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A pamphleteer is a historical term for someone who creates or distributes pamphlets. Pamphlets were used to broadcast the writer's opinions on an issue, for example, in order to get people to vote for their favorite politician or to articulate a particular political ideology.

A famous pamphleteer of the American Revolutionary War was Thomas Paine. Another famous pamphleteer was Witte the With. Today a pamphleteer might communicate his missives by way of weblog, but before the advent of telecommunications, those with access to a printing press and a supply of paper used the pamphlet as a means of mass communications outside of newspapers or full-fledged books.

See also[link]

• Broadside
• Ephemera
• Manuscript
• Tract

External links[link]

• From Slavery to Freedom: The African-American Pamphlet Collection, 1822-1909
• The Foster pamphlet collection

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Thomas Nashe (November 1567 – c. 1601) was an English Elizabethan pamphleteer, playwright, poet and satirist. He was the son of the minister William Nashe and his wife Margaret (née Witchingham).

Polemical woodcut deriding Nashe as jailbird

Early life[link]

Little is known with certainty of Nashe's life. He was baptised in Lowestoft, Suffolk, where his father was curate. The family moved to West Harling, near Thetford in 1573 after Nashe's father was awarded the living there at the church of All Saints. Around 1581 Thomas went up to St John's College, Cambridge as a sizar, gaining his bachelor's degree in 1586.^[1] From references in his own polemics and those of others, he does not seem to have proceeded Master of Arts there. Most of his biographers agree that he left his college about summer 1588, as his name appears on a list of students due to attend philosophy lectures in that year. His reasons for leaving are unclear; his father may have died the previous year, but Richard Lichfield maliciously reported that Nashe had fled possible expulsion for his role in Terminus et non terminus, one of the raucous student theatricals popular at the time. Some years later, William Covell wrote in Polimanteia that Cambridge "has been unkind to the one [ie, Nashe] to wean him before his time." Nashe himself claimed that he could have become a fellow had he wished (in Have With You to Saffron-Walden).

In London and Marlprelate controversy[link]

Then he moved to London and started his literary career in earnest. The remaining decade of his life was dominated by two concerns: finding an adequate patron and participating in controversies, most famously with Richard and Gabriel Harvey. He arrived in London with his one exercise in euphuism, The Anatomy of Absurdity. His first appearance in print was, however, his preface to Robert Greene's Menaphon, which offers a brief definition of art and overview of contemporary literature. After this (and the publication of Anatomy) he was drawn into the Martin Marprelate controversy on the side of the bishops. As with the other writers in the controversy, his share is difficult to determine. He was formerly credited with the three "pasquil" tracts of 1589–1590, which were included in R. B. McKerrow's standard edition of Nashe's works: however McKerrow himself later argued strongly against their being by Nashe. The anti-Martinist An Almond for a Parrot (1590), ostensibly credited to one "Cutbert Curry-knave," is now universally recognised as Nashe's work, although its author humorously claims, in its dedication to the comedian William Kempe, to have met Harlequin in Bergamo while returning from a trip to Venice in the summer of 1589. However, there is no evidence Nashe had either time or means to go abroad, and he never subsequently refers to having visited Venice elsewhere in his work.

In 1590, he contributed a preface to an unlicensed edition of Philip Sidney's Astrophil and Stella, but the edition was called in, and the authorised second edition removed Nashe's work.

Erotica[link]

At some time in the early 1590s Nashe produced an erotic poem, The Choice of Valentines, possibly for the private circle of Ferdinando Stanley, 5th Earl of Derby (then known as Lord Strange). This circulated only in manuscript. It describes the visit of a young man named 'Tomalin' to the brothel where his girlfriend Frances ('Frankie') is employed. Having paid ten gold pieces for her favours, Tomalin is embarrassed to find that merely lifting her skirts makes him lose his erection. She perseveres in arousing him however and they make love, but to her disappointment he has an orgasm before her. Frankie then decides to take matters into her own hands: hence the informal title by which the poem was known, Nashe's Dildo. It was sharply criticised for its obscenity by contemporary authors Joseph Hall and John Davies of Hereford, though Nashe had tried to pre-empt criticism by placing it in the tradition of classical erotica: "Yet Ovid's wanton muse did not offend".

