The term derringer is a genericized misspelling of the last name of Henry Deringer, a famous 19th-century maker of small pocket pistols. Many copies of the original Philadelphia Deringer pistol were made by other gun makers worldwide, and the name was often misspelled; this misspelling soon became an alternate generic term for any pocket pistol, along with the generic phrase palm pistol Deringer's competitors invented and used in their advertising. The original Deringer pistol was a single-shot muzzleloading pistol; with the advent of cartridge firearms, pistols began to be produced in the modern form still known as a derringer.

Design

A derringer is generally the smallest usable handgun of a given caliber. They were frequently used by women, because they are easily concealable in a purse or as a stocking gun. Such weapons designed specifically for women were called "muff pistols", due to their compact size enabling them to be carried in a muff. Derringers are not repeating firearms—repeating mechanisms such as used on semi-automatic handguns or revolvers would add significant bulk to the gun, defeating the purpose. The original cartridge derringers held only a single round, usually a pinfire or rimfire .40 caliber cartridge, with the barrel pivoted sideways on the frame to allow access to the breech for reloading. The famous Remington derringer design doubled the capacity, while maintaining the compact size, by adding a second barrel on top of the first and pivoting the barrels upwards to reload. Each barrel then held one round, and a cam on the hammer alternated between top and bottom barrels. The Remington derringer was in .41 Rimfire caliber and achieved wide popularity. The .41 Rimfire bullet moved very slowly, at about 425 feet per second (a modern .45 ACP travels at 850 feet per second). It could be seen in flight, but at very close range, such as at a casino or saloon card table, it could easily kill. The Remington derringer was sold from 1866 to 1935.

Even with the advent of smaller, higher-powered cartridges made possible by the use of smokeless powder rather than the black powder used in the 19th century and before, the classic Remington design remained popular; a Remington-pattern derringer in .38 Special is still smaller than the most compact .25 ACP semiautomatic, and provides superior terminal ballistic performance to the .25 ACP. While the classic Remington design is a single action, manufacturers have also made double action derringers, including some four-shot models, with the barrels stacked in a 2 x 2 block. The COP 357 Derringer, made in Boise, Idaho, provided four shots of .357 Magnum in a package not much larger than a .25 ACP automatic, and was significantly more compact than a similar revolver. The COP derringer was invented by Robert Hillberg and closely resembled his earlier work on insurgency weapons.

A related design, often grouped with derringers since it fits no other standard classification, is the Semmerling pistol. It is a five-shot, .45 ACP pistol with a manual repeater: the barrel mechanism is manually pulled forward to eject the fired round, then pushed back to chamber the next round. These pistols were originally built for the United States Army, and the few available on the civilian market are highly sought after due to their unique combination of high power, large capacity, and tiny size. Another military pistol that is truly a derringer design is the FP-45 Liberator, a .45 ACP insurgency weapon dropped behind Axis lines in World War II.

The Remington derringer design is still in manufacture as of 2010. Bond Arms, Cobra Arms and American Derringer all manufacture the over/under derringer in a variety of calibers from .22 long rifle to .45 Long Colt. The current production of derringers are used by Cowboy Action Shooting reenactors as well as a concealed-carry weapon. It is the smallest handgun that is capable of handling the largest ammunition. Some favor the derringer as a concealed carry weapon because of its size as well as the swiftness of putting it into action. Critics believe it is not an adequate weapon for self-defense since the derringer possesses a two-shot capacity.

Derringer manufacturing history

Remington Model 95 over-under derringers were manufactured from 1866 until 1935, in several rimfire calibers, the most common of which was .41 rimfire. They were never serially numbered, but were numbered within production batches. Batches apparently went from 500 to 5,000 guns per batch depending on demand. There were 3 trademarks — "E. Remington & Sons, Ilion, NY", "Remington Arms Co.", and "Remington-UMC". The 1st model derringer had a hollow rather than skeleton butt and no extractor. It was marked "E. Remington & Sons, Ilion, NY". The 2nd had a skeleton butt but no extractor and the same trademark. The 3rd model had a 2-part extractor and same trademark. The 4th model had a one piece extractor and all 3 trademarks.

Remington went bankrupt in 1881. In 1883 the assets were bought by Hartley & Graham of New York, a major firearms wholesaler. Hartley & Graham renamed the company Remington Arms Co. and marked all Remington firearms with that trademark until 1910. In 1910 Hartley & Graham merged Remington with Union Metallic Cartridge Company and changed the trademark to "Remington-UMC". In 1921 Hartley & Graham sold Remington and UMC to the DuPont company. DuPont separated Remington and UMC and marked all Remington weapons ''except'' the derringer with Remington Arms Co. The derringer continued to be marked Remington-UMC until production ceased in 1935.

