- published: 03 Dec 2012
- views: 34
2:29
Badami - experience the heritage of Chalukyas!
Badami was the capital of the early Chalukyas. It was founded in 540 AD by Pulakesi, an ea...
published: 03 Dec 2012
Badami - experience the heritage of Chalukyas!
Badami was the capital of the early Chalukyas. It was founded in 540 AD by Pulakesi, an early ruler of the Chalukyas. His son Kirthivarman and his brother Mangalesha sculpted the cave temples. The rock cut Badami cave temples were sculpted mostly between the 6th and 8th century.Badami is famous for the four cave temples all carved out of sandstone, on the precipice of the hills.
For more information, please visit: http://experienceheritage.co.in/
- published: 03 Dec 2012
- views: 34
1:31
Lakkundi - Kalyani Chalukyas
Lakkundi is a place of antiquarian interest with as many as 50 temples, 101 stepped wells ...
published: 26 Dec 2012
Lakkundi - Kalyani Chalukyas
Lakkundi is a place of antiquarian interest with as many as 50 temples, 101 stepped wells (called Kalyani or Pushkarni) and 29 inscriptions, spread over the period of the later Chalukyas, Kalachuris, Seuna and the Hoysalas. A great center of Kalyani Chalukyas art, there are several temples of note here. Among them Kasivisvesvara temple, Lakkundi is the most ornate and elaborately furnished.
- published: 26 Dec 2012
- views: 110
3:28
MY JOURNEY - AIHOLE KARNATAKA - Vatsala Mohan
Aihole is situated on the banks of the Malaprabha River in the Bagalkot district of Karnat...
published: 31 May 2011
MY JOURNEY - AIHOLE KARNATAKA - Vatsala Mohan
Aihole is situated on the banks of the Malaprabha River in the Bagalkot district of Karnataka. Early inscriptions call this town Āryapura and According to mythology Aihole is the place where Parashurama washed his axe after killing the killing of the Kshatriyas. Aihole was the first capital of the Chalukyas, before Pulakesi I shifted the capital to Vatapi (Badami). Aihole is home to some of the most beautiful and varied types of Hindu Architecture. It is also significant for historians, because an inscription that was discovered here helped them in piecing together the history of this period. During the Chalukyan period, Aihole was the experimental ground for different styles of temple construction. The first phase of the temple was built in 6th century and the second phase went on upto 12 th century. Over 125 temples in various styles were built in Aihole
- published: 31 May 2011
- views: 408
5:04
Badami - Karnataka, India
Badami fue la capital de los primeros Chalukyas que gobernaron en lo que ahora es Karnatak...
published: 25 Sep 2011
Badami - Karnataka, India
Badami fue la capital de los primeros Chalukyas que gobernaron en lo que ahora es Karnataka y Andhra Pradesh entre los siglos VI y XIII. Esta localidad es famosa por sus templos cueva en roca escavada y por otros templos de alrededor.
No hay que olvidarse que Badami es el punto de partida para visitar los famosos templos de Aihole y Pattadakal, este último Patrimonio de la Humanidad por al UNESCO.
Muchos viajeros van desde Badami a Hospet que se encuentra a unos 150 kilómetros y esta cerca de la famosa población de Hampi.
Los acantilados de piedra arenisca roja de Badami son muy populares entre los escaladores locales e internacionales. Ésta es una localización ideal para la escalada libre.
- published: 25 Sep 2011
- views: 139
2:54
Elephanta Caves Mumbai HD.wmv
The Elephanta Caves (180 56' 20" N; 720 55' 50" E), taluka Uran, district Raigad is locate...
published: 22 Aug 2011
Elephanta Caves Mumbai HD.wmv
The Elephanta Caves (180 56' 20" N; 720 55' 50" E), taluka Uran, district Raigad is located on island hills about 11 km north-east of the Apollo Bandar, Mumbai and 7 km from the shore of the mainland, approximately covering an area of 7 km in circumference. The island is named after a colossal elephant found in the island, which is popularly known as 'Gharapuri'. At present, the statue of elephant is housed at Jijamata Garden in Mumbai. In ancient period, the place is variously identified as Puri which is mentioned in the Aihole inscription of Pulakesin II. It seems, different dynasties held their sway over this island, namely, the Konkan-Mauryas, Trikutakas, Chalukyas of Badami, Silaharas, Rashtrakutas, Kalyani Chalukyas, Yadavas of Deogiri, Muslim rulers of Ahmedabad and then by the Portuguese. The Marathas also had this island under their control and from them it passed into the control of the British.
