Wikimedia Commons has media related to: 310

King Shapur II the Great

Year 310 (CCCX) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Andronicus and Probus (or, less frequently, year 1063 Ab urbe condita). The denomination 310 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years.

Events[link]

By place[link]

Roman Empire[link]

• Maximian, retired co-emperor, rebelled against Constantine the Great while campaigning against the Franks, he attempts to make himself emperor at Arles. Constantine marched his army up the Rhine and embarks his troops at Chalon-sur-Saône. Maximian flees to Marseille and is captured for his crimes. Constantine I encourages his suicide and Maximian, age 60, hangs himself.
• Constantine I constructs near the town of Colonia Claudia Ara Agrippinensium (Cologne) a stone bridge over the Rhine, which is guarded by the castellum Divitia (modern Deutz).
• Maximinus II and Constantine I are declared filii Augustorum ("Sons of the Augusti"), for the first time four emperors administered the Roman Empire.
• Constantine I begins to build the Basilica of Constantine in Augusta Treverorum (Trier).

By topic[link]

Commerce[link]

• Constantine I at Trier orders the minting of a new coin, the solidus, in an effort to offset the declining value of the denarius and bring stability to the imperial currency by restoring a gold standard. The solidus (later be known as the bezant) will be minted in the Byzantine Empire without change in weight or purity until the 10th century.

Religion[link]

• Pope Eusebius exiled to Sicily died from a hunger strike.

Births[link]

• Ausonius, Roman poet and rhetorician (d. 395)
• Epiphanius of Salamis, Church Father (d. 403)
• Maximus of Ephesus, Greek Neoplatonist philosopher (approximate date)
• Wulfila, Gothic bishop and missionary (d. 383)

Deaths[link]

• Dan, empress of Xiongnu (Han Zhao)
• Liu He, emperor of Xiongnu (Han Zhao)
• Liu Yuan, founding emperor of Han Zhao
• Maximian, Roman Emperor (approximate date)
• Ōjin, emperor of Japan (approximate date)
• Pope Eusebius

References[link]

Neil deGrasse Tyson
Tyson at the NASA Advisory Council in Washington, D.C., November 2005
Born	(1958-10-05) October 5, 1958 (age 53) Manhattan, New York City, United States[1]
Residence	Manhattan, New York City, United States
Fields	Astrophysics, physical cosmology, science communication
Institutions	Hayden Planetarium, PBS, Planetary Society
Alma mater	Harvard University (AB) University of Texas at Austin (MA) Columbia University (MPhil, PhD)
Influences	Issac Newton, Carl Sagan, Fred C. Hess
Notable awards	NASA Distinguished Public Service Medal

Neil deGrasse Tyson ( /ˈniːəl dəˈɡræs ˈtaɪsən/ born October 5, 1958) is an American astrophysicist and science communicator. He is currently the Frederick P. Rose Director of the Hayden Planetarium at the Rose Center for Earth and Space, and a research associate in the department of astrophysics at the American Museum of Natural History. Since 2006 he has hosted the educational science television show NOVA scienceNOW on PBS, and has been a frequent guest on The Daily Show, The Colbert Report, Real Time with Bill Maher, and Jeopardy!. It was announced on August 5, 2011, that Tyson will be hosting a new sequel to Carl Sagan's Cosmos: A Personal Voyage television series.^[2]

Early life[link]

Tyson was born as the second of three children in the borough of Manhattan in New York City, but was raised in the Bronx.^[1] His mother, Sunchita Feliciano Tyson, was a gerontologist and his father, Cyril deGrasse Tyson, was a sociologist, human resource commissioner for the New York City mayor, John Lindsay, and was the first Director of HARYOU.^[3][4] Tyson attended the Bronx High School of Science (1972–1976, astrophysics emphasis) where he was captain of the wrestling team and was editor-in-chief of the school's Physical Science Journal. Tyson had an abiding interest in astronomy from the age of eleven, following his visit to the Hayden Planetarium at age nine. Tyson recalls that "so strong was that imprint [of the night sky] that I'm certain that I had no choice in the matter, that in fact, the universe called me."^[5] He obsessively studied astronomy in his teens, and eventually even gained some fame in the astronomy community by giving lectures on the subject at the age of fifteen.

Astronomer Carl Sagan, who was a faculty member at Cornell University, tried to recruit Tyson to Cornell for undergraduate studies.^[6] During an interview with writer Daniel Simone,^[7] Tyson said, "Interestingly, when I applied to Cornell, my application dripped of my passion for the study and research of the Universe. Somehow the admissions office brought my application to the attention of the late Dr. Sagan, and he actually took the initiative and care to contact me. He was very inspirational and a most powerful influence. Dr. Sagan was as great as the universe, an effective mentor." Tyson chose to attend Harvard University, however, where he majored in physics and lived in Currier House. He was a member of the crew team during his freshman year, but returned to wrestling, eventually lettering in his senior year. Tyson earned a bachelor of arts in physics from Harvard in 1980 and began his graduate work at the University of Texas at Austin, where he earned a master of arts in astronomy in 1983. In addition to wrestling and rowing in college, he was also active in dancing in styles including jazz, ballet, Afro-Caribbean, and Latin Ballroom. In 1985, he won a gold medal with the University of Texas dance team at a national tournament in the International Latin Ballroom style. He started to work toward a doctorate at the University of Texas, but transferred to Columbia University in 1988 after his committee was dissolved.^[8] At Columbia University, in 1989, he received a master of philosophy in astrophysics and, in 1991, he earned a doctor of philosophy in astrophysics.

