2:52
Salam Bombay-Indian Slumdog..
Salam Bombay-Indian Slumdog..
this is a clip from SalamBombay..this movie wwas released in 1988 won many awards and was forgotten ...one of mira's niar finest work before she went crazy n started to make rotten movies ...anyways the main lead child (all of them were taken from slums) Shafiq Syed got a filmfare and now he is working in an autoshop in bangalore ..if he got better roles he could have been a fine actor ...any directors looking at this clip plz give the guy a chance man ...
2:26
Mira Nair Salaam Baalak Trust:For the children...
Mira Nair Salaam Baalak Trust:For the children...
have you ever watched Salaam Bombay(1988) by Mira Nair?The main actor was Shafiq Syed,a child who really lived in the streets?Thanks to this film,Salaam Baalak Trust was born.They help children who are in the streets.
1:16
Nana Patekar "Salaam Bombay"
Nana Patekar "Salaam Bombay"
Nana Patekar, Raghubir Yadav and Sanjana Kapoor. My most memorable scene from Salaam Bombay.
9:11
Salam Bombay part 11
Salam Bombay part 11
Salaam bombay is an incredible work by Mira Nayar, along with Nana patekar, raghuveer yadav etc, each and every actor is worth for his/her work, the film is based on issues like alumlife, prostitution, child molestation, in all the film is worth watching,hats off to Mira Nayar and team.
1:27
Irrfan Khan "young letter writer"
Irrfan Khan "young letter writer"
Irrfan Khan in Salaam Bombay ('88)
9:59
Mira Nair Interview at BFI London (HD)
Mira Nair Interview at BFI London (HD)
Interview with the Director Mira Nair at the special Tongues on Fire (TOF) Charity screening of the 21st year of release of Salaam Bombay! in NTF1 at the British Film Institute (Southbank) at 12.45 h00 on 5 December, 2009 screening was followed by a drinks reception, Q&A session with the director and an auction of memorabilia from the film, all in support of Salam Balak Trust. Salaam Bombay! is Mira Nair (Amelia)'s 1988, Cannes-winning masterpiece about street children in Bombay/Mumbai. Beautifully shot, gritty, thought-provoking and realistic, this Hindi film gives a more moving, deep and down-to-earth portrayal of life in India's slums than the entertaining but romanticised perspective taken by Danny Boyle's Slumdog Millionaire. Mira Nair was a key figure in the founding of SBT in 1989, following the success of the film, and is passionately involved with the cause. Produced by Parag Sankhe Interviewer karuna kumar Cameras Alice Caronna Stefano Perugini Francesco Napoli Elvis Sha Sound Fady Editor Parag Sankhe
4:51
The Angry Man of Bollywood 'Nana Patekar'
The Angry Man of Bollywood 'Nana Patekar'
Nana Patekar (Vishwanath Patekar ) born on 01 Jan 1951 in Murud-Janjira, Maharashtra, to Dinkar Patekar (a painter) and Sanjanabai Patekar. He is an alumnus of the Sir JJ Institute of Applied Art, Mumbai. Nana Patekar acted in movies such as Gaman (1978), Ankush (1986), Mohre (1987) and Salaam Bombay (1988) and was noticed by the mainstream Bollywood industry for his portrayal of the villain in the 1989 film, Parinda, for which he won his first National Film Award for Best Supporting Actor. Patekar has played various type of roles. He played a truant, gambling son in Krantiveer (1994), a wife beater in Agni Sakshi (1996), a deaf father to his then off-screen lover Manisha Koirala in Khamoshi: The Musical (1996) and a schizophrenic in Wajood (1998). In the movie Ab Tak Chappan (2005) he plays a police officer who is a sharpshooter. He has an honorary Captain's Rank from Indian Army. He underwent training for his role as a Army officer in the movie Prahaar. He was thus awarded the rank. He joined the Territorial Army (India) in early 90s. At the age of 54, he took up the sport of rifle shooting. He qualified for the GV Malvankar Championships. He has also acted in couple of Marathi movies and plays. Nana is known to donate generously to the poor.
