Yamuna (यमुना)
River
Taj Mahal in Agra on the banks of Yamuna
Country	India
States	Uttaranchal, Uttar Pradesh, Haryana
Tributaries
- left	Tons, Hindon, Sarda, Kunta, Gir, Rishiganga, Hanuman Ganga
- right	Chambal, Betwa, Ken, Sindh
Cities	Yamuna Nagar, Delhi, Mathura, Agra, Etawah, Kalpi
Source	Yamunotri
- location	Banderpooch peaks, Uttarkashi district, Uttarakhand, India
- elevation	3,293 m (10,804 ft)
- coordinates	31°01′0.12″N 78°27′0″E / 31.0167°N 78.45°E / 31.0167; 78.45
Mouth	Triveni sangam
- location	Allahabad, India
- elevation	74 m (243 ft)
- coordinates	25°30′N 81°53′E / 25.5°N 81.883°E / 25.5; 81.883
Length	1,376 km (855 mi)
Basin	366,223 km2 (141,399 sq mi)
Map

Yamuna at its source Yamunotri in Uttarakhand

The Yamuna (Sanskrit : यमुना , Urdu :جمنا sometimes called Jamuna Bengali:যমুনা Jomuna and Hindi : जमुना) or Jumna) is the largest tributary river of the Ganges (Ganga) in northern India. Originating from the Yamunotri Glacier at a height 6,387 metres, on the south western slopes of Banderpooch peaks, in the Lower Himalayas in Uttarakhand, it travels a total length of 1,376 kilometers (855 mi) and has a drainage system of 366,223 km², 40.2% of the entire Ganges Basin, before merging with the Ganges at Triveni Sangam, Allahabad, the site for the Kumbha Mela every twelve years.

It crosses several states, Uttarakhand, Haryana and Uttar Pradesh, passing by Himachal Pradesh and later Delhi, and meets several of its tributaries on the way, including Tons, its largest and longest tributary, Chambal, which has its own large basin, followed by Sindh, the Betwa, and Ken. Most importantly it creates the highly fertile alluvial, Yamuna-Ganges Doab region between itself and the Ganges in the Indo-Gangetic plain. Nearly 57 million people depend on the Yamuna waters. With an annual flow of about 10,000 cubic billion metres (cbm) and usage of 4,400 cbm (of which irrigation constitutes 96 per cent), the river accounts for more than 70 per cent of Delhi’s water supplies. Just like the Ganges, the Yamuna too is highly venerated in Hinduism and worshipped as goddess Yamuna, throughout its course. In Hindu mythology, she is the daughter of Sun God, Surya, and sister of Yama, the God of Death, hence also known as Yami and according to popular legends, bathing in its sacred waters frees one from the torments of death.^[1][2]

The water of Yamuna is of "reasonably good quality" through its length from Yamunotri in the Himalayas to Wazirabad in Delhi, about 375 km, where the discharge of waste water through 15 drains between Wazirabad barrage and Okhla barrage renders the river severely polluted after Wazirabad in Delhi. One official describes the river as a "sewage drain" with biochemical oxygen demand (BOD) values ranging from 14 to 28 mg/l and high coliform content.^[3] There are three main sources of pollution in the river, namely households and municipal disposal sites, soil erosion resulting from deforestation occurring to make way for agriculture along with resulting chemical wash-off from fertilizers, herbicides, and pesticides and run-off from commercial activity and industrial sites.

Course and catchment[link]

Banderpoonch peak, the source of Yamuna, as seen from Mussoorie

The Yamunotri temple on the river, dedicated to Goddess Yamuna.

The Doab, United Provinces, 1908 map

The source of Yamuna lies in the Yamunotri Glacier at a height 6,387 metres, on the south western slopes of Banderpooch peaks, which lie in the Mussoorie range of Lower Himalayas, in the Uttarkashi district, Uttarakhand, north of Haridwar.^[1] Yamunotri temple, a shrine dedicated to the goddess, Yamuna is one of the holiest shrines in Hinduism, and part of the Chota Char Dham Yatra circuit. Also standing close to the temple, on its 13 km trek route, that follows the right bank of the river, lies the Markendeya Tirtha, where the sage Markandeya wrote the Markandeya Purana.^[4][5]

From here it flows southwards, for about 200 km through the Lower Himalayas and the Shivalik Hills Range and morainic deposited are found in its steep Upper Yamuna village, highlighted with geomorphic features such as interlocking spurs, steep rock benches, and stream terraces. Large terraces formed over a long period of time can be seen in the lower course of the river, like ones near Naugoan. An important part of its early catchment area totalling 2,320 km² lies in Himachal Pradesh, and an important tributary draining the Upper Catchment Area is the Tons, Yamuna's largest and longest tributary, which rises from the Hari-ki-dun valley and holds water more than the main stream, which it merges after Kalsi near Dehradun. The entire drainage system of the river stretches all the way between Giri-Sutlej catchment in Himachal and Yamuna-Bhilangna catchment in Garhwal, indeed the southern ridge of Shimla is also drained into this system. Kalanag (6,387m) is the highest point of the entire Yamuna basin.