Career[link]

Tyson with students at the 2007 American Astronomical Society conference

Tyson's research has focused on observations in stellar formation and evolution as well as cosmology and galactic astronomy. He has held numerous positions at institutions including University of Maryland, Princeton University, the American Museum of Natural History, and Hayden Planetarium.

Tyson has written a number of popular books on astronomy. In 1995, he began to write the "Universe" column for Natural History magazine. In a column he authored for the magazine in 2002, Tyson coined the term "Manhattanhenge" to describe the two days annually on which the evening sun aligns with the cross streets of the street grid in Manhattan, making the sunset visible along unobstructed side streets.

In 2001, President George W. Bush appointed Tyson to serve on the Commission on the Future of the United States Aerospace Industry and in 2004 to serve on the President's Commission on Implementation of United States Space Exploration Policy, the latter better known as the "Moon, Mars, and Beyond" commission. Soon afterward he was awarded the NASA Distinguished Public Service Medal, the highest civilian honor bestowed by NASA.^[9]

In 2004, he hosted the four-part "Origins" miniseries of PBS's Nova,^[10] and, with Donald Goldsmith, co-authored the companion volume for this series, Origins: Fourteen Billion Years Of Cosmic Evolution.^[11] He again collaborated with Goldsmith as the narrator on the documentary 400 Years of the Telescope which premiered on PBS in April 2009.

Tyson in December 2011 at a conference marking 1,000 days after the launch of the spacecraft Kepler

As director of the Hayden Planetarium, Tyson bucked traditional thinking in order to keep Pluto from being referred to as the ninth planet in exhibits at the center. Tyson has explained that he wanted to look at commonalities between objects, grouping the terrestrial planets together, the gas giants together, and Pluto with like objects and to get away from simply counting the planets. He has stated on The Colbert Report, The Daily Show, and BBC Horizon that this decision has resulted in large amounts of hate mail, much of it from children.^[12] In 2006, the I.A.U. confirmed this assessment by changing Pluto to the "dwarf planet" classification. Daniel Simone wrote of the interview with Tyson describing his frustration. "For a while, we were not very popular here at the Hayden Planetarium."

Tyson has been vice-president, president, and chairman of the board of the Planetary Society. He is also the host of the PBS program Nova ScienceNow.^[13] He attended and was a speaker at the Beyond Belief: Science, Religion, Reason and Survival symposium on November 2006. In 2007, Tyson, who is known for his vibrant character, cheerful demeanor, and awe of the vastness of the universe itself, was chosen to be a regular on The History Channel's popular series The Universe.

In May 2009, he launched a one-hour radio talk show called StarTalk, which he co-hosted with comedienne Lynne Koplitz. The show was syndicated on Sunday afternoons on KTLK AM in Los Angeles and WHFS in Washington D.C. The show lasted for thirteen weeks, but was resurrected in December 2010 and then, co-hosted with comedians Chuck Nice and Leighann Lord instead of Koplitz. The show is also available via the internet through a live stream or in the form of a podcast.^[14]

In April 2011, Tyson was the keynote speaker at the 93rd International Convention of the Phi Theta Kappa International Honor Society of the Two-year School. He and James Randi delivered a lecture entitled Skepticism, which related directly with the convention's theme of The Democratization of Information: Power, Peril, and Promise.

In 2012, Tyson announced that he would appear in a YouTube series based on his popular StarTalk radio show. A premiere date for the show has not been announced, but it will be distributed on the Nerdist YouTube Channel.^[15]

Views[link]

Tyson has argued that the concept of intelligent design thwarts the advance of scientific knowledge.^[16][17][18] When asked if he believed in a higher power, Tyson responded: "Every account of a higher power that I've seen described, of all religions that I've seen, include many statements with regard to the benevolence of that power. When I look at the universe and all the ways the universe wants to kill us, I find it hard to reconcile that with statements of beneficence."^[19] In an interview on podcast Point of Inquiry, Tyson defines himself as an agnostic.^[20]

He has written and broadcast extensively about his views of religion, spirituality, and the spirituality of science including the essays, "The Perimeter of Ignorance"^[21] and "Holy Wars",^[18] both appearing in Natural History magazine and the 2006 Beyond Belief workshop.^[22][23] Tyson has collaborated with evolutionary biologist Richard Dawkins and presented talks with him on religion and science.^[24]

Tyson lived near the World Trade Center and was an eyewitness to the September 11, 2001 attacks. He wrote a widely circulated letter on what he saw.^[25] On June 6, 2008, after the conclusion of the Democratic presidential primaries, Tyson wrote an op-ed in The New York Times in which he presented a statistical analysis of then recent polling data. From this analysis, Tyson concluded that in a hypothetical election held on the day of the publication of his article, Barack Obama would lose to John McCain, whereas Hillary Clinton would beat McCain.^[26]

