Ninja Tune is a British independent record label started by DJs Matt Black and Jonathan More, better known as Coldcut^[1] and managed by Peter Quicke. The label was one of the first in Britain to consistently embrace and release artists that create and perform new forms of electronic dance music since the 1990s. The label now releases music of various genres and distributes other record labels, including Big Dada, Brainfeeder, Motion Audio and Counter Records.

History[link]

The label was founded in 1990. In 1994 Matt Black's close friend Mixmaster Morris introduced Matt to Openmind - a DJ & design collective in Camberwell - at the Telepathic Fish chill-out club they were running. Openmind included Kevin Foakes aka Strictly Kev of DJ Food. After submitting a re-styled company logo he was employed by Ninja Tune in the capacity of overall design consultant.^[2]

Solid Steel[link]

Pre-dating Ninja Tune is the radio show Solid Steel, which Coldcut set up in 1988. What initially began as a radio show on then pirate Kiss FM went on to become a weekly radio podcast and also the name of live nightclub events showcasing the talents of a number of Ninja Tune artists. Solid Steel is also the name of a series of DJ mix CDs from the label.

Ninja Tune's 20th anniversary[link]

In 2010, Ninja Tune celebrated 20 years of releasing music. A book entitled Ninja Tune: 20 Years of Beats and Pieces was released on 12 August 2010, and an exhibition was held at Black Dog Publishing's Black Dog Space in London showcasing artwork, design and photography from the label's 20 year history. A compilation album was released on 20 September in two formats - a regular version consisting of two 2-disc volumes, and a limited edition (of 3,500 copies), containing 6 CDs, 6 7" vinyl singles, a hardback copy of the book, a poster and additional items.

Current roster (Ninja Tune and Big Dada)[link]

^[3]

Full list of Ninja Tune Artists

Big Dada[link]

Hip Hop label Big Dada was set up by journalist and writer Will Ashon in 1997. Artists with releases on this label include Roots Manuva, cLOUDDEAD, Juice Aleem, DELS, Wiley, Speech Debelle and Spank Rock.

Artists[link]

See main article on Big Dada.

Counter Records[link]

In 2006, Counter Records was set up to release the music by artists following a more rock music vein. The label's first release was (Super Numeri member) Pop Levi's single "Blue Honey" in September 2006, and was followed by Pop Levi's debut album The Return To Form Black Magick Party in February 2007. Subsequent artists to have releases on the label include Ape School, Cougar, cross-genre punk band The Death Set and The Heavy.

Artists[link]

• Ape School
• Cougar
• The Death Set
• The Heavy
• John Matthias
• Jono McCleery
• Pop Levi
• Spokes

Motion Audio[link]

Artists[link]

• Grey Reverend
• Lou Rhodes

Brainfeeder[link]

Ninja Tuna[link]

In 2008 Mr. Scruff launched his own new imprint, Ninja Tuna. The first release was Donkey Ride, a collaboration with Quantic, released in May 2008. This was followed by his 4th studio album, also entitled Ninja Tuna, and several further 12" singles to date.

Ntone[link]

Ninja Tune's first sister imprint was Ntone, a label that initially specialised in experimental music. The label released records from 1994 to 2001. Artists on the roster included Animals on Wheels, Cabbageboy, Hexstatic and Neotropic.

Artists[link]

• 2 Player
• Cabbageboy
• Drome
• Hex
• Journeyman
• Juryman
• Neotropic
• Omnium
• Override
• Purr
• Real Life
• Rhys Chatham & Jonathan Kane
• Rhys Chatham & Martin Wheeler
• Transcend

Ninja Tune compilations[link]

• The Original Sampler (July 1993, BS001)
• Ninja Cuts Funkjazztical Tricknology (March 1995, ZENCD15)
• Ninja Cuts Flexistentialism (24 March 1996, ZENCD22)
• ColdKrushCuts - Mixed by Coldcut / DJ Food & DJ Krush (February 1997, ZENCD26)
• Ninja Cuts Funkungfusion (28 April 1998, ZENCD33)
• Zentonedada (sampler from Ninja Tune, Ntone and Big Dada) (1999, ZENTONEDADA 001)
• Xen Cuts / Xen Cuts Missed Flipped and Skipped (September 2000, ZENCD49, ZENCD49X, ZEN49)

A three-disc version of Xen Cuts was also released (ZENCD 049X) which included Xen Cuts Missed Flipped and Skipped.

