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Electronica includes a wide range of contemporary electronic music designed for a wide range of uses, including foreground listening, some forms of dancing, and background music for other activities. Unlike electronic dance music, which is sub-genre in the category, not all examples of electronica are necessarily made for dancing.^[1][2] Genres such as techno, downtempo, and ambient are among those encompassed by the umbrella term, entering the American mainstream from "alternative" or "underground" venues during the late 1990s.^[2][3]

Allmusic categorises electronica as a top-level genre on their main page, where they state that electronica includes danceable grooves to music for headphones and chillout areas.^[4]

Electronica has grown to influence mainstream crossover recordings. Electronic sounds began to form the basis of a wide array of popular music in the late 1970s, and became key to the mainstream pop and rock sounds of the 1980s. Since the adoption of "electronica" in the 1990s to describe more underground music with an electronic aesthetic, elements of modern electronica have been adopted by many popular artists in mainstream music.

A wave of diverse acts[link]

Electronica took benefit from advancements in music technology, especially electronic musical instruments, synthesizers, music sequencers, drum machines, and digital audio workstations. As the technology developed, it became possible for individuals or smaller groups to produce electronic songs and recordings in smaller studios, even in project studios. At the same time, computers facilitated the use of music "samples" and "loops" as construction kits for sonic compositions.^[5] This led to a period of creative experimentation and the development of new forms, some of which became known as electronica.^[6][7]

It is currently used to describe a wide variety of musical acts and styles, linked by a penchant for overtly electronic production;^[8] a range which includes more popular acts such as Björk, Goldfrapp and IDM artists such as Autechre, and Aphex Twin to dub-oriented downtempo, downbeat, and trip-hop. Madonna and Björk are said to be responsible for electronica's thrust into mainstream culture, with their albums Ray of Light (Madonna),^[9] Post and Homogenic (Björk). Electronica artists that would later become commercially successful began to record in the early 1990s, before the term had come into common usage, including for example Fatboy Slim, Daft Punk, The Chemical Brothers, The Crystal Method, Epoch, Moby, Electro Arcade, Underworld and Faithless.^[10] Electronica composers often create alternate versions of their compositions, known as "remixes"; this practice also occurs in related musical forms such as ambient, jungle, and electronic dance music.^[11] Wide ranges of influences, both sonic and compositional, are combined in electronica recordings.^[12] Hits from this period include instrumental pieces like Children by Robert Miles (1995).

The more abstract Autechre and Aphex Twin around this time were releasing early records in the "intelligent techno" or so-called intelligent dance music (IDM) style, while other Bristol-based musicians such as Tricky, Leftfield, Massive Attack and Portishead were experimenting with the fusion of electronic textures with hip-hop, R&B rhythms to form what became known as trip-hop. Later extensions to the trip-hop aesthetic around 1997 came from the highly influential Vienna-based duo of Kruder & Dorfmeister, whose blunted, dubbed-out, slowed beats became the blueprint for the new style of downtempo.

It could be noted that older bands such as New Order and Depeche Mode had built on the New Wave music of the 1980s and added more dance and electronic instrumentation and alternative rock influences to become early pioneers of "electronica" music.

Global patterns of popularity[link]

By the late 1990s, artists like Moby had become internationally famous, releasing albums and performing regularly in major venues.

New York City became one center of experimentation and growth for the electronica sound, with DJs and music producers from areas as diverse as Southeast Asia and Brazil brought their creative work to the nightclubs of that city.^[13][14]

The Norwegian dance duo Röyksopp reached unexpected stardom in 2001 when its debut album Melody AM became an international bestseller. By 2002 the style had a harder edge and in the UK tracks like “Loneliness” by Tomcraft hit number one and the following year an electro dance scene emerged in the UK.