Tyson collaborated with PETA on a PSA that stated, "You don't have to be a rocket scientist to know that kindness is a virtue."^[27] He also granted PETA an interview, in which he discussed the concept of intelligence (both of human and other animals), the failure of humans to heretofore communicate meaningfully with other animals, and the need of humans to be empathetic.^[28]

Media appearances[link]

As a science communicator, Tyson regularly appears on television, radio, and various other media outlets. He has been a regular guest on The Colbert Report, and host Stephen Colbert refers to him in his comedic book I Am America (And So Can You!), noting in his chapter on scientists that most scientists are "decent, well-intentioned people," but, presumably tongue-in-cheek, that "Neil DeGrasse Tyson is an absolute monster."^[31] He has appeared numerous times on The Daily Show with Jon Stewart. He also has made appearances on Late Night with Conan O'Brien, The Tonight Show with Jay Leno, Late Night With Jimmy Fallon, and The Rachel Maddow Show.^[32] He served as one of the central interviewees on the various episodes of the History Channel science program, The Universe, and . Tyson participated on the NPR radio quiz program Wait Wait... Don't Tell Me! in 2007.^[33] He has appeared several times on Real Time with Bill Maher, and he was also featured on an episode of Who Wants To Be A Millionaire? as the ask the expert lifeline.^[34]

Tyson has been featured as a guest interviewee on The Skeptics' Guide to the Universe, and has been in several of the Symphony of Science videos.^[35][36]

In 2007 Tyson was the keynote speaker during the dedication ceremony of Deerfield Academy's new science center, the Koch Center. He emphasized the impact science will have on the twenty-first century, as well as explaining that investments into science may be costly, but their returns in the form of knowledge gained, and piquing interest is invaluable. Tyson has also appeared as the keynote speaker at The Amazing Meeting, a science and skepticism conference hosted by the James Randi Educational Foundation.

Tyson made a guest appearance as himself in the episode "Brain Storm" of Stargate Atlantis.^[37] and in the episode "The Apology Insufficiency" of The Big Bang Theory.^[38]

Tyson is also a frequent participant in the website Reddit’s AMAs (Ask Me Anythings) where he is responsible for 3 of the top 10 most popular AMAs of all-time. ^[39]

Personal life[link]

Signing a copy of his book Origins, portrait taken at JREF's The Amazing Meeting 6

Tyson lives in Lower Manhattan with his wife and two children.^[40][41]

Tyson is a fine wine enthusiast whose collection was featured in the May 2000 issue of the Wine Spectator and the Spring 2005 issue The World of Fine Wine.

Selected awards and honors[link]

Awards[link]

• 2001 Medal of Excellence, Columbia University, New York City
• 2004 NASA Distinguished Public Service Medal
• 2007 Klopsteg Memorial Award winner
• 2009 Douglas S. Morrow Public Outreach Award from the Space Foundation for significant contributions to public awareness of space programs.^[9]
• 2009 Isaac Asimov award from the American Humanist Association ^[42]

Selected honorary doctorates[link]

• 1997 York College, City University of New York
• 2000 Ramapo College, Mahwah, New Jersey
• 2000 Dominican College, Orangeburg, New York
• 2001 University of Richmond, Richmond, Virginia
• 2002 Bloomfield College, Bloomfield, New Jersey
• 2003 Northeastern University, Boston, Massachusetts
• 2004 College of Staten Island, City University of New York
• 2006 Pace University, New York City
• 2007 Williams College, Williamstown, Massachusetts
• 2007 Worcester Polytechnic Institute, Worcester, Massachusetts
• 2008 University of Pennsylvania, Philadelphia, Pennsylvania
• 2010 University of Alabama in Huntsville, Huntsville, Alabama
• 2010 Rensselaer Polytechnic Institute, Troy, New York
• 2010 Eastern Connecticut State University, Willimantic, Connecticut
• 2011 Gettysburg College, Gettysburg, Pennsylvania
• 2012 Mount Holyoke College, South Hadley, Massachusetts
• 2012 Western New England University, Springfield, Massachusetts

Honors[link]

• 2000 Sexiest Astrophysicist Alive, People Magazine^[43]
• 2001 asteroid named: 13123 Tyson, renamed from Asteroid 1994KA by the International Astronomical Union
• 2001 The Tech 100, voted by editors of Crain's Magazine to be among the 100 most influential technology leaders in New York
• 2004 Fifty Most Important African-Americans in Research Science^[44]
• 2007 Harvard 100: Most Influential Harvard Alumni Magazine, Cambridge. Massachusetts
• 2007 The Time 100, voted by the editors of Time Magazine as one of the 100 most influential people in the world^[45]
• 2008 Discover Magazine selected him one of the "50 Best Brains in Science".^[46]

Selected books by Tyson[link]

List of books by Tyson:^[47]