• Solesides Greatest Bumps (31 October 2000)
• Urban Renewal Program (August 2002, ZENCD72)
• Zentertainment 2002 (August 2002, ZEN2002)
• ZENtvDVD - Video Retrospective (2003, DVD containing 2 hours of Ninja Tune videos, ZENDV85)
• ZEN CD - A Ninja Tune Retrospective (January 2004, ZENCD85)
• ZEN RMX - A Retrospective of Ninja Tune Remixes (January 2004, ZENCD85R)
• Zentertainment 2004 (March 2004, ZEN2004)
• Zentertainment 2006 (July 2006, ZENCD2006)
• You Don't Know: Ninja Cuts (March 2008)
• Ninja Tune XX Vols 1 & 2 (September 2010)

Former employees[link]

• Alastair Nicholson - Head of Legal Affairs
• J. Swinscoe - Head of Export Sales

References[link]

External links[link]

• Official site
• Ninja Tune discography at Discogs
• Ninja Obsession
• Ping Pong Promotion agency of Ninja Tune in France.
• Ninja Tune Feature in Rip It Up Magazine
• Mafiagato's Ninja Obsession
• The Complete Digital Discography
• Discography at Rolldabeats.com
• Discography & Review at Djouls.com (Fr)
• Reviews by BBC
• Funki Porcini Interview at Freedom to Create 2010 (Phegon Blog)

See also[link]

• List of record labels
• List of electronic music record labels
• List of independent UK record labels

Amon Tobin
Tobin performing live in Luxembourg City
Background information
Birth name	Amon Adonai Santos de Araújo Tobin
Also known as	Cujo
Born	(1972-02-07) February 7, 1972 (age 40)
Origin	Rio de Janeiro, Brazil
Genres	Electronic, IDM, drum and bass, breakbeat
Occupations	DJ Producer Musician
Instruments	Synthesizers, keyboards, guitar, bass guitar, drums, saxophone, theremin, chapman stick, drum machine, sampler
Years active	1995–present
Labels	Ninja Tune Ninebar
Associated acts	Two Fingers, Eskamon
Website	amontobin.com

Amon Adonai Santos de Araújo Tobin (born February 7, 1972), known as Amon Tobin, is a Brazilian musician, composer and producer of electronic music.^[1] He is described as a virtuoso sound designer ^[2] and is considered to be one of the most influential electronic music artists in the world.^[3] He has released seven major studio albums since 1996 under the London-based Ninja Tune record label.

He is noted for his unusual methodology in sound design and music production. In 2007 he released Foley Room an album based entirely on the manipulation of field recordings. His latest album, 2011's ISAM, included "female" vocals made from his own voice synthesised.^[4] His music has been used in numerous major motion pictures including The Italian Job and 21. Tobin has created songs for several independent films, including the 2006 Hungarian film Taxidermia, and had his music used in other independent films such as the 2002 Cannes Palme d'Or winner Divine Intervention (Easy Muffin remixed by Bonobo). A selection of his tracks were also featured in the 2005 anime, IGPX. He has also dabbled in video game scores. In 2005, he created the musical score to Ubisoft's critically acclaimed and successful video game Tom Clancy's Splinter Cell: Chaos Theory as well as Sucker Punch's game Infamous.