Effect on mainstream popular music[link]

Around the mid-1990s, with the success of the big beat-sound exemplified by The Chemical Brothers and The Prodigy in the UK, and spurred by the attention from mainstream artists, including Madonna in her collaboration with William Orbit on her album Ray of Light^[9] and Australian singer Dannii Minogue with her 1997 album Girl,^[15] music of this period began to be produced with a higher budget, increased technical quality, and with more layers than most other forms of dance music, since it was backed by major record labels and MTV as the "next big thing".^[16]

According to a 1997 Billboard article, "[t]he union of the club community and independent labels" provided the experimental and trend-setting environment in which electronica acts developed and eventually reached the mainstream. It cites American labels such as Astralwerks (The Future Sound of London, Fluke), Moonshine (DJ Keoki), Sims, and City of Angels (The Crystal Method) for playing a significant role in discovering and marketing artists who became popularized in the electronica scene.^[2]

Radiohead's Kid A (2000) found one of the most polarised critical receptions for an adoption of electronic sounds by a rock group, but the album also received wide acclaim, their next album Amnesiac (2001) further divulged into electronic style. and the band cited their debts to many electronic musicians, such as Autechre and Boards of Canada, in a recording which reached number one on the US album charts.

In the early 2000s, electronica-inspired post-punk experienced a revival, with rock bands such as Interpol and The Killers specifically drawing on the 1980s sound of New Order and The Cure.

With newly prominent music styles such as reggaeton, and subgenres such as electroclash, and favela funk, electronic music styles in the current decade are seen to permeate nearly all genres of the mainstream and indie landscape such that a distinct "electronica" genre of pop music is rarely noted.

Hip hop fusion[link]

Hip hop DJs and producers had been mining electronic sounds to create beats since Afrika Bambaataa and Grandmaster Flash pioneered the use of drum machines and synthesizers in the early 1980s, and the hip hop genre shared with other forms of electronic music an emphasis on sampling. Beginning with the success of Dr. Dre and G-funk rap in the mid 1990s, many hip hop producers began turning to a more synthesized sound, resulting in the rise of "superproducers" such as The Neptunes, who cultivated a science fiction image with sleek, overtly electronic beats, and Timbaland, who did likewise and also was known for creative sampling, rising to fame for his work with Aaliyah and Missy Elliott and producing a variety of pop and R&B records for artists such as Justin Timberlake. Timberlake's 2006 hit songs "SexyBack" and "My Love", both produced by Timbaland, were particularly notable for their electronic aesthetic, while The Neptunes worked with a range of acts from Britney Spears to Jay-Z.

A variety of other hip hop performers used electronica-influenced sounds as hooks in their songs. Outkast, a popular and acclaimed hip hop duo, adopted sounds in their 2003 hit single "Hey Ya" and member/producer Andre Benjamin praised the music of Squarepusher. In 2007 Kanye West, initially known for more natural sounding hip hop productions influenced by classic R&B music, released his third album Graduation, which featured some songs with a sharp electronic aesthetic, a sound which greatly expanded on West's latest album, where he emphasized synthesizer and vocal manipulations prominently and cited major influences from 1980s synthpop music, as well as from T-Pain, a hip-hop performer known for manipulating his voice by using the electronic effect processor Autotune. However, West's 2007 single "Stronger" used a prominent sample from a song by the French dance-oriented electronic act Daft Punk, whose work in the 1990s and early 2000s was also becoming highly sampled and influential on the musical aesthetic of acts in other genres such as indie rock and indie dance.

Electronica in 2009 gained global recognition as an essential part of most hip hop becoming the core sound on a range of tracks by artists like The Black Eyed Peas and new emerging artists like Tinie Tempah, and in 2010 Daft Punk with the release of the soundtrack for Tron: Legacy.