Hollow-butt derringers were made only in 1866. Skeleton butt without extractor from 1866-67. Two part extractor thru '69. One part extractor thereafter. Derringers with one part extractors marked E. Remington & Sons, Ilion, NY—1870-1881. Remington Arms Co. mark—1883-1910. Remington-UMC—1910-1935.

Philadelphia Deringer

A Philadelphia Deringer is a small percussion handgun designed by Henry Deringer (1786–1868) and produced from 1852 through 1868. A popular concealed carry handgun of the era, this pocket pistol design was widely copied by competitors, sometimes down to the markings. Over time, the common misspelling "derringer" that was used on copies of Deringer's design has come to refer to any small-sized, usually large-caliber handgun that is neither a semi-automatic pistol nor a revolver.

For loading a Philadelphia Deringer, one would typically fire a couple of percussion caps on the handgun, to dry out any residual moisture contained in the tube or at the base of the barrel, to prevent a subsequent misfire. One would then remove the remains of the last fired percussion cap and place the handgun on its half-cock notch, pour 15 to 25 grains of blackpowder down the barrel, followed by ramming a patched lead ball down onto the powder, being very careful to leave no air gap between the patched ball and the powder, to prevent the handgun from exploding when used. (The purpose of the patch on the ball was to keep the ball firmly lodged against the powder, to avoid creating what was called a "short start" when the ball was dislodged from being firmly against the powder.) A new percussion cap would then be placed on the tube (what today would be called a nipple), and the gun was then loaded and ready to fire. (The half-cock notch prevented the hammer from falling if the trigger were bumped accidentally while carrying the handgun in one's coat pocket.) Then, to fire the handgun, a user would fully cock the hammer, aim, and squeeze the trigger. Upon a misfire, the user could fully re-cock the hammer, and attempt to fire the handgun once more, or, equally common, switch to a second Deringer. Accuracy was highly variable; although front sights were common, rear sights were less common, and some Philadelphia Deringers had no sights at all, being intended for point and shoot use instead of aim and shoot, across Poker-table distances. Professional gamblers, and others who carried regularly, often would fire and reload daily, to decrease the chance of a misfire upon needing to use a Philadelphia Deringer.

A common magician trick from this era called the "bullet catch" was commonly done with a Philadelphia Deringer without applying a patch on the lead ball. The magician would, with great fanfare, go through the motions of pouring a small amount of blackpowder down the barrel, followed by inserting a very light overpowder wad, and by then dropping an intentionally-undersized lead ball down the barrel, unpatched, after showing it carefully to the audience, and placing a cap on the tube. Prior to handing the gun to another person, the magician would tip the Philadelphia Deringer, causing the lead ball to drop into a closed palm. The accomplice or a volunteer from the audience would then aim the Philadelphia Deringer at the magician, squeeze the trigger, the gun would fire, a large cloud of blackpowder smoke would appear, and the magician would, with great fanfare, have "caught" a bullet out of the air, holding the palmed bullet between his fingers. The trick was highly dangerous, as the overpowder could kill at short distances, and a real bullet or other small object, could be dropped down the barrel before the handgun was fired, for a volunteer or accomplice intent on malice.

Henry Deringer's production records, and contemporaneous records of his imitators, indicate that these pistols were almost always sold in matching pairs. (A typical price was $15 to $25 for a pair, with silver-inlaid and engraved models selling at higher prices.) The choice of buying a pair, in part, was to compensate for the limited power of a single-shot, short-barreled pistol, and to compensate for a design considerably less reliable than subsequent cartridge derringer designs. Original Deringers are almost never found still in their matched pairs today.

Initially popular with military officers, the Deringer became widely popular among civilians who wished to own a small and easily concealable pistol for self defense.

In total, approximately 15,000 Deringer pistols were manufactured. All were single barrel pistols with back action percussion locks, typically .41" rifled bores, and walnut stocks. Barrel length varied from 1.5" to 6", and the hardware was commonly a copper-nickel alloy known as "German silver". (The back action lock was a later, improved design among locks, which had its spring and mechanism located behind the hammer, where it was thereby protected from dirt, fired cap residue, and gunpowder residue unlike earlier front action locks that had their springs and mechanism located directly in the path of such residue in front of the hammer, under the tube.)