Other tributaries in the region are the Giri, Rishi Ganga, Kunta, Hanuman Ganga and Bata tributaries, which drain the Upper Catchment Area of the vast Yamuna basin.^[6] Thereafter the river descends on to the plains of Doon Valley, at Dak Pathar near Dehradun. Here through a weir dam, the water is diverted into a canal for power generation, little further down where Yamuna is met by the Assan River, lies the Assan barrage, which hosts a Bird Sanctuary as well. After passing the Sikh pilgrimage town of Paonta Sahib, it reaches Tajewala in Yamuna Nagar district, of Haryana, where a dam built in 1873, is the originating place of two important canals, the Western Yamuna Canal and Eastern Yamuna Canal, which irrigate the states of Haryana and Uttar Pradesh. The Western Yamuna Canal (WYC) crosses Yamuna Nagar, Karnal and Panipat before reaching the Haiderpur treatment plant, which supplies part of municipal water supply to Delhi, further it also receives waste water from Yamuna Nagar and Panipat cities. Yamuna is replenished again after this by seasonal streams and groundwater accrual, in fact during the dry season, it remains dry in many stretches from Tajewala till Delhi, where it enters near Palla village after traversing 224 km.

The Yamuna also creates natural state borders between the Himachal Pradesh and Uttarakhand states, and further down between the state of Haryana and Uttar Pradesh. Along with the Ganges to which run almost parallel after it touches the Indo-Gangetic plain, the largest alluvial fertile plain in the world, it creates the Ganges-Yamuna Doab region spread across 69,000 km², one-third of the entire plain, and today known for its agricultural outputs, prominent among them is the cultivation of Basmati Rice. The plain itself supports one-third of India's population through its farming.^[7]

Course of Yamuna, in the Indo-Gangetic Plain

Subsequently, it flows through the states of Delhi, Haryana and Uttar Pradesh, before merging with the Ganges at a sacred spot known as Triveni Sangam in Allahabad after traversing a distance of 1,376 kilometers (855 mi). Here pilgrims travel by boats to platforms erected mid stream to offer prayers. During the Kumbh Mela, held every 12 years, the ghats around the Sangam are venue of large congregation of people, who take dip in the sacred waters of the confluence.^[8] The cities of Baghpat, Delhi, Noida, Mathura, Agra, Firozabad, Etawah, Kalpi, Hamirpur, Allahabad lie on its banks. At Etawah, it meets it another important tributary, Chambal, followed by a host of tributaries further down, including, Sindh, the Betwa, and Ken.^[2][9]

Ancient literature and history[link]

Vasudev carrying baby Lord Krishna across the Yamuna, an important legend of Bhagavata Purana

An 8th-century sculpture depicting Yamuna personified as a goddess

Literally meaning "twins" in Sanskrit, as it runs parallel to the Ganges, its name is mentioned at many places in the Rig Veda, written during the Vedic period ca between 1700–1100 BC, and also in the later Atharvaveda, and the Brahmanas including Aitareya Brahmana and Shatapatha Brahmana.^[10] In Rig Veda, the story of the Yamuna describes her "excessive love" for her twin, Yama, who in turn asks her to find a suitable match for herself, which she does in Krishna. The tale is further detailed in the 16th century Sanskrit hymn, Yamunashtakam, an ode by philosopher Vallabhacharya. Here the story of descent to meet her beloved Krishna and to purify the world has been put in verse. The hymn also he praises her for being the source of all spiritual abilities, while the Ganges is considered an epitome of asceticism and higher knowledge and can grant us Moksha or liberation, it is Yamuna, who being a holder of infinite love and compassion, can grant us freedom from even death, the realm of her elder brother. She rushes down the Kalinda Mountain, and verily describes her as the daughter of Kalinda, giving her another name, Kalindi, the backdrop of Krishna Leela. The text also talk about her water being of the colour of Lord Krishna, which is dark (Shyam).^[11][12]

It is mention as Iomanes (Ioames) in the surveys of Seleucus I Nicator, an officer of Alexander the Great and one of the Diadochi, who visited India in 305 BC, later Megasthenes, a Greek traveller and geographer, visited India, sometimes before 288 BC, the date of Chandragupta's death, also mention the river in his text Indica, where he described the region around it as the land of Surasena.^[13] In Mahabharata, Indraprastha, the capital of Pandavas was also situated on the banks of Yamuna, it is considered to the modern day city of Delhi.