Post-hardcore fusion[link]

In the mid to late 2000s, many electronic post-hardcore that bands that were newly formed began receiving attention.^[17] I See Stars's debut-full length album, 3-D and metalcore band, Attack Attack!'s debut album, Someday Came Suddenly, set a precedent for newer bands of this style.^[18]

The first single from Someday Came Suddenly, "Stick Stickly", was released on June 4, 2009. It reached a good amount of popularity as it spawned a music video as well as its inclusion as downloadable content for Rock Band 2 via the Rock Band Network in March 2010.^[19] Canadian post-hardcore band, Abandon All Ships further popularized this genre. Upon being signed to Rise Records, the band had a large success with their single "Take One Last Breath".^[20] British metalcore band Asking Alexandria expanded on the traditional electronica sounds in their cover of Akon's "Right Now (Na Na Na)" on Punk Goes Pop 3.

These bands often play songs that contain "dancable beats, with some breakdowns splashed in."^[21]

Included in popular media[link]

In the late 1990s and early 2000s, electronica music was increasingly used as background scores for television advertisements, initially for automobiles. It was also used for various video games, specifically the Wipeout series, for which the soundtrack was composed of many popular and highly-appropriate electronica tracks that helped create more interest in this type of music^[22] -- and later for other technological and business products such as computers and financial services.

See also[link]

• List of electronic music genres

References[link]

Literature[link]

• Cummins, James. 2008. Ambrosia: About a Culture - An Investigation of Electronica Music and Party Culture. Toronto, ON: Clark-Nova Books. ISBN 978-0-9784892-1-2

Timothy Elpadaro Thedford (born September 19, 1976), better known by his stage name Jay Electronica, is an American hip hop recording artist and record producer, currently based in London, United Kingdom.^[2] Jay Electronica first gained significant attention after the release of the musical composition Act I: Eternal Sunshine (the pledge), made available on a MySpace page in 2007. It is fifteen continuous minutes of music, without drums, built from Jon Brion's soundtrack to the film Eternal Sunshine of the Spotless Mind. In late 2009 he released two songs, both produced by Just Blaze, "Exhibit A (Transformations)" and "Exhibit C" the latter of which won a Sucker Free Summit Award for Instant Classic. On November 12, 2010, it was announced Jay Electronica had become an official member of Jay-Z's Roc Nation record label.^[3]

Biography[link]

1976-2006: Early life and career beginnings[link]

Thedford was born on September 19, 1976, in the Magnolia Projects of New Orleans, a place where the crime rate was infamous throughout the country before 2005, when the projects were flooded during Hurricane Katrina. Thedford began rapping after hearing his nephew Akeem Pryor rhyme. By the age of 19 Jay Electronica left New Orleans to pursue his musical career. Living a mostly nomadic lifestyle, he found refuge in cities such as Philadelphia, Baltimore, Detroit, New York, and briefly in Atlanta. From club to club, and stage to stage, Electronica had gotten booed off and denied because of his Southern accent and slang. "In my earlier years from when I first left home, I was embarrassed from being from the South," Thedford stated. "Not in general, but as a rapper because all of the negative things that people in the States put on the South."^[4] Electronica’s career really took form in the city of Detroit when he linked up with Detroit native Johnnie Last, a friend he had spent a lot of time with at Darp Studios in Atlanta, GA. Detroit is where Electronica met producer/engineer Mike "Chav" Chavarria, who introduced him to both J. Dilla and Mr. Porter, and who is now a regular collaborator.^[5][6] Detroit, where he recorded his Style Wars-era music with several J. Dilla beats, meeting the producer subsequently to ask for permission to use the recordings as a demo.

[edit] 2007-2010: Act I: Eternal Sunshine (The Pledge) and signing with Roc Nation

Jay Electronica first gained significant attention through Act 1: Eternal Sunshine (The Pledge), made available on a MySpace page in 2007. It is nine continuous minutes of music, without drums, built from Jon Brion's soundtrack to the film Eternal Sunshine of the Spotless Mind. There are five segments or movements marked by changes in music and mood, raps by Electronica, and occasional snippets of sampled dialogue including scenes from Willy Wonka & the Chocolate Factory. The first segment is a spoken word piece by Just Blaze and Erykah Badu describing Electronica over piano music.