Feud with the Harvey brothers[link]

His friendship with Greene drew Nashe into the Harvey controversy, involving the brothers Richard and Gabriel Harvey. In 1590, Richard Harvey's The Lamb of God complained of the anti-Martinist pamphleteers in general, including a side-swipe at the Menaphon preface. Two years later, Greene's A Quip for an Upstart Courtier contained a passage on "rope makers" that clearly refers to the Harveys (whose father made ropes). The passage, which was removed from subsequent editions, may have been Nashe's. After Gabriel Harvey mocked Greene's death in Four Letters, Nashe wrote Strange News (1593). Nashe attempted to apologise in the preface to Christ's Tears Over Jerusalem (1593), but the appearance of Pierce's Supererogation shortly after offended Nashe anew. He replied with Have with You to Saffron-Walden (1596), with a possibly sardonic dedication to Richard Lichfield, a barber of Cambridge. Harvey did not publish a reply, but Lichfield answered in a tract called "The Trimming of Thomas Nash," (1597). This pamphlet also contained a crude woodcut portrait of Nashe, shown as a man disreputably dressed and in fetters.

Major works[link]

Alongside this running dispute, Nashe produced his more famous works. While staying in the household of Archbishop John Whitgift at Croydon in October 1592 he wrote an entertainment called Summer's Last Will and Testament, a "show" with some resemblance to a masque. In brief, the plot describes the death of Summer, who, feeling himself to be dying, reviews the performance of his former servants and eventually passes the crown on to Autumn. The play was published in 1600. Nashe may also have contributed to Henry VI, Part 1, the play later published under Shakespeare's name as the first part of the Henry VI trilogy. Many scholars believe that Shakespeare himself, who was just starting out as a writer, only contributed some scenes to the play. Gary Taylor believes that Nashe was the principal author of the first act.^[2] Nashe subsequently promoted the play in his pamphlet Pierce Penniless.^[3] In 1593 Nashe published Christ's Tears Over Jerusalem, a pamphlet dedicated to Lady Elizabeth Carey. Despite the work's apparently devotional nature it contained satirical material which gave offence to the London civic authorities and Nashe was briefly imprisoned in Newgate. The intervention of Lady Elizabeth's husband Sir George Carey gained his release.

He remained in London apart from periodic visits to the countryside to avoid the plague – a fear reflected in the play Summers last will and Testament, written in the autumn of 1592. William Sommers, whose comments frame the play, was Henry VIII's jester. It includes the famous lyric:

Adieu, farewell earths blisse,

This world uncertaine is,

Fond are lifes lustful joyes,

Death proves them all but toyes,

None from his darts can flye;

I am sick, I must dye:

Lord, have mercy on us.

In 1597 Nashe co-wrote the play The Isle of Dogs with Ben Jonson. The work caused a major controversy for its "seditious" content. The play was suppressed and never published. Jonson was jailed, but Nashe was able to escape to the country. He remained for some time in Great Yarmouth before returning to London.

He was alive in 1599, when his last known work, Nashes Lenten Stuffe, was published, and dead by 1601, when he was memorialised in a Latin verse in Affaniae by Charles Fitzgeoffrey.

He was featured in Thomas Dekker's News from Hell and referred to in the anonymous Parnassus plays, of which the latter provides this epitaph:

Let all his faultes sleepe with his mournfull chest

And there for ever with his ashes rest.

His style was wittie, though it had some gall,

Some things he might have mended, so may all.

Yet this I say, that for a mother witt,

Few men have ever seene the like of it.

Chronology of Nashe's works[link]

• 1589 The Anatomy of Absurdity
• 1589 Preface to Greene's Menaphon
• 1590 An Almond for a Parrot
• 1591 Preface to Sir Philip Sidney's Astrophel and Stella
• 1592 Pierce Penniless
• 1592 Summer's Last Will and Testament (play performed 1592, published 1600)
• 1592 Strange News
• 1593 Christ's Tears over Jerusalem
• 1594 Terrors of the Night
• 1594 The Unfortunate Traveller
• 1596 Have with You to Saffron-Walden
• 1597 Isle of Dogs (Lost)
• 1599 Nashe's Lenten Stuffe

He is also credited with the erotic poem The Choice of Valentines and his name appears on the title page of Christopher Marlowe's Dido, Queen of Carthage, though there is uncertainty as to what Nashe's contribution was. Some editions of this play, still extant in the 18th century but now unfortunately lost, contained memorial verses on Marlowe by Nashe, who was his friend.