There is evidence indicating Yamuna was a tributary of the Ghaggar river, also known as the Vedic Sarasvati River in the ancient past and the rivers were collectively known as Sapta Sindhu or seven streams. It changed its course to east following a tectonic event in north India and became a tributary of the Ganges instead. As the it is believed that the Sarasvati river dried and it also meant the end of many Indus Valley civilization settlements, and creation of the Thar desert, the Ghaggar-Hakra river now flows only during the monsoon season.^[14][15][16] The importance of the Ganges–Yamuna river basin, and the Doab region as traditional the seat of power, can be derived from the fact, in much of early history of India, most of great empires, which ruled over majority of India, until the Chalukyas King, Vinayaditya, were based in the highly fertile Ganges–Yamuna basin, including the Magadha (ca 600 BC), Maurya Empire (321–185 BC), Sunga Empire (185–73 BCE), Kushan Empire (1st–3rd centuries CE), Gupta Empire (280–550 CE), and many had their capitals here, in cities like Pataliputra or Mathura. These rivers were revered throughout these kingdoms that flourished on their banks, in fact ever since the period of Chandragupta II (r. 375–415 CE), statues both the Ganges and Yamuna became common throughout the Gupta Empire. Further to the South, images of the Ganges and Yamuna are found amidst shrines of the Chalukyas, Rashtrakutas (753–982), as well as on their royal seals, and prior to them, the Chola Empire too added the river into their architectural motifs. The Three River Goddess shrine, next of famous Kailash rock-cut Temple at Ellora, built by Rashtrakuta King, Govinda III, shows the Ganges flanked by the Yamuna and Saraswati.^[17]

Religious significance[link]

Kaliya Daman, c. 1880.

The goddess of the river, also known as Yami, is the sister of Yama, god of death, and the daughter of Surya, the Sun god, and his wife Saranyu.^[18] Yamuna, referred respectfully as Yamunaji, holds a very important position in Pushti Marga, a sect of Hinduism based on the ShuddhAdvaita, where Shri Krsna is the main deity, propagated by VallabhAcharya / MahaPrabhuji, and having a large following in India.

The river Yamuna is also connected to the religious beliefs surrounding Krishna and various stories connected with Him are found in Hindu religious texts, especially the Puranas, like that of Kaliya Daman, the subduing of Kaliya, a poisonous Nāga snake, which had inhabited the river and terrorized the people of Braja.^[19][20] Yamuna, according to the legends is closely related to Lord Krishna and Mahabharata. Krishna was taken across the Yamnuna on the night of his birth. Kansa, Krishna's maternal uncle planned to kill all his nephew's, as his eight nephew was predicted to be his Kāla. When Vasudeva, carrying Krishna in a basket, reaches the river Yamuna, on the extremely turbulent, rainy night of Krishna's birth, Yamuna is said to have parted to make way for Vasudeva. Krishna and the Gopi's also used to play on the banks of Yamunaji as children.

Important tributaries[link]

• Tons River, Yamuna's largest and longest tributary, rises in the 20,720 ft (6,315 m) high Bandarpoonch mountain, and has a large basin in Himachal Pradesh. It meets Yamuna below Kalsi near Dehradun, Uttarakhand.
• Hindon River, originates in the Saharanpur District, from Upper Shivalik in Lower Himalayan Range, is entirely rainfed and has a catchment area of 7, 083 km², traverses 400 km through Muzaffarnagar District, Meerut District, Baghpat District, Ghaziabad, Noida, Greater Noida, before joining Yamuna just outside Delhi.
• Ken River, flows through Bundelkhand region of Madhya Pradesh and Uttar Pradesh, it originates near village Ahirgawan in Jabalpur district and travels a distance of 427 km, before merging with the Yamuna at Chilla village, near Fatehpur in Uttar Pradesh, and has an overall drainage basin of 28,058 km².
• Chambal River, known as Charmanvati in ancient times, flows through Rajasthan and Madhya Pradesh, with a drainage basin of 143,219 km² and traverses a total distance of 960 km, from its source in Vindhya Range, near Mhow and support hydro-power generation at Gandhi Sagar dam, Rana Pratap Sagar dam and Jawahar Sagar dam, before merging into the Yamuna south east f Sohan Goan, in Etawah district, shortly theerafter followed by another tributary, the Sindh River.

Irrigation[link]

Agra Canal headworks at Okhla barrage, Delhi. 1871.

The importance of Yamuna in the Indo-Gangetic Plains is enhanced by its many canals, some dating back to as early as 14th century CE by the Tughlaq dynasty, which built the Nahr-i-Bahisht (Paradise), parallel to the river, it was later restored and extended by the Mughals in the first half of seventeenth century, by engineer Ali Mardan Khan, starting from Benawas where the river enters the plains and terminating near the Mughal capital, Shahjahanabad, the present city of Delhi.^[21] As the Yamuna enters the Northern plains near Dakpathar at a height of 790 meters, the Eastern Yamuna Canal commences at the Dakpathar Barrage and pauses at the Asan and Hathnikund Barrages before continuing south. The Hathnikund was built in 1999 and replaced the downstream Tajewala Barrage which was completed in 1873. The Western Yamuna Canal begins at the Hathnikund Barrage about 38 kilometers from Dakpathar and south of Doon Valley. The canals irrigate vast tracts of lands in the region, then once its passes Delhi, it feeds the Agra Canal built in 1874, which starts from Okhla barrage beyond the Nizamuddin bridge, and the high land between the Khari-Nadi and the Yamuna and before joining the Banganga river about 20 miles below Agra. Thus during the summer season, the stretch above Agra resembles a minor stream.^[2]

Taj Mahal is situated on the banks of river Yamuna.