There are seven cave excavations in the Elephanta group and these are datable from circa 6th -- 7th centuries A.D. Among the cave excavations, the Cave 1 is the most impressive which represents the evolved Brahmanical rock-cut architecture. The cave is also famous for the exquisite and vibrant sculptures. On plan it almost resembles the Dumar Lena (Cave 29) of Ellora. The cave has a main entrance on the north with two other openings on the east and west respectively and a central hall with six rows of pillared columns, six in each row except on the western corner, where a shrine of lingam is provided
-from ASI
- published: 22 Aug 2011
- views: 877
3:12
Badami Caves....
The rich past of Badami is closely linked with the ancient Kingdom of Chalukyas which date...
published: 12 Jun 2009
Badami Caves....
The rich past of Badami is closely linked with the ancient Kingdom of Chalukyas which date back to 600 and 700 AD. Chalukayas built number of temples, and other monuments that marked the beginning of the Hindu style of architecture. This new style was the blend of two distinct architecture - the Indo-Aryan Nagara style and the Dravidian style. Known as the Chalukyan style, this style is apparent in many cave temples, dedicated to Brahmanical deities, as well as the many Buddhist and Jain monasteries in the region.
- published: 12 Jun 2009
- views: 2835
2:21
The Rocks Of Time - Badami, Karnataka
This video is part of the Jinkchak "The Rocks of Time" trilogy. The clips in this video we...
published: 27 Aug 2011
The Rocks Of Time - Badami, Karnataka
This video is part of the Jinkchak "The Rocks of Time" trilogy. The clips in this video were created and edited by The 21st Century Me...yeah ME! Production Company. To know more, visit www.jinkchak.wordpress.com *
The soundtrack is "The King's Tower" from "Prince of Persia - The Forgotten Sands (PC Game)", and I did not create this soundtrack. It is the property of its respective owners.
No Copyright Infringement Intended.
No Wrongs Unreserved!
(C) 2011 The 21st Century Me...yeah ME! Production Company in association with Jinkchak - Closing the gap between Human Intelligence and Artificial Intelligence
*Badami Chalukya Dynasty, Badami, Karnataka
- published: 27 Aug 2011
- views: 1010
0:42
Ancestor School of Rock Art In India
he Badami Chalukya architecture was a temple building idiom that evolved in the time perio...
published: 13 Feb 2013
Ancestor School of Rock Art In India
he Badami Chalukya architecture was a temple building idiom that evolved in the time period of 5th -- 8th centuries. in the area of Malaprabha basin, in present day Bagalkot district (North Karnataka) of Karnataka state. This style is sometimes called the Vesara style and Chalukya style. Their earliest temples date back to around 450 in Aihole when the Badami Chalukyas were feudatories of the Kadamba of Banavasi. According to historian K.V. Sounder Rajan, the Badami Chalukyas contribution to temple building matched their valor and their achievements in battle.During 450, the Chalukya style originated in Aihole and was perfected in Badami and Pattadakal.[1] The Chalukya artists experimented with different styles, blended the Indo-Aryan Nagara and Dravidian styles, and evolved Chalukya style. The equals of the grand temples of South India do not find in North and Central India,[2] (which was comparatively free of frequent foreign invasions). The successive rulers contributed to the work of their predecessors.
Their style includes two types of monuments.
The rock cut halls (caves)
Structural temples
Badami cave temples have rock cut halls with three basic features: pillared veranda, columned hall and a sanctum cut out deep into rock.
