Tablet containing a fragment of the Epic of Gilgamesh

An epic (from the Ancient Greek adjective ἐπικός (epikos), from ἔπος (epos) "word, story, poem"^[1]) is a lengthy narrative poem, ordinarily concerning a serious subject containing details of heroic deeds and events significant to a culture or nation.^[2] Oral poetry may qualify as an epic, and Albert Lord and Milman Parry have argued that classical epics were fundamentally an oral poetic form. Nonetheless, epics have been written down at least since the works of Virgil, Dante Alighieri, and John Milton. Many probably would not have survived if not written down. The first epics are known as primary, or original, epics. One such epic is the Old English story Beowulf.^[3] Epics that attempt to imitate these like Milton's Paradise Lost are known as literary, or secondary, epics. Another type of epic poetry is epyllion (plural: epyllia), which is a brief narrative poem with a romantic or mythological theme. The term, which means 'little epic', came into use in the nineteenth century. It refers primarily to the erudite, shorter hexameter poems of the Hellenistic period and the similar works composed at Rome from the age of the neoterics; to a lesser degree, the term includes some poems of the English Renaissance, particularly those influenced by Ovid.^{[citation needed]} The most famous example of classical epyllion is perhaps Catullus 64.

Some of the most famous examples of epic poetry include the Ramayana, Mahabharata, Iliad and the Odyssey.

Oral epics or world folk epics[link]

The first epics were products of preliterate societies and oral poetic traditions. In these traditions, poetry is transmitted to the audience and from performer to performer by purely oral means.

Early twentieth-century study of living oral epic traditions in the Balkans by Milman Parry and Albert Lord demonstrated the paratactic model used for composing these poems. What they demonstrated was that oral epics tend to be constructed in short episodes, each of equal status, interest and importance. This facilitates memorization, as the poet is recalling each episode in turn and using the completed episodes to recreate the entire epic as he performs it.

Parry and Lord also showed that the most likely source for written texts of the epics of Homer was dictation from an oral performance.

Epic: a long narrative poem in elevated style presenting characters of high position in adventures forming an organic whole through their relation to a central heroic figure and through their development of episodes important to the history of a nation or race. (Harmon and Holman)

An attempt to deliminate nine main characteristics of an epic:^[4]

1. Begins in medias res.
2. The setting is vast, covering many nations, the world or the universe.
3. Begins with an invocation to a muse (epic invocation).
4. Begins with a statement of the theme.
5. Includes the use of epithets.
6. Contains long lists (epic catalogue).
7. Features long and formal speeches.
8. Shows divine intervention on human affairs.
9. Features heroes that embody the values of the civilization.

The hero generally participates in a cyclical journey or quest, faces adversaries that try to defeat him in his journey and returns home significantly transformed by his journey. The epic hero illustrates traits, performs deeds, and exemplifies certain morals that are valued by the society the epic originates from. Many epic heroes are recurring characters in the legends of their native culture.

Conventions of epics:^{[citation needed]}

1. Praepositio: Opens by stating the theme or cause of the epic. This may take the form of a purpose (as in Milton, who proposed "to justify the ways of God to men"); of a question (as in the Iliad, which Homer initiates by asking a Muse to sing of Achilles' anger); or of a situation (as in the Song of Roland, with Charlemagne in Spain).
2. Invocation: Writer invokes a Muse, one of the nine daughters of Zeus. The poet prays to the Muses to provide him with divine inspiration to tell the story of a great hero. (This convention is obviously restricted to cultures influenced by European Classical culture. The Epic of Gilgamesh, for example, or the Bhagavata Purana would obviously not contain this element).
3. In medias res: narrative opens "in the middle of things", with the hero at his lowest point. Usually flashbacks show earlier portions of the story.
4. Enumeratio: Catalogues and genealogies are given. These long lists of objects, places, and people place the finite action of the epic within a broader, universal context. Often, the poet is also paying homage to the ancestors of audience members.
5. Epithet: Heavy use of repetition or stock phrases: e.g., Homer's "rosy-fingered dawn" and "wine-dark sea."

Literate societies have often copied the epic format. The earliest surviving European examples are the Argonautica of Apollonius of Rhodes and Virgil's Aeneid, which follow both the style and subject matter of Homer. Other obvious examples are Nonnus' Dionysiaca, Tulsidas' Sri Ramacharit Manas.