A heavy freight canal, known as the Sutlej-Yamuna Link (SYL), is being built westwards from near its headwaters through the Punjab region near an ancient caravan route and highlands pass to the navigable parts of the Sutlej-Indus watershed. This will connect the entire Ganges, which flows to the east coast of the subcontinent, with points west (via Pakistan). When completed, the SYL will allow shipping from India's east coast to the west coast and the Arabian sea, drastically shortening shipping distances and creating important commercial links for north-central India's large population. The canal starts near Palla village near Delhi, and was to transfer Haryana's share of 3,500,000 acre feet (4.3 km³) from Indus Basin, though state of Haryana has completed its portion, Punjab is against its construction, and the state legislature passed the "Punjab Termination of Agreement Act 2004", which declared earlier agreements null and void.^[1]

Management[link]

The stretch of the river from its origin to Okhla in Delhi is called “Upper Yamuna”. A Memorandum of Understanding (MoU) was signed amongst the five basin states, namely Himachal Pradesh, Uttar Pradesh, Uttarakhand, Haryana, Rajasthan and Delhi, on 12 May 1994 for sharing of the water of Upper Yamuna. This led to the formation of Upper Yamuna River Board under Ministry of Water Resources, whose primary functions are regulation of the allocation of available flows amongst the beneficiary states and also for monitoring the return flows; monitoring conserving and upgrading the quality of surface and ground water; maintaining hydro-meteorological data for the basin; over viewing plans for watershed management; monitoring and reviewing the progress of all projects up to and including Okhla barrage.^[22]

Flood forecasting systems are established at Poanta Sahib, where Tons, Pawar and Giri tributaries meet, followed by Tajewala, Kalanaur, Haryana and Mawai before Delhi, the river take 60 hours to travel from Tajewala to Delhi, thus allowing a two-day advance flood warning period.^[1][23][24] The Central Water Commission started flood-forecasting services in 1958 with the setting up of its first forecasting station on Yamuna at Delhi Railway Bridge.^[25]

Geography and wildlife[link]

The catchment area of the river, especially till its touches the plains, is replete with alpine, semi alpine, temperate and sub-tropical vegetation, and vast areas are under forest over, and supports extensive animal life.

Yamuna is the frontier of the Asian Elephant. West of the Yamuna, there are no elephants to be found over 900 km of the western Himalayas and their foothills. The forests of the lower Yamuna offer ideal corridors for elephant movement. The principal forests to be found here are of sal, khair (acacia), and sissoo (rosewood) trees, and the Chir Pine forests of the Shivalik Hills.

River Yamuna - View from Tajmahal

Pollution[link]

Yamuna river near the Himalayas, just as its hits the plains, beyond Dehradun

in 1909 the waters of the Yamuna were distinguishable as "clear blue", as compared to the silt-laden yellow of the Ganges.^[26] However, due to high density population growth and rapid industrialization today Yamuna is one of the most polluted rivers in the world, especially around New Delhi, the capital of India, which dumps about 58% of its waste into the river.^[27]

Causes of pollution. New Delhi generates 1,900 million litre per day (MLD) of sewage. Though numerous attempts have been made to process it, the efforts have proven to be futile. Although the government of India has spent nearly $500 million to clean up the river, the Yamuna continues to be polluted with garbage while most sewage treatment facilities are underfunded or malfunctioning. In addition, the water in this river remains stagnant for almost nine months in a year, aggravating the situation. Delhi alone contributes around 3,296 MLD of sewage in the river. The government of India over the next five years has prepared plans to rebuild and repair the sewage system and the drains that empty into the river. To address river pollution, certain measures of cleaning river have been taken by the Government's Ministry of Environment and Forests in twelve towns of Haryana, eight towns of Uttar Pradesh, and Delhi, under the Yamuna Action Plan (YAP) which has been implemented since 1993 by the National River Conservation Directorate (NRCD) of the Ministry of Environment and Forests. The Japan Bank for International Cooperation is participating in the Yamuna Action Plan in 15 of the above 21 towns (excluding 6 towns of Haryana included later on the direction of Supreme Court of India) with soft loan assistance of 17.773 billion Japanese Yen (equivalent to about Rs. 700 crore INR) while the Government of India is providing the funds for the remaining 6 towns added later. In 2007 the Indian government's plans to repair sewage lines was predicted to improve the water quality of the river 90% by the year 2010.^[28][29][30]

However in 2009, the Union government admitted to the Lok Sabha (Indian Parliament), the failure of the Ganga Action Plan (GAP) and the Yamuna Action Plan (YAP), saying that "rivers Ganga and Yamuna are no cleaner now than two decades ago" despite spending over Rs 1,700 crore to control pollution. According to a CSE official, these plans adopted the Thames model, based on a centralized sewage treatment system. This meant that huge sum of money and a 24-hr power supply were needed to manage the treatment plants, while only an 8-hr power supply was available, contributing to the failure of both river plans.^[31] In August 2009, he Delhi Jal Board (DJB) initiated its plan for resuscitating the Yamuna’s 22 km stretch in Delhi by constructing interceptor sewers, at the cost of about Rs 1,800 crore.^[32]

In popular culture[link]

In 2005, the award winning documentary Jijivisha was made on Yamuna.

