Fearn is the Irish name of the third letter of the Ogham alphabet, ᚃ, meaning "alder-tree". In Old Irish, the letter name was Fern, which is related to Welsh gwern(en). Its Primitive Irish root was *wernā and its phonetic value then was [w]. Its Old Irish and modern phonetic value is [f].
In the medieval kennings, called Bríatharogam or Word Ogham the verses associated with Fearn are:
airenach fían - "vanguard of warriors" in the Word Ogham of Morann mic Moín
comét lachta - "milk container" in the Word Ogham of Mac ind Óc (vessels where made of alder).
dín cridi - "protection of the heart" in the Word Ogham of Culainn.
Fernando Miranda (born May 16, 1979), who goes by the stage name Fern and sometimes F.E.R.N., is an American Christian hip hop musician. He is part of the duo, Social Club, with his partner, Marty. His first extended play, 68 and Douglas, was released in 2015. This was his breakthrough release upon the Billboard magazine charts.
Miranda was born, Fernando Miranda, on May 16, 1979, and he was raised in Miami, Florida, where himself and Marty established Social Club.
Fern's solo music recording career started in 2015, with the extended play, 68 and Douglas, that was released on December 4, 2015, by Social Club. The extended play was his breakthrough release upon the Billboard magazine charts, where it placed on four charts, while it peaked at No. 15 on Christian Albums, No. 21 on Independent Albums, No. 19 on Rap Albums, and No. 5 on Heatseekers Albums.
The Fern (Horisme tersata) is a moth of the family Geometridae. The species can be found in the Palearctic ecozone.
The wingspan is 31–36 mm. The length of the forewings is 14–18 mm. The moths fly in one or two generations from May to August. .
The larva feed on Clematis vitalba.
The USGS DEM standard is a geospatial file format developed by the United States Geological Survey for storing a raster-based digital elevation model. It is an open standard, and is used throughout the world. It has been superseded by the USGS's own SDTS format but the format remains popular due to large numbers of legacy files, self-containment, relatively simple field structure and broad, mature software support.
A USGS DEM can be classified into one of four levels of quality. This is due to the multiple methods of data collection, and certainty in the data.
The USGS DEM format is a self-contained (single file) set of ASCII-encoded (text) 1024-byte (1024 ASCII chars) blocks that fall into three record categories called A, B, and C. There is no cross-platform ambiguity since line ending control codes are not used, and all data including numbers is represented in readable text form. There is no known binary analogue of the format, although it is common practice to compress the files with gzip.
DEM was the ISO 4217 currency code for the Deutsche Mark, former currency of Germany.
DEM or Dem can also refer to:
Uedem is a municipality in the district of Cleves, in North Rhine-Westphalia, Germany. It is located near the border to the Netherlands.
Uedem consists of 4 districts
Boogaloo or bugalú (also: shing-a-ling, Latin boogaloo, Latin R&B) is a genre of Latin music and dance which was popular in the United States in the 1960s. Although it came to prominence after the bossa nova and was influenced by the new drumbeat of modern samba, boogaloo originated in New York City mainly among teenage Cubans and Puerto Ricans. The style was a fusion of popular African American rhythm and blues (R&B) and soul music with mambo and son montuno, with songs in both English and Spanish. The American Bandstand television program introduced the dance and the music to the mainstream American audience.
Except for the name, the dance is unrelated to the electric boogaloo, a style of dance which developed decades later under the influence of funk music and hip-hop dance.
In the 1950s and '60s, African Americans in the United States listened to various styles of music, including jump blues, R&B and doo-wop. Puerto Ricans in New York City shared these tastes, but they also listened to genres like mambo or chachachá and Bossa Nova. There was a mixing of Puerto Ricans, Cubans, African Americans and others in clubs, whose bands tried to find common musical ground. Boogaloo was a result of this search, a marriage of many styles including Cuban son montuno, guaguancó, guajira, guaracha, mambo, and American R&B and soul.