Grief knot
Names	Grief knot, What knot, Whatnot, Grass bend, Reeving-line bend
Category	Trick
Category #2	Bend
Related	Reef knot, Thief knot, Granny knot
Releasing	Non-jamming
Typical use	Used for jokes and tricks. It unrolls itself under a light load.
Caveat	Highly insecure
ABoK	#1208, #1406, #1407, #1459, #1490, #2579

A grief knot (also what knot) is a knot which combines the features of a granny knot and a thief knot, producing a result which is not generally useful for working purposes. Its name is an example of a portmanteau, from granny and thief.

The grief knot resembles the granny knot, but tied so that the working ends come out diagonally from each other, whereas a granny knot's ends both come out on the same side. It unravels rather elegantly: as tension is applied, the ropes rotate like little cogs, each one twisting to feed the rope through the knot.^[1]

Tying[link]

To tie the grief knot, tie a single overhand knot, as if starting a reef knot. Then thrust the two free ends together down through the center of the just-tied overhand knot.^[2] Twist the free ends to form half hitches to lock, twist the other way for the granny knot-like configuration that rolls apart when the standing parts are pulled.

As a trick knot[link]

The starkly differing behavior of the knot, depending on how it is arranged, has been exploited as the basis of a parlor trick.^[1] When pulling on the standing ends the knot starts slipping and the working ends become crossed. By twisting the working ends so that they uncross and then recross in reverse, the knot's structure is changed so that it will no longer slip. The twisting motion has been paralleled to the turning of a key, "locking" and "unlocking" the knot.

Security[link]

Because the grief knot is known to slip apart "with astonishing ease",^[2] it is considered one of the most insecure of knots.^[3]

However, in its locked opposing half-hitch arrangement the grief knot has been used as a practical bend for tying together flat materials, such as straps, belts, blades of grass, and similar materials. This is because the flat shape helps to prevent the knot from accidentally "unlocking". When used in this manner the knot is known as a grass bend.^[4]

Related knots[link]

• 

  Reef (square) knot

• 

  Thief knot

• 

  Granny knot

• 

  Grief knot

See also[link]

• List of binding knots
• List of knots

References[link]

External links[link]

• The Reef Knot Family

Some knots

1. Yarn knot ABoK #2688
2. Manrope knot
3. Granny knot
4. Rosebud stopper knot (?)
5. Matthew Walker's knot
6. Shroud knot
7. Turks head knot
8. Overhand knot, Figure-of-eight knot
9. Reef knot, Square knot
10. Two half hitches

A knot is a method of fastening or securing linear material such as rope by tying or interweaving. It may consist of a length of one or several segments of rope, string, webbing, twine, strap, or even chain interwoven such that the line can bind to itself or to some other object—the "load". Knots have been the subject of interest for their ancient origins, their common uses, and the area of mathematics known as knot theory.

Use[link]

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There is a large variety of knots, each with properties that make it suitable for a range of tasks. Some knots are used to attach the rope (or other knotting material) to other objects such as another rope, cleat, ring, or stake. Some knots are used to bind or constrict objects. Decorative knots usually bind to themselves to produce attractive patterns.

Teaching[link]

Sailors learning knots and ropework in the early 20th century

While some people can look at diagrams or photos and tie the illustrated knots, others learn best by watching how a knot is tied. Knot tying skills are often transmitted by sailors, scouts, climbers, cavers, arborists, rescue professionals, fishermen, linemen and surgeons.

Applications[link]

Truckers in need of securing a load may use a trucker's hitch, gaining mechanical advantage. Knots can save a spelunker from finding himself buried under rock. Many knots can also be used as makeshift tools, for example, the Bowline can be used as a rescue loop, and the Munter hitch can be used as a belay. The Diamond hitch was widely used to tie packages on to donkeys and mules.

In hazardous environments such as mountains, knots are very important. In the event of someone falling into a ravine or a similar terrain feature, with a rope or two, some carabineers, and knowledge of knots you can set up a rappel system to lower yourself down to the individual and set up a hauling system to allow another individual to pull you and the injured person out of the ravine. Further application of knots includes developing a high line, which is basically equivalent to a zip line. Using the high line you can move supplies, injured people, or those lacking training in rappelling and rock climbing across a river or a large crevice or ravine. Note the systems mentioned typically require carabineers and the use of multiple useful knots. These knots include the bowline, double figure eight, munter hitch, munter mule, prusik, autoblock, and clove hitch. Thus any individual who goes into a mountainous environment should have basic knowledge of knots and knot systems to increase safety and the ability to do interesting activities such as rappelling.

Knots can be applied in combination to produce complex objects such as lanyards and netting. In ropework, the frayed end of a rope is held together by a type of knot called a whipping knot. Many types of textiles use knots to repair damage. Macrame, one kind of textile, is generated exclusively through the use of knotting, instead of knits, crochets, weaves or felting. Macramé can produce self-supporting three dimensional textile structures, as well as flat work, and is often used ornamentally or decoratively.

Properties[link]

Strength[link]

Knots weaken the rope in which they are made.^[1] When knotted rope is strained to its breaking point, it almost always fails at the knot or close to it, unless it is defective or damaged elsewhere. The bending, crushing, and chafing forces that hold a knot in place also unevenly stress rope fibers and ultimately lead to a reduction in strength. The exact mechanisms that cause the weakening and failure are complex and are the subject of continued study.