The nature of the piece of music, along with the nature of its appearance, led to a slow build-up of interest in Electronica as an enigmatic figure. Songs circulating online as the Style Wars EP gained wider circulation, and other songs, such as the dream-inspired "Dimethyltryptamine", soon appeared. In January 2008, Giles Peterson's 90-minute Gilles Peterson Worldwide was devoted to the rapper.^[7] Hiphopdx.com in 2008 called him "arguably...the most talked about new emcee last year ... at times...more like a myth or urban legend than an actual rapper",^[8] and URB ran a cover story on the artist under the banner "Jay Electronica: A Spotless Mind :: An MC’s mystery revealed", which referred to his wanderings as his being "like some sort of hip-hop Jack Kerouac".^[5]

Jeff Weiss' piece for the L.A. Weekly, "Jay Electronica: Much Better Than His Name Would Suggest", acknowledged that the rapper could be fairly described as "one of the most buzzed about rappers of 2008", but attempted to temper the hype somewhat, describing Act 1... as "ambitious, wildly original, if not slightly pretentious", while endorsing only to an extent the comparisons URB had made (referencing an "abstract rhyming style") to rappers like Nas and Pharoahe Monch.^[9][10]

[edit] 2010-present: Act II: Patents of Nobility (The Turn)

Jay Electronica has yet to release a full-length album, but he has released two official singles to date, "Exhibit A" and "Exhibit C", which won a Sucker Free Summit Award for Instant Classic. His music so far has been made available through the internet, either through being leaked to what URB magazine describes as "obscure web forums", or through an appearing and disappearing Myspace page (currently two seem to be in existence, at /jayelect and at /jayelectronica). Erykah Badu has questioned whether he ever will release, in her words, "actual albums".^[5] From New Orleans, LA he has lived in Baltimore, Philadelphia, Washington, D.C., Denver, and Detroit, where he recorded his Style Wars-era music with several J Dilla beats, meeting the producer subsequently to ask for permission to use the recordings as a demo. Jay met producer/engineer Mike "Chav" Chavarria in Detroit, the latter introducing him to both J Dilla and Mr. Porter, and who is now a regular collaborator.^[5][11]

According to URB, Act II: Patents of Nobility will feature Nas, and will be the second of a putative trilogy. URB also reported that digital EPs with both Guilty Simpson and producer 9th Wonder were planned. According to a Filter TV interview,^[12] Jay Electronica has partnered with Decon to release his debut project. It is being described as a multi-media release and footage from the project which was partially shot in Nepal and Dubai has begun to surface online. The first clip to leak is titled "Dear Moleskine" and can be found on YouTube, the track was produced by Just Blaze and the clip was directed by Jason Goldwatch from Decon. In June 2009, Decon and Jay's "The Dogon Society" released "Exhibit A" digitally. "Exhibit C" was released on iTunes December 16, 2009 and quickly shot to the top 10 of the iTunes Hip-Hop charts. The following week it was chosen by Hot 97's Dj Enuff as the Heavy Hitter pick of the week.

Jay Electronica appeared at the 2010 Bonnaroo Music Festival. Jay Electronica continued his scattered release practice, releasing "A Million In The Morning" on April 4, 2010. The song features a weary Electronica trying to keep himself awake to escape his nightmares.^[13] On April 30, Jay Electronica debuted "The Ghost of Christopher Wallace" via his Twitter. The song features P Diddy and is produced by London beatsmith Quincey Tones, who is known for producing such acts as Young Jeezy and Royce da 5'9".

On November 12, 2010, Jay-Z announced that Jay Electronica was officially the newest member of his own 'Roc Nation' record label/management company, which boasts such acts as J. Cole, and Willow Smith. Before signing to Roc Nation in 2010, Jay Electronica was a prospective signee of Bad Boy Records, a label owned by producer/rapper/entrepreneur Sean “Diddy” Combs.^[14]

In late 2010, he and Lucy Liu were featured on The Bullitts' track "Close Your Eyes". It was BBC Radio 1 DJ Zane Lowe's 'record of the week' and will feature on The Bullitts upcoming album set for release in 2011. Then in July 2011, he produced and was featured on the track "Run & Hide", which will be on the same album.