Early experiments in rock cut halls were attempted in Aihole where they built three cave temples, one each in Vedic, Buddhist and Jaina styles. Later they refined their style and cut out four marvellous cave temples at Badami.
One noteworthy feature of these cave temples is the running frieze of Ganas in various amusing postures caved in relief on each plinth.
The outside verandas of the cave temples are rather plain, but the inner hall contains rich and prolific sculptural symbolism. Art critic Dr. M. Sheshadri wrote of the Chalukya art that they cut rock like Titans but finished like jewellers. Critic Zimmer wrote that the Chalukya cave temples are a fine balance of versatility and restrain.
The finest structural temples are located in Pattadakal. Of the ten temples in Pattadakal, six are in Dravidian style and four in Rekhanagara style. The Virupaksha temple in many ways holds resemblance to the Kailasanatha temple in Kanchipuram which came into existence a few years earlier.
This is a fully inclusive temple, it has a central structure, nandi pavilion in front and has a walled enclosure that is entered by a gateway. The main sanctum has a Pradakshinapatha and mantapa. The mantapa is pillared and has perforated windows (pierced window screens). The external wall surface is divided by pilasters into well-spaced ornamental niches filled with either sculptures or perforated windows. Art critic Percy Brown says about the sculptures that they flow into the architecture in a continuous stream. It is said that the Virupaskha temple is one of those monuments where the spirit of the men who built it, still lives.
Many centuries later, the serene art of the Badami Chalukya reappeared in the pillared architecture of the Vijayanagar Empire. Their caves include finely engraved sculptures of Harihara, Trivikrama, Mahisa Mardhini, Tandavamurthi, Paravasudeva, Nataraja, Varaha, Gomateshvara and others. Plenty of animal and foliage motifs are also included.
Some important sculptors of their time were Gundan Anivaritachari, Revadi Ovajja and Narasobba.
- published: 13 Feb 2013
- views: 5
3:22
Group of Monuments at Pattadakal UNESCO World Heritage Centre 6
Pattadakal (Kannada - ಪಟ್ಟದ್ಕಲ್ಲು, Pattadakalu) is a village in Karnataka. It lies on the ...
published: 13 Feb 2013
Group of Monuments at Pattadakal UNESCO World Heritage Centre 6
Pattadakal (Kannada - ಪಟ್ಟದ್ಕಲ್ಲು, Pattadakalu) is a village in Karnataka. It lies on the banks of the Malaprabha River in Bagalkot district. It is 22 km from Badami and about 10 km from Aihole. It is well known for its historic temples.The group of 8th century monuments in Pattadakal are the culmination of the earliest experiments in the vesara style of Hindu temple architecture. The town displays both Dravidian (Southern) and the Nagara (Northern, Indo-Aryan) styles of temple architecture.
UNESCO in 1987 included Pattadakal in its list of World Heritage sites.
Pattadakal (place for Chalukyas Coronation), the capital of the Chalukya dynasty of Southern India, who built the temples in the 7th and 8th centuries. There are ten temples including a Jain sanctuary surrounded by numerous small shrines and plinths. Four temples were built in Chalukya Dravidian style, four in Nagara style of Northern India and the Papanatha temple in mixed style.
•PATTADAKAL-HISTORY
•The place is a village and an important tourist centre in the state and is located on the left bank of the Malaprabha River and is 22 km from Badami and 514 km from Bangalore.
•It is a great centre of Chalukyan art, noted for its temples and inscriptions. According to inscriptions, the place was known by the names Kisuvolal (Red Town) or Pattada Kisuvolal. The literary work Hammira Kavya of 1540. quotes the place as Pattashilapura and Hammirapura. It has been mentioned in the 11th and 12th century inscriptions, as well as in the literary work Singirajapurana of 1500 and Hammira Kavya as the place where the Chalukya kings were crowned.
•The place continued to be an important centre under the Rashtrakutas and the Kalyana Chalukyas. It became a chief city for a small region called Kisukadu-70. The Sindhas of Yaramabarige (Yelburgi) also ruled it for some time.
•There are in all 10 major temples here, nine Shiva and one Jaina, situated along the northern course of the River, which is considered as very auspicious according to Holy Scriptures.