Biography[link]

Early career (1995–1997)[link]

Tobin was born in Rio de Janeiro, Brazil. At the age of 2, he and his family left Brazil to live in Morocco, the Netherlands, London, Portugal and Madeira.^[1] Tobin settled in Brighton, England as a teenager which remained his permanent residence until 2002.^[5] There he began producing electronic music in his bedroom with samplers and other audio equipment such as an Amstrad Studio 100 4-track,^[6] although he was "not really involved in the [music] scene" at that time.^[7] While taking an editorial photography class at a university in Brighton, he responded to a magazine promotion for the London-based Ninebar record label asking artists to send in demos of their songs. Ninebar signed Tobin to the label in 1996 after hearing his early work, and he traveled between his home in Brighton and the studios in London to produce his first official works. He also spent some time living in Montreal before moving to the San Francisco Bay Area in 2008.

Under his original moniker Cujo (in Portuguese, the word for whose), he released a series of original compositions on 12-inch vinyl.^[8] Allmusic called them "head-turning" in a review.^[9] Many of those tracks were later included on his first full-length album Adventures in Foam, originally released in 1996 by Ninebar to a limited release of 5,000 copies.^[10]

The larger Ninja Tune record label had been growing in the United Kingdom at the time with help from their successful artists such as DJ Food, Funki Porcini, The Herbaliser, and Coldcut.^[11] DJ Food and Funki Porcini noticed Tobin's work on Adventures in Foam and prompted the label to approach him. Ninja Tune signed Tobin in late 1996, this time under his abbreviated name "Amon Tobin".^[12] The official Ninja Tune website has said that Adventures in Foam had been re-released without permission by the US-based Shadow Records that same year and that this unauthorized version, labeled the "US release", included only 7 of the original songs, different cover art, and that some tracks were titled incorrectly.^[13] In 1997 Ninja Tune acquired the proper licenses from Ninebar and re-released the album themselves. This version included the original album in its entirety, and a second disc containing previously unreleased material. As of 2008, copies of Shadow Record's "US version" are still sold by online retailer Amazon.com.^[14] Over the course of its production, Adventures in Foam has been reviewed favorably. Ryan Schreiber of Pitchfork Media said that its break-beat style "got totally out of hand", but that it "never fails to let the listener know who's in charge."^[15] The album was released for a fourth time in 2002, again by Ninja Tune.^[16]

Defining albums (1997–2002)[link]

	Amon Tobin "Sordid" (1998) noicon "Sordid" by Amon Tobin, from the album Permutation
Problems listening to this file? See media help.

Over the next several years, Tobin released three albums. Bricolage, released in 1997, was the culmination of two projects Tobin had started after his debut album earlier that year. His third album Permutation was released in 1998. In the late 1990s, sample-based music was becoming more popular with a wide range of emerging and developing genres, but Tobin himself was still largely unknown. Tobin's style of music was not seen as definitively belonging to one genre or another.^[17] The critics that commented on Bricolage and Permutation gave them positive reviews and they are often mentioned, by later reviewers and interviewers, as classic albums of the time. Pitchfork Media acclaimed the use of jazz instrument samples, comparing him to famous composers Quincy Jones and Miles Davis.^[18] In a 1999 review, they awarded Bricolage a very rare 10/10 and said that it was "one of the most inventive records of the decade."^[15]

Tobin released his fourth album, Supermodified in 2000.^[19] The album is regarded as his most commercial album to date.^[20] Critic reviews were generally positive, with Pitchfork rating the album 9.1/10,^[21] and Stylus Magazine saying, "Not many studio-bound electronic musicians could put forward such a vivid and dynamic statement or make it as entertaining and downright funky as Supermodified has managed to do."^[22]

Montreal (2002–present)[link]

	Amon Tobin "Back From Space" (2002) noicon "Back From Space" by Amon Tobin, from the album Out From Out Where
Problems listening to this file? See media help.