10:53
Maya Memsaab(1993) Son Chidhiya Udh gayi Reh
Maya Memsaab(1993) Son Chidhiya Udh gayi Reh
Raghubir Yadav Raghubir Yadav (Raghuvir Yadav) is an Indian stage, film and television Actor, music composer, singer and set designer.Born 25th June Jabalpur,MadhyaPradesh Other name(s) Raghubir Yadav Years active 1985-present He spent the early years of his life in Jabalpur, a city in Madhya Pradesh. He ran away from home and joined the Parsi Theatre Company, Bombay, at the age of fifteen. He later moved to Delhi, where he joined the National School of Drama (NSD), graduating in 1977. Theatre Yadav performed as an actor and singer in over 70 plays and about 2500 shows with the Parsi Theatre Company (1967 -1973). He was with the Rangoli Puppet Theatre, Lucknow (1973-1974), performing with Glove Puppets. At the National School Of Drama Repertory (1977-1986), he acted in about 40 plays in over 2000 shows. He has also contributed to music, sets, costumes and masks. Film He made his film debut with Massey Sahib (1985) in which he played the title role.Incidentally he has never won the National Award but Two International Awards as Best Actor for Massey Sahib,FIPRESCI CRITIC's AWARD,Venice Film Festival,1986 and the BEST ACTOR SILVER PEACOCK,IIFI,1987. The film also starred the noted writer and social activist, Arundhati Roy. He was seen in many milestone films in the coming decades. Three films that he has acted in have received Academy award nominations for Best Foreign Language Film (Salaam Bombay!, Lagaan, and Water). Raghubir Yadav is the only Indian Actor to have <b>...</b>
2:41
Poetry Reciting by Nana Patekar
Poetry Reciting by Nana Patekar
Born Vishwanath Patekar in Murud-Janjira, Maharashtra, to Dinkar Patekar (a painter) and his wife Sanjanabai Patekar. He is an alumnus of the Sir JJ Institute of Applied Art, Mumbai. He acted in movies such as Gaman (1978), Mohre (1987) and Salaam Bombay! (1988) and was noticed by the mainstream Bollywood industry for his portrayal of the villain in the 1989 film, Parinda, for which he won his first National Film Award for Best Supporting Actor. He was also awarded the Filmfare Best Supporting Actor Award for the role. He won the Filmfare Best Villain Award in 1992 for Angaar. In 1994, he won the National Film Award for Best Actor for his performance in Krantiveer (1994). He also won the Filmfare Award and the Star Screen Awards in the best actor category. Patekar has played various type of roles. He has played the occasional villain but has played a hero in most of his films. He played a truant, gambling son in Krantiveer (1994), a wife beater in Agni Sakshi (1996), a deaf father to his then off-screen lover Manisha Koirala in Khamoshi: The Musical (1996) and a schizophrenic in Wajood (1998). In the movie Ab Tak Chappan (2005) he plays a police officer who is a sharpshooter. Patekar has also done Comic roles in the recent film Welcome (2007) in which he plays a powerful crime lord who once desired to be an actor in films. He turned director with his movie Prahaar: The Final Attack co-starring Madhuri Dixit. His other films as an actor include Hu Tu Tu and Bluff Master <b>...</b>
3:40
Saajan Mera Us Paar Hai - Gangaa Jamunaa Saraswathi (1988) - 720p mp4
Saajan Mera Us Paar Hai - Gangaa Jamunaa Saraswathi (1988) - 720p mp4
Movie : Ganga Jamuna Saraswathi (1988) Singer : Lata Mangeshkar Music : Anu Malik Lyrics : Prayaag Raj Cast : Amitabh Bachchan , Jayapradha & Meenakshi Seshadri Director : Manmohan Desai Producer : Ramanathan S 1988 1:Tezaab Anil Kapoor,Madhurit,Chunkey Pandey 2:Shahenshah Amitabh Bachchan,Meenakshi Sheshadri 3:Paap Ki Duniya Sunny Deol,Neelam,Chunkey Pandey 4:Qayamat Se Qayamat Tak Aamir Khan,Juhi CHawla 5:Pyaar Ka Mandir Mithun Chakraborty,Madhavi 6:Ganga Jamuna Saraswati Amitabh Bachchan,Jaya Prada,Meenakshi Sheshadri 7:Dayavan Vinod Khanna,Madhuri Dixit,Aditya Pancholi,Amala 8:Ghar Ghar Ki Kahani Rishi Kapoor,Govinda,Jaya Prada,Anita Raj,Farah 9:Hatya Govinda,Neelam 10:Jeete Hain Shaan Se Mithun Chakraborty,Sunjay Dutt,Govinda,Mandakini Bibi Ho To aisi JK Bihari Rekha, Salman Khan, Farooq Shaikh, Bindu, Kader Khan The Deceivers Hero Hiralal Comedy Kanoon Apna Apna Gopal B Dilip Kumar,Nutan Behl,Sanjay Dutt,Madhuri Dixit Action Khoon Bhari Maang Rakesh Roshan Rekha Drama Libaas Subodh Shreedhar Pushpak Singeetham Srinivasa Rao Kamal Hassan, Amala, Tinnu Anand Silent, Comedy Qayamat Se Qayamat Tak Mansoor Khan Aamir Khan. Juhi Chawla Romance Ram-Avtar Sunil Hingorani Sunny Deol, Anil Kapoor, Sridevi Drama Salaam Bombay! Mira Nair Nana Patekar Drama Shahenshah Tinu Anand Amitabh Bachchan Action Soorma Bhopali Tezaab N Chandra Anil Kapoor, Madhuri Dixit Action, Romance Zakhmi Aurat Avtar Bhogal Dimple Kapadia.