In July 2011, Jay Electronica posted via his twitter that his debut album, "Act II: Patents Of Nobility (the turn)," was complete.^[15] On October 10, 2011, Jay Electronica released the song Call Of Duty, featuring Prodigy from Mobb Deep. He stated that this single would not be on his album. On March 8th, 2012, Jay Electronica tweeted that the album is complete and will be turned in to Roc Nation ^[16]

Personal life[link]

Jay Electronica and Erykah Badu have one child together, Mars Merkaba Thedford, born on February 1, 2009.^[17] He is a member of the Five Percent Nation.^[18]

Discography[link]

Studio albums[link]

• Act II: Patents of Nobility (The Turn) (TBA)
• Act III: The Last Will & Testament Of Timothy Elpadaro Thedford (The Prestige) (TBA)

EPs[link]

• Style Wars EP (2007)

Mixtapes[link]

• Act I: Eternal Sunshine (the pledge) (2007)

Singles[link]

As lead artist[link]

As featured artist[link]

Guest appearances[link]

Production discography[link]

2008[link]

[edit] Nas - Untitled

• 01. "Queens Get the Money"
  • Sample Credit: John Powell - "I Am Sam (Theme)"

External links[link]

• :::::::Magnetik7::::::: (come on in, the water's fine.) - Official web site (inactive since 2005)^[19][20][21]
• Jay Electronica Official News Source
• Jay Electronica Fan Website(domain expired)
• Jay Electronica (JayElectronica) on Twitter
• URB Jay Electronica cover (left) (.gif)
• Giles Peterson Worldwide (.mp3, 80MB) - Lengthy interview and music
• Jay Electronica video interview on redbullmusicacademy.com
• Just Blaze, Jay Electronica, & Mike "Chav" Chavarria - An Interview with Jay, Chav, & Just Blaze
• Exclaim! magazine interview with Jay Electronica-Exclaim!

Sources[link]

Mos Def
Mos Def at YBCA in San Francisco on December 31, 2008
Background information
Birth name	Dante Terrell Smith
Also known as	Yasiin Bey
Born	(1973-12-11) December 11, 1973 (age 38) Brooklyn, New York, U.S.
Genres	East Coast hip hop, alternative hip hop
Occupations	Rapper, actor, singer, activist
Years active	1996 – present
Labels	Rawkus, Priority, Geffen, Downtown, GOOD Music, DD172
Associated acts	Soulquarians, Black Star, Talib Kweli, Native Tongues Posse, Kanye West, Gorillaz, Massive Attack, Pharoahe Monch, Eminem, Blakroc, Robert Glasper Experiment

Dante Terrell Smith (born December 11, 1973) is an American actor and MC, known by the stage names Mos Def ( /ˌmoʊsˈdɛf/) and Yasiin Bey. He started his hip hop career in a group called Urban Thermo Dynamics, after which he appeared on albums by Da Bush Babees and De La Soul. With Talib Kweli, he formed the duo Black Star, which released the album Black Star in 1998. He was a major force in late 1990s underground hip hop while with Rawkus Records. As a solo artist he has released the albums Black on Both Sides in 1999, The New Danger in 2004, True Magic in 2006, and The Ecstatic in 2009.^[1]

Although he was initially recognized for his musical output, since the early 2000s, Mos Def's screen work has established him as one of only a handful of rappers who has garnered critical acclaim for his acting work. He is well known for his portrayal of Brother Sam in the American drama series Dexter. Mos Def has also been active in several social and political causes.