Relative knot strength, also called knot efficiency, is the breaking strength of a knotted rope in proportion to the breaking strength of the rope without the knot. Determining a precise value for a particular knot is difficult because many factors can affect a knot efficiency test: the type of fiber, the style of rope, the size of rope, whether it is wet or dry, how the knot is dressed before loading, how rapidly it is loaded, whether the knot is repeatedly loaded, and so on. The efficiency of common knots ranges between 40—80% of the rope's original strength.^[2]

In most situations forming loops and bends with conventional knots is far more practical than using rope splices, even though the latter can nearly maintain the rope's full strength. Prudent users allow for a large safety margin in the strength of rope chosen for a task due to the weakening effects of knots, aging, damage, shock loading, etc. The working load limit of a rope is generally specified with a significant safety factor, up to 15:1 for critical applications.^[3] For life-threatening applications, other factors come into play.

Security[link]

Even if the rope does not break, a knot may still fail to hold. Knots that hold firm under a variety of adverse conditions are said to be more secure than those that do not. The main ways knots fail to hold are:

Slipping[link]

The load creates tension that pulls the rope back through the knot in the direction of the load. If this continues far enough, the working end passes into the knot and the knot unravels and fails. This behavior can worsen when the knot is repeatedly strained and let slack, dragged over rough terrain, or repeatedly struck against hard objects such as a masts and flagpoles.

Even with secure knots, slippage may occur when the knot is first put under real tension. This can be mitigated by leaving plenty of rope at the working end outside of the knot, and by dressing the knot cleanly and tightening it as much as possible before loading. Sometimes, the use of a stopper knot or, even better, a backup knot can prevent the working end from passing through the knot; but if a knot is observed to slip, it is generally preferable to use a more secure knot. Life-critical applications often require backup knots to maximize safety.

Capsizing[link]

Bowline

Capsizing (or spilling) a knot refers to changing a knot's form and rearranging its parts, usually by pulling on specific ends in certain ways.^[2] When used inappropriately, some knots tend to capsize easily or even spontaneously. Often the capsized form of the knot offers little resistance to slipping or unraveling. A Reef Knot, when misused as a bend, can capsize dangerously.

Sometimes a knot is intentionally capsized as a method of tying another knot, as with the "lightning method" of tying a Bowline. Some knots, such as the Carrick Bend, are generally tied in one form then capsized to obtain a stronger or more stable form.

Sliding[link]

In knots that are meant to grip other objects, failure can be defined as the knot moving relative to the gripped object. While the knot itself does not fail, it ceases to perform the desired function. For instance, a simple Rolling Hitch tied around a railing and pulled parallel to the railing might hold up to a certain tension, then start sliding. Sometimes this problem can be corrected by working-up the knot tighter before subjecting it to load, but usually the problem requires either a knot with more wraps or a rope of different diameter or material.

Releasability[link]

Knots differ in the effort required to untie them after loading. Knots that are very difficult to untie, such as the water knot, are said to "jam". Knots that come untied with less difficulty, such as the Zeppelin bend, are referred to as "non-jamming".

Components[link]

Knot components

A	Turn
B	Round turn
C	Two round turns

[edit] Bight

Any curved section, slack part, or loop between the ends of a rope, string, or yarn

Bitter end[link]

More a ropeworker's term than a knot term, it refers to the end of a rope that is tied off, hence the expression "hanging on to the bitter end".^{[citation needed]} A bitt is a metal block with a crosspin used for tying lines to, found on piers. In fact the bitter end is the end of the anchor "cable" that connects to the anchor bitts in the cable locker under the forecastle or poop using the bitter pin. (British nautical usage). Other uses may be borrowed from this derivation.

Loop[link]

A full circle formed by passing the working end over itself

Elbow[link]

Two crossing points created by an extra twist in a loop

Standing end[link]

The standing end is the longer end of the rope not involved in the knot, often shown as unfinished. It is often (but not always) the end of the rope under load after the knot is complete. For example, when a clove hitch ties a boat to a pier, the end going to the boat is the standing end.

Standing part[link]

Section of line between knot and the standing end (seen above)

[edit] Turn

A turn or single turn is a single pass behind or through an object.

A round turn is the complete encirclement of an object; requires two passes.

Two round turns circles the object twice; requires three passes.

Working end[link]

The active end of a line used in making the knot. May also be called the 'running end', 'live end', or 'tag end'.

Working part[link]

Section of line between knot and the working end

Categories[link]

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (July 2011)

Further information: List of knot terminology

The list of knots is extensive, but common properties allow for a useful system of categorization. For example, loop knots share the attribute of having some kind of an anchor point constructed on the standing end (such as a loop or overhand knot) into which the working end is easily hitched to using a round turn. An example of this is the bowline. Constricting knots often rely on friction to cinch down tight on loose bundles; an example is the Miller's knot. Knots may belong to more than one category.

Bend 

A knot uniting two lines (for knots joining two ends of the same line, see binding knots or loops). List of bends.

Binding 

A knot that restricts object(s) by making multiple winds. List of binding knots.

Coil 

Knots used to tie up lines for storage. Another handy coil is here.

Decorative knot 

A complex knot exhibiting repeating patterns often constructed around and enhancing an object. List of decorative knots.

Hitch 

A knot tied to a post, cable, ring, or spar. List of hitch knots.

Lashing 

A knot used to hold (usually) poles together. List of lashing knots.

Loop 

A knot used to create a closed circle in a line. List of loop knots.

Plait (or braid)

A number of lines interwoven in a simple regular pattern. List of plait knots.