4:45
SALAAM BOMBAY
SALAAM BOMBAY
La regista Mira Nair ci racconta il suo film. Salaam Bombay è In onda martedì su CULT
0:22
telugu actress images.wmv
telugu actress images.wmv
a12c.com Modern cinema In the late 1960s and early 1970s, romance movies and action films starred actors like Rajesh Khanna, Dharmendra, Sanjeev Kumar and Shashi Kapoor and actresses like Sharmila Tagore, Mumtaz and Asha Parekh. In the mid-1970s, romantic confections made way for gritty, violent films about gangsters (see Indian mafia) and bandits. Amitabh Bachchan, the star known for his "angry young man" roles, rode the crest of this trend with actors like Mithun Chakraborty and Anil Kapoor, which lasted into the early 1990s. Actresses from this era included Hema Malini, Jaya Bachchan and Rekha. Some Hindi filmmakers such as Shyam Benegal continued to produce realistic Parallel Cinema throughout the 1970s,[31] alongside Mani Kaul, Kumar Shahani, Ketan Mehta, Govind Nihalani and Vijaya Mehta.[18] However, the 'art film' bent of the Film Finance Corporation came under criticism during a Committee on Public Undertakings investigation in 1976, which accused the body of not doing enough to encourage commercial cinema. The 1970s thus saw the rise of commercial cinema in the form of enduring films such as Sholay (1975), which solidified Amitabh Bachchan's position as a lead actor. The devotional classic Jai Santoshi Ma was also released in 1975.[32] Another important film from 1975 was Deewar, directed by Yash Chopra and written by Salim-Javed. A crime film pitting "a policeman against his brother, a gang leader based on real-life smuggler Haji Mastan", portrayed by Amitabh <b>...</b>
0:22
priyanka chopra bf.wmv
priyanka chopra bf.wmv
a12c.com Modern cinema In the late 1960s and early 1970s, romance movies and action films starred actors like Rajesh Khanna, Dharmendra, Sanjeev Kumar and Shashi Kapoor and actresses like Sharmila Tagore, Mumtaz and Asha Parekh. In the mid-1970s, romantic confections made way for gritty, violent films about gangsters (see Indian mafia) and bandits. Amitabh Bachchan, the star known for his "angry young man" roles, rode the crest of this trend with actors like Mithun Chakraborty and Anil Kapoor, which lasted into the early 1990s. Actresses from this era included Hema Malini, Jaya Bachchan and Rekha. Some Hindi filmmakers such as Shyam Benegal continued to produce realistic Parallel Cinema throughout the 1970s,[31] alongside Mani Kaul, Kumar Shahani, Ketan Mehta, Govind Nihalani and Vijaya Mehta.[18] However, the 'art film' bent of the Film Finance Corporation came under criticism during a Committee on Public Undertakings investigation in 1976, which accused the body of not doing enough to encourage commercial cinema. The 1970s thus saw the rise of commercial cinema in the form of enduring films such as Sholay (1975), which solidified Amitabh Bachchan's position as a lead actor. The devotional classic Jai Santoshi Ma was also released in 1975.[32] Another important film from 1975 was Deewar, directed by Yash Chopra and written by Salim-Javed. A crime film pitting "a policeman against his brother, a gang leader based on real-life smuggler Haji Mastan", portrayed by Amitabh <b>...</b>
0:22
www.priyanka chopra hot.com.wmv
www.priyanka chopra hot.com.wmv
a12c.com Modern cinema In the late 1960s and early 1970s, romance movies and action films starred actors like Rajesh Khanna, Dharmendra, Sanjeev Kumar and Shashi Kapoor and actresses like Sharmila Tagore, Mumtaz and Asha Parekh. In the mid-1970s, romantic confections made way for gritty, violent films about gangsters (see Indian mafia) and bandits. Amitabh Bachchan, the star known for his "angry young man" roles, rode the crest of this trend with actors like Mithun Chakraborty and Anil Kapoor, which lasted into the early 1990s. Actresses from this era included Hema Malini, Jaya Bachchan and Rekha. Some Hindi filmmakers such as Shyam Benegal continued to produce realistic Parallel Cinema throughout the 1970s,[31] alongside Mani Kaul, Kumar Shahani, Ketan Mehta, Govind Nihalani and Vijaya Mehta.[18] However, the 'art film' bent of the Film Finance Corporation came under criticism during a Committee on Public Undertakings investigation in 1976, which accused the body of not doing enough to encourage commercial cinema. The 1970s thus saw the rise of commercial cinema in the form of enduring films such as Sholay (1975), which solidified Amitabh Bachchan's position as a lead actor. The devotional classic Jai Santoshi Ma was also released in 1975.[32] Another important film from 1975 was Deewar, directed by Yash Chopra and written by Salim-Javed. A crime film pitting "a policeman against his brother, a gang leader based on real-life smuggler Haji Mastan", portrayed by Amitabh <b>...</b>
