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- Published: 31 Jan 2007
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- Author: zerozebra
Subway commuters will recognize the complex's name from its 21st Street–Queensbridge station along the IND 63rd Street Line (). The entrance to the station is on the eastern side of the complex on 21st Street.
In many aspects the buildings of Queensbridge are very similar to most government-built housing projects of the era. They are a worn grayish brown which now suffers noticeable deterioration and weathering. Each building is painted red to about four feet up from the ground, giving a united feel to the entire complex because a uniform red "layer" is always close, throughout the complex.
On each of the corners in Queensbridge, the New York City Housing Authority has posted signs indicating the project's name and management: "Queensbridge North (or South) Houses NYCHA." These signs come in several varieties depending on their age. The oldest signs, erected in the early nineties, are simply orange and blue, with the newer signs featuring graphics, like those of many other projects.
Access to buildings in the complex is by key or via a new intercom system. The halls of Queensbridge’s buildings are comparable to most municipal buildings, and are dilapidated and lined with worn light blue tiles. Apartments are painted white and are fairly small, even by New York City standards.
Within the last few years, the elevators have been rebuilt and now stop at floors 1-2-3-4-5 and kitchens have been completely renovated and now have frost-free refrigerators. Three thousand bathrooms were renovated with new tubs, toilets, vanities, floor tile and lighting in 2000. This followed a renovation in 1986 when 1000 of the bathrooms were renovated by Arc Plumbing, a firm for which the salesman to NYCHA was John Gotti.
During the 1950s, the management changed the racial balance of Queensbridge by transferring all families whose income was more than $3,000/year, a majority of whom were White, to middle-income housing projects, and replacing most of these tenants with African American and Latino families. In addition to providing safe and sanitary housing to many low income African American and Latino families, this policy also promulgated racial segregation in public housing.
The buildings in the complex are divided by a series of paths and small lawns. Also in the complex are several basketball courts and play areas lined with benches. Across Vernon Boulevard lies Queensbridge Park, which has a fully-lit baseball diamond, running paths, lawns and areas for picnicking. That park, home to the Queensbridge Little League, is the primary place of recreation for tenants of the project. Queensbridge Park is the venue for numerous summer-time live concerts with music ranging from R&B; to Latin.
During the 1950s and up through 1970 Queensbridge Park was called "River Park," after the East River that runs next to it. There was also a smaller park placed conveniently right under the 59th street bridge called "Baby Park". Baby Park was closed due to debris falling from the bridge during maintenance work which is ongoing in 2007. Baby Park was replaced by a new playground for same age range between 40-41 Avenues within Queensbridge Park itself.
Other noted artists associated with Queensbridge include Prodigy and Havoc of Mobb Deep, Cormega, Tragedy Khadafi, Nature, Screwball, Capone of Capone-N-Noreaga and Big Noyd. Bars N Hooks, Prince A.D., Lakey the Kidd, Infamous Mobb (Ty Nitty, Godfather Part 3,Twin Gambino aka. Big Twinz) In regards to the Queensbridge music scene, XXL columnist Brendan Frederick wrote:
At a time when you can buy screwed & chopped albums at Circuit City in Brooklyn, it’s easy to lose sight of the fact that hip-hop was once a local phenomenon. More than just a voice of the ghetto, hip-hop at its best is the voice of specific blocks, capturing the distinct tone and timbre of an artist’s environment. Since the 1980s, New York City’s Queensbridge Housing Projects has been documented perhaps better than any other geographic location. Starting with super producer Marley Marl’s dominant Juice Crew in the ’80s all the way through ’90s mainstays like Nas, Cormega and Capone, the Bridge has produced the highest per-capita talent of any ’hood.
Category:Neighborhoods in Queens Category:Public housing in New York City Category:Buildings and structures in Queens Category:Populated places in New York with African American majority populations Category:Buildings and structures completed in 1939
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Name | Ron Artest |
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Width | 220px |
Caption | Artest in October 2009 |
Position | Small forward |
Height ft | 6 |
Height in | 7 |
Weight lb | 260 |
Team | Los Angeles Lakers |
Number | 15 |
Nationality | American |
Birth date | November 13, 1979 |
Birth place | Queensbridge, New York City, New York |
College | St. John's |
High school | La Salle Academy |
Draft round | 1 |
Draft pick | 16 |
Draft year | 1999 |
Draft team | Chicago Bulls |
Career start | 1999 |
Years1 | – |team1 = Chicago Bulls |
Years2 | – |team2 = Indiana Pacers |
Years3 | – |team3 = Sacramento Kings |
Years4 | |team4 = Houston Rockets |
Years5 | –present |team5 = Los Angeles Lakers |
Highlights |
As a teenager, he was teamed with Elton Brand of the Philadelphia 76ers and current teammate Lamar Odom of the Los Angeles Lakers on the same AAU team. The player Artest was speaking of was 19-year-old Lloyd Newton, who was stabbed in the back with a broken-off table leg during an altercation at a 1991 YMCA-sanctioned basketball tournament.