Slip (or running) 

A knot tied with a hitch around one of its parts. In contrast, a loop is closed with a bend. While a slip knot can be closed, a loop remains the same size. List of slip knots.

Slipped 

Some knots may be finished by passing a bight rather than the end, for ease of untying. The common shoelace knot is an example, being a reef knot with both ends slipped.

Seizing 

A knot used to hold two lines or two parts of the same line together. List of seizing knots.

Sennit 

A number of lines interwoven in a complex pattern. See also Chain sinnet.

Splice 

A knot formed by interweaving strands of rope rather than whole lines. More time-consuming but usually stronger than simple knots. List of splices.

Stopper 

A knot tied to hold a line through a hole.

Trick 

A knot that is used as part of a magic trick, a joke, or a puzzle. List of trick knots.

Whipping 

A binding knot used to prevent another line from fraying.

Basic useful knots[link]

• Alpine butterfly knot for a secure loop in the middle of a rope when the ends aren't free
• Bowline for tying a loop in the end of a rope, as around one's waist or to secure a ring or grommet. The knot is also used as an anchor knot and is used in many knot systems that are used in mountainous terrain such as a highline or hauling system.
• Constrictor knot for making bundles or cinching the neck of a sack
• Figure-of-eight knot as a stopper
• Monkey's fist used to haul a heavier rope
• Prusik for ascending a rope
• Sheet bend for joining the ends of two ropes, which need not be the same diameter
• Double sheet bend for tying the ends of two dissimilarly sized ropes together
• Spanish bowline Used to hoist crewmen aloft or suspend them over the side
• Square knot, a binding knot for joining the ends of a piece of cordage wrapped around an object or objects
• Versatackle hoist heavy loads and tighten rigging
• Water knot for tying a knot in flat material such as nylon webbing

Hitches[link]

• Buntline hitch for tying a rope to a pole
• Diamond hitch for packing trail animals
• Midshipman's Hitch (also known as a Taut-line Hitch, below)
• Rolling hitch for securing a rope to a pole, or one rope to the middle of another
• Taut-line hitch for forming an adjustable loop that keeps its size under tension
• Timber hitch for securing or hauling long narrow loads
• Trucker's hitch for clinching down a load

Knot theory[link]

A trefoil knot is a mathematical version of an overhand knot.

Knot theory is a branch of topology. It deals with the mathematical analysis of knots, their structure and properties, and with the relationships between different knots. In topology, a knot is a figure consisting of a single loop, abstracted from any physical rope or line, with any number of crossing or "knotted" elements. As such, it has no proper ends, and cannot be undone or untied. Various mathematical techniques are used to classify and distinguish knots. For instance, the Alexander polynomial can be used to distinguish the trefoil knot from the figure-eight knot and the unknot (a simple loop).^{[citation needed]}

See also[link]

• Chinese knotting
• List of decorative knots
• List of knots
• List of knot terminology
• Knot (mathematics)
• Quipu
• Round turn and two half-hitches

References[link]

Footnotes[link]

Notations[link]

• Clifford W. Ashley. The Ashley Book of Knots. Doubleday, New York. ISBN 0-385-04025-3
• Geoffrey Budworth (1999). The Ultimate Encyclopedia of Knots & Ropework. Annes Publishing Limited. ISBN 1-55267-986-1
• John Cassidy (1985). The Klutz Book of Knots. Klutz Press, Palo Alto, California. ISBN 0-932592-10-4
• Cyrus L. Day. Knots & Splices. International Marine/McGraw-Hill Companies. ISBN 0-87742-252-4
• Raoul Graumont. Handbook of Knots. Cornell Maritime Press/Tidewater Publishers. ISBN 0-87033-030-6
• R.S. Lee. All The Knots You Need. Algrove Publishing. ISBN 0-921335-47-4
• Allen Padgett and Bruce Smith. On Rope. National Speleological Society. ISBN 0-9615093-2-5
• Des Pawson (2001). Pocket Guide to Knots & Splices. Produced for Propsero Books by RPC Publishing Ltd., London. ISBN 1-55267-218-2
• Brion Toss. The Complete Rigger's Apprentice. International Marine/McGraw-Hill Companies. ISBN 0-07-064840-9
• J.C. Turner and P. van de Griend (ed.) (1996). History and Science of Knots. World Scientific. ISBN 981-02-2469-9

External links[link]

Wikibooks has a book on the topic of Simplified list of knots

Wikimedia Commons has media related to: Knots

• Knots at the Open Directory Project
• The short film Knots, Bends And Hitches (1973) is available for free download at the Internet Archive [more]
• Over 350 Knot Videos - videos are demonstrating animated knots tying

LeAnn Rimes
LeAnn Rimes in October 2009
Background information
Birth name	Margaret LeAnn Rimes
Also known as	LeAnn Rimes LeAnn Rimes Sheremet LeAnn Rimes Cibrian
Born	(1982-08-28) August 28, 1982 (age 29) Jackson, Mississippi
Origin	Dallas, Texas, U.S.
Genres	Country, pop
Occupations	Singer, songwriter, actress, author
Years active	1991–present
Labels	Curb
Associated acts	Eddie Cibrian, Ronan Keating, Brian McFadden, Marc Broussard, Elton John, Bon Jovi, Hal Ketchum, Reba McEntire
Website	www.leannrimesworld.com

