The Cuban contradanza (also called contradanza criolla, danza or danza criolla) was a popular dance music genre of the 19th century.
During the first half of the 19th century, the contradanza dominated the Cuban musical scene to such an extent that nearly all Cuban composers of the time, whether composing for the concert hall or the dance hall, tried their hands at the contradanza (Alén 1994:82). Among them, Manuel Saumell (1817–1870) is the most noted (Carpentier 2001:185-193).
The contradanza, when played as dance music, was performed by the orquesta típica, an ensemble composed of two violins, two clarinets, a contrabass, a cornet, a trombone, an ophicleide, paila and a güiro (Alén 1994:82).
"In the days when a trip from Havana to Santiago was a fifteen-day adventure (or more), it was possible for two types of contradanza to coexist: one closer to the classical pattern, marked by the spirits of the minuet, which later would be reflected in the danzón, by way of the danza; the other, more popular, which followed its evolution begun in Haiti, thanks to the presence of the 'French Blacks' in eastern Cuba (Carpentier 2001:150)."
A danza entitled El Sungambelo," dated 1813, has the same structure as the contradanza- the four-section scheme is repeated twice: ABAB (Santos 1982). In this early piece, the cinquillo rhythm can already be heard.
The danza dominated Cuban music in the second half of the 19th century, though not as completely as the contradanza had in the first half. Two famous Cuban composers in particular, Ignacio Cervantes (1847–1905) and Ernesto Lecuona (1895–1963), used the danza as the basis of some of their most memorable compositions. And, in spite of competition from the danzón, which eventually won out, the danza continued to be composed as dance music into the 1920s. By this time, the charanga had replaced the orquesta típica of the 19th century (Alén 1994:82- example: "Tutankamen" by Ricardo Reverón).
The music and dance of the contradanza/danza are no longer popular in Cuba, but are occasionally featured in the performances of professional or amateur folklore groups.
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Coordinates | 33°55′31″N18°25′26″N |
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Name | Vanessa-Mae |
Background | non_vocal_instrumentalist |
Birth name | Vanessa-Mae Vanakorn |
Born | October 27, 1978Singapore |
Origin | Cavendish, Suffolk, England |
Nationality | British |
Instrument | Violin |
Genre | classical |
Occupation | Violinist |
Years active | 1990–present |
Label | Sony Classical/SME RecordsVirgin/EMI RecordsEMI Classics |
Url |
Vanessa-Mae Vanakorn Nicholson (born 27 October 1978), known professionally as Vanessa-Mae (in Chinese: 陳美, Chén Měi), is an internationally known British violinist. Her music style is self-described as "violin techno-acoustic fusion", as several of her albums prominently feature the techno style. She is currently a judge on Popstar to Operastar.
She was particularly famous in the United Kingdom throughout her childhood making regular appearances on television (for example on Blue Peter) mostly involving classical music and conservative style. According to Guinness World Records, she is the youngest soloist to record both the Beethoven and Tchaikovsky violin concertos, a feat she accomplished at the age of thirteen. During this time she attended the Francis Holland School in central London.
Vanessa-Mae made her international professional debut at the Schleswig-Holstein Musik Festival in Germany in 1988, and also during 1988 made her concerto debut on stage with the Philharmonia Orchestra in London.
On entering adolescence Vanessa-Mae broke away from her traditional classical influences and became known for her flashy, sexual style appearing in music videos in stylish outfits. Her first pop-style album, The Violin Player, was released in 1995. She appeared on the 1997 Janet Jackson album The Velvet Rope playing a violin solo on the song "Velvet Rope".
She performed in the interval of the 1998 Eurovision Song Contest in Birmingham.
In April 2006, Vanessa-Mae was ranked as the wealthiest young entertainer under 30 in the UK in the Sunday Times Rich List 2006. having an estimated fortune of about £32 million stemming from concerts and record sales of over an estimated 10 million copies worldwide, which is an unprecedented achievement for a young female violinist.
Vanessa-Mae announced in 2006 that she would be releasing a new album sometime between 2007 and 2008. The album was said to draw inspiration from great ballets and opera themes. A new album was expected in 2009, but the year ended without the expected release.
Vanessa-Mae was the special guest violinist for Il Divo's Christmas Tour 2009.
She plans to compete in the 2014 Winter Olympics as a downhill skier, representing Thailand.