Artest played a total of 175 games for the Bulls over 2-1/2 years, the bulk as a starter, during which time he averaged about 12.5 points and just over 4 rebounds per game. He was named to the NBA All-Rookie Second Team in the 1999–2000 season.
Midway through the 2001–02 season, Artest was traded by Chicago to the Indiana Pacers along with Ron Mercer, Brad Miller, and Kevin Ollie, in exchange for Jalen Rose, Travis Best, Norman Richardson, and a 2nd round draft pick.
On November 19, 2004, Artest was at the center of an altercation among players and fans during a game in Auburn Hills, Michigan between Artest's Pacers and the home team Detroit Pistons.
The brawl began when Artest fouled Pistons center Ben Wallace as Wallace was putting up a shot. Wallace, upset at being fouled hard when the game was effectively over (the Pacers led 97–82 with less than 50 seconds to go), responded by shoving Artest, leading to an altercation near the scorer's table. Artest walked to the sideline and lay down on the scorer's table. Reacting to Wallace throwing something at Artest, Pistons fan John Green threw a cup of Diet Coke at Artest, hitting him. Artest jumped into the front-row seats and confronted a man he incorrectly believed to be responsible, which in turn erupted into a brawl between Pistons fans and several of the Pacers. Artest returned to the basketball court, and punched Pistons fan A.J. Shackleford, who was apparently taunting Artest verbally. This fight resulted in the game being stopped with less than a minute remaining. Artest's teammates Jermaine O'Neal and Stephen Jackson were suspended indefinitely the day after the game, along with Wallace.
On November 21, the NBA suspended Artest for the rest of the regular season, plus any playoff games. All told, Artest missed 86 games (73 regular season games plus 13 playoff games), the longest suspension for an on-court incident in NBA history. Eight other players (four Pacers and four Pistons) received suspensions, without pay, which ranged from one to thirty games in length. Each of the Pacers players involved were levied fines and ordered to do community service. Several fans were also charged and were banned from attending Pistons games for life. Artest lost approximately $7 million in salary due to the suspension.
On January 24, 2006, reports from NBA sources confirmed that the Sacramento Kings had agreed to trade Peja Stojaković to the Pacers for Artest. However, before the trade could be completed, many press outlets reported that Artest had informed team management that he did not want to go to Sacramento. According to Artest's agent, his original trade request was only made because he was upset when he heard rumors that the Pacers were going to trade him to Sacramento for Stojaković early in the season. While not denying his agent's story, Artest did deny that he had rejected the trade to Sacramento, saying that he would play anywhere; hence, contradicting earlier press accounts stating Artest was holding up the trade. Given conflicting accounts, it is unclear why the trade was delayed, but it was nevertheless completed on January 25 and Artest was officially sent to the Kings for Stojaković.
Since then, Artest and Yao have exchanged extensive phone calls. Artest has also said, "Whatever Adelman needs me to do, whether that's come off the bench, sixth, seventh man, start, I don't even care. Whatever he needs me to do, I'm 100 percent sure it's going to work out."
On October 30, 2008, Artest received his first technical as a Houston Rocket, as he raced towards a group of Dallas Mavericks players and then quickly went to Yao Ming who bumped Josh Howard after play stopped. Artest was trying to pull Ming away from the play and to the foul line, but contact was made with Maverick players. The TNT broadcast crew felt this technical was not warranted, and was based upon Artest's prior reputation as a feisty player in the league. In the playoffs, Artest helped the Rockets advance past the first round for the first time in 11 seasons. In Game 2 of the second round against the Los Angeles Lakers, Artest, who was battling for rebounding position with Kobe Bryant, was elbowed in the neck by Bryant, which was later ruled to be a Type 1 flagrant foul. After being called for an offensive foul, Artest was indignant and proceeded to antagonize Bryant after the play, which eventually led to an ejection by Joe Crawford. In Game 3, Artest was again ejected in the fourth quarter after a hard foul on Pau Gasol, who was attempting to dunk on a fast-break. It was determined the next day that the foul was not serious enough to warrant an ejection, and the flagrant foul was downgraded.