See also[link]

• Canons of Elizabethan poetry
• The Classical Trivium: The Place of Thomas Nashe in the Learning of His Time, by Marshall McLuhan

References[link]

• R. B. McKerrow, ed., The Works of Thomas Nashe, 5 vols. 1904–10, repr. Oxford: Basil Blackwell, 1958. (The standard edition.)

External links[link]

Wikisource has original works written by or about: Thomas Nashe

• Thomas Nashe at luminarium.org – Nashe's works; classic and recent essays on Nashe
• Works by Thomas Nashe at Project Gutenberg
• Works by or about Thomas Nashe in libraries (WorldCat catalog)

Wikiquote has a collection of quotations related to: Thomas Nashe

Frank Turner
Frank Turner at a radio session for XFM in London.
Background information
Birth name	Francis Edward Turner
Also known as	Frank 'Dave' Turner
Born	(1981-12-28) 28 December 1981 (age 30) Manama, Bahrain
Origin	Meonstoke, England
Genres	Folk, folk-punk, hardcore punk, alternative rock
Occupations	Singer-songwriter
Instruments	Guitar, Vocals
Years active	2001–present
Labels	Xtra Mile Recordings (UK), Epitaph, Paper + Plastick
Associated acts	Million Dead, Reuben, The Record Buying Public, Kneejerk, Badger Doritos, Albuquerque Meat Hat, Dive Dive
Website	frank-turner.com

Frank Turner (born 28 December 1981) is an English^[1] folk/punk singer-songwriter from Meonstoke, Winchester. Initially the vocalist of post-hardcore band Million Dead, Turner embarked upon a primarily acoustic-based solo career following the band's split in 2005. To date, Turner has released four solo albums, two rarities compilation albums and four EPs. Turner began recording for his new album England Keep My Bones, in January 2011. It was released on 6 June 2011 in the UK, and 7 June 2011 worldwide.

Early life[link]

Turner was educated on a scholarship at Eton College, where he studied alongside Prince William,^[2] and later went on to attend the London School of Economics where he read History. His father, Roger Turner, is the son of Sir Mark Turner, formerly chairman of high street retailer BHS, and had himself also attended Eton before becoming a City investment banker, while his mother, Jane, the daughter of a bishop, is a primary school headmistress.

Musical career[link]

Beginnings and Million Dead (Up to 2005)[link]

Turner's musical career began at school, with the short-lived alternative band Kneejerk. The band released three records and played several shows around the UK (including a support slot for Boysetsfire), before disbanding in November 2001. The last record, their only full length, was entitled 'The half life of kissing' and was released by Yorkshire DIY hardcore label Sakari Empire after the band had actually broken up.^[3]

In 2001, Turner joined London post-hardcore band Million Dead at the invitation of former Kneejerk drummer Ben Dawson.^[4] In 2005, after four years and two albums, the band announced that they were parting ways, as "irreconcilable differences within the band mean that it would be impossible to continue."^[4]

[edit] Sleep is for the Week and Love Ire & Song (2005-2008)

Turner's first solo shows took place prior to the break-up of Million Dead, with a set at the Smalltown America all-dayer at 93 Feet East in London. After the band's split, Turner felt that "it seemed like the logical thing to do to try my hand at playing these songs more publicly and more concertedly than before".^[5] Turner states that "when Million Dead finished, I wanted to stay on tour, but I didn’t want the hassle of putting a band together."^[6]

After a split EP with rock band Reuben, Turner's first solo EP, Campfire Punkrock, was released in May 2006 on Xtra Mile Recordings, with him being recorded and backed by Oxford band Dive Dive who he had met while out on tour with Reuben.^[5][7] Band members Tarrant Anderson, Ben Lloyd and Nigel Powell would become his backing band from this point on, with most of his subsequent UK headline tours being full band shows. After touring in support of American singer-songwriter Jonah Matranga, the two released a split EP in August 2006. In September, he was the last act to appear on Steve Lamacq's "Lamacq Live" show on BBC Radio 1.^[8] Turner's debut full-length studio album, Sleep Is for the Week was released in January 2007, again recorded at Dive Dive's studio, produced by their guitarist Ben Lloyd^[9] and featuring drummer Nigel Powell.