• Space Chronicles: Facing the Ultimate Frontier (2012) ISBN 0-393-08210-5
• The Pluto Files: The Rise and Fall of America's Favorite Planet (2009) ISBN 0-393-06520-0
• Death by Black Hole: And Other Cosmic Quandaries (2007) ISBN 0-393-33016-8
• The Sky Is Not the Limit: Adventures of an Urban Astrophysicist (1st ed. 2000 / 2nd ed. 2004) ISBN 978-1-59102-188-9
• Origins: Fourteen Billion Years of Cosmic Evolution (co-authored with Donald Goldsmith) (2004) ISBN 0-393-32758-2
• My Favorite Universe (A twelve part lecture series) (2003) ISBN 1-56585-663-5
• City of Stars: A New Yorker's Guide to the Cosmos (2002)
• Cosmic Horizons: Astronomy at the Cutting Edge (2000) ISBN 1-56584-602-8
• One Universe: At Home in the Cosmos (2000) ISBN 0-309-06488-0
• Just Visiting This Planet (1998) ISBN 0-385-48837-8
• Universe Down to Earth (1994) ISBN 0-231-07560-X
• Merlin's Tour of the Universe (1989) ISBN 0-385-48835-1

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Neil deGrasse Tyson

Wikimedia Commons has media related to: Neil deGrasse Tyson

• Official website
• Neil deGrasse Tyson on Twitter
• CV at AMNH page
• Biography at the Planetary Society
• PBS NOVA scienceNOW with Neil deGrasse Tyson
• Star Talk Radio Show hosted by Neil deGrasse Tyson
• Neil deGrasse Tyson at the Internet Movie Database

Joe Rogan
Joe Rogan performs at a comedy club after UFC 70
Birth name	Joseph James Rogan[1]
Born	(1967-08-11) August 11, 1967 (age 44) Newark, New Jersey, U.S.
Medium	Stand-up, Presenter, Announcer, Podcaster
Nationality	American
Years active	1988—present
Genres	Satire/political satire, blue comedy, observational comedy
Subject(s)	Recreational drug use, self-deprecation, race relations, marriage, everyday life, parenting, current events, politics, religion
Influences	Richard Pryor, Bill Hicks, Sam Kinison
Spouse	Jessica Rogan (2009–present) 2 children, 1 step daughter
Notable works and roles	Joe Garrelli in NewsRadio Co-Host of The Man Show Host of Fear Factor Commentator for the UFC Author of the Book Space Monkey Host of The Joe Rogan Experience

Joseph James "Joe" Rogan (born August 11, 1967) is an American martial artist, stand-up comedian, actor, writer and color commentator. He is best known for playing Joe Garrelli on the NBC sitcom NewsRadio, commentating for the Ultimate Fighting Championship, hosting the NBC reality show Fear Factor and The Joe Rogan Experience podcast.

Early life[link]

Rogan was born in Newark, New Jersey.^[2] His paternal grandfather was Irish and the remainder of his ancestry is Italian.^[3]

Career[link]

Martial arts[link]

In 1981, at age fourteen, he became a practitioner of Kenpo Karate before transitioning to Taekwondo.^[4] He eventually gained a 2nd dan black belt.^[5] A four-time state champion in Massachusetts, in 1987 he was the USA Taekwondo U.S. Open Champion.^[6] In 1996, he began training in Brazilian Jiu-Jitsu under Jean Jacques Machado, eventually earning his brown belt.^[7] In addition, he holds a brown belt in 10th Planet Jiu-Jitsu under Eddie Bravo.^[8][9]

He also practiced and competed in kickboxing.^[10]

Acting[link]

In 1994, he co-starred on the Fox comedy Hardball as Frank Valente, the young, ego-centric star player on a fictional professional baseball team.^[11] From 1995 to 1999, he co-starred on the comedy NewsRadio. He portrayed Joe Garrelli, the electrician at WNYX, a news radio station in New York City.^[12] In 2002, he appeared on the episode "A Beautiful Mind" of Just Shoot Me as Chris, Maya Gallo's boyfriend.^[13] In 2011, Rogan played his first major character in a movie in the Kevin James movie Zookeeper.^[14] He is slated to play himself in an upcoming action-comedy starring Kevin James called Here Comes the Boom, set to be released in the summer of 2012.^[15]

Color commentary[link]

Rogan began working for the UFC in 1997, making his debut interviewing fighters at UFC 12: Judgement Day in Dothan, Alabama, before eventually becoming a color commentator for the promotion.^[16] He won the Wrestling Observer Newsletter awards in two occasions as Best Television Announcer. He was also named "MMA Personality of the Year" in the 2011 World MMA Awards.^[17]

Stand-up comedy[link]

Rogan has toured as a stand-up comedian and recorded several albums and specials, including Shiny Happy Jihad and Joe Rogan: Talking Monkeys in Space.

In 2007 Rogan confronted comedian Carlos Mencia on stage, accusing him of joke thievery.^[18] A video of the incident, created with Brian Redban, included evidence and supporting comments from other comedians, including George Lopez, Reverend Bob Levy, Bobby Lee and Ari Shaffir.^[19]

Hosting[link]

Rogan worked on the TV series Fear Factor, as a host of the United States version of the show. He hosted from June 11, 2001 through September 12, 2006. Rogan returned as the host of Fear Factor in the rebooted edition of the show, which aired December 12, 2011 on NBC.