0:22
www.priyanka chopra image.com.wmv
www.priyanka chopra image.com.wmv
a12c.com Modern cinema In the late 1960s and early 1970s, romance movies and action films starred actors like Rajesh Khanna, Dharmendra, Sanjeev Kumar and Shashi Kapoor and actresses like Sharmila Tagore, Mumtaz and Asha Parekh. In the mid-1970s, romantic confections made way for gritty, violent films about gangsters (see Indian mafia) and bandits. Amitabh Bachchan, the star known for his "angry young man" roles, rode the crest of this trend with actors like Mithun Chakraborty and Anil Kapoor, which lasted into the early 1990s. Actresses from this era included Hema Malini, Jaya Bachchan and Rekha. Some Hindi filmmakers such as Shyam Benegal continued to produce realistic Parallel Cinema throughout the 1970s,[31] alongside Mani Kaul, Kumar Shahani, Ketan Mehta, Govind Nihalani and Vijaya Mehta.[18] However, the 'art film' bent of the Film Finance Corporation came under criticism during a Committee on Public Undertakings investigation in 1976, which accused the body of not doing enough to encourage commercial cinema. The 1970s thus saw the rise of commercial cinema in the form of enduring films such as Sholay (1975), which solidified Amitabh Bachchan's position as a lead actor. The devotional classic Jai Santoshi Ma was also released in 1975.[32] Another important film from 1975 was Deewar, directed by Yash Chopra and written by Salim-Javed. A crime film pitting "a policeman against his brother, a gang leader based on real-life smuggler Haji Mastan", portrayed by Amitabh <b>...</b>
0:25
simbu aishwarya.wmv
simbu aishwarya.wmv
a12c.com Modern cinema In the late 1960s and early 1970s, romance movies and action films starred actors like Rajesh Khanna, Dharmendra, Sanjeev Kumar and Shashi Kapoor and actresses like Sharmila Tagore, Mumtaz and Asha Parekh. In the mid-1970s, romantic confections made way for gritty, violent films about gangsters (see Indian mafia) and bandits. Amitabh Bachchan, the star known for his "angry young man" roles, rode the crest of this trend with actors like Mithun Chakraborty and Anil Kapoor, which lasted into the early 1990s. Actresses from this era included Hema Malini, Jaya Bachchan and Rekha. Some Hindi filmmakers such as Shyam Benegal continued to produce realistic Parallel Cinema throughout the 1970s,[31] alongside Mani Kaul, Kumar Shahani, Ketan Mehta, Govind Nihalani and Vijaya Mehta.[18] However, the 'art film' bent of the Film Finance Corporation came under criticism during a Committee on Public Undertakings investigation in 1976, which accused the body of not doing enough to encourage commercial cinema. The 1970s thus saw the rise of commercial cinema in the form of enduring films such as Sholay (1975), which solidified Amitabh Bachchan's position as a lead actor. The devotional classic Jai Santoshi Ma was also released in 1975.[32] Another important film from 1975 was Deewar, directed by Yash Chopra and written by Salim-Javed. A crime film pitting "a policeman against his brother, a gang leader based on real-life smuggler Haji Mastan", portrayed by Amitabh <b>...</b>
0:22
priyanka chopra hot image.wmv
priyanka chopra hot image.wmv
a12c.com Modern cinema In the late 1960s and early 1970s, romance movies and action films starred actors like Rajesh Khanna, Dharmendra, Sanjeev Kumar and Shashi Kapoor and actresses like Sharmila Tagore, Mumtaz and Asha Parekh. In the mid-1970s, romantic confections made way for gritty, violent films about gangsters (see Indian mafia) and bandits. Amitabh Bachchan, the star known for his "angry young man" roles, rode the crest of this trend with actors like Mithun Chakraborty and Anil Kapoor, which lasted into the early 1990s. Actresses from this era included Hema Malini, Jaya Bachchan and Rekha. Some Hindi filmmakers such as Shyam Benegal continued to produce realistic Parallel Cinema throughout the 1970s,[31] alongside Mani Kaul, Kumar Shahani, Ketan Mehta, Govind Nihalani and Vijaya Mehta.