In 2002, Tobin relocated to Montreal, Canada where he had spent time previously at Ninja Tune's North American Headquarters.^[5] Tobin lived in the industrial area of Old Montreal to avoid noise complaints from neighbors after dark.^[23] There he produced his fifth album Out From Out Where released that same year. This was his first album created primarily in a professional studio.^[24] He later released a single, Verbal, taken from Out From Out Where.^[25] Otis Hart of Dusted Magazine said that Tobin's style of producing had come into its own. He acclaimed Tobin's "refined sense of tempo".^[26]

In January 2004, Tobin was contracted by video game company Ubisoft Montreal to compose the soundtrack for the third installment of their critically successful Tom Clancy's Splinter Cell series, Tom Clancy's Splinter Cell: Chaos Theory. To facilitate using the music in a video game, where the level of action or plot can change in real-time, each track was broken down by Tobin into four distinct but similar parts based on their level of intensity. The game's developers could then use each section to provide music based on the actions of the player.^[27] Despite not being an official album in Tobin's discography, it was considered a ground breaking work in the world of video game sound tracks described as "an entirely new era of media" by Tiny Mix Tapes^[28]

The album continued the trend Tobin started with Out From Out Where, as he used more field recordings during production.^[29] In addition to being included with the game, Ninja Tune released the score as an individual album in 2005, titled Chaos Theory – Splinter Cell 3 Soundtrack, several months before the game's release. It was received well, benefiting from a wider audience of reviewers in both the music and gaming industries. Ben Hogwood of MusicOMH.com applauded Tobin's use of melody and texture, adding that he controlled the sounds with the "clarity of a classical orchestrator."^[30] He later recorded a Dolby Digital 5.1 surround sound version of the album with audio engineer Bobby Azinsky in a dedicated Solid State Logic studio in Los Angeles.^[31]

Tobin's sixth studio album, Foley Room, was released in 2007. The title alludes to the "foley rooms" used by recording engineers and foley artists to record sound effects in the movie industry. On this album, Tobin concluded his transition away from prerecorded source material that started with Out From Out Where. All of the samples used for production were recorded by himself using an omnidirectional microphone.^[32] Recorded primarily in Montreal, San Francisco, and Seattle, the samples came from a wide range of sources including motorbikes, tigers, insects, and water falling from a tap.^[33] Also contributing to the album were the string quartet Kronos Quartet, drummer Stefan Schneider, and harpist Sarah Pagé.^[34] Foley Room's use of field-recordings was used to help promote the album, including two official pre-release trailers posted to YouTube. Nate Dorr of PopMatters.com called it a "smooth, natural progression" from his work on Supermodified.^[35] The first single, "Bloodstone", was released to the iTunes Music Store months before the rest of the album. Ninja Tune also published a DVD titled Foley Room: Found Footage which documented the recording process.^[33]

In 2008, Tobin announced he was working on a new video game soundtrack for an "undisclosed PS3 title".^[36] This was later revealed to be the PlayStation 3 exclusive game, inFamous, and in 2010, Tobin announced that he would be working on the music for Tom Clancy's Splinter Cell: Conviction.^[37] Recent works include "Hey Mr. Tree" as a 'Bonus Joint' to accompany his earlier 'Monthly Joint' collection, a remix of Noisia's "Machine Gun" released alongside remixes by 16 Bit and Spor, and a collaboration with ESKMO dubbed Eskamon. Eskamon has released a single "Fine Objects". A new AT record has also been officially announced via www.amontobin.com, for which he is "researching and developing new production tools and techniques" and using "a whole new array of gadgetry from the past and the future".

Amon Tobin's sounds and samples are frequently used in the British car-based TV show Top Gear, and his song "Four Ton Mantis" has been used in a few of the more recent Nissan Qashqai and Juke advertisements.