In 2003, Rogan and Doug Stanhope replaced Jimmy Kimmel and Adam Carolla as co-hosts of The Man Show.^[20] They continued through the end of the show's run in 2004.

In December 2009, Rogan began hosting a regular podcast with concurrent live Ustream availability.^[21] Co-hosted by his friend and the show's producer Brian Redban, the podcast features an array of guests from the pursuits of comedy, acting and Mixed Martial Arts.^{[citation needed]} Now known as The Joe Rogan Experience, the show is regularly found in the Apple iTunes top 10 most downloaded comedy, and was named one of iTunes "Best of 2010" audio podcasts in its first year.

Personal life[link]

In 2008, Rogan and his wife to be, Jessica, had a baby girl.^[22] The couple married in 2009. In 2010, Rogan announced the birth of a second baby. Rogan also has a step daughter with his wife Jessica.^[23][24]

Although raised Roman Catholic,^[25] Rogan stated in September 2010, during a guest appearance on the Alex Jones radio show, that he does not follow any organized religions because he feels it is all the work of man. Rogan also said that he is not completely opposed to the concept of a "higher power" such as a God; however, he views the concept of God as part of nature that exists in everything.

Rogan has argued for the possibility of the moon landings being a hoax.^[26][27]

One of the recurring themes in his stand-up comedy and life is the use and support of cannabis, psilocybin mushrooms, and DMT. Rogan supports the medical and recreational use of cannabis.^[28] He has also starred in the marijuana documentary The Union: The Business Behind Getting High.^[29] Rogan was featured in the 2010 History Channel documentary, Marijuana: A Chronic History, as an advocate of legalized medical use of marijuana. He is also the presenter of the 2010 documentary, DMT: The Spirit Molecule, released in October 2010.

Comedy recordings[link]

• I'm Gonna Be Dead Someday (CD) (August 22, 2000)
• Live from the Belly of the Beast (DVD) (May 4–5, 2001)
• Joe Rogan: Live (DVD) (September 1, 2006)
• Shiny Happy Jihad (CD) (April 10, 2007)
• Talking Monkeys in Space (CD & DVD) (2010) Comedy Central Records

Awards and recognition[link]

• World MMA Awards
  • 2011 Personality of the Year
• Wrestling Observer Newsletter
  • 2010 Best Television Announcer
  • 2011 Best Television Announcer ^[30]
• Teen Choice Award,
  • Choice TV Reality/Variety Host for Fear Factor (2003, Nominated)

See also[link]

• List of Brazilian Jiu-Jitsu practitioners

References[link]

External links[link]

• Official website
• Joe Rogan on Twitter
• Joe Rogan on Youtube
• Fear Factor
• Interview from August 2008
• Joe Rogan at the Internet Movie Database
• Joe Rogan on his UFC career

Hart Crane
Born	Harold Hart Crane (1899-07-21)July 21, 1899 Garrettsville, Ohio
Died	April 27, 1932(1932-04-27) (aged 32) At sea: off the Florida coast
Occupation	Poet
Nationality	American
Period	1916–1932
Literary movement	American Modernism, Romanticism
Notable work(s)	The Bridge
Influences T. S. Eliot, William Blake, Percy Bysshe Shelley, Walt Whitman, Wallace Stevens, Gerald Manley Hopkins
Influenced Tennessee Williams, John Berryman, Robert Lowell
Literature portal

Harold Hart Crane (July 21, 1899 – April 27, 1932) was an American poet. Finding both inspiration and provocation in the poetry of T. S. Eliot, Crane wrote modernist poetry that was difficult, highly stylized, and ambitious in its scope. In his most ambitious work, The Bridge, Crane sought to write an epic poem, in the vein of The Waste Land, that expressed a more optimistic view of modern, urban culture than the one that he found in Eliot's work. In the years following his suicide at the age of 32, Crane has come to be seen as one of the most influential poets of his generation.

Life and work[link]

Hart Crane was born in Garrettsville, Ohio. His father, Clarence, was a successful Ohio businessman who invented the Life Savers candy and held the patent, but sold it for $2,900 before the brand became popular.^[1] He made other candy and accumulated a fortune from the candy business with chocolate bars. Crane's mother and father were constantly fighting, and early in April, 1917, they divorced.^{[notes 1]} Hart dropped out of high school during his junior year and left for New York City, promising his parents he would attend Columbia University later. His parents, in the middle of divorce proceedings, were upset. Crane took various copywriting jobs and jumped between friends’ apartments in Manhattan.^[1] Between 1917 and 1924 he moved back and forth between New York and Cleveland, working as an advertising copywriter and a worker in his father’s factory. From Crane's letters, it appears that New York was where he felt most at home, and much of his poetry is set there.

Career[link]

Throughout the early 1920s, small but well-respected literary magazines published some of Crane’s lyrics, gaining him, among the avant-garde, a respect that White Buildings (1926), his first volume, ratified and strengthened. White Buildings contains many of Crane’s best lyrics, including "For the Marriage of Faustus and Helen," and "Voyages", a powerful sequence of erotic poems. There were written while he was falling in love with Emil Opffer, a Danish merchant mariner. "Faustus and Helen" was part of a larger artistic struggle to meet modernity with something more than despair. Crane identified T. S. Eliot with that kind of despair, and while he acknowledged the greatness of The Waste Land, he also said it was "so damned dead," an impasse, and a refusal to see "certain spiritual events and possibilities." Crane’s self-appointed work would be to bring those spiritual events and possibilities to poetic life, and so create "a mystical synthesis of America."