Margaret LeAnn Rimes Cibrian (born August 28, 1982), best known as LeAnn Rimes, is an American country/pop singer. She is known for her rich vocals and her rise to fame as an eight-year-old champion on the original Ed McMahon version of Star Search, followed by the release of the Bill Mack song "Blue" when she was 13 to become the youngest country music star since Tanya Tucker in 1972.^[1]

Rimes made her breakthrough into country music in 1996 with her debut album, Blue, which reached #1 on the Top Country Albums chart and was certified multiplatinum in sales by the Recording Industry Association of America (RIAA). The album's eponymous leadoff single, "Blue," was originally intended to be recorded by Patsy Cline in the early 1960s. It became a Top 10 hit and Rimes gained national acclaim for her similarity to Cline's vocal style. When she released her sophomore studio effort in 1997, You Light up My Life: Inspirational Songs, she moved towards country pop material, which set the trend for a string of albums released into the next decade.^[1][2]

Rimes has won many awards, including two Grammys, three ACMs, a CMA, 12 Billboard Music Awards, and one American Music award.^[3] She has also released ten studio albums and three compilation albums and two greatest hits albums, one released in the US and the other released internationally, through her record label of 13 years, Asylum-Curb, and placed over 40 singles on American and international charts since 1996. She has sold over 37 million records worldwide, with 20.3 million album sales in the United States according to Nielsen SoundScan.^[4] Billboard ranked her 17th artist of the 1990-00 decade.^[5] Rimes has also written four books, two novels and two children's books.

Early life[link]

Margaret LeAnn Rimes was born in Star, Mississippi. She is the only child of Belinda Butler Rimes and Wilbur Rimes. The family relocated to Garland, Texas when she was six years old. She was singing by the age of two, was enrolled in vocal and dance training, and by the age of five was performing at local talent shows.^[6][7] Rimes initially began her career in musical theatre, performing in a Dallas, Texas production of A Christmas Carol, and almost landed the lead part in the Broadway production of Annie. However, after appearing on the network television competition show — and clearly charming host Ed McMahon in addition to the more important fact of being a one-week champion on — Star Search, Rimes decided to pursue a career in country music. Following her national television appearance, Rimes made a number of appearances on Johnnie High's Country Music Revue in Arlington, Texas, which garnered the attention of national talent scouts.^[7]

By the age of nine, Rimes was already an experienced singer. She toured nationally with her father and also regularly performed a cappella renditions of "The Star Spangled Banner" at the opening ceremonies of the Dallas Cowboys football games. In order to bring his daughter more national attention, Wilbur Rimes began recording his daughter under the independent label Nor Va Jak when she turned eleven. She released three albums under the label between 1992 and 1996.^[7]

Rimes was discovered by Dallas disc jockey and record promoter Bill Mack. Mack was impressed by Rimes' vocal ability, and over the following three years, he made various attempts to bring Rimes to a mainstream level. The center of Mack's plan to bring her success was his self-penned composition, "Blue," which he had originally sung and released in 1958 as his own single for Starday Records.^[8][9] His song did not become popular, and Mack claimed he intended "Blue" to be re-recorded and made a hit record by Patsy Cline, but she had been killed in a plane crash before ever recording the composition.^[10] By 1995, Mack was able to gain Rimes a contract with Curb Records, after record executives heard Rimes sing "Blue."

Music career[link]

[edit] 1996: Blue

After signing with Curb, Rimes re-recorded a new version of "Blue" that was to be released on her debut studio album on the label. In 1996, the new version of "Blue" was released as a single, peaking at Number 10 on the Billboard Country Chart.^[11] While Curb was releasing "Blue," a claim was also sent out that Mack had been waiting over 30 years to find the perfect artist to record "Blue." However, the story was later found to be an exaggeration, as it was discovered that "Blue" had already been recorded by at least three different artists. Mack himself in 1958 and Kenny Roberts in the 1960s both released the song on Starday Records. In 1993, Australian country artist Kathryn Pitt released her own version as a single from her album "Look Out" in her native country. The story, though, was continually spread throughout the national press, adding to the idea that Rimes was the successor to Patsy Cline's legacy.^[6] Rimes's album Blue was also released in 1996, and sold 123,000 copies in its first week, which was the highest figure in SoundScan history up to that point. The album peaked at Number 1 on the Top Country Albums and debuted at Number 3 on the Billboard 200 albums chart, eventually selling a total of four million copies in the United States and 8 million copies worldwide.^[2][6][12] Allmusic considered the album to be "delightful" and that it could "help inspire other young teens."^[13] Rimes followed up the single with several charting country singles from her 1996 album, starting with "One Way Ticket (Because I Can)", which reached Number 1 on the Billboard Country Chart in 1996. She also released a duet single with Eddy Arnold from the album, a remake of his 1955 hit "The Cattle Call".^[1][11] The album's other hits included the Top 5 "The Light in Your Eyes" and the minor hit "Hurt Me."

With the album's success, Rimes received many major industry awards. In 1997, she won the Country Music Association's "Horizon Award," becoming the youngest person to ever be nominated and win a Country Music Association award. The following year she was awarded Grammy Awards, one for Best New Artist and another for Best Female Country Vocal Performance for "Blue". She is the youngest person to win a Grammy, at 14 years old. She was also the first Country music artist to win the Best New Artist.^[6]

1997–2001: Pop crossover and worldwide success[link]

LeAnn Rimes performing a free concert for the airmen at Ramstein Air Base, Germany on September 23, 2004.