[edit]Chalukya style of architecture
The Chalukya style originated in Aihole (450), Architects experimented with different styles, blended the Nagara and Dravidian styles, and evolved their own distinctive style. At Pattadakal, the Chalukya kings were crowned, in the middle of the 7th century, temple building activity shifted from Badami to Pattadakal. There are 10 temples here, 4 are in Nagara style and 6 are in Dravidian style.
[edit]Kannada Inscription
There are numerous Kannada language inscriptions at Pattadakal. Important among them; at Virupaksha Temple, there is 8th (733--745) century Old Kannada inscription on victory pillar, in the Sangameshvara temple, there exists a large inscription tablet (696-733) describing grants made by King Vijayaditya for the construction of the temple.
- published: 13 Feb 2013
- views: 2
5:01
Badami Part1
The Chalukya Dynasty was an Indian royal dynasty that ruled large parts of southern and ...
published: 25 Feb 2013
Badami Part1
The Chalukya Dynasty was an Indian royal dynasty that ruled large parts of southern and central India between the 6th and the 12th centuries. During this period, they ruled as three related yet individual dynasties. The earliest dynasty, known as the "Badami Chalukyas", ruled from Vatapi (modern Badami) from the middle of the 6th century.
The rule of the Chalukyas marks an important milestone in the history of South India and a golden age in the history of Karnataka. The political atmosphere in South India shifted from smaller kingdoms to large empires with the ascendancy of Badami Chalukyas.
- published: 25 Feb 2013
- views: 1
16:55
Immadi Pulakeshi full movie_Part3
Dr Rajkumar's Immadi Pulakeshi movie, revolves around the well known story of Chalukya emp...
published: 18 May 2011
Immadi Pulakeshi full movie_Part3
Dr Rajkumar's Immadi Pulakeshi movie, revolves around the well known story of Chalukya emperor,
Pulakeshi's life, documented in his famous Aihole inscription: his early struggles to ascend the Chalukya throne,
rightfully his but now occupied by his capable uncle Mangalesha; his troubled relationship with his brother Kubja
Vishnuvardhana, whom he established as the ruler of Vengi kingdom, paving the way for a separate Eastern Chalukya
dynasty; his epic battle with the emperor of north India, Harsha and his long conflicts with the Pallavas, which
resulted in the sacking of both Pallava and Chalukya capitals, Kanchi and eventually of Badami, towards the end of
Pulakeshi's life.
Thus Pulakeshi's real life itself provides all the drama necessary for a dramatic historical film. Yet, the focus
of Rajan and G V Iyer, respectively the director and scriptwriter of the film, has been on filling out details of
Pulakeshi's personal life imaginatively, in an attempt to provide more depth and interiority to all the characters.
The actors & actress performance in this film is tramendous acting, feeling & expressions.
Hence, the film deals with endless conspiracies and challenges to the Chalukya power, apart from Pulakeshi's own
relationships with his contemporaries. While the actual historical evidence to recreate these relationships
accurately is minimal, the film aims to present the human side of Pulakeshi.
- published: 18 May 2011
- views: 1515
1:39
Long View of Badami Cave of Karnataka India 0001
Badami (Kannada: ಬಾದಾಮಿ), formerly known as Vatapi, is a town and headquarters of a taluk ...
published: 13 Feb 2013
Long View of Badami Cave of Karnataka India 0001
Badami (Kannada: ಬಾದಾಮಿ), formerly known as Vatapi, is a town and headquarters of a taluk by the same name, in the Bagalkot district of Karnataka, India. It was the regal capital of the Badami Chalukyas from 540 to 757 AD. It is famous for rock cut and other structural temples. It is located in a ravine at the foot of a rugged, red sandstone outcrop that surrounds Agastya lake. The name Vatapi has origin in the Vatapi legend of Ramayana relating to Sage Agastya.There were two demon siblings Vatapi and Ilvala. They used to kill all mendicants by tricking them in a peculiar way. The elder Ilvala would turn Vatapi into a ram and would offer its meat to the guest. As soon as the person ate the meat, Ilvala would call out the name of Vatapi. As he had a boon that whomsoever Ilvala calls would return from even the netherland, Vatapi would emerge ripping through the body of the person, thus killing him. Their trick worked until Sage Agastya countered them by digesting Vatapi before Ilvala could call for him, thus ending the life of Vatapi at the hands of Ilvala. Two of the hills in Badami represent the demons Vatapi and Ilvala.
