anyway, so that was kind of a bonus. I think this was the first time I've ever seen Stone Titan in a regular room and not in a basement, but they've got the kind of sound that can handle any size room (low and rumbly). Cafe Nine even did some remodeling, replacing the brick wall with all the dartboards and gadgets on it and putting up some wood paneling instead, which might've helped the room sound a little better. It definitely meant less stuff in the background to screw with my camera flash, and we all know how important that is.


Stone Titan -

"I Wish I Was Fucking Dead"



















Bedroom Rehab Corporation, "Basilosaurus"



Bedroom Rehab Corporation "S.S. Hangover (Sobering Sickness)"



Saturday, February 23, 2013

I Stayed Up All Night Listening To Records



Moviola put out a bunch of records, of which I've got a couple, and this is one of them. Eric's Trip put out a fuckload of records, and I've got a couple of those too, including this one. Not that I don't like this record; actually, it's pretty neat, plus it sums up pretty what I liked best about '90s indie rock (at least judging by my 7" collection): a bunch of people banging out catchy tunes into a lo-fi 4-track recorder, not necessarily influenced by Nirvana or crap like that, more like Sebadoh and Guided By Voices, and probably each other. The Moviola tracks here are choice, especially "Payday", which is poppy while "Don't Spook The Horse" is noisy. I like the nicely schizo Eric's Trip song too, even though the title makes me think of that asshole, Mick Hucknall.




Moviola -

"Payday"

"Don't Spook The Horse"

Eric's Trip -

"Pillow (Red)"





I'm So Bored That I Don't Think I Can Work



About a year ago, Estrogen Highs played a set at Cafe Nine that was recorded by a professional mobile recording unit, with fancy overhead mics and big cables running out the back door of the club and everything. Wes wore a Thin Lizzy shirt, and they played mostly songs from the forthcoming "Irrelevant Future" LP, which was only in its mastering stage at that point. Now Safety Meeting has released most of that set on a limited-run cassette (I seem to remember a Guided By Voices cover that was left out), and it's a corker -- only 100 made, on pro-dubbed cassettes, which you can snap up here. It's also available digitally on Bandcamp, which means you can check out some of the tracks first and see how slick this thing is.


Estrogen Highs, "The Seventh Sunday of The Ordinary Times"



Estrogen Highs, "Weed Queen"










The Problem Is Not The Problem, The Problem Is Your Attitude About The Problem



Dead Wives just released two insanely great tracks as part of a 5-song demo that they recorded during the blizzard that we had a couple of weeks ago, and then posted the other day on their Bandcamp when nobody was looking. Somehow I get the feeling that Dead Wives would be a lot bigger with the current '90s revival crowd if they had picked a name that was sexier -- like Speedy X or something -- but as it is, they may not have the better name but they've got the better songs. The two new songs are near-perfect (i.e. short, catchy, recorded like total shit) and sound like Sebadoh/Guided By Voices more than ever, so check 'em out here:

Dead Wives, "Pharmacist"


Dead Wives, "Away From View"


One old thing that I've had hanging around is the "Milk & Water" EP, one of the earliest Dead Wives demos dating back to 2007. If I've got my fact straight, which I often don't, this EP was a solo recording effort by Dead Wives frontman Mike Falcone (who has also spent time drumming for Ovlov and Speedy Ortiz, a couple of the aforementioned slightly-more-publicized '90s-type bands, so whatever). I've posted a couple of tracks from the EP before, but I don't think the whole thing has ever appeared anywhere -- not even on the Dead Wives bandcamp or their blog -- and it's kinda neat, so I'm going to post most of it here, minus the untitled final track which is just a noise collage sorta thingy.

I managed to catch Dead Wives' first-ever full band show (and their second one, too) back in 2010, and at the time I thought they sounded a lot like some '90s Danbury bands like Creature Did and Atlas, besides the obvious Dino Jr./GBV references. This demo has a bunch of those Nirvana/Creature Did/grunge-type songs, but you'll also get some curveballs, like "Lofi Daze", which I think is one of the best GBV-type pop songs to ever come out of CT, and "Young Sun" which is a dead ringer for major-label starting-to-suck era Sonic Youth. Even crazier, if I had you to cover your eyes and then played "Wildfire" you'd swear that it was a Damien Pratt song, except that nobody knows who Damien Pratt is. "Crash Landing" and "Mild" were eventually re-recorded for 2011's "Scuz Bucket", and I'll bet by now even Dead Wives themselves probably couldn't care to listen the rest of this, which makes it about equal to everything else that I post on this blog.




Dead Wives -

"Crash Landing"

"MILD"

"Lofi Daze"

"Covered in Shit"

"Yawn"

"Young Sun"

"Wildfire"


 photo DeadWivesCafeNine1-13-1213500_zpsbbd3c549.jpg

Sunday, February 17, 2013

If I Can't Smoke And Swear I'm Fucked



You could probably make a case for Loli & The Chones and Registrators having the 2nd and 3rd best Rip Off Records LPs behind "Got a Record", but I dunno, that's for other people to talk about. You could also probably make a case for how self-referential a lot of the Rip Off Records stuff was in hindsight (Rip Offs = Crime, Crime had a song called "Terminal Boredom", Registrators also have a song called "Terminal Boredom" which isn't the Crime song), and that's the stuff I love to talk about because there's usually a spot to make one or two good jokes out of it, only I took a nap and now I forgot what the one or two good jokes were (something about Red Lobster? How there are now more Black Flags than there are good Black Flag records? I forget)(boy, that Black Flag joke is gonna sound really dated in about a month). Anyway, this is a pretty good record, I'm glad I got around to posting it before this blog sunk into a total High-Steppin' Nickel Kids/NRBQ disaster-fest and I ended up just shutting the thing down completely or something.