In 1997, Rimes released a compilation of previously recorded material under the Nor Va Jak label, Unchained Melody: The Early Years. The album mainly consisted of cover versions, ranging from Country to pop covers, including songs originally recorded by The Beatles, Whitney Houston, Bill Monroe, and Dolly Parton.^[14] Rimes' version of the title track became a major country hit in early 1997 and helped increase sales for the album.^[11] In September 1997, Rimes released her follow-up studio album to Blue titled You Light Up My Life: Inspirational Songs. The album covered classic inspirational songs, such as "Clinging to Saving a Hand" and "Amazing Grace". It also featured pop music remakes of songs such as Debby Boone's "You Light Up My Life" and Bette Midler's "The Rose". The album was a departure from Rimes' previous releases as it contained more Adult Contemporary-styled music than Country.^[15] The album sold over four million copies in the United States, certifying 4× Multi-Platinum by the Recording Industry Association of America.^[16] The album contained the single "How Do I Live", which became a major pop hit on the Billboard Hot 100, reaching Number 2.^[11] "How Do I Live" set a new record for becoming the longest-running single in Billboard Hot 100 history, spending 69 weeks on the chart.^[12] The song was originally recorded for the film Con Air, along with a version also recorded by Trisha Yearwood. Yearwood's manager at the time had told the press that Rimes' version sounded "too pop". Therefore Rimes' version received little country airplay (only reaching Number 43) and was rejected for the film. Yearwood's rendition was released to country radio shortly afterwards, peaking at Number 2 on the Billboard Country Chart in 1997, becoming the country hit instead of Rimes' version.^[11][17] On October 13, 1997 she published her first novel entitled Holiday in Your Heart along with Tim Carter.^[18]

Rimes released her third album for Curb in May 1998, Sittin' on Top of the World. The album leaned more progressively towards Adult Contemporary and mid-tempo pop music. It included pop material written by Carole Bayer Sager and David Foster.^[2] It also included a remake of Prince's "Purple Rain" and was produced by her father. The album was given mixed reviews. Allmusic gave the album two out of five stars.^[19] Rolling Stone said Rimes vocal style "holds her own in the more popular style of Mariah Carey and Celine Dion, wherein a spectacular voice upstages a song, grins and goes on about her business."^[20] Upon its release, Sittin' on Top of the World debuted at Number 2 on the Top Country Albums chart, and Number 3 on the Billboard 200,^[21] and sold over a million copies in the United States, certifying "Platinum" in sales by the RIAA.^[16] The album spawned the Number 4 Country hit "Commitment", the Top 20 Pop hit "Looking Through Your Eyes", and the Number 10 country hit "Nothin' New Under the Moon".^[11]

Rimes released her fourth studio album for Curb, LeAnn Rimes, in October 1999, a collection of country standards.^[22] The album covered songs mainly by Patsy Cline – which included "Crazy", "I Fall to Pieces", and "She's Got You" – that were primarily taken from her 12 Greatest Hits album. The album also covered Marty Robbins's "Don't Worry" and Kris Kristofferson's "Me and Bobby McGee". The album included one new song, "Big Deal". The song gained many positive reviews. Allmusic called the song, "a return to her roots" and "a salute to one of her idols, Patsy Cline." The album in general received much praise. Allmusic called the album one of her "better" efforts, since they had disliked her previous releases.^[23] Entertainment Weekly gave the album a positive review and said that Rimes's voice, "dares listeners to take note of what is missing in her interpretations -- the gutsiness and gut-wrenching urgency of performers who felt what they sang."^[24] The album was a major success like her previous releases, debuting at Number 1 on the Top Country Albums chart, topping the country albums chart for two weeks. In addition, it also peaked at Number 8 on the Billboard 200 albums chart.^[25][26] The album also sold over one million copies in the United States, and was certified "Platinum" in sales by the RIAA.^[16] The album's new song, "Big Deal", was the lead single off the album, and became a Top 10 country hit that year, peaking at Number 6.^[11] Also in 1999, Rimes recorded a duet with Elton John for the stage musical Aida, titled "Written in the Stars".^[7] The song became a Top 40 hit on the Billboard Hot 100. The album would spawn a second single, a cover of Cline's "Crazy" that was released outside of the United States.

In 2000, Rimes would make her full crossover into pop music. On March 8, 2000, Rimes contributed to the soundtrack from the 1999 TV movie Jesus,^[11] called Jesus: Music From & Inspired by the Epic Mini Series.^[27] The song, "I Need You", would be released as a single from the soundtrack on July 18, 2000.^[28] "I Need You" was characterized by Allmusic as having similarities to that of Adult Contemporary and Pop music.^[29] The song became a Top 10 country hit and also a major pop hit, reaching Number 11 on the Hot 100. Rimes would make her first theatrical acting debut in the 2000 film Coyote Ugly. She would also contribute four songs for the film's soundtrack on August 1, 2000.^[30] Two singles were released from the Coyote Ugly soundtrack. "Can't Fight the Moonlight" was released as a single for the soundtrack on August 22, 2000 with the second single from the soundtrack, "But I Do Love You", as the B-side track.^[31] By February 2002 "Can't fight the Moonlight" became a crossover Pop hit, reaching Number 11 in United States and becoming the highest selling single of 2001 in Australia. "Can't Fight the Moonlight" won Rimes a Blockbuster Entertainment Award for "Favorite Song from a Movie."^[26]