It is also believed that name Badami has come from colour of its stone(badam -Almond).
Badami was the capital of the Early Chalukyas, who ruled much of Karnataka and Andhra Pradesh between the 6th and 8th centuries. It was founded in 540 AD by Pulakesi I (535-566 AD), an early ruler of the Chalukyas. His sons Kirtivarman I (567-598 AD) and his brother Mangalesa (598-610 AD) constructed the cave temples. The greatest among them was Pulakesi II (610-642 AD) who defeated many kings but failed to capture Pallava's capital Kanchipuram.
The rock-cut Badami Cave Temples were sculpted mostly between the 6th and 8th centuries. The four cave temples represent the secular nature of the rulers then, with tolerance and a religious following that inclines towards Hinduism, Buddhism and Jainism. cave 1 is devoted to Shiva, and Caves 2 and 3 are dedicated to Vishnu, whereas cave 4 displays reliefs of Jain Tirthankaras. Deep caverns with carved images of the various incarnations of Hindu gods are strewn across the area, under boulders and in the red sandstone. From an architectural and archaeological perspective, they provide critical evidence of the early styles and stages of the southern Indian architecture.
The Pallavas under the king Narasimhavarman I (also called Mamalla Pallava) seized it in 642 AD. Vikramaditya I of Chalukyas drove back Pallavas in 654 AD. and led a successful attack on Kanchipuram, the capital of Pallavas [This statement needs reference]. The Rashtrakutas absorbed karnataka including Badami around 757 AD and the town lost its importance. Also see Chola-Chalukya wars.The Chola-Chalukya wars were a series of wars fought from 992 C.E. to 1120 C.E. between the Chola and the Chalukya kingdoms .It was occupied by the Hoysalas.
Then it passed on to Vijayanagara empire, The Adil Shahis, The Savanur Nawabs, The Marathas, Hyder Ali. The Britishers made it part of the Bombay Presidency.
- published: 13 Feb 2013
- views: 9
17:01
Kannada movie, Immadi Pulakeshi_Part1
Dr Rajkumar's Immadi Pulakeshi movie, revolves around the well known story of Chalukya emp...
published: 13 May 2011
Kannada movie, Immadi Pulakeshi_Part1
Dr Rajkumar's Immadi Pulakeshi movie, revolves around the well known story of Chalukya emperor,
Pulakeshi's life, documented in his famous Aihole inscription: his early struggles to ascend the Chalukya throne,
rightfully his but now occupied by his capable uncle Mangalesha; his troubled relationship with his brother Kubja
Vishnuvardhana, whom he established as the ruler of Vengi kingdom, paving the way for a separate Eastern Chalukya
dynasty; his epic battle with the emperor of north India, Harsha and his long conflicts with the Pallavas, which
resulted in the sacking of both Pallava and Chalukya capitals, Kanchi and eventually of Badami, towards the end of
Pulakeshi's life.
Thus Pulakeshi's real life itself provides all the drama necessary for a dramatic historical film. Yet, the focus
of Rajan and G V Iyer, respectively the director and scriptwriter of the film, has been on filling out details of
Pulakeshi's personal life imaginatively, in an attempt to provide more depth and interiority to all the characters.
The actors & actress performance in this film is tramendous acting, feeling & expressions.
Hence, the film deals with endless conspiracies and challenges to the Chalukya power, apart from Pulakeshi's own
relationships with his contemporaries. While the actual historical evidence to recreate these relationships
accurately is minimal, the film aims to present the human side of Pulakeshi.
- published: 13 May 2011
- views: 1917
Vimeo results:
1:24
Chalukya Express somewhere near londa...