In Game 5 of the 2010 Western Conference Finals, Artest hit a game-winning shot at the buzzer after grabbing a last second offensive rebound. He scored 25 points against the Phoenix Suns in Game 6 and went to the NBA Finals for the first time in his career. In the finals, the Lakers defeated the Boston Celtics, four games to three. Artest scored 20 points in the clincher and sank the team's last field goal – a three-pointer late in the fourth quarter – to virtually seal the victory. Afterwards, Lakers head coach Phil Jackson called Artest the most valuable player of Game 7 against the Celtics. He won his first championship ring with the Lakers.
For the 2010–2011 season, Artest switched back to number 15, his college number at St. John’s and the first number he wore in his NBA career.
On April 26, 2011, Artest won the NBA's J. Walter Kennedy Citizenship Award.
On December 18, 2010, an art show honoring Ron Artest was held in Toronto, Canada. Entitled Lovable Badass, the show featured work by 30 Canadian and American artists, illustrators, painters and sculptors inspired by the athlete. Artest made a surprise appearance at the exhibition's opening night, commenting that “(the show) was definitely special. It was unexpected. Overwhelming.”
Artest has become involved in advocacy relating to mental health issues. In December 2010, he announced that he would donate some or all of his salary for the 2011–2012 NBA season toward mental health awareness charities. Artest also auctioned off his 2009-10 championship ring and donated the proceeds to various mental health charities nationwide.
Category:1979 births Category:Living people Category:African American basketball players Category:Basketball players from New York Category:Chicago Bulls draft picks Category:Chicago Bulls players Category:Houston Rockets players Category:Indiana Pacers players Category:Los Angeles Lakers players Category:McDonald's High School All-Americans Category:NBA Defensive Player of the Year Award winners Category:Parade High School All-Americans (boys' basketball) Category:Sportspeople from Queens Category:Rappers from New York City Category:Sacramento Kings players Category:St. John's Red Storm men's basketball players Category:Shooting guards Category:Small forwards
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Name | Mobb Deep| Img = |
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Background | group_or_band |
Origin | Queens, New York, U.S. |
Genre | Hip hop, East Coast hip hop, mafioso rap, hardcore hip hop, Gangsta rap |
Years active | 1992–present |
Label | 4th & B'way (1992-1993)Infamous (2003-present)Loud (1995-2003)G-Unit (2005-2009, 2011-Present) |
Associated acts | Big Noyd, Nas, Raekwon, Kool G Rap, Infamous Mobb, 40 Glocc, The Alchemist, Littles, Capone-N-Noreaga, 50 Cent, G-Unit, Big L, O.C., La The Darkman |
Current members | HavocProdigy |
In 1996, they appeared on the Red Hot Organization's compilation CD, America is Dying Slowly, alongside Biz Markie, Wu-Tang Clan, and Fat Joe, among many other prominent hip hop artists. The CD, meant to raise awareness of the AIDS epidemic among African American men, was heralded as "a masterpiece" by The Source magazine.
In 1998, the duo collaborated with reggae dancehall rapper Bounty Killer on the track "Deadly Zone" for the soundtrack to Blade. In 1999, they released the highly anticipated Murda Muzik album. Despite extensive bootlegging (nearly 30 songs of unreleased material leaked onto the Internet) and countless delays, the album debuted at number three on the Billboard 200 and quickly received platinum certification—further highlighted by the popular single "Quiet Storm." Shortly afterward, Prodigy released his long-awaited solo album H.N.I.C, in which the MC collaborated with other artists (B.G. and N.O.R.E.) and producers (including The Alchemist, Rockwilder, and Just Blaze).
Although these stylistic adjustments opened up Mobb Deep to a wider audience, many critics and fans consider their style change as a detriment to Mobb Deep's street image and record sales (most evident when comparing the platinum-selling Murda Muzik to Infamy, which struggled to attain gold-record status).
In 2003, the group split with Loud Records and released Free Agents: The Murda Mix Tape, in which Havoc and Prodigy proclaimed themselves "free agents" and addressed the group's split with its old label and its search for a new label. Jive Records signed the duo later in the year through a deal with the group’s own imprint. Mobb Deep then released Amerikaz Nightmare in 2004, which was seen by the general hip-hop audience as a weaker release, resulting in poor sales and the group’s subsequent departure from the label. Today, as a result of various mergers, all of Mobb Deep's studio albums from 1995 to 2004 are owned by Sony Music Entertainment.