In January 2001, Curb Records released another compilation of previously recorded material, I Need You. The album topped the Top Country Albums chart for one week, and also peaked at Number 10 on the Billboard 200.^[26] I Need You did not garner praise from many critics and was mainly given negative reviews. Rolling Stone gave the album two and a half out of five stars and called the album, "synthetic-feeling."^[32] Despite very little praise from critics, the album was sold well, certifying "Gold" in sales by the RIAA.^[16] Rimes would later go on to publicly disown the album, which she stated was compiled together from studio outtakes her father had produced and that it was released without her knowledge or input.^[33] At the time, during the litigation with her label, Rimes was asking "that Curb give Rimes the rights to all past recordings and videos, give up all publishing interests in her compositions and destroy all currently available recordings."^[34]

In mid-October 2001, Curb released a compilation of patriotic and inspirational songs, titled God Bless America, in order to benefit the disaster recovery for the September 11 attacks. It included the title track, which she released as a single, as well as inspirational songs such as "The Lord's Prayer" and "The Sands of Time".^[35]

[edit] 2002–04: I Need You, Twisted Angel, Greatest Hits

LeAnn Rimes performing a free concert for the airmen at Ramstein Air Base, Germany on September 23, 2004.

In February 2002 Rimes reissued the I Need You album with nine of the songs originally released on the album, an extended version of the song You Are, the song "Light the Fire Within", which she sang at the 2002 Winter Olympics in Salt Lake City, and 4 bonus remixes. Rimes would later that year release her seventh album (sixth studio album) titled Twisted Angel, which contained more adult material.^[11] After battling managerial control over her career the previous year, Twisted Angel became the first album released by Rimes that was not produced by her father.^[36] Instead, Rimes executive produced the album. A month following the album's release, Twisted Angel was certified "Gold" by the RIAA, her second Gold-certified album.^[16] The album received mainly negative reviews by most music critics and magazines. Allmusic stated that the album could possibly "alieniate her from her original fans" and "the songwriting is a little uneven."^[36] Rolling Stone gave the album two out of five stars, stating that the album sounded too "country-pop crossover."^[37] The album peaked at Number 3 on the Top Country Albums chart and Number 12 on the all-genre Billboard 200 chart.^[38] Three singles were spawned from the album between 2002 and 2003, however none of the singles were Top 40 hits on the country or pop charts. The lead single, "Life Goes On", reached the Top 40 only on the Hot Adult Contemporary Tracks chart, peaking at Number 19. The second single, "Suddenly", only peaked at 43 on the US Country charts, 47 on the UK charts and 53 on the Australian charts.

The following year when Rimes turned 21, she released her first children's book entitled Jag in July^[39] and she also released a Greatest Hits compilation in November.^[26] The album recapped Rimes' major hits under Curb records from "Blue" in 1996, to "Life Goes on" in 2002. The album peaked at Number 3 on the Top Country Albums chart and Number 24 on the Billboard 200 in November.^[40][41] Featured on the album was the song, "We Can", which was originally released as a single for the Legally Blonde 2 soundtrack in July 2003. The album would eventually be certified "Platinum" in 2007.

In 2004, Rimes released a sequel to Jag entitled Jag's New Friend in September^[42] and in October she also issued her first holiday-themed album titled, What a Wonderful World.^[26]

[edit] 2005–06: Return to country; This Woman

In January 2005, Rimes released her seventh studio album, This Woman, her first album of contemporary country music in many years.^[6] Although the album received mixed reviews from magazines and critics, it was Rimes' best-selling album in over five years,^[43] reaching Number 3 on the Billboard 200 and Number 2 on the Top Country Albums chart in 2005,^[44] selling more than 100,000 copies within its first week. Rimes explained to the Chicago Sun-Times that the album helped mature her as a person, "I have 10 years of experience, so it's tough to get anything past me in this business. I've become a very strong woman because of all I've gone through, good and bad."^[12] This Woman would eventually be certified "Gold" later in 2005, after selling more than 500,000 units nationwide.^[26] The album's singles were Rimes's first Top 10 hits on the Hot Country Songs chart in five years. The three singles released from the album — "Nothin' 'Bout Love Makes Sense", "Probably Wouldn't Be This Way", and "Something's Gotta Give" — all peaked within the Top 5 on the country charts between 2005 and 2006.^[11] From the album, Rimes was nominated for a Grammy award for Best Female Country Vocal Performance for "Something's Gotta Give". In addition, she was also nominated for an American Music Award for "Favorite Female Country Artist." In 2006, Rimes recorded a cover version of Barbara Mandrell's "If Loving You Is Wrong (I Don't Want to Be Right)", for a tribute album to Mandrell's career titled, She Was a Country When Country Wasn't Cool: A Tribute to Barbara Mandrell.^[26] Rimes also would record a track for Disneyland's fiftieth anniversary celebration album titled, "Remember When."^[7]

In summer 2006, Rimes released the studio album Whatever We Wanna, which was released exclusively outside of the United States and Canada. It was originally planned on being released in North America, however due to the success of This Woman, it was never released. The album spawned three singles, "And It Feels Like", a duet with Brian McFadden titled, "Everybody's Someone" and "Strong". The album leaned more towards Pop Rock and R&B music instead of country.^[45]

Rimes would release one final single in the US from her album This Woman in August 2006 called "Some People" which would peak at 34 on the US country charts.