Notable epic poems[link]

The first page of the Beowulf manuscript

This list can be compared with two others, national epic and list of world folk-epics.^[5]

Ancient epics (to 500)[link]

• 20th to 10th century BC:
  • Epic of Gilgamesh (Mesopotamian mythology)
  • Atrahasis (Mesopotamian mythology)
  • Enuma Elish (Babylonian mythology)

(The date of compositions of Babylonian epics is often hard to determine, as they may survive on manuscripts that are much later than the first composition. There is also the complication that they underwent successive revisions and redactions.)

Anywhere between 20th and 5th centuries BC:

• • Mahābhārata, ascribed to Vyasa (Hindu mythology)
  • Ramayana, ascribed to Valmiki (Hindu mythology)
• 8th to 6th century BC:
  • Iliad, ascribed to Homer (Greek mythology)
  • Odyssey, ascribed to Homer (Greek mythology)
  • Works and Days, ascribed to Hesiod (Greek mythology)
  • Theogony, ascribed to Hesiod (Greek mythology)
  • Catalogue of Women, ascribed to Hesiod (Greek mythology)
  • Shield of Heracles, ascribed to Hesiod (Greek mythology)
• 3rd century BC:
  • Argonautica by Apollonius of Rhodes
• 2nd century BC:
  • Annales by Quintus Ennius (Roman History)
• 1st century BC:
  • Aeneid by Virgil (Roman mythology)
  • De rerum natura by Lucretius (Latin Literature, Epicurean philosophy)
• 1st century AD:
  • Metamorphoses by Ovid (Greek and Roman mythology)
  • Pharsalia by Lucan (Roman history)
  • Punica by Silius Italicus (Roman history)
  • Argonautica by Gaius Valerius Flaccus (Roman poet, Greek mythology)
  • Thebaid and Achilleid by Statius (Roman poet, Greek mythology)
• 2nd century:
  • Buddhacarita by Aśvaghoṣa (Indian epic poetry)
  • Saundaranandakavya by Aśvaghoṣa (Indian epic poetry)
• 2nd to 5th century:
  • The Five Great Epics of Tamil Literature:
    • Silappadikaram by Prince Ilango Adigal
    • Manimekalai by Seethalai Saathanar
    • Civaka Cintamani by Tirutakakatevar
    • Kundalakesi by a Buddhist poet
    • Valayapati by a Jaina poet
• 3rd to 4th century:
  • Posthomerica by Quintus of Smyrna
• 4th century:
  • Evangeliorum libri by Juvencus
  • Kumārasambhava by Kālidāsa (Indian epic poetry)
  • Raghuvaṃśa by Kālidāsa (Indian epic poetry)
  • De Raptu Proserpinae by Claudian
• 5th century:
  • Argonautica Orphica by Anonymous
  • Dionysiaca by Nonnus

Medieval epics (500-1500)[link]