Category:American hip hop groups Category:1990s music groups Category:2000s music groups Category:G-Unit Records artists
Category:African American musical groups Category:Musical duos
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Name | Tragedy Khadafi |
---|---|
Background | solo_singer |
Birth name | Percy Chapman |
Alias | Intelligent HoodlumPercy/TragedyTragedyPercy Chapman |
Born | August 13, 1971 |
Origin | Queensbridge, Queens, New York, USA |
Genre | Mafioso Rap |
Years active | 1985–present |
Label | Tuff Break/A&M;/PolyGramGee Street/V2/BMG Records25 To Life EntertainmentDolo Records (distributor, 1997)Solid Records |
Associated acts | Juice CrewMarley MarlKilla ShaCapone-N-NoreagaHavocLittlesImam ThugCormegaBlack Market MilitiaMobb Deep |
Percy Chapman, (born August 13, 1971, in Queens, New York, USA) known by his stage name Tragedy Khadafi, and formerly known as Intelligent Hoodlum, is an American rapper and producer who hails from the Queensbridge housing projects in Queens, New York, which has spawned other hip hop artists such as Nas, Cormega, Mobb Deep, Capone-N-Noreaga, and many others. His name is a reference to Libyan head of state Muammar al-Qaddafi, also known as Momar Qaddafi. He was one half of the group the Iron Sheiks, along with Imam T.H.U.G., which produced the underground classic "True Confessions."
Category:1971 births Category:Living people Category:African American rappers Category:Rappers from New York City Category:People from Queens Category:Members of the Nation of Gods and Earths Category:American hip hop record producers Category:A&M; Records artists Category:V2 Records artists
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Name | Irv Gotti |
---|---|
Background | non_performing_personnel |
Birth name | Irving Domingo Lorenzo, Jr. |
Alias | Irv Gotti |
Born | June 26, 1970 |
Instrument | Turntable, Mixer, keyboards, Drum Machine, sampler |
Genre | Hip Hop, R&B; |
Occupation | producer, |
Years active | 1992–present |
Label | The Inc. Records |
Associated acts | Ja Rule, Jay-Z, DMX, Ashanti, Fat Joe, Charli Baltimore, Vanessa Carlton, Lloyd |
He selected the stage name Irv Gotti by naming himself after John Gotti.
He produced such hit rap songs such as Jay-Z's "Can I Get A...", DMX's "What's My Name?", and Ja Rule's "Holla Holla".
In an interview with Angie Martinez in early May 2009, Gotti stated that his label, The Inc., was leaving Universal Records.
Category:1970 births Category:American hip hop record producers Category:African American rappers Category:American people of Dominican Republic descent Category:Def Jam Recordings artists Category:Grammy Award winners Category:Living people Category:Participants in American reality television series Category:The Inc. Records artists
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}} Craig Sager (born 1949 in Batavia, Illinois), is currently a sportscaster for TNT and TBS. Sager is a graduate of Northwestern University. He has previously covered sports for CBS and CNN. His nickname is "America's Sideline Reporter".
Sager was sports director for WINK-TV in Ft. Myers, Fla., where he was honored with the Sportscaster of the Year Award from the Florida High School Coaches Association. He also had a stint at WSPB radio in Sarasota, Fla.
Prior to signing on with CNN, Sager spent two years at KMBC-TV in Kansas City, Missouri where he served as sports director and reporter and handled play-by-play duties for the Kansas City Kings, Royals spring training and Chiefs' pre-season games.
Sager was waiting for Henry Aaron at home plate after Aaron hit his 715th home run, breaking the record held by Babe Ruth. Sager can be easily recognized in the fracas at home plate after the home run because of the long white overcoat that he was wearing.
Prior to working for Turner Sports, Sager joined CNN in 1981 after handling the network's first live remote report from the 1980 baseball playoffs. At CNN, Sager was co-anchor of the network's CNN Sports Tonight shows and was honored with a CableAce award in 1985. He also served as the anchor of College Football Scoreboard from 1982–85.
Sager is in his 17th season as sideline reporter for TNT's exclusive Thursday night NBA doubleheader coverage. Sager is also making several appearances on NBA TV during the 2008–09 NBA season.