Crane returned to New York in 1928, living with friends and taking temporary jobs, then moving back to Brooklyn, to 77 Willow Street. His lover, Opffer, invited Crane to live in his father’s home at 110 Columbia Heights in Brooklyn Heights, New York. Crane was overjoyed at the views the location afforded him. He wrote his mother and grandmother in the spring of 1924:

Just imagine looking out your window directly on the East River with nothing intervening between your view of the Statue of Liberty, way down the harbour, and the marvelous beauty of Brooklyn Bridge close above you on your right! All of the great new skyscrapers of lower Manhattan are marshaled directly across from you, and there is a constant stream of tugs, liners, sail boats, etc in procession before you on the river! It’s really a magnificent place to live. This section of Brooklyn is very old, but all the houses are in splendid condition and have not been invaded by foreigners...^[1]

His ambition to synthesize America was expressed in The Bridge (1930), intended to be an uplifting counter to Eliot's's The Waste Land. The Brooklyn Bridge is both the poem’s central symbol and its poetic starting point.^[3] Crane found what a place to start his synthesis in Brooklyn. Arts patron Otto H. Kahn gave him $2,000 to begin work on the epic poem.^[1] When he wore out his welcome at the Opffers, Crane left for Paris in early 1929 but failed to leave his personal problems behind.^[1] It was during the late 1920s, while he was finishing The Bridge, that his drinking, always a problem, became notably worse.^[4]

While in Paris in February 1929, Harry Crosby, who with his wife Caresse Crosby owned the fine arts press Black Sun Press, offered Crane the use of their country retreat, Le Moulin du Soleil in Ermenonville. They hoped he could use the time to concentrate on completing The Bridge. Crane spent several weeks at their estate where he roughed out a draft of the "Cape Hatteras" section, a key part of his epic poem.^[5] In late June that year, Crane returned from the south of France to Paris. Harry noted in his journal, "Hart C. back from Marseilles where he slept with his thirty sailors and he began again to drink Cutty Sark." Crane got drunk at the Cafe Select and fought with waiters over his tab. When the Paris police were called, he fought with them and was beaten. They arrested and jailed him, fining him 800 francs.^[1] After six days in prison at La Sante, Harry Crosby paid Crane's fine and advanced him money for the passage back to the United States^[5] where he finally finished The Bridge.^[1] The work received poor reviews, but Crane’s sense of his own failure became crushing.^[3]

Death[link]

Crane visited Mexico in 1931–32 on a Guggenheim Fellowship and his drinking continued as he suffered from bouts of alternating depression and elation. When Peggy Cowley, wife of his friend Malcolm Cowley, agreed to a divorce, she joined Crane. As far as is known, she was his only heterosexual partner.^[3] "The Broken Tower," one of his last published poems, emerged from that affair. Crane still felt himself a failure, in part because he recommenced homosexual activity in spite of his relationship with Cowley.^[3]

While on board the steamship SS Orizaba^[6] enroute to New York, he was beaten after making sexual advances to a male crew member. Just before noon on April 27, 1932, Hart Crane jumped overboard into the Gulf of Mexico. Although he had been drinking heavily and left no suicide note, witnesses believed his intentions to be suicidal, as several reported that he exclaimed "Goodbye, everybody!" before throwing himself overboard. His body was never recovered. A marker on his father's tombstone in Garrettsville includes the inscription, "Harold Hart Crane 1899–1932 lost at sea".^[7]

Poetics[link]

Crane's critical effort, like Keats and Rilke, is most pronounced in his letters: he corresponded regularly with Allen Tate, Yvor Winters, and Gorham Munson, and shared critical dialogues with Eugene O'Neill, William Carlos Williams, E. E. Cummings, Sherwood Anderson, Kenneth Burke, Waldo Frank, Harriet Monroe, Marianne Moore, and Gertrude Stein. Most serious work on Crane begins with his letters, selections of which are available in many editions of his poetry; his letters to Munson, Tate, Winters, and his patron, Otto Hermann Kahn, are particularly insightful. His two most famous stylistic defenses emerged from correspondences: his Emersonian "General Aims and Theories" (1925) was written to urge Eugene O’Neill’s critical foreword to White Buildings, then passed around among friends, yet unpublished during Crane's life; and the famous "Letter to Harriet Monroe" (1926) was part of an exchange for the publication of "At Melville's Tomb" in Poetry.