[edit] 2007–09: Family

Rimes took a two year break, and then released her next studio album in October 2007, Family. The album was a mix of country, pop, and rock music, and included a duet with Bon Jovi, "Til We Ain't Strangers Anymore".^[12] Family was the first album released by Rimes in which every track was co-written by Rimes herself.^[43] Rolling Stone said the songs on the album are "uneven" and rated it three and half out of five stars.^[46] Allmusic gave Family four out of five stars and said that the album, "illustrates her range as a singer along with some true strength as a writer."^[47] The album helped nominate Rimes for the Academy of Country Music's "Top Female Vocalist" award in 2008.^[12] The album's lead single, "Nothin' Better to Do" was released in mid 2007, and peaked at Number 14 on the Billboard Country Chart before the end of the year. The album has released two singles to date; "Good Friend and a Glass of Wine" and "What I Cannot Change."^[6]

In 2008, Rimes toured with Kenny Chesney where she opened every show on his 2008 Poets and Pirates Tour, along with other artists on select dates such as Brooks & Dunn, Keith Urban, Sammy Hagar, Gary Allan, Big & Rich, and Luke Bryan.^[48] In late 2008, Rimes was nominated for a Grammy award for Best Female Country Vocal Performance for "What I Cannot Change", the third single from the album.^{[citation needed]}

In 2008, she recorded For Good with Delta Goodrem for the Wicked 5th Anniversary album.^[49] LeAnn teamed up with Joss Stone for a CMT Crossroads special aired in fall 2007.^[50]

In 2009, Rimes published What I Cannot Change along with song co-writer, Darrell Brown. It was released on April 14, 2009 and contains a bonus CD with an exclusive live performance of the song and both Brown and Rimes reading excerpts from the book.^[51]

[edit] 2010—: Lady & Gentlemen and Spitfire

Despite singing new material at several live shows earlier in the year, it was announced, on May 24, 2010 by Rimes via her Twitter account, that her new studio album would be a cover album of country songs, titled Lady & Gentlemen.^[52][53] The first single from the album was a cover of John Anderson's 1983 single, "Swingin'. Rimes first debuted the song at the 2010 CMT Music Awards. The single was released on June 8, 2010. On November 8, 2010, Rimes released her second single titled "Crazy Women" to radio. "Crazy Women," A re-recording of "Blue" and "Tonight the Bottle Let Me Down" were announced, in the same post, as the three extra tracks that Rimes went back in the studio to add to the album. A third single, "Give", debuted at #60 in July 2011. Rimes announced via her Twitter account on July 17, 2011 that the new release date for her Lady & Gentlemen album would be September 27, 2011. She also stated that her next studio album is already done and will be released next year.^[54] Rimes went back into the studio in March to record fifteen more songs for her new album, Spitfire,^[55] which will be released in fall 2012.^[56] It is to be the last contractually-obligated album under Rimes' contract with Curb Records.^[57][58] On April 4, 2012, Rimes was featured on the song, "The Choice", which was released by Soles4Souls as a charity single to help the foundation put 500,000 pairs of shoes on children who live without.^[59][60]

Musicianship[link]

Vocal ability and musical stylings[link]

Since her debut in 1996, Rimes' voice and vocal style have often been compared to and identified with Patsy Cline. Cline showed distinctive emotional expression in most of her material. Rimes has also used distinctive emotional expression in many of her songs, most notably her first single, "Blue", which was sung in the style of Cline. Rimes' vocal similarities to Cline had brought wide interest to the idea that Rimes was the successor to Cline's legacy, and brought her novelty appeal. Many music critics have argued that Rimes' vocals were only a reproduction of Cline's original sound, while others have disagreed.^[7] Allmusic has called Rimes' vocals "rich and powerful."^[6] Her vocal ability has also brought Rimes to comparisons to past teenage country stars, including 50s country star Brenda Lee and 70s country star Tanya Tucker. Rimes was also known for choosing mature material that was beyond her age range. In her first album, Rimes recorded such material as Deborah Allen's "My Baby", whose lyrics provocatively say, "my baby is a full-time lover, my baby is a full-grown man."^[2] Other material such as Diane Warren's "How Do I Live" had also been considered too mature for Rimes' age and was the main reason why her version of the song was not chosen to be used in the soundtrack for the film Con Air.^[17]

Influences[link]

Rimes has given credit to artists from various music genres, mainly country and pop. She has stated that Barbra Streisand, Wynonna Judd and Reba McEntire were primary influences on her career.^[61] Rimes has said the main influence on her career was Patsy Cline. She has covered many of Cline's hit songs since the beginning of her career. Her 1999 self-titled album is primarily a tribute to Cline, as Rimes recorded five out of ten songs for the album that were hits for Cline years before.^[23] Rimes has also stated that Judy Garland was an influence as well.^[62]

Film and television[link]

After beginning to date actor Andrew Keegan in 1998, Rimes said to the press that she had some ideas about possibly getting involved in an acting career. Rimes later moved to Los Angeles, California later in the year with her mother to pursue an acting career.^[12] That year Rimes played a role in the Made for television movie, Holiday in Your Heart, which is based on a book she had helped write. For participating in the film, Rimes was awarded the "Rising Star" award from the Lone Star Film & Television Awards.^[22] She made her official film debut in 2001 for Coyote Ugly, providing the singing voice for Piper Perabo's character Violet Sanford^[63] and making a cameo appearance towards the end of the film. In addition, she also recorded four songs for the film's soundtrack, including the Top 20 Pop hit, "Can't Fight the Moonlight."^[7] In 2005 Rimes hosted the country music television competition, Nashville Star on the USA television network. However she only held the position for one season after deciding to depart from the show's cast.^[43]

