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Sonatas and Interludes is a collection of twenty pieces for prepared piano by American avant-garde composer John Cage (1912–1992). It was composed in 1946–1948, shortly after Cage's introduction to Indian philosophy and the teachings of art historian Ananda K. Coomaraswamy, both of which became major influences on the composer's later work. Significantly more complex than his other works for prepared piano,Sonatas and Interludes is generally recognized as one of Cage's finest achievements.
The cycle consists of sixteen sonatas (thirteen of which are cast in binary form, the remaining three in ternary form) and four more freely structured interludes. The aim of the pieces is to express the eight permanent emotions of the rasa Indian tradition. In Sonatas and Interludes, Cage elevated his technique of rhythmic proportions to a new level of complexity. In each sonata a short sequence of natural numbers and fractions defines the structure of the work and that of its parts, informing structures as localized as individual melodic lines.
John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer, music theorist, writer, and artist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential American composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives.
Cage is perhaps best known for his 1952 composition 4′33″, which is performed in the absence of deliberate sound; musicians who present the work do nothing aside from being present for the duration specified by the title. The content of the composition is not "four minutes and 33 seconds of silence," as is often assumed, but rather the sounds of the environment heard by the audience during performance. The work's challenge to assumed definitions about musicianship and musical experience made it a popular and controversial topic both in musicology and the broader aesthetics of art and performance. Cage was also a pioneer of the prepared piano (a piano with its sound altered by objects placed between or on its strings or hammers), for which he wrote numerous dance-related works and a few concert pieces. The best known of these is Sonatas and Interludes (1946–48).
John Cage | Sonatas and Interludes (1946-1948) Painting: Vir Heroicus Sublimis - Barnett Newman Thomas Nicholson, prepared piano (Steinway/Boston GP-193) University of Victoria, 15 February 2015 Sonata I - 0:00 Sonata II - 2:45 Sonata III - 4:47 Sonata IV - 7:24 Interlude I - 9:33 Sonata V - 12:50 Sonata VI - 14:21 Sonata VII - 16:44 Sonata VIII - 19:14 Interlude II - 20:03 Interlude III - 26:08 Sonata IX - 28:42 Sonata X - 33:00 Sonata XI - 37:15 Sonata XII - 40:29 Interlude IV - 43:48 Sonata XIII - 47:01 Sonata XIV - 51:53 Sonata XV - 55:00 Sonata XVI - 58:20
November 19th, 2014 Piano preparations and Performance by Dutcher Snedeker Recorded live at Cook DeWitt Center by Nate Bliton Composer: John Cage Sonatas I-IV Interlude I Sonatas V-VI This piece was performed as part of a junior recital requirement for the Bachelor of Music Performance degree at Grand Valley State University.
John Tilbury 00:00 Sonata I 02:19 Sonata II 04:05 Sonata III 06:34 Sonata IV 08:20 1st Interlude
John Tilbury 00:00 Sonata XIII 03:44 Sonata XIV 06:51 Sonata XV 10:10 Sonata XVI
Sonata V by John Cage for Prepared Piano, from Sonatas and Interludes, performed by Inara Ferreira. Recorded at the FAU Theater - Florida Atlantic University, Boca Raton - FL
This is an American Festival of Microtonal Music performance, one of many made by pianist Joshua Piece. The piano has a number of objects placed at strategic places between the piano strings, turning the instrument in a decidedly percussion direction with its new timbres. The pieces were written between 1946-1948 in the following form: Sonata No. 1 Sonata No. 2 Sonata No. 3 Sonata No. 4 First Interlude Sonata No. 5 Sonata No. 6 Sonata No. 7 Sonata No. 8 Second Interlude Third Interlude Sonata No. 9 Sonata No. 10 Sonata No. 11 Sonata No. 12 Third Interlude Sonata No. 13 Sonatas No. 14 & 15 "Gemini" (after the work by Richard Lippold) Sonata No. 16
John Cage, Sonata 1 / Montage Inventions And Etudes, or A Short Story Of Piano Music / shot and cut by Pavel Ruminov Pavel Ruminov works on Vimeo: http://www.vimeo.com/user1058563
Sonata II by John Cage for Prepared Piano, from Sonatas and Interludes, performed by Inara Ferreira. Recorded at the FAU Theater - Florida Atlantic University, Boca Raton - FL
Full LIVE recital of John Cage's Sonatas and Interludes for prepared piano. Jesse Myers performed the recital on 5/20/2016 in Seattlle at the Chapel in the Good Shepherd Center as a part of the Wayward Concert Series. Pre-concert lecture here: https://youtu.be/c9g8jJzO95M
John Cage SONATAS AND INTERLUDES, Louis Goldstein piano, at the Reynolda House Museum of American Art in Winston-Salem, North Carolina, October 7 1982. Dr Goldstein's lecture "John Cage and the birth of Prepared Piano" which preceded this performance can be heard at: http://www.youtube.com/watch?v=YoKLr6g6Q-I Dr. Lewis Goldstein has been on the music faculty at Wake Forest University since 1989, where he teaches Piano, Piano Literature, First Year Seminars, and Introduction to Western Music. Long fascinated with music of his own time, Dr. Goldstein was co-founder and co-director of the California New Music Ensemble and an associate member of the Los Angeles Group for Contemporary Music and Newband, in New York City. In ensembles and as a soloist, he has championed cutting edge work o...