Musical style and influences[link]

Tobin is best known for his use of audio manipulation techniques, where any given source material is transformed to produce a new sound.^[38] His use of this technique has changed over the course of his career. On his original singles under Ninebar and his first three albums, Tobin acquired all of the sound sources to produce music from his personal collection of vinyl records. He manipulates the sounds with a combination of audio hardware and software such as Cubase,^[39] often leaving the original source unrecognizable in its new context.^[40] The majority of his early work focused on reordering the break beats from jazz and blues music into faster more complex patterns.^[24][41] Guido Farnell of InTheMix.com, wrote about his use of this technique, saying that Tobin has "taken the art to new and dizzying heights."^[29] His fifth album Out From Out Where, began the gradual shift away from prerecorded material by incorporating original guitar samples. His techniques began branching into technical sound design, taking break beats or single instruments, modifying specific frequencies, and producing new sounds.^[42] This trend continued through his video game score Tom Clancy's Splinter Cell: Chaos Theory Soundtrack, and by his sixth album, Foley Room, all of the source material was recorded in the field by himself. Speaking about the creativity of sample-based music compared to traditional instruments, he says that "creative input is not determined by your source material but in how you edit and manipulate the sounds."^[40]

Tobin experimented with various instruments. He does not come from a music family, nor has he had any formal training in music theory.^[43] About his music in general, Tobin says that he sees it as a "genuine" expression of the time he lives in, as he says that by contrast, blues, jazz, and Brazilian genres were "genuine" expressions of the 1960s.^[44] Despite his indirect connection with Brazilian genres, Tobin collaborated with a number of artists on Bebel Gilberto's 2000 bossa nova album Tanto Tempo.^[45] Tobin's albums are often compared to soundtracks,^[5] and he says that movies by David Lynch have influenced him. In addition, he has stated to like films by the Coen brothers, Dario Argento, and Roman Polanski.^[46]

Live performances[link]

Tobin performing at l'Ososphère music festival in Strasbourg

Tobin began performing live shows in clubs with other Ninja Tune artists after releasing his second album, Bricolage.^[47] His shows generally contained music that he had produced during his career, mixed with modified songs from drum and bass, hip-hop, or other genres.^[40] Because his music was entirely produced in a studio with electronics, Tobin was not interested in adapting his music to suit a Live PA incorporating musicians. He instead used turntables which he felt had more in common with his approach to music production. He is known for building Dolby Digital 7.1 surround sound speaker systems for his performances.

In 2011 Tobin has developed a live show in support of the album ISAM fitting his criteria for a performance that is both live and purely electronic. He told Wired Magazine “The idea was to integrate myself, quite literally, into an audio and visual presentation of the album,”.^[48] It incorporates the use of new video mapping techniques that are projected onto a large cubic structure from which Tobin performs. The show has been met with international acclaim described by Vice Magazine's Creators Project as "revolutionizing the live music experience".^[49]

Tobin has performed individual shows in many countries including tours in Europe, Australia, Japan, and the United States. His 2003 live performance in Melbourne, Australia was used for the fourth album in Ninja Tune's Solid Steel series because Tobin was not available to record a studio mix at the time.^[31] Many songs from the original recording were omitted because of copyright issues with the original artists, including the R&B group Destiny's Child.^[50]

A second Solid Steel album called Foley Room Recorded Live In Brussels was recorded in Brussels at the Ancienne Belgique in 2007 and was released for free in November 2008. According to Tobin's official website, "After months of back and forth and despite everyone’s best efforts the mix was in danger of being edited into the ground to accommodate big labels and publishers. Rather than release a compromised version commercially, the decision was made to give it away for free instead."^[51]

Discography[link]

Tobin has released eight major studio albums:

• 1996: Adventures in Foam
• 1997: Bricolage
• 1998: Permutation
• 2000: Supermodified
• 2002: Out From Out Where
• 2005: Chaos Theory – Splinter Cell 3 Soundtrack
• 2007: Foley Room
• 2011: ISAM

In addition, his body of work includes 21 extended play (EP) albums which contain several B-sides each, a live album for Ninja Tune's Solid Steel series, new material for various compilation albums, and original tracks available as free downloads on his website.^[52][53]

Tobin's music has been used in several major motion pictures including The Italian Job and 21.^[54][55] He has also produced tracks for a number of independent films, such as The Last Minute,^[56] and has created production music for the BMG Zomba commercial library which is used in various films.^[57] In 2006 he scored the soundtrack for the Hungarian horror film Taxidermia which was made available on his website.^[58] He also produced the score for the 2009 documentary Pax Americana and the Weaponization of Space.^[59]

In 2006 he began collaborating on a hip-hop oriented project with drum & bass/jungle producer Doubleclick and a number of guest vocalists. Under the name Two Fingers, the pair have released several singles^[29] followed by their self-titled debut album in 2009.