The "Logic of Metaphor"[link]

As with Eliot's "objective correlative," a certain vocabulary haunts Crane criticism, his "logic of metaphor" being perhaps the most vexed. His most quoted formulation is in the circulated, if long unpublished, "General Aims and Theories": "As to technical considerations: the motivation of the poem must be derived from the implicit emotional dynamics of the materials used, and the terms of expression employed are often selected less for their logical (literal) significance than for their associational meanings. Via this and their metaphorical inter-relationships, the entire construction of the poem is raised on the organic principle of a 'logic of metaphor,' which antedates our so-called pure logic, and which is the genetic basis of all speech, hence consciousness and thought-extension.^[8]

There is also some mention of it, though it is not so much presented as a critical neologism, in his letter to Harriet Monroe: "The logic of metaphor is so organically entrenched in pure sensibility that it can't be thoroughly traced or explain outside of historical sciences, like philology and anthropology."^[9] L. S. Dembo's influential study of The Bridge, Hart Crane's Sanskrit Charge (1960), reads this 'logic' well within the familiar rhetoric of the Romantics: "The Logic of metaphor was simply the written form of the 'bright logic' of the imagination, the crucial sign stated, the Word made words.... As practiced, the logic of metaphor theory is reducible to a fairly simple linguistic principle: the symbolized meaning of an image takes precedence over its literal meaning; regardless of whether the vehicle of an image makes sense, the reader is expected to grasp its tenor.^[10]

Difficulty[link]

The publication of White Buildings was delayed by Eugene O'Neill's struggle (and eventual failure) to articulate his appreciation in a foreword to it; and many critics since have used Crane's difficulty as an excuse for a quick dismissal.^[11] Even a young Tennessee Williams, then falling in love with Crane's poetry, could "hardly understand a single line—of course the individual lines aren't supposed to be intelligible. The message, if there actually is one, comes from the total effect.".^[12] It was not lost on Crane, then, that his poetry was difficult. Some of his best, and practically only, essays originated as encouraging epistles: explications and stylistic apologies to editors, updates to his patron, and the variously well-considered or impulsive letters to his friends. It was, for instance, only the exchange with Harriet Monroe at Poetry when she initially refused to print "At Melville’s Tomb" that urged Crane to describe his "logic of metaphor" in print.^[13] But describe it he did, then complaining that: "If the poet is to be held completely to the already evolved and exploited sequences of imagery and logic—what field of added consciousness and increased perceptions (the actual province of poetry, if not lullabies) can be expected when one has to relatively return to the alphabet every breath or two? In the minds of people who have sensitively read, seen, and experienced a great deal, isn’t there a terminology something like short-hand as compared to usual description and dialectics, which the artist ought to be right in trusting as a reasonable connective agent toward fresh concepts, more inclusive evaluations?"^[14]

Monroe was not impressed, though she acknowledged that others were, and printed the exchange alongside the poem: "You find me testing metaphors, and poetic concept in general, too much by logic, whereas I find you pushing logic to the limit in a painfully intellectual search for emotion, for poetic motive."^[15] In any case, Crane had a relatively well-developed rhetoric for the defense of his poems; here is an excerpt from "General Aims and Theories": "New conditions of life germinate new forms of spiritual articulation. ...the voice of the present, if it is to be known, must be caught at the risk of speaking in idioms and circumlocutions sometimes shocking to the scholar and historians of logic."^[16]

The "Homosexual Text"[link]

As a boy, he had a sexual relationship with an older man.^{[notes 2]} He associated his sexuality with his vocation as a poet. Raised in the Christian Science tradition of his mother, he never ceased to view himself as a social pariah. However, as poems such as "Repose of Rivers" make clear, he felt that this sense of alienation was necessary in order for him to attain the visionary insight that formed the basis for his poetic work.^{[original research?]}

Recent queer criticism has asserted that it is particularly difficult, perhaps even inappropriate, to read many of Crane's poems – "The Broken Tower," "My Grandmother’s Love Letters," the "Voyages" series, and others – without a willingness to look for, and uncover, homosexual meanings in the text. The prominent queer theorist Tim Dean argues, for instance, that the obscurity of Crane's style owes itself partially to the necessities of being a semi-public homosexual – not quite closeted, but also, as legally and culturally necessary, not open: "The intensity responsible for Crane’s particular form of difficulty involves not only linguistic considerations but also culturally subjective concerns. This intensity produces a kind of privacy that is comprehensible in terms of the cultural construction of homosexuality and its attendant institutions of privacy."^[17]

Thomas Yingling objects to the traditional, New Critical and Eliotic readings of Crane, arguing that the "American myth criticism and formalist readings" have "depolarized and normalized our reading of American poetry, making any homosexual readings seem perverse."^[18] Even more than a personal or political problem, though, Yingling argues that such "biases" obscure much of what the poems make clear; he cites, for instance, the last lines of "My Grandmother's Love Letters" from White Buildings as a haunting description of estrangement from the norms of (heterosexual) family life:

<poem> Yet I would lead my grandmother by the hand Through much of what she would not understand; And so I stumble. And the rain continues on the roof With such a sound of gently pitying laughter. </poem>

The critic Brian Reed has contributed to a project of critical reintegration, suggesting that an overemphasis on the sexual biography of Crane's poetry can skew a broader appreciation of his overall work.^[19] In one example of Reed's approach, he published a close reading of Crane's lyric poem, "Voyages," (a love poem that Crane wrote for his lover Emil Opffer) on the Poetry Foundation website, analyzing the poem based strictly on the content of the text itself and not on outside political or cultural matters.^[20]

Influence[link]