• 7th century:
  • Táin Bó Cúailnge (Old Irish)
  • Bhaṭṭikāvya, Sanskrit courtly epic based on the Rāmāyaṇa and the Aṣṭādhyāyī of Pāṇini
  • Kiratarjuniya by Bharavi, Sanskrit epic based on an episode in the Mahabharata
  • Shishupala Vadha by Magha, Sanskrit epic based on another episode in the Mahabharata
• 8th to 10th century:
  • Beowulf (Old English)
  • Waldere, Old English version of the story told in Waltharius (below), known only as a brief fragment
  • David of Sasun (Armenian)
• 9th century:
  • Bhagavata Purana (Sanskrit) "Stories of the Lord", based on earlier sources
• 10th century:
  • Shahnameh (Persian literature; details Persian legend and history from prehistoric times to the fall of the Sassanid Empire)
  • Waltharius by Ekkehard of St. Gall (Latin); about Walter of Aquitaine
  • Poetic Edda No particular authorship; oral tradition of the Norse
• 11th century:
  • Taghribat Bani Hilal (Arabic); see also Arabic epic literature
  • Ruodlieb (Latin), by a German author
  • Digenis Akritas (Greek); about a hero of the Byzantine Empire
  • Epic of King Gesar (Tibetan)
• 12th century:
  • Chanson de Roland (Old French)
  • The Knight in the Panther Skin (Georgian) by Shota Rustaveli
  • Alexandreis by Walter of Châtillon (Latin)
  • De bello Troiano and the lost Antiocheis by Joseph of Exeter
  • Carmen de Prodicione Guenonis, version of the story of the Song of Roland in Latin
  • Architrenius by John of Hauville, Latin satire
  • Liber ad honorem Augusti by Peter of Eboli, narrative of the conquest of Sicily by Henry VI, Holy Roman Emperor (Latin)
  • The Tale of Igor's Campaign and Bylinas (11th-19th centuries)
• 13th century:
  • Philippide (Latin) by William the Breton
  • Nibelungenlied (Middle High German)
  • Parzival by Wolfram von Eschenbach - (Middle High German)
  • Brut by Layamon (Early Middle English)
  • Chanson de la Croisade Albigeoise ("Song of the Albigensian Crusade"; Occitan)
  • Antar (Arabic); see also Arabic epic literature
  • Sirat al-Zahir Baibars (Arabic); see also Arabic epic literature
  • Osman's Dream (Ottoman Turkish)
  • Epic of Sundiata
  • El Cantar de Mio Cid, Spanish epic of the Reconquista (Old Spanish)
  • De triumphis ecclesiae by Johannes de Garlandia (Latin)
  • Gesta Regum Britanniae by William of Rennes (Latin)
  • Jewang ungi by Yi Seung-hyu ("Rhymed Chronicles of Sovereigns"; 1287 Korea)
• 14th century:
  • Confessio Amantis by John Gower (c. 1350)
  • Cursor Mundi by an anonymous cleric (c. 1300)
  • Divina Commedia (The Divine Comedy) by Dante Alighieri (Italian)
  • Africa by Petrarch (Latin)
  • The Tale of the Heike (Japanese epic war tale)
• 15th century:
  • Alliterative Morte Arthure (Middle English)
  • Orlando innamorato by Matteo Maria Boiardo (1495)
  • Shmuel-Bukh (Old Yiddish chivalry romance based on the Biblical book of Samuel)
  • Mlokhim-Bukh (Old Yiddish epic poem based on the Biblical Books of Kings)
  • Book of Dede Korkut

Modern epics (from 1500)[link]

• 16th century:
  • Orlando furioso by Ludovico Ariosto (1516)
  • Os Lusíadas by Luís de Camões (c.1555)
  • La Araucana by Alonso de Ercilla y Zúñiga (1569–1589)
  • La Gerusalemme liberata by Torquato Tasso (1575)
  • Ramacharitamanasa (based on the Ramayana) by Goswami Tulsidas (1577)
  • Lepanto by King James VI of Scotland (1591)
  • Matilda by Michael Drayton (1594)
  • The Faerie Queene by Edmund Spenser (1596)

• 17th century:
  • The Barons' Wars by Michael Drayton (1603; early version 1596 entitled Mortimeriados)
  • The Whole Works of Homer Prince of Poets by George Chapman (1616) a retelling of the Iliad and Odyssey in iambic rhyming couplets: the Iliad in iambic heptameter, and the Odyssey in iambic pentameter.
  • The Purple Island by Phineas Fletcher (1633)
  • Szigeti veszedelem, also known under the Latin title Obsidionis Szigetianae, a Hungarian epic by Miklós Zrínyi (1651)
  • Davideis by Abraham Cowley (c. 1668)
  • Paradise Lost by John Milton (1667)
  • Paradise Regained by John Milton (1671)
  • Wojna chocimska by Wacław Potocki (1672)
  • Prince Arthur by Richard Blackmore (1695)
  • King Arthur by Richard Blackmore (1697)
• 18th century:
  • Eliza by Richard Blackmore (1705)
  • Columbus by Ubertino Carrara (1714)
  • Redemption by Richard Blackmore (1722)
  • Henriade by Voltaire (1723)
  • La Pucelle d'Orléans by Voltaire (1756)
  • Alfred by Richard Blackmore (1723)
  • Utendi wa Tambuka by Bwana Mwengo (1728)
  • Leonidas by Richard Glover (1737)
  • Epigoniad by William Wilkie (1757)
  • The Highlander; by James Macpherson (1758)
  • The Works of Ossian by James MacPherson (1765)
  • O Uraguai by Basílio da Gama (1769)
  • Caoineadh Airt Uí Laoghaire** by Eibhlín Dubh Ní Chonaill (1773)
  • Der Messias by Friedrich Gottlieb Klopstock (1773)
  • Rossiada by Mikhail Matveyevich Kheraskov (1771–1779)
  • Vladimir by Mikhail Matveyevich Kheraskov (1785)
  • Athenaid by Richard Glover (1787)
  • Joan of Arc by Robert Southey (1796)
  • Hermann and Dorothea by Johann Wolfgang von Goethe (1797)

