A Grande Arte (in English, "High Art"; US title: Exposure), is a 1991 Brazilian movie directed by Walter Salles Jr. and starring Peter Coyote. Loosely based on the book A Grande Arte by Brazilian Rubem Fonseca, it is one of the first theatrical works of Salles Jr. The cast includes both Brazilian and international stars such as Coyote, Tchéky Karyo and Miguel Angel Fuentes.

This film is considered to mark the "revival" of the Brazilian movie industry,^{[citation needed]} which was until that year in a deep production crisis.

Peter Mandrake (Coyote), an American photographer in Brazil, is preparing an in loco essay for his new book, about the "Train Surfers" (groups of boys who court danger "surfing" on the roof of the trains) in the city of Rio de Janeiro. A local call girl he is friends with is murdered, and when the police can make no progress Mandrake decides to investigate himself. Subsequently, two hired thugs break into his apartment demanding a disk, and when he doesn't produce it (because he can't) they rape his girlfriend and stab him, leaving him to die. Vowing revenge, Mandrake enlists the help of Hermes (Karyo), a professional knife fighter who owes Mandrake a debt, to teach him the art of knife fighting. The obsession this develops into causes Mandrake's girlfriend to leave him, wanting the whole thing to simply go away, but Mandrake refuses to let go.

Arte (Association Relative à la Télévision Européenne) is a Franco-German TV network. It is a European culture channel and aims to promote quality programming especially in areas of culture and the arts. Its facilities are located in Issy-les-Moulineaux, South of Paris and Strasbourg (headquarters) in France and Baden-Baden in Germany.

Because it is an international joint venture (an EEIG), programs cater technically to audiences from both countries. This implies double-titling, opposite-language subtitling and dubbing, hosts speaking both languages alternately and generally two separate audio tracks (available through DVB-T, satellite television and digital cable).

Arte began transmission in 1992, filling frequencies left unused by the demise of La Cinq, the first French commercial television network (created in 1986).

Programs are created by Arte France formerly known as La Sept (theoretically La Société d'édition des programmes de télévision, but also a play on words, given that the name intuitively means the seventh network and indeed La Sept existed while the fifth network was still La Cinq; it made satellite television programs at the time) and by ARTE Deutschland GmbH, a subsidiary of the two main public German TV networks ARD and ZDF.

David Choe (born 1976, Los Angeles, California) is an American painter, muralist, graffiti artist and graphic novelist of Korean descent. He achieved art world success with his "dirty style" figure paintings—raw, frenetic works which combine themes of desire, degradation, and exaltation. Outside of galleries, he is closely identified with the bucktoothed whale he has been spray-painting on the streets since he was in his teens.

Choe's work appears in a wide variety of urban culture and entertainment contexts. For example, he provided the cover art for Jay-Z and Linkin Park's multi-platinum album Collision Course, and created artwork to decorate the sets of Juno and The Glass House. In 2005, internet entrepreneur Sean Parker, a longtime fan, asked him to paint graphic sexual murals in the interior of Facebook's first Silicon Valley office, and in 2007, Facebook CEO Mark Zuckerberg commissioned him to paint somewhat tamer murals for their next office. Although he thought the Facebook business model was "ridiculous and pointless," Choe, an inveterate gambler, chose to receive company stock in lieu of cash payment for the original Facebook murals. His shares were valued at approximately $200 million on the eve of Facebook's 2012 IPO. Those murals were loosely re-created by Choe's friends Rob Sato and Joe To for the set of the film The Social Network. During the 2008 presidential race, Choe painted a portrait of then-Senator Barack Obama for use in a grassroots street art campaign. The original was later displayed in the White House.