Crane was admired by artists such as Allen Tate, Eugene O'Neill, Kenneth Burke, Edmund Wilson, E. E. Cummings and William Carlos Williams. Although Hart had his sharp critics, among them Marianne Moore and Ezra Pound, Moore did publish his work, as did T. S. Eliot, who, moving even further out of Pound's sphere, may have borrowed some of Crane's imagery for Four Quartets.^[21]

Important mid-century American poets like John Berryman and Robert Lowell cited Crane as a significant influence. Both poets also wrote about Crane in their poetry. Berryman wrote him one of his famous elegies in The Dream Songs, and Lowell published his "Words for Hart Crane" in Life Studies (1959): "Who asks for me, the Shelley of my age, / must lay his heart out for my bed and board." Lowell thought that Crane was the most important American poet of the generation to come of age in the 1920s, stating that, "[Crane] got out more than anybody else . . . he somehow got New York City; he was at the center of things in the way that no other poet was."^[22] Lowell also described Crane as being "less limited than any other poet of his generation." ^[23]

Perhaps most reverently, Tennessee Williams wanted to be "given back to the sea" at the "point most nearly determined as the point at which Hart Crane gave himself back.".^[24] One of Williams's last plays, a "ghost play" titled "Steps Must Be Gentle," explores Crane's relationship with his mother.^[25] Such important affections have made Crane a "poet's poet". Thomas Lux offers, for instance: "If the devil came to me and said 'Tom, you can be dead and Hart can be alive,' I'd take the deal in a heartbeat if the devil promised, when arisen, Hart would have to go straight into A.A."^[26]

More recently, the American poet Gerald Stern wrote an essay on Crane in which he stated, "Some, when they talk about Crane, emphasize his drinking, his chaotic life, his self-doubt, and the dangers of his sexual life, but he was able to manage these things, even though he died at 32, and create a poetry that was tender, attentive, wise, and radically original." At the conclusion of his essay, Stern writes, "Crane is always with me, and whatever I wrote, short poem or long, strange or unstrange—his voice, his tone, his sense of form, his respect for life, his love of the word, his vision have affected me. But I don't want, in any way, to exploit or appropriate this amazing poet whom I am, after all, so different from, he who may be, finally, the great poet, in English, of the twentieth century." ^[27]

Beyond poetry, Crane's suicide inspired several works of art by noted artist Jasper Johns, including "Periscope" and "Diver," the "Symphony for Three Orchestras" by Elliott Carter (inspired by the "Bridge") and the painting by Marsden Hartley "Eight Bells' Folly, Memorial for Hart Crane." ^[28]

Neil Young wrote The Bridge, a song on the Time Fades Away album, which was inspired by the poetry of Crane, and after which The Bridge School and Bridge School Benefit are named.^[29]

Bibliography[link]

• White Buildings (1926) ISBN 0-87140-179-7
• The Bridge (1930) ISBN 0-87140-025-1
• The Complete Poems of Hart Crane, Marc Simon, ed. New York: Liveright (1986; Centennial edition with intro. by Harold Bloom, 2000) ISBN 978-0-87140-178-9
• O My Land, My Friends: The Selected Letters of Hart Crane. intro. and commentary by Langdon Hammer, forward by Paul Bowles. New York: Four Walls Eight Windows (1997) ISBN 978-0-941423-18-2
• Hart Crane: Complete Poems and Selected Letters, Langdon Hammer, ed. New York: The Library of America (2006) ISBN 978-1-931082-99-0.
• Hart Crane and Yvor Winters: Their Literary Correspondence. Thomas Parkinson ed. and commentary. Berkeley: University of California Press (1978)
• The Collected Poems of Hart Crane, Boriswood, 1938 (First UK edition edited by Waldo Frank)

See also[link]

	Poetry portal
	LGBT portal

• Modernist poetry in English
• Poetry of the United States

Biographies[link]

• Fisher, Clive. Hart Crane: A Life. New Haven: Yale University Press, 2002. ISBN 0-300-09061-7.
• Horton, Philip. Hart Crane: The Life of An American Poet. New York: W.W. Norton & Company, 1937.
• Meaker, M.J. Sudden Endings, 13 Profiles in Depth of Famous Suicides. Garden, NY: Doubleday & Company, Inc., 1964. pp. 108–133.
• Mariani, Paul. The Broken Tower: A Life of Hart Crane. New York: W.W. Norton & Company, 1999. ISBN 0-393-32041-3.
• Unterecker, John. Voyager: A Life of Hart Crane. New York: Farrar, Straus and Giroux, 1969.
• Weber, Brom. Hart Crane: A Biographical and Critical Study. New York: The Bodley Press, 1948.

Selected criticism[link]

Notes[link]

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Hart Crane

• Yale College Lecture on Hart Crane audio, video and full transcripts from Open Yale Courses
• The Fales Library of NYU's guide to the Richard W. Rychtarik/Hart Crane Papers
• Academy of American Poets
• Poetry Foundation profile
• Brian Reed on Voyages (at Poetry Foundation)
• Modern American Poetry: Hart Crane (1899–1932)
• A Great American Visionary Colm Toibin essay on Crane and review of his selected poems and letters from The New York Review of Books