Thomas Kennerly "
Tom" Wolfe, Jr. (born March 2, 1931)[1] is an
American author and journalist, best known for his association and influence over the
New Journalism literary movement in which literary techniques are used in objective, even-handed journalism.
Beginning his career as a reporter, he soon became one of the most culturally significant figures of the sixties after the publication of books such as
The Electric Kool-Aid Acid Test (a highly experimental account of
Ken Kesey and the
Merry Pranksters) and two collections of articles and essays,
Radical Chic & Mau-Mauing the
Flak Catchers and
The Kandy-Kolored Tangerine-Flake Streamline Baby. His first novel entitled
The Bonfire of the Vanities, released in
1987, was met with critical acclaim and was a great commercial success.
He is also known, in recent years, for his spats and public disputes with other writers, including
John Updike,
Norman Mailer, and
John Irving.
In
1965, a collection of his articles in this style was published under the title The Kandy-Kolored Tangerine-Flake Streamline Baby, and
Wolfe's fame grew. A second volume of articles,
The Pump House Gang, followed in
1968. Wolfe wrote on popular culture, architecture, politics, and other topics that underscored, among other things, how
American life in the
1960s had been transformed by post-WWII economic prosperity. His defining work from this era is The Electric Kool-Aid Acid Test (published the same day as The Pump House Gang in 1968), which for many epitomized the 1960s. Although a conservative in many ways and certainly not a hippie (in 2008, he claimed never to have used
LSD and to have tried marijuana only once[14]) Wolfe became one of the notable figures of the decade.
In
1970, he published two essays in book form as Radical Chic & Mau-Mauing the Flak Catchers: "Radical Chic," a biting account of a party given by
Leonard Bernstein to raise money for the
Black Panther Party, and "Mau-Mauing The Flak Catchers," about the practice of using racial intimidation ("mau-mauing") to extract funds from government welfare bureaucrats ("flak catchers"). The phrase "radical chic" soon became a popular derogatory term for upper-class leftism. Published in
1977,
Mauve Gloves & Madmen,
Clutter &
Vine included one of Wolfe's more famous essays, "
The Me Decade and the
Third Great Awakening."
In
1979, Wolfe published
The Right Stuff, an account of the pilots who became
America's first astronauts. Famously following their training and unofficial, even foolhardy, exploits, he likened these heroes to "single combat champions" of a bygone era, going forth to battle in the space race on behalf of their country. In
1983, the book was adapted as a successful feature film.
Several themes are present in much of Wolfe's writing, including his novels. One such theme is male power-jockeying, which is a major part of The Bonfire of the Vanities,
A Man in Full, and
I Am Charlotte Simmons as well as several of his journalistic pieces.
Male characters in his fiction often suffer from feelings of extreme inadequacy or hugely inflated egos, sometimes alternating between both. He satirizes racial politics, most commonly between whites and blacks; he also highlights class divisions between characters
. Men's fashions often play a large part in his stories, being used to indicate economic status. Much of his recent work also addresses neuroscience, a subject which he admitted a fascination with in "
Sorry, Your
Soul Just Died," one of the essays in
Hooking Up, and which played a large role in I Am Charlotte Simmons—the title character being a student of neuroscience, and characters' thought processes, such as fear, humiliation and lust, frequently being described in the terminology of brain chemistry. Wolfe also frequently gives detailed descriptions of various aspects of his characters' anatomies.[21]
Two of his novels (A Man in Full and I Am Charlotte Simmons) feature major characters (
Conrad Hensley and
Jojo Johanssen, respectively) who are set on paths to self-discovery by reading classical
Roman and
Greek philosophy.
Law and banking firms in Wolfe's writing often have satirical names formed by the surnames of the partners. "
Dunning, Sponget and
Leach" and "
Curry, Goad and Pesterall" appear in
Bonfire of the Vanities, and "Wringer, Fleasom and
Tick" in A Man in Full.
Ambush at
Fort Bragg contains a law firm called "Crotalus, Adder, Cobran and Krate" (all names or homophones of venomous snakes).
Some characters appear in multiple novels, creating a sense of a "universe" that is continuous throughout Wolfe's fiction. The character of
Freddy Button, a lawyer from Bonfire of the Vanities, is mentioned briefly in I Am Charlotte Simmons. A character named
Ronald Vine, an interior decorator who is mentioned in Bonfire of the Vanities, reappears in A Man in Full as the designer of
Charlie Croker's home.
http://en.wikipedia.org/wiki/Tom_Wolfe
- published: 01 Dec 2014
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