Ciné (sometimes Cine) is usually used to refer to one or more of the home movie formats including 8 mm, 9.5 mm, 16 mm film, and Super 8. It is not generally used to refer to video formats or professional formats (such as 35mm or 70mm film).

Cine film literally means 'moving' film; deriving from the Greek 'kine' for motion; it also has roots in the Anglo-French word Cinematograph, meaning moving picture.

Cine started the expanding revolution of 'play at home' movies.

Cine film started out expensive, but as it became cheaper the format started the craze of home recording. 50-foot reels were purchased for recording important events such as weddings and funerals.

However, sales started to decline in the early 1970s with the introduction of 16mm film.

In the mid 1970s, video cameras, hitherto beyond the financial reach of all but the richest amateur, became cheaper and smaller. By the early 80s the writing was on the wall for cine film as a mass media item, though even to the present day^[when?] all the film formats mentioned above are still supported with new film stock and processing - albeit on a much smaller scale.

Latino is a term used chiefly in the United States to refer to people of Latin American extraction or descent, though the term has also been used, perhaps incorrectly, as a synonym for Hispanic. The term latino is used to refer to males only or a combination of males and females in a group, whereas the term latina is used to refer to females only.

The U.S. Government has defined Hispanic or Latino persons as being "persons who trace their origin [to] . . . Central and South America, and other Spanish cultures." The United States Census uses the ethnonym Hispanic or Latino to refer to "persons who trace their origin or descent to Mexico, Puerto Rico, Cuba, Spanish speaking Central and South America countries, and other Spanish cultures." It is also stated that, "Origin can be considered as the heritage, nationality group, lineage, or country of the person or the person's parents or ancestors before their arrival in the United States. People who identify their origin as Hispanic or Latino may be of any race." The AP Stylebook's recommended usage of Latino includes not only persons of Spanish-speaking ancestry, but also more generally includes persons "from -- or whose ancestors were from -- . . . Latin America," including Brazilians.

Tomás Gutiérrez Alea (Spanish pronunciation: [aˈlea]; December 11, 1928 – April 16, 1996) was a Cuban filmmaker. He wrote and directed more than 20 features, documentaries, and short films, which are known for his sharp insight into post-Revolutionary Cuba, and possess a delicate balance between dedication to the revolution and criticism of the social, economic, and political conditions of the country.

Gutiérrez's work is representative of a cinematic movement occurring in the 1960s and 1970s known collectively as the New Latin American Cinema. This collective movement, also referred to by various writers by specific names such as “Third Cinema”, “Cine Libre”, and “Imperfect Cinema,” was concerned largely with the problems of neocolonialism and cultural identity. The movement rejected both the commercial perfection of the Hollywood style, and the auteur-oriented European art cinema, for a cinema created as a tool for political and social change. Due not in a small part to the filmmakers’ lack of resources, aesthetic was of secondary importance to cinema’s social function. The movement's main goal was to create films in which the viewer became an active, self-aware participant in the discourse of the film. Viewers were presented with an analysis of a current problem within society that as of that time had no clear solution, hoping to make the audience aware of the problem and to leave the theater willing to become actors of social change.

Tomás Gutiérrez was a Peruvian military man who led a coup against President José Balta Montero. From July 22, 1872 to July 26, 1872, Gutiérrez was the de facto leader of Peru and the self-proclaimed "Supreme Leader of the Republic." He was overthrown just four days after his proclamation and lynched. Peru later regained some political stability with the election on Manuel Pardo, although this stability was short-lived as a foreign threat began to arise in Chile.

The 1872 elections in Peru had produced a victory for Manuel Pardo, who was to become the first civilian president in the history of Peru. Shortly before Pardo was to take office, however, Gutiérrez, serving as President Balta's Defense Minister, organized a coup d'état. Balta and Pardo were arrested and held captive on board the frigate Independence.

Gutiérrez proclaimed himself "Supreme Leader of the Republic" and asked for the support of the armed forces. However, only some of the Army agreed to support him, and the Navy issued a statement on July 23 which made it clear that they would not support the new regime. The citizens of Lima did not support Gutiérrez either, and the situation soon became violent. On July 26, one of Gutiérrez's brothers, Silvestre, was assassinated while driving through the city. In retaliation, President Gutiérrez ordered that Balta be executed.