WDM3A #18852R of Kalyan huffing-and-puffing somewhere en-route somewhere between Alnawar a...
published: 26 Apr 2008
author: binai sankar
Chalukya Express somewhere near londa...
WDM3A #18852R of Kalyan huffing-and-puffing somewhere en-route somewhere between Alnawar and Dharwad... hear the melody from the ALCO!!!
0:24
ED WDM3D RUSHING THROUGH KURLA WITH THE CHALUKYA EXPRESS
The ED WDM3D# 11213 gets the Dadar Yeswantpur Chalukya Express at above 90kph at Kurla sta...
published: 08 Dec 2009
author: Rajendra Saxena
ED WDM3D RUSHING THROUGH KURLA WITH THE CHALUKYA EXPRESS
The ED WDM3D# 11213 gets the Dadar Yeswantpur Chalukya Express at above 90kph at Kurla station. This train gets a KYN WDG3A/WDM3D but it was an offlink that day.
1:15
Trains Speeding through Vidyavihar - SBC-CSTM and DR-GHY Exps. (Jan. 2000)
Two WCAM3-hauled trains rushing through Vidyavihar! First is the Bangalore-Mumbai Exp. vi...
published: 18 May 2012
author: Mani Vijay
Trains Speeding through Vidyavihar - SBC-CSTM and DR-GHY Exps. (Jan. 2000)
Two WCAM3-hauled trains rushing through Vidyavihar! First is the Bangalore-Mumbai Exp. via Miraj - predecessor of Chalukya Exp. Second is the Dadar-Guwahati Exp. - it now departs from L.T.T.
0:29
NICE HONKING SHOW BY THE WDG3A
The KYN WDG3A# 13381 puts up a great honking show at Kurla station with the Dadar Yeshwant...
published: 22 May 2009
author: arzan1980
NICE HONKING SHOW BY THE WDG3A
The KYN WDG3A# 13381 puts up a great honking show at Kurla station with the Dadar Yeshwantpur Chalukya Express. Now this train is 16 coaches long. Earlier it was just 13 coaches. It was at Kurla in just 8 minutes from Dadar Terminus.
Video by Arzan Kotval
Youtube results:
7:06
Etv2 Idi Sangathi 26th November 2012 Part 3
The Kakatiya dynasty was a Telugu dynasty that ruled most of current day Andhra Pradesh, I...
published: 27 Nov 2012
Etv2 Idi Sangathi 26th November 2012 Part 3
The Kakatiya dynasty was a Telugu dynasty that ruled most of current day Andhra Pradesh, India from 1083 CE to 1323 CE, with Orugallu, now Warangal, as its capital. Orugallu is also called 'Eka Sila Nagaram'. Shaivite Hindu in nature, it was one of the great Telugu states that lasted for centuries until conquest by the Delhi Sultanate.
Gundaya (950 CE) was the first known historical figure among the Kakatiyas. He sacrificed his life in the service of the Rashtrakuta ruler Krishna II while fighting against the Eastern Chalukyas. The grateful Krishna II placed Gundaya's son Eriya in charge of Kurravadi near Warangal. This kingdom was created as a check on the Mudigonda Chalukyas on the eastern borders of the Rashtrakuta Empire. Eriya made Kakatipura his capital. Eriya's grandson Kakartya Gundyana rendered help on behalf of his master Krishna III to Danarnava in setting aside his brother Amma II and occupying the throne of Vengi, as a result of which he got Natavadi as a token of gratitude. Gundyana's son and successor Betaraja I took advantage of the Chalukya-Chola conflict and carved out for himself a small principality. His son and successor Prola I obtained by way of grant, Hanamkonda from Somesvara I. Beta II, son and successor of Prola, ruled between 1076 CE and 1108 CE. During his period, orugallu became the capital of the Kakatiyas. Prola II the younger brother of Beta II was the most famous among the early Kakatiya rulers. When the Chalukyan power began to decline, Prola II took advantage of the confused situation and proclaimed independence. He also defeated and killed Gunda, the ruler of Mantrakuta (Nuzividu taluk of Krishna district) and annexed it to his kingdom. However, in his attempts to occupy the Velanati kingdom he lost his life at the hands of Rajendra Choda, the prince of the Velanati Telugu Chodas of Chandolu. This was the emergence of the Kakatiya dynasty in its own right.