Gallery[link]

• 

  Yamuna as seen from the Taj Mahal, Agra.

• 

  Madan Mohan temple, on the Yamuna, Vrindavan, 1789, it has shifted further away since then.

• 

  'Keshi Ghat' on the Yamuna, Vrindavan.

• 

  Yamuna near Allahabad, just few kilometers before it meets the Ganges.

See also[link]

• List of rivers of India

Further reading[link]

• Fraser, James Baillie (1820). Journal of a tour through part of the snowy range of the Himala Mountains, and to the sources of the rivers Jumna and Ganges. Rodwell and Martin, London. http://www.archive.org/stream/journaloftourthr00fras#page/n3/mode/2up. 
• Haberman, David L. (2006). River of love in an age of pollution: the Yamuna River of northern India. University of California Press. ISBN 0-520-24790-6. http://books.google.com/books?id=CJFdkkGSV8gC&pg=PA1&dq=Yamuna#v=onepage&q=&f=false. 
• Schumann, A. H. (2001). Sustainable regional water management of Yamuna river basin: A case study. International Association of Hydrological Sciences(IAHS). pp. 25–32. ISBN 1-901502-51-1. http://books.google.com/books?id=YT_5Lp0JqVEC&pg=PA25&dq=Yamuna+River#v=onepage&q=Yamuna%20River&f=false. 

References[link]

External links[link]

Wikimedia Commons has media related to: Yamuna River

• The Geography of the Rigveda
• Yamuna Action Plan

v t e Geography of Himachal Pradesh Lakes Renuka Lake Maharana Pratap Sagar Gobind Sagar more... Rivers Beas Chenab Ravi Sutlej Yamuna Districts Bilaspur Chamba Hamirpur Kangra Kinnaur Kullu Lahaul and Spiti Mandi Sirmaur Shimla Solan Una Other Climate of Himachal Pradesh Protected areas of Himachal Pradesh List of peaks in Himachal Pradesh

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (September 2011)

Ravi Shankar Prasad (Hindi: रवि शंकर प्रसाद, b. August 30, 1954) is an Indian lawyer and politician^[1] belonging to the Bharatiya Janata Party (BJP). He represents Bihar in the Rajya Sabha, the upper house of the Parliament of India. He held the position of Minister of State in the Ministry of Coal and Mines, the Ministry of Law and Justice, and the Ministry of Information and Broadcasting during the National Democratic Alliance government.

Early life[link]

This biographical section of an article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (December 2011)

Prasad was born into a prominent family of Patna, Bihar. His father Thakur Prasad was a Senior Advocate at the Patna High Court and one of the founders of the Jan Sangh, which is now the BJP. Ravi Prasad earned BA Hons, MA (Political Science) and LLB degrees from Patna University. He married Maya Shankar on February 3, 1982. Maya is a professor of history at Patna University.

Prasad began his political career as a student leader in the 1970s organising protests against Indira Gandhi's government. He worked in the student movement in Bihar under the leadership of Jayaprakash Narayan and was imprisoned during the Emergency. He was associated with Akhil Bharatiya Vidyarthi Parishad for many years and held various posts in the organisation. During his college days he was Assistant General Secretary of the Patna University Students Union and member of the Senate, Finance Committee, Arts and Law Faculties of the University.

Law career[link]

Prasad has been practising at the Patna High Court since 1980. He was designated Senior Advocate at the Patna High Court in 1999 and Senior Advocate at the Supreme Court of India in 2000.

Prasad was the main lawyer arguing the Public Interest Litigation against former Bihar Chief Minister and Railway Minister Laloo Prasad Yadav in the Fodder scam and Bitumen scam cases. He has represented former Deputy Prime Minister L. K. Advani and the Bihar Banking Service Recruitment Board before the Patna High Court. His high-profile cases include the Landmark Narmada Bachao Andolan Case, T. N. Thirumpalad v. Union of India, Rameshwar Prasad v. Union of India (the Bihar Assembly Dissolution Case), and Yash Pal's case on medical education in India.

In 2010, Prasad was a lawyer in the longstanding Ayodhya title suit.

Political career[link]

Prasad has held several national-level assignments in the youth wing and the main party organisation of the BJP. He became a Member of Parliament in 2000 and became the Minister of State (Coal and Mines) in 2001 under Prime Minister A.B. Vajpayee. Soon after taking over, Prasad accelerated the reforms process in the mining and coal sectors.^{[citation needed]}

Prasad was given the additional charge of Minister of State in the Ministry of Law and Justice in July 2002. Within a fortnight he had prepared a bill amending the Representation of People Act. He sped up the process of fast-track courts.