Because of their small size and easy availability, Deringers sometimes had the dubious reputation of being a favored tool of assassins. The single most famous Deringer used for this purpose was fired by John Wilkes Booth in the assassination of Abraham Lincoln. Booth's Deringer was unusual in that the rifling twisted counterclockwise (left-handed twist), rather than the typical clockwise twist used on most Philadelphia Deringers.

See also

.41 Rimfire Cartridge

Bond Arms Derringer Manufacture

Cobray

Deer gun

FP-45 Liberator

Garrucha

National Arms Company

External links

The Booth Deringer--Genuine artifact or Replica?, a report of an FBI analysis of the Booth Deringer, made after rumors that the original had been stolen and replaced with a replica.

Derringer

Derringer Resource website

The Texas Defender, Bond Arms .45acp/410 Shotshell

Category:Multiple barrel firearms Category:Pistols

de:Derringer fr:Derringer (arme) lt:Derindžeris ja:デリンジャー pl:Deringer sk:Deringer sl:Deringer sh:Deringer sv:Derringer

Coordinates	54°43′″N20°31′″N
name	Edgar Winter
birth name	Edgar Holland Winter
born	December 28, 1946
birth place	Beaumont, Texas, U.S.
background	solo_singer
genre	Hard rock, jazz fusion, blues-rock, blue-eyed soul
instrument	Vocals, piano, keyboards, saxophone, marimba, timbales, clavinet, synthesizer, guitar
years active	1969–present
occupation	Musician, songwriter, producer
label	Epic RecordsAirline Records
associated acts	Johnny Winter, Rick Derringer, The Edgar Winter Group, Sawbuck, Ringo Starr & His All-Starr Band, David Lee Roth
website	Official website
notable instruments	}}

Edgar Holland Winter (born December 28, 1946) is an American musician. He is famous for being a multi-instrumentalist. He is a highly skilled keyboardist, saxophonist and percussionist. He often plays an instrument while singing. He was most successful in the 1970s with his band, The Edgar Winter Group. He has albinism.

Biography

Winter was born to John Winter II and Edith Winter on December 28, 1946 in Beaumont, Texas. Both he and his brother Johnny are albino, and both were required to take special education classes in high school. Winter states, "In school I had a lot of friends. I wore a lot of white shirts to, like, blend in I guess. No one really gave me a hard time about being albino or taking special education classes. Then again, I wasn't really popular." By the time Edgar Winter left his hometown of Beaumont, Texas in the 1960s, he was already technically proficient in every aspect of music. A child prodigy who achieved international success early on, Edgar has found an audience in every major entertainment medium--music, film and television. A prolific writer, Edgar's music encompasses many different genres, including rock, jazz, blues, and pop. From his critically acclaimed 1970 debut release, ''Entrance'', he has demonstrated his unique style and ability to cross the genre lines and do the unexpected. His early recording of "Tobacco Road" is a powerful, emotionally devastating masterpiece that propelled him into the national spotlight. Edgar followed ''Entrance'' with two hit albums backed by his group White Trash, a group originally composed of musicians from Texas and Louisiana. White Trash enjoyed huge success, both with the 1971 release of the studio album, ''Edgar Winter's White Trash'', and with 1972's follow-up live gold album, ''Roadwork''.

In late 1972, Winter brought together Dan Hartman, Ronnie Montrose and Chuck Ruff to form The Edgar Winter Group, the legendary band that created such hits as the number one "Frankenstein" and the ever popular "Free Ride". Released in 1973, ''They Only Come Out at Night'' peaked at the number 3 position on the Billboard Hot 200 and stayed on the charts for an impressive 80 weeks. It was certified gold in April 1973 and double platinum in November 1986. Winter invented the keyboard body strap early in his career, an innovation that allows him the freedom to move around on stage during his multi-instrument high-energy performances. He was also the first artist to feature a synthesizer as the main instrument in a song. "Frankenstein" revolutionized rock and roll and opened up a whole new world of possibilities with experimentation and sound.

After ''They Only Come Out At Night'', Winter released ''Shock Treatment'', featuring guitarist Rick Derringer in place of Ronnie Montrose. Later albums included ''Jasmine Nightdreams'', ''The Edgar Winter Group with Rick Derringer'', a live album, ''Together Live With Johnny Winter'', ''Recycled'', a reunion with White Trash, ''Standing On Rock'', ''Mission Earth'', ''Live In Japan'', ''Not A Kid Anymore'', ''The Real Deal'', and ''Winter Blues''.