In addition, she uses one of two Zeta Jazz Model electric violins, one of which is white and the other one of which features decals of the U.S. flag. She has also been using a silver-grey Zeta Jazz Model electric violin since 2001. She also owns three Ted Brewer Violins two of which she uses on stage (a Crossbow and a Vivo2 Clear) and in publicity material. In addition to these violins, she sometimes buys violins and resells them later, giving the proceeds to charity.
Category:1978 births Category:Living people Category:British people of Chinese descent Category:British people of Thai descent Category:English classical violinists Category:English pop musicians Category:People from London Category:Singaporean classical violinists Category:Rock violinists Category:Virgin Records artists Category:British people of Singaporean descent Category:Singaporean immigrants to the United Kingdom Category:People educated at Francis Holland School Category:21st-century violinists
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 33°55′31″N18°25′26″N |
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Name | Paquito D'Rivera |
Background | non_vocal_instrumentalist |
Born | June 04, 1948 |
Origin | Havana, Cuba |
Instrument | Alto saxophone, clarinet, soprano saxophone, tenor saxophone, flute |
Genre | Bebop, Afro-Cuban jazz, Latin jazz, post bop |
Occupation | Clarinetist, saxophonist |
Years active | 1970s–present |
Label | Messidor, Columbia, Chesky Records |
Associated acts | Caribbean Jazz Project |
D'Rivera grew up in Cuba, playing both saxophone and clarinet and performing with the National Symphony Orchestra of Cuba at a young age.
When he was seven, became the youngest artist ever to endorse a musical instrument, when he signed on with the music company Selmer.
By 1980, D'Rivera was dissatisfied about the constraints placed on his music in Cuba for many years, and had always longed to come to the United States. In early 1981, while on tour in Spain, he sought asylum with the American Embassy, and left his homeland, wife and child behind in search of a better life with a promise to get them out. Upon his arrival in the United States, D'Rivera found help from many people for him and his family. His mother Maura and his sister Rosario had left Cuba in 1968 and had become US citizens. Many notables who reached out to help Paquito were Dizzy Gillespie, David Amram, Mario Bauza and Bruce Lundvall, who gave him first solo recording date. D'Rivera quickly earned respect among American jazz musicians and was introduced to the jazz scene at some of the most prestigious clubs and concert halls in New York. He became something of a phenomenon after the release of his first two solo albums, Paquito Blowin (June 1981) and Mariel (July 1982).
Throughout his career in the United States, D'Rivera's albums have received reviews from critics and have hit the top of the jazz charts. His albums have shown a progression that demonstrates his extraordinary abilities in bebop, classical and Latin/Caribbean music. D'Rivera's expertise transcends musical genres as he is the only artist to ever have won Grammy Awards in both Classical and Latin Jazz categories.
D'Rivera also plays with "crossover" artists such as the Ying Quartet, Turtle Island String Quartet, cellist Mark Summer, pianist Alon Yavnai, and Yo-Yo Ma. He has performed in venues such as Carnegie Hall and played with the National Symphony Orchestra, London Symphony Orchestra, London Philharmonic Orchestra, Florida Philharmonic Orchestra, Bronx Arts Ensemble, Puerto Rico Symphony Orchestra, YOA Orchestra of the Americas, Costa Rican Symphony Orchestra, American Youth Philharmonic, and Simón Bolívar Symphony Orchestra.
D'Rivera is an Artist in Residence at the New Jersey Performing Arts Center and artistic director of the Festival International de Jazz en el Tambo in Uruguay. He is also a member of the Alon Yavnai-Paquito D'Rivera Duet and the Jazz Chamber Trio.
He has also written a memoir entitled My Sax Life.
In 2005, D'Rivera wrote a letter criticizing musician Carlos Santana for his decision to wear a t-shirt with the image of Che Guevara on it to the 2005 Academy Awards, citing Guevara's role in the execution of counter-revolutionaries in Cuba, including his own cousin.
D'Rivera was a judge for the 5th and 8th annual Independent Music Awards to support independent artists.
Category:1948 births Category:Living people Category:Cuban jazz (genre) clarinetists Category:Cuban jazz (genre) composers Category:Cuban jazz (genre) saxophonists Category:Cuban jazz musicians Category:Guggenheim Fellows Category:Latin jazz clarinetists Category:Latin jazz composers Category:Latin jazz saxophonists Category:Grammy Award winners Category:Latin Grammy Award winners Category:People from Havana Category:United States National Medal of Arts recipients
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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