As Minister of Information and Broadcasting he initiated reforms in the radio, television and animation sectors. He helped establish Goa as the location of the International Film Festival of India.

In April 2002, he led the Indian delegation to the Non-Aligned Movement's ministerial meet in Durban, South Africa. Later he met Yasser Arafat in Ramallah as a member of a Non-Aligned delegation to express solidarity with him. He led the Indian delegation to the Commonwealth Law Minister Summit in Saint Vincent and the Grenadines. He has led the Indian delegation to film festivals in Cannes, Venice and London.

Since 1995 Prasad has been a member of BJP National Executive, the party's top policymaking body. Recently, he oversaw the party's efforts in the Uttarakhand Assembly Elections.

Prasad became a national spokesperson of the BJP in 2006 and was elected to the Rajya Sabha from Bihar in the same year. He was appointed as the Chief National Spokesperson of the BJP in 2007. In 2010, Prasad was appointed as the General Secretary of the BJP.

See also[link]

• Nirmala Sitaraman - one of his team at the NJP

References[link]

External links[link]

• Ravi Shankar Prasad admitted to AIIMS

Ravi Shankar
Shankar performs in Delhi in March 2009
Background information
Birth name	Robindro Shaunkor Chowdhury
Born	(1920-04-07) 7 April 1920 (age 92) Varanasi, United Provinces, Indian Empire
Genres	Hindustani classical music
Occupations	composer, musician
Instruments	sitar
Years active	1939–present
Associated acts	Uday Shankar, Allauddin Khan, Ali Akbar Khan, Lakshmi Shankar, Yehudi Menuhin, Chatur Lal, Alla Rakha, George Harrison, Anoushka Shankar, Beatles
Website	RaviShankar.org

Ravi Shankar (Bengali: রবি শংকর; born Robindro Shaunkor Chowdhury on 7 April 1920), often referred to with the title Pandit, is an Indian musician and composer who plays the plucked string instrument sitar. He has been described as the most known contemporary Indian musician by Hans Neuhoff in Musik in Geschichte und Gegenwart.^[1]

Shankar was born in Varanasi and spent his youth touring Europe and India with the dance group of his brother Uday Shankar. He gave up dancing in 1938 to study sitar playing under court musician Allauddin Khan. After finishing his studies in 1944, Shankar worked as a composer, creating the music for the Apu Trilogy by Satyajit Ray, and was music director of All India Radio, New Delhi, from 1949 to 1956.

In 1956, he began to tour Europe and America playing Indian classical music and increased its popularity there in the 1960s through teaching, performance, and his association with violinist Yehudi Menuhin and George Harrison of The Beatles. Shankar engaged Western music by writing concerti for sitar and orchestra and toured the world in the 1970s and 1980s. From 1986 to 1992 he served as a nominated member of the upper chamber of the Parliament of India. Shankar was awarded India's highest civilian honor, the Bharat Ratna, in 1999, and received three Grammy Awards. He continues to perform in the 2000s, often with his daughter Anoushka.

Early life[link]

Shankar was born 7 April 1920 in Varanasi to a Bengali Brahmin family as the youngest of seven brothers.^[2][3][4] Shankar's Bengali birth name was Robindro Shaunkor Chowdhury.^[2] His father, Shyam Shankar, an administrator for the Maharaja of Jhalawar, used the Sanskrit spelling of the family name and removed its last part.^[2][5] Shyam was married to Shankar's mother Hemangini Devi, but later worked as a lawyer in London.^[2] There he married a second time while Devi raised Shankar in Varanasi, and did not meet his son until he was eight years old.^[2] Shankar shortened the Sanskrit version of his first name, Ravindra, to Ravi, for "sun".^[2]

At the age of ten, after spending his first decade in Varanasi, Shankar went to Paris with the dance group of his brother, choreographer Uday Shankar.^[6][7] By the age of 13 he had become a member of the group, accompanied its members on tour and learned to dance and play various Indian instruments.^[3][4] Uday's dance group toured Europe and America in the early to mid-1930s and Shankar learned French, discovered Western classical music, jazz, and cinema, and became acquainted with Western customs.^[8] Shankar heard the lead musician for the Maihar court, Allauddin Khan, in December 1934 at a music conference in Kolkata and Uday convinced the Maharaja of Maihar in 1935 to allow Khan to become his group's soloist for a tour of Europe.^[8] Shankar was sporadically trained by Khan on tour, and Khan offered Shankar training to become a serious musician under the condition that he abandon touring and come to Maihar.^[8]

Career[link]

Training and work in India[link]