• 19th century:
  • The Tale of Kiều by Nguyễn Du (1800?)
  • Thalaba the Destroyer by Robert Southey (1801)
  • The Lay of the Last Minstrel by Walter Scott (1805)
  • Madoc by Robert Southey (1805)
  • Faust by Johann Wolfgang von Goethe (part 1 1806, part 2 c. 1833)
  • Columbiad by Joel Barlow (1807)
  • Milton: a Poem by William Blake (1804–1810)
  • Marmion (poem) by Walter Scott (1808)
  • The Lady of the Lake (poem) by Walter Scott (1810)
  • The Vision of Don Roderick by Walter Scott (1811)
  • The Curse of Kehama by Robert Southey (1810)
  • Rokeby and The Bridal of Triermain by Walter Scott (1813)
  • Queen Mab (poem) by Percy Bysshe Shelley (1813)
  • Roderick, the Last of the Goths by Robert Southey (1814)
  • The Lord of the Isles by Walter Scott (1813)
  • Alastor, or The Spirit of Solitude by Percy Bysshe Shelley (1815)
  • The Revolt of Islam (Laon and Cyntha) by Percy Bysshe Shelley (1817)
  • Harold the Dauntless by Walter Scott (1817)
  • Endymion, (1818) by John Keats
  • The Battle of Marathon by Elizabeth Barrett Browning (1820)
  • Hyperion, (1818), and The Fall of Hyperion, (1819) by John Keats
  • L'Orléanide, Poème national en vingt-huit chants, by Philippe-Alexandre Le Brun de Charmettes (1821)
  • Phra Aphai Mani by Sunthorn Phu (1821 or 1823–1845)
  • Don Juan by Lord Byron (1824)
  • Prometheus Bound by Elizabeth Barrett Browning (1833)
  • Pan Tadeusz by Adam Mickiewicz (1834)
  • Krst pri Savici by France Prešeren (1835)
  • The Seraphim by Elizabeth Barrett Browning (1838)
  • Smrt Smail-age Čengića by Ivan Mažuranić (1846)
  • Evangeline by Henry Wadsworth Longfellow (1847)
  • The Mountain Wreath by Petar II Petrović-Njegoš (1847)
  • Lazarica or Battle of Kosovo by Joksim Nović-Otočanin (1847)
  • Kalevala by Elias Lönnrot (1849 Finnish mythology)
  • Kalevipoeg by Friedrich Reinhold Kreutzwald (1853 Estonian mythology)
  • The Prelude by William Wordsworth
  • Song of Myself by Walt Whitman (1855)
  • The Song of Hiawatha by Henry Wadsworth Longfellow (1855)
  • Paul Revere's Ride by Henry Wadsworth Longfellow (1860)
  • La Fin de Satan by Victor Hugo (written between 1855 and 1860, published in 1886)
  • La Légende des Siècles (The Legend of the Centuries) by Victor Hugo (1859–1877)
  • The Ring and the Book by Robert Browning (1868-69)
  • Martín Fierro by José Hernández (1872)
  • Idylls of the King by Alfred Lord Tennyson (c. 1874)
  • Clarel by Herman Melville (1876)
  • L'Atlàntida by Jacint Verdaguer (1877)
  • The City of Dreadful Night by James Thomson (B.V.) (finished in 1874, published in 1880)
  • Eros and Psyche by Robert Bridges (1885)
  • Canigó by Jacint Verdaguer (1886)
  • Lāčplēsis ('The Bear-Slayer') by Andrejs Pumpurs (1888; Latvian Mythology)
  • The Wanderings of Oisin by William Butler Yeats (1889)