Registrators -

"No Situation"

"Just Wanna Kill Everything"

"Scratch Your Heart"

"Terminal Boredom"

"Idiot"


Saturday, February 16, 2013

Nowhere Ain't Too Far From Here



Here's a mess of ancient Replacements outtakes that I put together just for you (yeah right). Actually, none of these tracks have been anything too hard to find of late, with a couple of them popping up thru 'legitimate' sources while the rest already appeared on a couple of other blogs 4 or 5 years ago. Of course, those particular blog files are probably long gone by now if you tried to google 'em anyway, plus they were on the sort of music blogs that think the Gaslight Anthem are hot shit, so fuck 'em. I'm gonna post these now because I've owned these tracks practically since before Blogger was even invented, when I paid 25 bucks for a bootleg CD full of them about ten or eleven years ago. Screw you, crappy music blog people. Go fuck off to Tumblr or something.

There's like 26 tracks on this CD, but I'm not gonna bother posting every slightly-different variation of already-released songs, although I will include "Careless" -- recorded in '80, pre-Sorry Ma apparently -- because it shows how solid the 'Mats intent was, even from the very beginning. There's also a tossed-off version of "Red Red Wine" which is pretty nice, too; the blazing-fast version on "Pleased To Meet Me" is probably my 3rd favorite track on that album, but the version here chugs along at a mid-tempo pace and does a much better job of bringing out the groove in the song. I also like it because it reminds me of when the 'Mats would do slower country versions of songs like "God Damn Job", plus the made-up reference vocal is kinda funny ("Keep suckin' the soda/Wisconsin and Minnesota").

As for the other stuff, "Nowhere Is My Home" was one of those 'legendary' 'unheard' 'Mats tracks at one point (similar in stature to the original version of "Can't Hardly Wait"), finding itself passed around in lore for a year or two based on word-of-mouth accounts of live shows long before any real studio-recorded version surfaced, which in this case ended up being the unused Chilton sessions that also produced the "Tim" version of "Can't Hardly Wait". Most of the other tracks I'm posting here are basic rockers, some of which morphed into other more recognizable songs and some which didn't. "Temptation Eyes" and "Street Girl" are both pretty corny, at least compared to everything else in the Replacements' oeuvre at the time. "Temptation Eyes" in particular seems to be an attempt to cultivate some sort of Journey/Loverboy-type 'radio hit' (*duh, it's a cover), so maybe it's a good thing that idea wasn't developed any further. If some of these tracks seem a little crappy-sounding compared to cleaned-up versions that might've come out sometime later, keep in mind that this was probably bootlegged from a cassette tape that had been sitting in someone's pocket since the '80s, but that's what things were like back then; the only way to trade music back-and-forth was on crummy cassettes, so people expected things to sound like a bunch of suck. It was all part of the fun.

For whatever reason the booklet was printed with two different sets of artwork, depending upon which way you wanted to fold it, so I scanned a little bit of both. The girl-with-the-candle photos are by Richard Kern, and yes, they credit him on one of the other pages in the booklet.




The Replacements -

"Careless"

"Nowhere Is My Home"

"Who's Gonna Take Us Alive"

"Temptation Eyes"

"Street Girl"

"Perfectly Lethal"

"Time Is Killing Us"

"P.O. Box"

"Red Red Wine"


Saturday, February 2, 2013

If I Ever Get Some Ambition I'm Gonna Get Some Serious Shit Done



"Head of David were like an updated version of Big Black made louder, more metal, and more convincingly British, and I remember playing the heck out of "LP" and "Dustbowl" back in the late 80's. Justin Broadrick (Napalm Death/Godflesh/Jesu) was the drummer in Head of David at one point, which was made into a big deal at the time ("Hey, didja hear there's a Big Black rip-off band that has a metal guy in it?"), but people forget that Paul Stanley was in Raging Slab for a while, and nobody cared.

Blast First, of course, is best known for not releasing any records that Homestead and SST didn't release first."
- me, back in 2008

It seems unlikely now, but Head of David were a pretty big deal with the FE-core crowd at one point. For a UK band, they had the right sound-- the Big Black/Killdozer noise thing-- as well as the right references, like a cover of Suicide's "Rocket U.S.A." on their first EP, plus songs like "Shadow Hills California" which seemed like a obvious nod to stuff like "Death Valley '69" at a time when people still cared about Sonic Youth. "Dustbowl" was recorded by Steve Albini (duh), and as I re-listen to it now, in hindsight it's definitely not one of Albini's better efforts; compared to "LP", which sounded appropriately thick and heavy, the guitars on "Dustbowl" are practically brittle, making this feel more like a Whitesnake record or something. Even if Head of David don't get name-checked as often as some of the other bands from back then, if you ever spot any of their earlier records ("LP", the "Dogbreath" EP, "Dustbowl", or the Peel Session recorded in 1987) for less than what a Chinese Restaurants 7" goes for, you should snap it up.




Head of David -

"Tequila"

"Bugged"

"Roadkill"

"108"