In April 2010, a small body of work Tobin composed and produced for the video game Tom Clancy's Splinter Cell: Conviction was available for streaming on his website.^[60]

In January 2011, his artist page was updated on Ninja Tune's official website, announcing a new album in 2011, called ISAM, as well as a Splinter Cell: Chaos Theory remix album. Later, the official Ping Pong Facebook page suggested that ISAM would be released on May 9, 2011. After being leaked by a journalist with a press copy of the album, ISAM was instead released on April 20, 2011.

Notes[link]

External links[link]

• Official Amon Tobin Website
• Official Two Fingers Website
• Official Amon Tobin page at Ninja Tune website
• Amon Tobin discography at Discogs
• Amon Tobin at Allmusic
• Amon Tobin at rolldabeats
• Amon Tobin career retrospective article at PopMatters
• Video on the Infamous Soundtrack

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (May 2010)

Wax Tailor is the alias of French trip hop/hip hop producer, Jean-Christophe Le Saoût^[1] (born 19 July 1975 in Vernon, Eure). He started in 2004 with two EP's (Lost The Way and Que Sera / Where My Heart's At). The first album Tales of the Forgotten Melodies was released in March 2005, mixing hip-hop, downtempo, trip-hop with samples extracted from movies. This album became one of the best selling electronic releases of the year^{[citation needed]}. The second album Hope & Sorrow released in April 2007. It was nominated for the French "Victoires de la Musique" and US Indie music award.

Background[link]

After being a host on a French radio in the Paris suburb of Mantes-La-Jolie, JC Le Saout started the French Rap band La Formule in the 1990s. He created his label Lab'Oratoire in 1998 and produced records from La Formule as well as Break Beat compilations and a collaboration with the Swedish band Looptroop. He began work on the Wax Tailor project in 2001, first appearing on a remix of Looptroop & La Formule's "Deep Under Water". Wax Tailor's first EP Lost The Way was released in 2004 and features contributions from Charlotte Savary, Marina Quaisse, and Big Dada rapper Infinite Livez. Other musicians who have appeared alongside Wax Tailor include North Carolina Hip-Hop duo The Others made up of Mattic, Johnny Madwreck "Madwreck" and DJ DR, Ursula Rucker, Sharon Jones, Voice and A State Of Mind.

His third album "In The Mood For Life" was released on September 22, 2009.

Winner of the 7th annual Independent Music Awards Vox Pop vote for best Dance/Electronica album "Hope & Sorrow"

Discography[link]

Albums[link]

• Tales of the Forgotten Melodies 2005
• Hope & Sorrow 2007
• In The Mood For Life 2009

EPs[link]

• Lost the Way 2004
• Que Sera/Where my Heart's at 2004
• Our Dance/Walk the Line 2006
• Positively Inclined/The Way We Lived 2007
• To Dry Up/The Games You Play 2007
• We Be/There is Danger 2008
• Say Yes 2009
• I Own You 2010

Remixes[link]

• Looptroop & La Formule - Deep under Water (Wax Tailor remix) 2001
• Olaf Hund - Kitch Kitch Myrtille Sauvage 2001
• Clover - Death of the Lonely Superhero (Wax Tailor remix) 2005
• Nina Simone - I Am Blessed 2008

Videos[link]

• I Own You (Charlie Winston & Wax Tailor)
• Say yes (A.S.M & Wax Tailor)
• Where my hearts at (Tenas)
• The Games You Play (Tenas)
• We Be (Mathieu Foucher)
• We be (Al'Arash Collectif)
• Positively Inclined (A.S.M)
• To Dry up (Laurent King)
• Hypnosis Theme (Hugo Arcier)
• Our Dance (Laurent King)
• Lost the Way (Seamus Haley)
• Dragon Chasers

Covers, references, and sampling[link]

• His track "Seize The Day" recorded with Charlotte Savary appears in the soundtrack of the 2008 film Paris by Cédric Klapisch.