- published: 27 Nov 2012
- views: 75
2:56
Jain Cave of Badami Karnataka India by Shirishkumar Patil
Badami was the erstwhile capital of the Chalukya Empire of south India. The town is situat...
published: 06 Feb 2013
Jain Cave of Badami Karnataka India by Shirishkumar Patil
Badami was the erstwhile capital of the Chalukya Empire of south India. The town is situated in North Karnataka and is well known for its magnificent carved cave temples, artificial lake, museums and rock-cut into a crag. Famous four cave temples- the main attractions of the town are carved out of sandstone on the cliff of a hill. There are also number of temples dotted on the bank of reservoir dedicated to Lord Vishnu, Lord Shiva. and Mahavir Swami. The Chalukyas are to be credited for creating a new architectural style that can easily be visible in these temple architecture and sculptures of god and goddess.
This is the only Jain Temple among the four Badami Caves. Its construction was completed nearly 100 years after the other three caves. There is a magnificent image of Mahavira inside the sanctum and Parsvanath with a serpent at his feet. Images of Padmavathi and tirthankaras can also be seen inside the cave.
The Badami Cave Temples, an example of Indian rock-cut architecture, especially Badami Chalukya Architecture, are in north Karnataka, India. Badami, the capital of the Early Chalukyas, who ruled much of Karnataka in the 6th to 8th centuries, lies at the mouth of a ravine with rocky hills on either side and a town tank into which water from the ravine flows.
The Badami Cave Temples are composed of four caves, all carved out of the soft Badami sandstone. The four caves are simple in style. The entrance is a verandah with stone columns and brackets, a distinctive feature of these caves, leading to a columned mandapa and then to the small square shrine (sanctum sanctorum) cut deep into the cave. The cave temples also have exquisite carvings, sculptures and beautiful murals. The temple caves represent different religious sects. Among them, two are dedicated to god Vishnu, one to god Shiva and the fourth is a Jain temple. The first three are devoted to the Vedic faith and the fourth cave is the only Jain temple at Badami. The cave temples date back to 6th and 7th century. Their architecture is a blend of North Indian Nagara Style and South Indian Dravidian style. Cave fourth is dedicated to Jain Thirthankaras. They are the Jain caves lying towards the east of cave-3. The main attraction of the cave is the sculpture of Lord Mahavira decking the shrine besides the images of Padmavathi and other Thirthankaras.
- published: 06 Feb 2013
- views: 33
9:24
Etv2 Idi Sangathi 26th November 2012 Part 1
The Kakatiya dynasty was a Telugu dynasty that ruled most of current day Andhra Pradesh, I...
published: 27 Nov 2012
Etv2 Idi Sangathi 26th November 2012 Part 1
The Kakatiya dynasty was a Telugu dynasty that ruled most of current day Andhra Pradesh, India from 1083 CE to 1323 CE, with Orugallu, now Warangal, as its capital. Orugallu is also called 'Eka Sila Nagaram'. Shaivite Hindu in nature, it was one of the great Telugu states that lasted for centuries until conquest by the Delhi Sultanate.