Shankar's parents had died by the time he returned from the European tour, and touring the West had become difficult due to political conflicts that would lead to World War II.^[9] Shankar gave up his dancing career in 1938 to go to Maihar and study Indian classical music as Khan's pupil, living with his family in the traditional gurukul system.^[6] Khan was a rigorous teacher and Shankar had training on sitar and surbahar, learned ragas and the musical styles dhrupad, dhamar, and khyal, and was taught the techniques of the instruments rudra veena, rubab, and sursingar.^[6][10] He often studied with Khan's children Ali Akbar Khan and Annapurna Devi.^[9] Shankar began to perform publicly on sitar in December 1939 and his debut performance was a jugalbandi (duet) with Ali Akbar Khan, who played the string instrument sarod.^[11]

Shankar completed his training in 1944.^[3] Following his training, he moved to Mumbai and joined the Indian People's Theatre Association, for whom he composed music for ballets in 1945 and 1946.^[3][12] Shankar recomposed the music for the popular song "Sare Jahan Se Achcha" at the age of 25.^[13][14] He began to record music for HMV India and worked as a music director for All India Radio (AIR), New Delhi, from February 1949 to January 1956.^[3] Shankar founded the Indian National Orchestra at AIR and composed for it; his compositions experimented with a combination of Western instruments and classical Indian instrumentation.^[15] Beginning in the mid-1950s he composed the music for the Apu Trilogy by Satyajit Ray, which became internationally acclaimed.^[4][16]

International career 1956–1969[link]

Tabla player Alla Rakha, who was a frequent accompanist of Shankar, in 1988

V. K. Narayana Menon, director of AIR Delhi, introduced the Western violinist Yehudi Menuhin to Shankar during Menuhin's first visit to India in 1952.^[17] Shankar had performed as part of a cultural delegation in the Soviet Union in 1954 and Menuhin invited Shankar in 1955 to perform in New York City for a demonstration of Indian classical music, sponsored by the Ford Foundation.^[18][19] Shankar declined to attend due to problems in his marriage, but recommended Ali Akbar Khan to play instead.^[19] Khan reluctantly accepted and performed with tabla (percussion) player Chatur Lal in the Museum of Modern Art, and he later became the first Indian classical musician to perform on American television and record a full raga performance, for Angel Records.^[20]

Shankar heard about the positive response Khan received and resigned from AIR in 1956 to tour the United Kingdom, Germany, and the United States.^[21] He played for smaller audiences and educated them about Indian music, incorporating ragas from the South Indian Carnatic music in his performances, and recorded his first LP album Three Ragas in London, released in 1956.^[21] In 1958, Shankar participated in the celebrations of the tenth anniversary of the United Nations and UNESCO music festival in Paris.^[12] From 1961, he toured Europe, the United States, and Australia, and became the first Indian to compose music for non-Indian films.^[12] Chatur Lal accompanied Shankar on tabla until 1962, when Alla Rakha assumed the role.^[21] Shankar founded the Kinnara School of Music in Mumbai in 1962.^[22]

Shankar befriended Richard Bock, founder of World Pacific Records, on his first American tour and recorded most of his albums in the 1950s and 1960s for Bock's label.^[21] The Byrds recorded at the same studio and heard Shankar's music, which led them to incorporate some of its elements in theirs, introducing the genre to their friend George Harrison of The Beatles.^[23] Harrison became interested in Indian classical music, bought a sitar and used it to record the song "Norwegian Wood (This Bird Has Flown)".^[24] This led to Indian music being used by other musicians and created the raga rock trend.^[24]

Harrison met Shankar in London in 1966 and visited India for six weeks to study sitar under Shankar in Srinagar.^[14][25][26] During the visit, a documentary film about Shankar named Raga was shot by Howard Worth, and released in 1971.^[27] Shankar's association with Harrison greatly increased Shankar's popularity and Ken Hunt of Allmusic would state that Shankar had become "the most famous Indian musician on the planet" by 1966.^[3][25] In 1967, he performed at the Monterey Pop Festival and won a Grammy Award for Best Chamber Music Performance for West Meets East, a collaboration with Yehudi Menuhin.^[25][28] The same year, the Beatles won the Grammy Award for Album of the Year for Sgt. Pepper's Lonely Hearts Club Band which included "Within You Without You" by Harrison, a song that was influenced by Indian classical music.^[26][28] Shankar opened a Western branch of the Kinnara School of Music in Los Angeles, California, in May 1967, and published an autobiography, My Music, My Life, in 1968.^[12][22] He performed at the Woodstock Festival in August 1969, and found he disliked the venue.^[25] In the 1970s Shankar distanced himself from the hippie movement.^[29]

International career 1970–present[link]

George Harrison, U.S. President Gerald Ford, and Ravi Shankar in the Oval Office in December 1974

In October 1970 Shankar became chair of the department of Indian music of the California Institute of the Arts after previously teaching at the City College of New York, the University of California, Los Angeles, and being guest lecturer at other colleges and universities, including the Ali Akbar College of Music.^[12][30][31] In late 1970, the London Symphony Orchestra invited Shankar to compose a concerto with sitar; Concerto for Sitar and Orchestra was performed with André Previn as conductor and Shankar playing the sitar.^[4][32] Hans Neuhoff of Musik in Geschichte und Gegenwart has criticized the usage of the orchestra in this concert as "amateurish".^[1] George Harrison organized the charity Concert for Bangladesh in August 1971, in which Shankar participated.^[25] Interest in Indian music had decreased in the early 1970s, but the concert album became one of the best-selling recordings featuring it and won Shankar a second Grammy Award.^[28][31]