References[link]

External links[link]

• Official Website
• Wax Tailor at Discogs
• Wax Tailor We Be : by Mathieu Foucher
• Wax Tailor artist page at Le Plan
• Wax Tailor at MusicBrainz
• Wax Tailor artistpage at Mole Listening Pearls

Charlotte Savary is a French female singer and songwriter. She lives in Paris and participates in different projects from electro-pop to trip-hop or folk. These projects are Felipecha and Wax Tailor. She also was a singer in a band called Clover (currently non-existing band).

Discography[link]

• 2004 : Clover – World's End Lane
• 2004 : Wax Tailor – Lost The Way (EP)
• 2005 : Wax Tailor – Tales of the Forgotten Melodies (featured on "Our Dance")
• 2006 : Wax Tailor – Our dance / Walk the line (EP)
• 2007 : Wax Tailor – Hope & Sorrow (featured on "The man With No Soul", "To Dry Up" et "Alien In My Belly")
• 2007 : Wax Tailor – The games you play / To dry up (EP)
• 2008 : Felipecha – De fil en aiguille
• 2009 : Wax Tailor – In The Mood For Life
• 2011 : Felipecha – Les Lignes de Fuite

External links[link]

• CharlotteSavary.com
• Charlotte Savary on Discogs

Ryan Price (born 13 March 1970) is an English former professional footballer who played as a goalkeeper in the Football League for Macclesfield Town.^[2] He was on the books of Birmingham City, but without playing in the League, and played non-League football for Stafford Rangers, Telford United, Tamworth and Hinckley United.

Career[link]

Price was born in Coven, near Wolverhampton, and began his football career as a trainee with Bolton Wanderers.^[1] He then joined Stafford Rangers, where he made 294 consecutive appearances beginning with his debut game in August 1988. After six seasons and 325 appearances,^[3] he joined Division Two club Birmingham City in 1994 for an initial fee of £20,000.^[4]

Price's time at Birmingham City was mostly spent as an understudy to first-choice goalkeeper Ian Bennett; his only first-team appearance came in the Football League Trophy in September 1994,^[1] but he received a winners' medal in that competition as an unused substitute in the final.^[5] Desire for regular football prompted a move to Macclesfield Town, where he was first choice for more than three years. Price changed division in three consecutive seasons with the Silkmen, winning consecutive promotions from the Football Conference and Division Three in 1996–97 and 1997–98, followed by relegation in 1998–99.

Price joined Conference club Telford United in December 1999, where he spent nearly two years^[6] before a move back to Stafford Rangers in November 2001 as both player and community officer. He left Stafford for the second time in March 2004 when he went back to Conference football with Tamworth.^[7]

Released by Tamworth at the end of the 2004–05 season,^[8] Price signed for their local rivals Hinckley United. He made 18 appearances in all competitions before being released in September 2006.^[9]

Price has been capped by England at semi-professional level six times.^[3]

References[link]

Infobox stats

• Stafford Rangers (Conference): Harman, John, ed. (2005). Alliance to Conference 1979–2004: The first 25 years. Tony Williams Publications. p. 619. ISBN 978-1-869833-52-7. 
• Birmingham, Macclesfield Town (Football League), Telford United: Ryan Price career stats at Soccerbase
• Macclesfield Town (Conference): Harman ed., Alliance to Conference, p. 433.
• Tamworth: Ryan Price career stats at Soccerbase
• Hinckley United: "Hinckley United Player Statistics Season 2005–2006". Hinckley United F.C. http://www.hinckleyunitedfc.co.uk/archive/2005-06/statapp.html. Retrieved 17 February 2010. 

General