Early life[link]

He was born Dante Terrell Smith in Brooklyn, New York City, the son of Sheron Smith and Abdul Rahman.^[2] He was raised by his mother in Brooklyn; his father lived in New Jersey. While his father was initially a member of the Nation of Islam and later an active member in the community of Imam Warith Deen Mohammed, who merged into mainstream Islam from the Nation, Mos Def was not exposed to Islam until the age of 13. At 19, he took his shahada, the Muslim declaration of faith. He is friends with Ali Shaheed Muhammad and Q-Tip of A Tribe Called Quest.^[2]

Career[link]

Music[link]

In 1996, Mos Def emerged as a solo artist and worked with De La Soul and Da Bush Babees, before he released his own first single, "Universal Magnetic".

Mos Def in 1999

Mos Def signed with Rawkus Records and formed the group Black Star with Talib Kweli. They released an album, Mos Def & Talib Kweli are Black Star, in 1998.^[3] Mostly produced by Hi-Tek, the album featured the hit singles, "Respiration" and "Definition", which would go on to be featured in VH1's 100 Greatest Songs of Hip-Hop.^[4] Mos Def released his solo debut album Black on Both Sides in 1999, also through Rawkus.^[5] Around this time he also contributed to the Scritti Politti album Anomie & Bonhomie and Rawkus compilations Lyricist Lounge and Soundbombing.

Def performing at Rock the Bells (New York).

After the collapse of Rawkus, he signed to Interscope/Geffen Records, which released his second solo album The New Danger in 2004.^[6] The New Danger contained a mix of several musical genres, including soul, blues, and rock and roll, performed with his rock band Black Jack Johnson, which contained members of the bands Bad Brains and Living Colour. The singles included "Sex, Love & Money" and the B-side "Ghetto Rock"; the latter went on to receive several Grammy Award nominations in 2004.

Mos Def's final solo album for Geffen Records, True Magic, was released in 2006.

The song "Crime & Medicine" is essentially a cover of GZA's 1995 single "Liquid Swords", though it contains different verses. Also, the track "Undeniable" samples a version of the Barrett Strong/Norman Whitfield composition "Message from a Black Man". The song "Dollar Day" uses the same beat as Juvenile's "Nolia Clap".^[7]

On November 7, 2007, Mos Def performed live in San Francisco at a venue called The Mezzanine. This performance was recorded for an upcoming "Live in Concert" DVD. During this performance Mos Def announced that he would be releasing a new album to be called The Ecstatic. He sang a number of new tracks; in later shows, Def previewed tracks produced by Madlib and was rumored to be going to Kanye West for new material. Producer and fellow Def Poet Al Be Back stated that he would be producing as well.^[8] The album was released on June 9, 2009; upon its release, only Madlib's production had made the cut, along with tracks by Preservation, The Neptunes, Mr. Flash, Madlib's brother Oh No, a song by J. Dilla, and Georgia Anne Muldrow.

Mos Def appears alongside Kanye West on the track "Two Words" from The College Dropout album, the track "Drunk And Hot Girls" and the bonus track "Good Night" off West's third major album, Graduation. In 2002, he released the 12" single Fine, which was featured in the Brown Sugar Motion Picture Soundtrack.^[9]

Mos Def also appears on the debut album from fellow New Yorkers Apollo Heights on a track titled, "Concern." In October, he signed a deal with Downtown Records and appeared on a remix to the song "D.A.N.C.E." by Justice.^[10] Mos Def appeared on Stephen Marley's debut album Mind Control on the song "Hey Baby." In 2009, Mos Def worked together with Somali rapper K'naan to produce the track "America" for K'naan's album Troubadour.^[11]

In April 2008 he appeared on the title track for a new album by The Roots entitled Rising Down. The new single, Life In Marvelous Times, was made officially available through iTunes on November 4, 2008, and is available for stream on the Roots' website Okayplayer.