• 20th century:
  • Lahuta e Malcís by Gjergj Fishta (composed 1902-1937)
  • Drake: An English Epic (1905–1908), The Torch-Bearers (1917–1930) by Alfred Noyes
  • The Ballad of the White Horse by G. K. Chesterton (1911)
  • Mensagem by Fernando Pessoa (composed 1913-1934)
  • The Cantos by Ezra Pound (composed 1915-1969)
  • Celebration of the Lizard by The Doors (composed 1965-1968)
  • The Hashish-Eater; Or, The Apocalypse of Evil by Clark Ashton Smith (1920)
  • The Bridge by Hart Crane (1930)
  • Kurukshetra (1946), Rashmirathi (1952), Urvashi (1961), Hunkar by Ramdhari Singh 'Dinkar'
  • Savitri by Aurobindo Ghose (1950)
  • The Odyssey: A Modern Sequel by Nikos Kazantzakis (Greek verse, composed 1924-1938)
  • Dymer by C. S. Lewis (1926)
  • A Cycle of the West by John Neihardt (composed 1921-1949)
  • "A" by Louis Zukofsky (composed 1928-1968)
  • Paterson by William Carlos Williams (composed c.1940-1961)
  • Victory for the Slain by Hugh John Lofting (1942)
  • The Maximus Poems by Charles Olson (composed 1950-1970)
  • Libretto for the Republic of Liberia by Melvin B. Tolson (1953)
  • Aniara by Harry Martinson (composed 1956)
  • Mountains and Rivers Without End by Gary Snyder (composed 1965-1996)
  • Celebration of the Lizard by The Doors (composed 1965-1968)
  • Helen in Egypt by H.D. (Hilda Doolittle) (1974)
  • The Changing Light at Sandover by James Merrill (composed 1976-1982)
  • The Battlefield Where The Moon Says I Love You by Frank Stanford (published 1977)

Hindi: Lalita Ke Aansoo^[6] by Krant M. L. Verma (Published 1978^[7][8])

• • The Legend of Te Tuna by Richard Adams (published 1982)
  • Genesis: An Epic Poem by Frederick Turner (1988)
  • Omeros by Derek Walcott (1990)
  • The Levant by Mircea Cărtărescu (1990)
  • Astronautilía Hvězdoplavba by Jan Křesadlo (1995)
  • The Descent of Alette by Alice Notley (1996)
  • Cheikh Anta Diop: Poem for the Living by Mwatabu S. Okantah (1997)
  • The Dream of Norumbega: Epic on the U.S. by James Wm. Chichetto (c. 1990; p. 2000- )

Other epics[link]

• Exact Epitome of the Four Monarchies by Anne Bradstreet (1650)^[9]
• The Conquest of Canaan by Timothy Dwight IV (1785)
• The Anarchiad by David Humphreys, Joel Barlow, John Trumbull, and Lemuel Hopkins (1786–87)
• The Anathemata by David Jones (1952)
• The Adagios Quartet by Judith Fitzgerald (poetry 1999-2009)
• Canto general by Pablo Neruda
• Four Quartets by T. S. Eliot
• Der Ring des Nibelungen by Richard Wagner (opera, composed 1848-1874)
• Parsifal by Richard Wagner (opera, composed 1880-1882)
• Fredy Neptune: A Novel in Verse by Les Murray
• Siribhoovalaya, a unique work of multi-lingual literature written by Kumudendu Muni, a Jain monk

See also[link]

Poetry portal

• Chanson de geste
• Duma (Ukrainian epic)
• Bylina (Russian epic)
• Hebrew and Jewish epic poetry
• Tanakh
• Indian epic poetry
• Serbian epic poetry
• Yukar (Ainu epic)
• List of world folk-epics
• Monomyth
• National epic
• Bible
• Calliope (Greek muse of epic poetry)
• Epic Hero
• Alpamysh
• Rimur
• Epic Film
• Mock epic

References[link]

• http://www.poetry-portal.com/styles10.html
• http://members.optushome.com.au/kazoom/poetry/epic.html
• http://www.findpoetry.com/searchnow/Epic/
• http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Dstripbooks&field-keywords=hostile+shores%3A+A+year+and+a+day&x=0&y=0

Notes[link]

External links[link]

• Clay Sanskrit Library publishes classical Indian literature, including the Mahabharata and Ramayana, with facing-page text and translation. Also offers searchable corpus and downloadable materials.
• Humanities Index has notes on epic poetry.
• World of Dante Multimedia website that offers Italian text of Divine Comedy, Allen Mandelbaum's translation, gallery, interactive maps, timeline, musical recordings, and searchable database for students and teachers.