After an extensive tour, including dates supporting yourcodenameis:milo and Biffy Clyro, and an appearance at SXSW,^[10] Turner released an EP, The Real Damage, in May 2007. After a further tour with Jonah Matranga and Jacob Golden, the "All About The Destination" DVD was released in October, before returning to the studio in Hampshire to record his second album. The album, Love Ire & Song again saw Ben Lloyd from Dive Dive in the producer's seat,^[11] and was released on 31 March 2008, followed by an extensive UK tour with Andy Yorke and Chris T-T. T-T also joined the live lineup on keyboards through summer 2008.

During summer 2008, Turner made several festival appearances, including sets at Y Not Festival, Two Thousand Trees Festival, the Cambridge Folk Festival, Truck, Glastonbury, Jam By The Lake (in Durham) and the Reading and Leeds Festivals.

In October/November, during his 2008 UK Tour for the Love, Ire and Song album, he became ill with gastroenteritis, and was forced to leave the stage in Nottingham halfway through his set. All remaining shows, which included Nottingham, Liverpool and Ireland, were cancelled - the first time that Turner had cancelled any show in ten years.^[12] He went on to reschedule all cancelled shows in January 2009.

[edit] Poetry of the Deed (2008-2010)

In December 2008 Turner released The First Three Years, a compilation of demos, b-sides and covers that are not featured on either of his studio albums. In January 2009, he released a combined package of The First Three Years and Love Ire & Song, and supported The Gaslight Anthem on their tour of the UK and Europe, demoing several new songs and announcing his plans to record a new album in May. The album was produced by Alex Newport, as previously suggested in interview by Turner.^[13] His band at the time still consisted of Ben Lloyd, Tarrant Anderson and Nigel Powell from Dive Dive, with keyboardist Matt Nasir having been added on the Love, Ire and Song tour.

Prior to recording Poetry of the Deed, Turner stated that:^[14]

Turner was announced as the support act on The Offspring's summer tour, during which he documented his travels with a blog on British music website NME.^[15] Regarding the support slot, Turner stated: "Smash was one of the first punk records I ever bought, and I’m blown away to even be considered for the shows. From a “career” point of view, it’s also great - playing to many thousands of people a night across the States is an opportunity not to be sniffed at."^[16]

On 28 April, Turner signed with Epitaph Records for releases outside the UK.^[17]

Preceded by the single "The Road", Turner's third studio album, Poetry of the Deed, was released on 7 September 2009 and reached #36 in the UK album chart. The following month he embarked upon a UK tour with his band in support of the album (with singer/songwriter Beans On Toast and US band "Fake Problems" as support acts), culminating in a sell-out show at the O2 Shepherds Bush Empire on 29 October 2009. A live DVD/CD, entitled Take to the Road, documenting two shows from the tour - Shepherds Bush Empire and the Union Chapel - was released in the UK in March 2010. In November 2009, Turner began a tour of the US which moved to Europe from 28 November and returned to the UK on 19 December. He completed the year with a New Year's Eve show at The Spiegeltent in Gloucester.

In early 2010, Turner played several more UK gigs, with Chuck Ragan and Crazy Arm supporting. He also accompanied Flogging Molly and The Architects on the 2010 Green 17 Tour, and announced via his Twitter that he was working on new songs.^[18]

In June, he supported Green Day on their stadium shows, and also featured as the cover star of Kerrang! magazine for the first time, with an article inside documenting his solo career up to that point.

[edit] Rock & Roll EP and England Keep My Bones (2010-present)

Turner played at many festivals throughout the summer, including his headlining appearance at the Two Thousand Trees Festival, playing his new song I Still Believe. The song was released first as a single and then appeared on his Rock and Roll EP. I Still Believe appeared on Turner's most recent album, England Keep my Bones, released on 6 June 2011.^[19] Turner also contributed one song, a cover of Build Me Up Buttercup, to Centrepoint's 2010 Charity cover album 1969 Key to Change.^[20] On 25 January 2011 he was nominated for two Shockwaves NME Awards, for best Solo Artist and best Band Blog or Twitter.^[21]