April 2009 saw him traveling to South Africa for the first time where he performed accompanied by The Robert Glasper Experiment at the renowned Cape Town International Jazz Festival. He enticed his bemused African following with an encore introduced by his own rendition of John Coltrane's "Love Supreme" followed by a sneak preview of the track "M.D. (Doctor)", much to the delight of the fans.^[12]

Mos Def also designed two pairs of limited edition Converse shoes. The shoes were released to Foot Locker stores on August 1, 2009 in very limited amounts.^[13]

In late 2009, Mos Def created a brand of clothing line with UNDRCRWN called the "Mos Def Cut & Sew Collection." All clothing items will be sold in select stores located around the U.S. and almost exclusively on the UNDRCRWN website.^[14] 2009 also found Mos Def among the MCs collaborating with the Black Keys on the first Blakroc album, a project headed by the Black Keys and Damon Dash. Mos Def appeared with Jim Jones and the Black Keys on the Late Show with David Letterman to perform the Blakroc track "Ain't Nothing Like You (Hoochie Coo)".

In March 2010, Mos Def's song Quiet Dog Bite Hard was featured in Palm's "Life moves fast. Don't miss a thing." campaign.^[15]

Mos Def features on the first single, "Stylo", from the third Gorillaz album, Plastic Beach, alongside soul legend Bobby Womack. He also appears on the track titled "Sweepstakes".

In September 2010, after appearing on Kanye West's G.O.O.D. Friday track "Lord Lord Lord", Mos Def confirmed his signing with GOOD Music.^[16]

Mos Def has been an active contributor to the recovery of the oil spill in the Gulf, performing concerts and raising money towards the repair of the damages. In June 2010, he recorded a cover of the classic New Orleans song originally by Smokey Johnson, "It Ain't My Fault" with the Preservation Hall Jazz Band, Lenny Kravitz and Trombone Shorty.

In September 2011, Mos Def announced that he planned to use the name Yasiin instead of Mos Def beginning in 2012.^[17]

In January 2012, it was reported that Mos Def and Talib Kweli had begun "to resurrect" Black Star.^[18]

Acting[link]

He began his professional acting career at the age of fourteen, appearing in the TV movie God Bless the Child, starring Mare Winningham. He then played the oldest child in the short-lived family sitcom, You Take the Kids, starring Nell Carter and Roger E. Mosley. His most notable acting role before his music career was that of Bill Cosby's sidekick on the short-lived detective show, The Cosby Mysteries. He also starred in a 1996 Visa check card commercial featuring Deion Sanders. In 1997 he had a small role alongside Michael Jackson in his short film and music video "Ghosts".

After brief appearances in Bamboozled^[19] and Monster's Ball,^[20] Mos re-invigorated his acting career with his performance as a talented rapper who is reluctant to sign to a major label in Brown Sugar.^[21] He was nominated for an Image Award and a Teen Choice Award.^[22]

In 2001, he took a supporting role to Beyoncé Knowles and Mehki Phifer in the MTV movie Carmen: A Hip Hopera as Lt. Miller, a crooked cop.

In 2002, he played the role of Booth in Suzan-Lori Parks' Topdog/Underdog, a Tony-nominated and Pulitzer-winning Broadway play. He and co-star Jeffrey Wright won a Special Award from the Outer Critics Circle Award for their joint performance.^[23] He also received positive notices as the quirky Left Ear in the blockbuster hit, The Italian Job in 2003.^[24] He also appeared in 2003 in the music video You Don't Know My Name of the song by Alicia Keys.

In television, Mos Def has appeared on NYPD Blue,^[25] on Comedy Central's Chappelle's Show,^[26] and has hosted the award-winning HBO spoken word show, Def Poetry since its inception.^[27] The show's sixth season aired in 2007. He also appeared on the sitcom My Wife And Kids as the disabled friend of Michael Kyle (Damon Wayans).

Mos Def won Best Actor, Independent Movie at the 2005 Black Reel Awards for his portrayal of Detective Sgt. Lucas in The Woodsman.^[28] For his portrayal of Vivien Thomas in HBO's film Something the Lord Made,^[29] he was nominated for an Emmy Award^[30] and a Golden Globe, and won the Image Award. He also played a bandleader in HBO's Lackawanna Blues. He then landed the role of Ford Prefect in the 2005 movie adaptation of The Hitchhiker's Guide to the Galaxy.^[31]