Gundaya (950 CE) was the first known historical figure among the Kakatiyas. He sacrificed his life in the service of the Rashtrakuta ruler Krishna II while fighting against the Eastern Chalukyas. The grateful Krishna II placed Gundaya's son Eriya in charge of Kurravadi near Warangal. This kingdom was created as a check on the Mudigonda Chalukyas on the eastern borders of the Rashtrakuta Empire. Eriya made Kakatipura his capital. Eriya's grandson Kakartya Gundyana rendered help on behalf of his master Krishna III to Danarnava in setting aside his brother Amma II and occupying the throne of Vengi, as a result of which he got Natavadi as a token of gratitude. Gundyana's son and successor Betaraja I took advantage of the Chalukya-Chola conflict and carved out for himself a small principality. His son and successor Prola I obtained by way of grant, Hanamkonda from Somesvara I. Beta II, son and successor of Prola, ruled between 1076 CE and 1108 CE. During his period, orugallu became the capital of the Kakatiyas. Prola II the younger brother of Beta II was the most famous among the early Kakatiya rulers. When the Chalukyan power began to decline, Prola II took advantage of the confused situation and proclaimed independence. He also defeated and killed Gunda, the ruler of Mantrakuta (Nuzividu taluk of Krishna district) and annexed it to his kingdom. However, in his attempts to occupy the Velanati kingdom he lost his life at the hands of Rajendra Choda, the prince of the Velanati Telugu Chodas of Chandolu. This was the emergence of the Kakatiya dynasty in its own right.
- published: 27 Nov 2012
- views: 185
5:13
Miracle of legacy Art on the Rock Aihole Temple UNESCO World Heritage Part 3
Very Popular tourist spot in karnataka india.
Aihoḷe has the potential to be included as a...
published: 24 Jan 2013
Miracle of legacy Art on the Rock Aihole Temple UNESCO World Heritage Part 3
Very Popular tourist spot in karnataka india.
Aihoḷe has the potential to be included as a UNESCO World heritage site.Aihoḷe is 510 km from Bangalore and 26 km from Hungund by road. Aihoḷe is one of the most notable places in the history of art of Karnataka. Aihoḷe was known as Ayyavoḷe and Aryapura in its inscriptions. It was a prominent city of the Chalukya Dynasty. A place known by the name Morera Angadigalu near the Meguti hillocks has a large number of cists of pre-historic period.
The Durga temple, a former Hindu temple, is located in Aihole in the state of Karnataka, India. The temple was built between the 7th and the 8th century by the dynasty of the Chalukyas.The architecture of the temple is predominantly Dravida with Nagara style also is used in certain areas. The Durga Temple is considered a unique and magnificent temple of the Chalukyan period.
The origin of the name is not the Durga goddess, but a fortress, maybe an enclosure which surrounded the temple or it was a part of fortification, probably of Maratha rulers.[
It is not known to which deity the temple was dedicated as the representations of Vishnu are as numerous as those of Shiva. The most original feature of the temple is a peristyle delimiting an ambulatory around the temple itself and whose walls are covered with sculptures of different gods or goddesses.
Two staircases provide access to the porch at the entrance of the temple itself. The sober and square pillars are decorated with characters around the porch and the entrance to the peristyle. The parapet is carved with niches and small animals.[1] The porch gives access to rooms with pillars ('mukhamantapa' and "sabhamantapa") to get into the heart of the shrine (garba griha).
The plan of the temple is oblong and apsidal. It means that the corridor with pillars between the porch and the heart of the shrine encompasses the heart of shrine and allows to run the parikrama (circumambulation ritual). This apse gives outward through openings between the pillars.
The shape of the temple, in Indian traditional architecture, is known as Gajaprasta which means the resemblance to the back of an elephant. The temple's unusual apsidal form is thought to imitate the earlier Buddhist chaitya halls, but later studies established that apsidal design in Indian architecture is pan-Indian tradition, which was in practice even before Buddhist architecture. The heart of the shrine (garba griha) is surmounted by a tower which announces the future higher towers sikharas and vimanas.
The famous Badami Chalukyas King Pulakeshi II (610-642 A.D.) was a follower of Vaishnavism. The inscription of Ravikirti, his court poet, is a eulogy of the Pulakeshi II and is available at the Meguti temple. It is dated 634 CE and is written in Sanskrit language and old Kannada script. The Aihole inscription describes the achievements of Pulakeshi II and his victory against King Harshavardhana. Aihole inscription of Pulakesin II mentioned as akrantatma-balonnatim Pallavanam patim, that means the Pallavas had attempted to nip in the bud the rise of the Badami Chalukyas. The conflict of the two powers before the campaign of Pulakesin II against the Pallavas.
- published: 24 Jan 2013
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