Turner announced on his Twitter on 24 February 2011 that his fourth studio album would be called England Keep My Bones and that it would be released in the UK on 6 June 2011 and worldwide on 7 June 2011. He also announced details of solo tours in Australia, Germany, UK, and the US & Canada.^[22] Frank started recording of this album on 10 January 2011 ^[23] and finished recording on 20 January 2011,^[23] with mixing completed in February 2011. In March 2011, Turner stated that:^[24]

On 21 March 2011, it was announced that Turner would be making the step up to the main stage at Reading and Leeds in August 2011.^[25] He spoke about the "perks" of playing Reading in a recent interview with 6 Towns Radio.^[26] He will also be playing Download, Blissfields and Cambridge Folk festivals, as well as many other festivals across Europe.

Several songs from England Keep My Bones were debuted at Playfest (a new music festival in Norfolk) on 28 May.

Turner leaked new song, "I Am Disappeared" to YouTube on 29 March 2011, later making it available for free download through Xtra Mile. He also announced on the 29th that he would soon be releasing "Peggy Sang the Blues" as the first single from the album.

In early 2011, Turner was booked to play as a headliner at Blissfields Festival.

During his May 2011 tour, Turner played a new song, tentatively titled "Rod Stewart." This song later became retitled as "Sailors Boots" and features as the B-side to "If Ever I Stray".

England Keep My Bones entered the UK chart at number 12 on its week of release, Turner's highest charting album to date.^[27]

Turner later released a rarities compilation, titled The Second Three Years, on 18 November 2011 through Xtra Mile Recordings and 16 January 2012 through Epitaph Records. The album compiles material recorded after the release of Turner's first compilation, The First Three Years, that does not appear on either of Turner's two successive studio albums, including tracks from EPs, singles, covers and unreleased material.

On 21 April 2011 Frank played his 1000th solo show at the Strummerville festival in Shoreditch, London.

In spring 2012, he is scheduled to play several dates in Canada as an opening act for Joel Plaskett.^[28]

On Friday 13th April 2012, Frank headlined Wembley Arena to a sold out crowd of 12,000^[29][30]. Support for the show came from Beans On Toast, dan le sac vs Scroobius Pip and Billy Bragg.

Backing band[link]

Turner's band, 'The Sleeping Souls',^[31] both live and in the studio, consists of:

• Ben Lloyd - guitar, harmonica, mandolin
• Tarrant Anderson - bass
• Matt Nasir - piano, organ, guitar, backing vocals
• Nigel Powell - drums, percussion, backing vocals

Discography[link]

Studio albums[link]

• Sleep Is for the Week (2007)
• Love Ire & Song (2008)
• Poetry of the Deed (2009)
• England Keep My Bones (2011)

TBA (2013)

Videography[link]

• Casanova Lament (unaired)
• Vital Signs (2006)
• The Real Damage (2007)
• Photosynthesis (2008)
• Reasons Not to Be an Idiot (2008)
• I Knew Prufrock Before He Got Famous (2008)
• Long Live the Queen (2008)
• The Road (2009)
• Poetry of the Deed (2009)
• Isabel (2010)
• Try This at Home (2010)
• I Still Believe (2010)
• Peggy Sang the Blues (2011)
• If Ever I Stray (2011)
• Sailor's Boots (2011)

DVDs[link]

• All About the Destination (22 October 2007)
• Take to the Road (22 March 2010)

Awards and nominations[link]

References[link]

External links[link]

• Official website

Interviews[link]

• Frank Turner Interview
• Frank Turner on England Keep My Bones, libertarianism, Brian May and more
• Frank Turner invites Virgin Red Room to his gorgeous garden for an interview on England Keep My Bones.
• YuppiePunk Q&A on pop songwriting, punk rock capitalism and social media
• 26 Sept. 2009 Interview with ThePunkSite.com
• Stereokill Interview: 29 October 2008
• Stereokill Interview: 4 April 2009
• GiggingNI.com talks to Frank Turner
• http://www.youtube.com/watch?v=YfT0b2INxO4&feature=avmsc2
• Frank Turner Photo Interview
• Stereoboard Interview: March 2011
• Frank Turner on 6 Towns Radio with Terry Bossons: 20 May 2011
• A snapshot into the mind and musings of Frank Turner
• Folk-punk musician Frank Turner - PRI's The World interview with Marco Werman: 19 April 2011