With over 20 albums and numerous collaborative efforts to his credit, Edgar Winter has not been satisfied to ride the wave of popular music stardom. Major national television and radio campaigns have relied on Winter's music to advertise their products. Winter has also made frequent television appearances, both to promote his music, and to give his opinions on everything from ''Politically Incorrect'' to a commercial with George Hamilton for Miller Lite beer. He has appeared in the film ''Netherworld'', and the TV shows ''The Cape'', ''Mysterious Ways'', ''David Letterman'', and ''The Jimmy Kimmel Show''.

Winter's music can be heard in no fewer than fifteen film and television projects, including ''Netherworld'', ''Air America'', ''My Cousin Vinny'', ''Encino Man'', ''Son In Law'', ''What's Love Got to do With It'', ''Wayne's World 2'', ''Starkid'', ''Wag the Dog'', ''Knockabout Guys'', ''Duets'', ''Radio'', ''The Simpsons'', ''Queer as Folk'', and ''Tupac Resurrection''. Winter's hauntingly beautiful song "Dying to Live" is featured as "Runnin” (Dying To Live) in the film ''Tupac Resurrection'', the biography on the life of rapper Tupac Shakur. Produced by Eminem, the song uses the vocal talents of the Notorious B.I.G., Tupac, and Edgar Winter himself. "Runnin" is on numerous Billboard charts. It peaked at number 5 on the Hot R&B;/Hip Hop Singles Sales chart, and the soundtrack CD was number 1 for 8 consecutive weeks.

Winter's CD and DVD, titled, "Live At The Galaxy" was recorded live at the Galaxy Theatre for Classic Pictures in 2003. It features the songs, "Keep Playing That Rock and Roll", "Turn On Your Love Light", "Free Ride", "Texas", "Show Your Love", "New Orleans", "Frankenstein" and "Tobacco Road". In addition, the DVD includes a 30 Minute Documentary, "Edgar Winter: The Man and His Music".

Winter's live shows consistently receive rave reviews. His music is always evolving and he is a master at stretching his skill and imagination to produce amazing results. He continues to thrill audiences with his live performances, always remaining on the cutting edge of music and style. Winter's 2010 album ''Rebel Road'' came out to rave reviews

Scientologist

Winter is a Scientologist. He has appeared in at least seven issues of the Church of Scientology magazine ''Celebrity'' between 1995 and 2005, which list the Scientology courses that he has completed.

Winter also produced, arranged, and performed on the album ''Mission Earth'' (1986). This album's words and music were written by Scientology founder L. Ron Hubbard. Hubbard is said to have left detailed instructions and audio tapes for the musicians and producers to follow when making the album. Winter described ''Mission Earth'' as "both a return to rock’s primal roots and yet highly experimental." Winter wrote, "Ron's technical insight of the recording process was outstanding." Winter also described Hubbard's delineation of counter-rhythm in rock as something "which was nothing short of phenomenal, particularly in as much as it had then been entirely unexplored and only later heard in the African-based rhythms of Paul Simon's work, some five years after Ron’s analysis."

Discography

Studio albums

''Entrance'' (1970)

''Edgar Winter's White Trash'' (1971)

''Roadwork'' (1972)

''They Only Come Out at Night'' (1972)

''Shock Treatment'' (1974)

''Jasmine Nightdreams'' (1975)

''The Edgar Winter Group With Rick Derringer'' (1975)

''Together'' (1976)

''Recycled'' (1977)

''The Edgar Winter Album'' (1979)

''Standing on Rock'' (1981)

''Mission Earth'' (1986)

''Not a Kid Anymore'' (1994)

''The Real Deal'' (1996)

''Live in Japan'' (1998) (With Rick Derringer)

''Winter Blues'' (1999)

''Edgar Winter'' (2002)

''Jazzin' the Blues'' (2004)

''Rebel Road'' (2008)

Producer

''Open Fire'' by Ronnie Montrose - (1978) producer, piano, harpsichord

''Crazy from the Heat'' (1985) (David Lee Roth Session Work)

References

External links

Edgar Winter's official website

The Johnny Winter Story

Edgar Winter

Edgar Winter on IMDb

Category:1946 births Category:Living people Category:People with albinism Category:American musicians Category:People from Beaumont, Texas Category:American Scientologists Category:Epic Records artists Category:Musicians from Texas

cs:Edgar Winter de:Edgar Winter es:Edgar Winter fr:Edgar Winter it:Edgar Winter ja:エドガー・ウィンター no:Edgar Winter pt:Edgar Winter scn:Edgar Winter simple:Edgar Winter fi:Edgar Winter sv:Edgar Winter