Sager is also known for his rather distinctive clothing style. He commonly wears velvet suits, pink ties, red jackets, yellow suits, and other wacky articles of clothing on the sidelines or on the field.
Sager recently worked as a sideline reporter for TBS during Barry Bonds' chase to break Aaron's all-time home run record. While covering the 2008 MLB postseason, Sager wore a different brightly colored suit jacket to each game. He currently serves as the lead sideline reporter for the MLB postseason on TBS.
Sager was admonished by Indiana Pacer guard Reggie Miller for prematurely reporting Miller's impending retirement from the game of basketball.
He appears in the NBA 2K video game series along with fellow TNT reporters Kevin Harlan and Kenny Smith. Sager is a sideline reporter who interviews the coaches and reports on the interviews in the games.
He has also served as a reporter for the network's coverage of golf, tennis and amateur sports. He previously hosted Atlanta Hawks telecasts for TBS Superstation, was a reporter on TNT's NFL pre-game, halftime and post-game from 1990–1997. Among his other assignments have been the 1986, 1990, 1994 and 1998 Goodwill Games for TBS. In addition, Sager hosted the weekly amateur sports series U.S. Olympic Gold, which aired Saturdays on TNT.
Sager reported from the sideline for TBS' Pac-10/Big 12 college football coverage from 2002 to 2006. He also served as the sideline reporter for the 50th annual Delchamps Senior Bowl from Ladd Memorial Stadium in Mobile, AL, and the 1998 and 2000 Micron PC Bowl, formerly known as the Carquest Bowl. *
Sager was a reporter for TNT's coverage of the 2002 World Championships of Basketball, 2000 USA Basketball Games coverage from Hawaii and Japan, as well as the 1999 Tournament of the Americas Olympic Qualifying Basketball Tournament in San Juan, Puerto Rico.
Sager will serve as a sideline reporter for the NCAA Men's Division I Basketball Championship, both for Turner Sports and CBS.
He has been the men's and women's basketball reporter for NBC's Olympic coverage since the 2000 Olympics in Sydney. He also has filled in as a sideline reporter on NBC's coverage of Notre Dame football.
Sager served as a reporter for NBC Sports coverage of basketball at the 2008 Summer Olympics in Beijing.
Category:Living people Category:1949 births Category:American television sports announcers Category:Association football commentators Category:Curling broadcasters Category:Major League Baseball announcers Category:National Basketball Association broadcasters Category:National Football League announcers Category:Northwestern University alumni Category:People from Kane County, Illinois Category:People from Atlanta, Georgia Category:College football announcers Category:Golf writers and broadcasters Category:Tennis commentators Category:Notre Dame Fighting Irish football broadcasters
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Name | Blaq Poet |
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Background | solo_singer |
Birth name | Wilbur Bass |
Alias | The Poet |
Origin | Queensbridge, New York City, United States |
Born | May 31st, 1970 (age 40) |
Genre | Hip Hop |
Years active | 1987–present |
Label | Year Round Records |
Associated acts | Screwball, DJ Hot Day, DJ Premier, M.O.P., Nick Javas |
Wilbur Bass (born May 31st, 1970), better known as Blaq Poet is an American rapper from Queensbridge, New York, USA.
Blaq Poet was first heard in the track "Beat You Down" from the Bridge Wars during 1987, a diss song towards KRS-One and Boogie Down Productions. At that time Poet was at least 17 years old, as stated in a 2009 radio interview. During 1991, Poet and DJ Hot Day made a duo called PhD and released their debut album, Without Warning on Tuff City Records. They released after that album several 12 inch singles and a EP until 1996 when they broke up. Poet went onto teaming up with KL, Hostyle and Solo, creating the group Screwball. They released two albums and a compilation together before Poet went solo with the street album Rewind: Deja Screw, released 2006. The album featured production from DJ Premier amongst others. Poet later on signed to DJ Premier's Year Round Record label and released his second album, Tha Blaqprint in 2009 with the majority production coming from DJ Premier and guest appearances from the likes of Lil' Fame and N.O.R.E. as well as labelmates NYGz and Nick Javas. On the remix version of Ain't Nuthing Changed, a single from Tha Blaqprint, he collaborated with west coast rappers MC Eiht and Young Maylay. Blaq Poet is currently working on an album with producers Stu Bangas from Guns-N-Butter, and Vanderslice to be released on Stu's label Brutal Music.
Category:Living people Category:Rappers from New York City Category:African American rappers Category:1970 births Category:DJ Premier
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.