[18] However, the 'art film' bent of the Film Finance Corporation came under criticism during a Committee on Public Undertakings investigation in 1976, which accused the body of not doing enough to encourage commercial cinema. The 1970s thus saw the rise of commercial cinema in the form of enduring films such as Sholay (1975), which solidified Amitabh Bachchan's position as a lead actor. The devotional classic Jai Santoshi Ma was also released in 1975.[32] Another important film from 1975 was Deewar, directed by Yash Chopra and written by Salim-Javed. A crime film pitting "a policeman against his brother, a gang leader based on real-life smuggler Haji Mastan", portrayed by Amitabh <b>...</b>
0:25
udita goswami hot scene in aksar.wmv
udita goswami hot scene in aksar.wmv
a12c.com Modern cinema In the late 1960s and early 1970s, romance movies and action films starred actors like Rajesh Khanna, Dharmendra, Sanjeev Kumar and Shashi Kapoor and actresses like Sharmila Tagore, Mumtaz and Asha Parekh. In the mid-1970s, romantic confections made way for gritty, violent films about gangsters (see Indian mafia) and bandits. Amitabh Bachchan, the star known for his "angry young man" roles, rode the crest of this trend with actors like Mithun Chakraborty and Anil Kapoor, which lasted into the early 1990s. Actresses from this era included Hema Malini, Jaya Bachchan and Rekha. Some Hindi filmmakers such as Shyam Benegal continued to produce realistic Parallel Cinema throughout the 1970s,[31] alongside Mani Kaul, Kumar Shahani, Ketan Mehta, Govind Nihalani and Vijaya Mehta.[18] However, the 'art film' bent of the Film Finance Corporation came under criticism during a Committee on Public Undertakings investigation in 1976, which accused the body of not doing enough to encourage commercial cinema. The 1970s thus saw the rise of commercial cinema in the form of enduring films such as Sholay (1975), which solidified Amitabh Bachchan's position as a lead actor. The devotional classic Jai Santoshi Ma was also released in 1975.[32] Another important film from 1975 was Deewar, directed by Yash Chopra and written by Salim-Javed. A crime film pitting "a policeman against his brother, a gang leader based on real-life smuggler Haji Mastan", portrayed by Amitabh <b>...</b>
6:23
Tag! You're It! - Reply to yenneyandimara
Tag! You're It! - Reply to yenneyandimara
This is my tag response to yenneyandimara's video Tag! You're It! (www.youtube.com Movie suggestions at IMDB: Grave of the Fireflies (1988) www.imdb.com Salaam Bombay! www.imdb.com The Jaundiced Eye www.imdb.com America: Freedom to Fascism www.imdb.com
0:22
priyanka chopra xnxx.wmv
priyanka chopra xnxx.wmv
a12c.com Modern cinema In the late 1960s and early 1970s, romance movies and action films starred actors like Rajesh Khanna, Dharmendra, Sanjeev Kumar and Shashi Kapoor and actresses like Sharmila Tagore, Mumtaz and Asha Parekh. In the mid-1970s, romantic confections made way for gritty, violent films about gangsters (see Indian mafia) and bandits. Amitabh Bachchan, the star known for his "angry young man" roles, rode the crest of this trend with actors like Mithun Chakraborty and Anil Kapoor, which lasted into the early 1990s. Actresses from this era included Hema Malini, Jaya Bachchan and Rekha. Some Hindi filmmakers such as Shyam Benegal continued to produce realistic Parallel Cinema throughout the 1970s,[31] alongside Mani Kaul, Kumar Shahani, Ketan Mehta, Govind Nihalani and Vijaya Mehta.[18] However, the 'art film' bent of the Film Finance Corporation came under criticism during a Committee on Public Undertakings investigation in 1976, which accused the body of not doing enough to encourage commercial cinema. The 1970s thus saw the rise of commercial cinema in the form of enduring films such as Sholay (1975), which solidified Amitabh Bachchan's position as a lead actor. The devotional classic Jai Santoshi Ma was also released in 1975.[32] Another important film from 1975 was Deewar, directed by Yash Chopra and written by Salim-Javed. A crime film pitting "a policeman against his brother, a gang leader based on real-life smuggler Haji Mastan", portrayed by Amitabh <b>...</b>