Bibliography[link]

• Jan de Vries: Heroic Song and Heroic Legend ISBN 0-405-10566-5
• Hashmi, Alamgir (2011). "Eponymous Écriture and the Poetics of Reading a Transnational Epic". Dublin Quarterly, 15. 
• Cornel Heinsdorff: Christus, Nikodemus und die Samaritanerin bei Juvencus. Mit einem Anhang zur lateinischen Evangelienvorlage, Untersuchungen zur antiken Literatur und Geschichte 67, Berlin/New York 2003, ISBN 3-11-017851-6
• Fallon, Oliver. Bhatti’s Poem: The Death of Rávana (Bhaṭṭikāvya). New York 2009: Clay Sanskrit Library, [1]. ISBN 978-0-8147-2778-2, ISBN 0-8147-2778-6

Julian Glover
Glover in 2011
Born	Julian Wyatt Glover (1935-03-27) 27 March 1935 (age 77) Hampstead, England, United Kingdom
Occupation	Actor
Years active	1950s–present
Spouse	Eileen Atkins (1957–1966) Isla Blair (1968–present)

Julian Wyatt Glover (born 27 March 1935) is a British actor best known for such roles as General Maximilian Veers in Star Wars Episode V: The Empire Strikes Back, the Bond villain Aristotle Kristatos in For Your Eyes Only, Walter Donovan in Indiana Jones and the Last Crusade and Brian Harcourt-Smith in The Fourth Protocol.

Personal life[link]

Glover was born in Hampstead, the son of Honor Ellen Morgan (née Wyatt), a BBC journalist and a close friend of novelist Barbara Pym, and Claude Gordon Glover, a BBC radio producer.^[1][2] His younger half-brother is the musician Robert Wyatt. Glover has been twice married to actresses: Eileen Atkins and Isla Blair, with whom he has a son, actor Jamie Glover. In 2006, he held the role of Edward Alleyn Club President.^[3]

Career[link]

Glover attended Bristol Grammar School in Bristol, England, where he was in the same class as actors Timothy West and Darth Vader actor David Prowse, and also Alleyn's School in Dulwich. Glover trained at the National Youth Theatre and performed with the Royal Shakespeare Company. In the early 1950s, he appeared in several shows at Unity Theatre, London. During the 1960s and 1970s, Glover frequently appeared in British television shows, including The Avengers, Doctor Who, The Saint, Strange Report and Blake's 7.

Julian Glover also appeared in 1967's Quatermass and the Pit, a Hammer Films adaptation of Nigel Kneale's 1950s BBC television original, in which he portrayed Quatermass' nemesis, Colonel Breen, a military man, initially sceptical of the ancient origin of an archaeologically excavated extraterrestrial spacecraft, who is later ironically in thrall to the murderous energy released from the craft. In 1979, he appeared as the villain, Scaroth, last of the Jagaroth, in the Doctor Who story City of Death, one of the most popular serials in the original run. He later recorded DVD commentaries for recently rediscovered The Crusade episode "The Wheel of Fortune" (from the Lost in Time (Doctor Who) DVD set) and City of Death.

Glover also appeared opposite Roger Moore in the episode of The Saint titled "Invitation to Danger."

He made some of his most notable appearances during the 1980s as the Imperial General Maximilian Veers in Star Wars Episode V: The Empire Strikes Back (1980), the ruthless Greek villain Aris Kristatos in the James Bond film For Your Eyes Only (1981), and the deceptive American Nazi Walter Donovan in Indiana Jones and the Last Crusade (1989). During the 1980s, he played the leading role in the BBC television drama series, By the Sword Divided.

He voiced the giant spider Aragog in the 2002 film version of Harry Potter and the Chamber of Secrets.

Glover has been associated with the Anglo-Saxon epic poem Beowulf since the 1980s, delivering various forms of staged interpretation. Taking the role of an Anglo-Saxon gleeman or traveller poet he delivers an abridged version of the tale whilst stood around a mead hall hearth. This powerful Old English text, set in the dark age Germanic world of the Geats, examines Anglo-Saxon concepts of honour and comitatus. The performance is interspersed with Glover rendering selected passages in the original Old English. This adaptation has been shown in documentaries on both the English Language and Anglo-Saxon England. Most recently, it was shown in Michael Wood's documentary 'Beowulf', broadcast during the BBC Poetry Season on BBC Four and BBC Two in 2009.

He recently played the role of Mr. Brownlow in the West End revival of the musical Oliver! at the Theatre Royal, Drury Lane.