In early June 2007, she was chosen at the last minute to record the leading song for the soundtrack of Evan Almighty called "Ready For A Miracle" (previously recorded by Patti LaBelle). The song can be heard in the movie, during the end credits, and in the trailers of Evan Almighty.^[64] Rimes played in the movie Good Intentions with her friend Elaine Hendricks which is filming near Atlanta, Georgia.^[65] Rimes plays Meg Galligan in the made for TV movie, Northern Lights, based on the Nora Roberts novel of the same name. The film aired on the Lifetime network on March 12, 2009.^[66]

In 2007 Rimes began hosting The Colgate Country Showdown, a nation wide televised country music talent competition, similar to that of American Idol or Nashville Star. In 2011 Rimes hosted the show for her 5th consecutive year, when the show switched sponsorship, to Texaco.^{[67][unreliable source?][unreliable source?]}

Personal life[link]

President George W. Bush and Laura Bush listen to LeAnn Rimes perform in the East Room of the White House in a performance honoring the Dance Theatre of Harlem on February 6, 2006

Lawsuits[link]

On May 21, 2000, Rimes filed a lawsuit against her father, Wilbur Rimes, and her former manager, Lyle Walker in Dallas, Texas. Rimes claimed that her father and former manager took over seven million dollars from her in the preceding five years. Rimes also alleged that both men made unreasonable fees and took advantage of Rimes' label, Asylum-Curb, in order to acquire financial gain. Rimes sought unspecified damages because her attorney was not sure of how much money had been lost in the preceding five years. According to Rimes' lawyer, her mother hired two accountants to investigate how much was taken from Rimes's fortune, and it was estimated that the men acquired around eight million dollars in royalties.^[7] In 2002, Rimes's lawsuit with her father was "settled on undisclosed terms."^[12] Rimes reconciled with her father for her wedding.^[68]

In November 2000, Rimes filed a second lawsuit against her label, Asylum-Curb. Rimes wanted permission to be released from the contract that was signed by her parents on Rimes' behalf when she originally signed with the label in 1995. She also wanted her label to turn over the rights of her music, video work, and publishing interests, and destroy all of her recordings that were currently available to the label at the time of the lawsuit.^[34] Part of Rimes's legal battles ended in December 2001, when Asylum-Curb started a new contract with Rimes.^[7]

Marriages[link]

Amid the legal battles, Rimes fell in love with backup dancer Dean Sheremet. The two had met when he was chosen to dance during Rimes's hosting of the 2001 Academy of Country Music Awards. After her first date with Sheremet, Rimes told InStyle Magazine: "This is the guy I want to marry."^[12] The couple married the next year, in 2002. In July 2009, the couple separated and in September 2009, Rimes announced their plans to divorce.^[69][70] The divorce was finalized on June 19, 2010, exactly six months after Sheremet filed divorce documents for dissolution of marriage.^[71]

Rimes is currently married to Northern Lights co-star Eddie Cibrian, with whom she had a well-publicized extramarital affair prior to the split from Sheremet.^[72][73] Cibrian left his wife Brandi Glanville, the mother of his two children, for Rimes. He filed for divorce in August 2009 after eight years of marriage.^[74] In June 2010, Rimes spoke for the first time about the end of her first marriage, stating, "I take responsibility for everything I've done. I hate that people got hurt...But I don't regret the outcome." ^[75] On December 27, 2010, it was announced via Billboard that Rimes and Cibrian were engaged.^[76] The couple wed on April 22, 2011 at a private home in California.^[77]

Philanthropy[link]

In 2008, she opened up about her lifelong struggle with the autoimmune disease psoriasis. She participated in a PSA to raise awareness about the disease.^[78]

Rimes lent her voice to the 2008 song "Just Stand Up." The proceeds benefited Stand Up to Cancer. As a result of SU2C fundraising endeavors, the SU2C scientific advisory committee, overseen by the American Association for Cancer Research, was able to award $73.6 million towards cancer research.^[79]

On December 19, 2010, she performed "The Rose," joined by The Gay Men's Chorus of Los Angeles^[80] in remembrance of the many gay teenagers who committed suicide in 2010. On her weblog she wrote on June 18, 2011: "I believe in equality for everyone. I believe everyone should have the right to love and commit to whomever they want. [...] All I know is that in God's eyes we are all the same. I just wish we could see through the eyes of God more often."^[81]

Discography[link]

Studio albums[link]

• 1996: Blue
• 1997: You Light Up My Life: Inspirational Songs
• 1998: Sittin' on Top of the World
• 1999: LeAnn Rimes
• 2002: Twisted Angel
• 2004: What a Wonderful World
• 2005: This Woman
• 2006: Whatever We Wanna
• 2007: Family
• 2011: Lady & Gentlemen
• 2012: Spitfire

Compilation albums[link]

• 1997: Unchained Melody: The Early Years
• 2001: God Bless America
• 2002: I Need You
• 2003: Greatest Hits
• 2004: The Best of LeAnn Rimes

Filmography[link]

Publications[link]

• Holiday in Your Heart (1997) with Tom Carter^[18]
• Jag (2003)^[39]
• Jag's New Friend (2004)^[42]
• What I Cannot Change (2009) with Darrell Brown^[51]

Awards[link]

Country Music Association awards[link]

Academy of Country Music awards[link]

Grammy awards[link]

American music awards[link]

CMT music awards[link]

References[link]