Glover plays a 101-year-old Polish veteran RAF pilot in the short film "Battle for Britain" (2010).^[4]

Since 2011 he portrays the character of Grand Maester Pycelle in HBO's Game of Thrones, the TV adaptation of the first volume of George R.R. Martin's fantasy novel series A Song of Ice and Fire.

He is an Associate Member of the Royal Academy of Dramatic Art.

In 2011 he appeared in Casualty as an elderly man named Sebastian who was crushed by his mobility scooter.

Awards[link]

• His performance in the title role of the Royal Shakespeare Company's staging of Henry IV, Part 1 and Part 2, at the Barbican Centre in London, earned him the Laurence Olivier Award for Best Actor in 1993.
• He was awarded the Laurence Olivier Award in 1993 (1992 season) for Best Actor in a Supporting Role for Henry V at the Royal Shakespeare Company.

Filmography[link]

• Tom Jones (1963) – Lt. Northerton
• Girl with Green Eyes (1964) – Malachi Sullivan
• Time Lost and Time Remembered (1965) – Dr. Matthew Langdon
• The Alphabet Murders (1965) – Don Fortune
• Doctor Who – The Crusade (1965) – Richard the Lionheart
• Theatre of Death (1966) – Charles Marquis
• Quatermass and the Pit (1967) – Col. Breen
• The Avengers – The Living Dead (1967) — Masgard
• The Magus (1968) – Anton
• Alfred the Great (1969) – Athelstane
• The Avengers Split (1969) - Major Peter Rooke
• The Adding Machine (1969) – Shrdlu
• The Last Grenade (1970) – Andy Royal
• Wuthering Heights (1970) – Hindley Earnshaw
• The Rise and Rise of Michael Rimmer (1970) – Col. Moffat
• Nicholas and Alexandra (1971) – Gapon
• Antony and Cleopatra (1972) – Proculeius
• Luther (1973) – The Knight
• Hitler: The Last Ten Days (1973) – Gruppenführer Hermann Fegelein
• Dead Cert (1974) – Lodge
• The Internecine Project (1974) – Arnold Pryce-Jones
• Juggernaut (1974) – Commander Marder (US title: Terror on the Britannic)
• Space: 1999 – Alpha Child (1975) – Jarak
• Gulliver's Travels (1977) – (voice)
• The Brute (1977) – Teddy
• Henry VIII (1979 BBC & Time-Life film) (1979) - Duke of Buckingham
• Doctor Who – City of Death (1979) – Scaroth/Count Scarlioni
• Invasion (1980) – Alexander Dubcek
• Star Wars Episode V: The Empire Strikes Back (1980) – General Maximilian Veers
• For Your Eyes Only (1981) – Aristotle Kristatos
• Ivanhoe (1982) – King Richard
• Dombey and Son – Mr. Dombey
• Heat and Dust (1983) – Crawford, the District Collector
• Hearts of Fire (1987) – Alfred
• The Fourth Protocol (1987) – Brian Harcourt-Smith
• Cry Freedom (1987) – Don Card
• Wish Me Luck (1987–1989) – Colonel James Cadogan
• Indiana Jones and the Last Crusade (1989) – Walter Donovan
• Tusks (1990) – Ian Taylor
• Treasure Island (1990) – Dr. Livesey
• Letters, Riddles and Writs – Joseph Haydn
• King Ralph (1991) – King Gustav
• Power and Lovers (1994) – Matthew
• The Chief (1995) – Andrew Blake
• The House of Angelo (1997) – Sir Robert Willoughby
• Vatel (2000) – Prince de Condé
• The Book of Eve (2002) – Burt Smallwood
• Two Men Went to War (2002) – Col. Hatchard
• Harry Potter and the Chamber of Secrets (2002) – Aragog (voice)
• Troy (2004) – Triopas
• Strings (2004) – Kahro (English version voice)
• Scoop (2006) – Lord Lyman
• Mirrors (2008) – Robert Esseker
• The Young Victoria (2009) – Duke of Wellington
• Game of Thrones (2011) – Grand Maester Pycelle
• Airborne (2012) - George
• U.F.O. (2013) — John

References[link]

External links[link]

Wikimedia Commons has media related to: Julian Glover

• Julian Glover at the Internet Movie Database
• Julian Glover at AllRovi
• The Strange Case of Springheel'd Jack New audio series starring Julian Glover