During the 1970s, Shankar and Harrison worked together again, recording Shankar Family & Friends in 1973 and touring North America the following year to a mixed response after Shankar had toured Europe with the Harrison-sponsored Music Festival from India.^[33] The demanding schedule weakened Shankar, and he suffered a heart attack in Chicago in November 1974, causing him to miss a portion of the tour.^[34] In his absence, Shankar's sister-in-law, singer Lakshmi Shankar, conducted the touring orchestra.^[34] The touring band visited the White House on invitation of John Gardner Ford, son of U.S. President Gerald Ford.^[34] Shankar toured and taught for the remainder of the 1970s and the 1980s and released his second concerto, Raga Mala, conducted by Zubin Mehta, in 1981.^[35][36] Shankar was nominated for an Academy Award for Best Original Music Score for his work on the 1982 movie Gandhi, but lost to John Williams' E.T.^[37] He served as a member of the Rajya Sabha, the upper chamber of the Parliament of India, from 12 May 1986 to 11 May 1992, after being nominated by Indian Prime Minister Rajiv Gandhi.^[14][38] Shankar composed the dance drama Ghanashyam in 1989.^[22] His liberal views on musical cooperation led him to collaboration with contemporary composer Philip Glass, with whom he released an album, Passages, in 1990.^[6]

Shankar underwent an angioplasty in 1992 due to heart problems, after which George Harrison involved himself in several of Shankar's projects.^[39] Because of the positive response to Shankar's 1996 career compilation In Celebration, Shankar wrote a second autobiography, Raga Mala, with Harrison as editor.^[39] He performed in between 25 and 40 concerts every year during the late 1990s.^[6] Shankar taught his daughter Anoushka Shankar to play sitar and in 1997 became a Regent's Lecturer at University of California, San Diego.^[40] In the 2000s, he won a Grammy Award for Best World Music Album for Full Circle: Carnegie Hall 2000 and toured with Anoushka, who released a book about her father, Bapi: Love of My Life, in 2002.^[28][41] Anoushka performed a composition by Shankar for the 2002 Harrison memorial Concert for George and Shankar wrote a third concerto for sitar and orchestra for Anoushka and the Orpheus Chamber Orchestra.^[42][43] In June 2008, Shankar played what was billed as his last European concert,^[29] but his 2011 tour includes dates in the United Kingdom.^[44]

Style and contributions[link]

Shankar plays the raga Madhuvanti at the Shiraz Arts Festival in Iran in the 1970s

Shankar developed a style distinct from that of his contemporaries and incorporated influences from rhythm practices of Carnatic music.^[6] His performances begin with solo alap, jor, and jhala (introduction and performances with pulse and rapid pulse) influenced by the slow and serious dhrupad genre, followed by a section with tabla accompaniment featuring compositions associated with the prevalent khyal style.^[6] Shankar often closes his performances with a piece inspired by the light-classical thumri genre.^[6]

Shankar has been considered one of the top sitar players of the second half of the 20th century.^[1] He popularized performing on the bass octave of the sitar for the alap section and became known for a distinctive playing style in the middle and high registers that uses quick and short deviations of the playing string and his sound creation through stops and strikes on the main playing string.^[1][6] Narayana Menon of The New Grove Dictionary noted Shankar's liking for rhythmic novelties, among them the use of unconventional rhythmic cycles.^[45] Hans Neuhoff of Musik in Geschichte und Gegenwart has argued that Shankar's playing style was not widely adopted and that he was surpassed by other sitar players in the performance of melodic passages.^[1] Shankar's interplay with Alla Rakha improved appreciation for tabla playing in Hindustani classical music.^[1] Shankar promoted the jugalbandi duet concert style and introduced new ragas, including Tilak Shyam, Nat Bhairav and Bairagi.^[6]

Recognition[link]

Shankar won the Silver Bear Extraordinary Prize of the Jury at the 1957 Berlin International Film Festival for composing the music for the movie Kabuliwala.^[46] He was awarded the Sangeet Natak Akademi Award for 1962,^[47] and was named a Fellow of the academy for 1975.^[48] Shankar was awarded the three highest national civil honors of India: Padma Bhushan, in 1967, Padma Vibhushan, in 1981, and Bharat Ratna, in 1999.^[49] He received the music award of the UNESCO International Music Council in 1975, three Grammy Awards, and was nominated for an Academy Award.^[12][28][37] Shankar was awarded honorary degrees from universities in India and the United States.^[12] He received the Kalidas Samman from the Government of Madhya Pradesh for 1987–88, the Fukuoka Asian Culture Prize in 1991, the Ramon Magsaysay Award in 1992, and the Polar Music Prize in 1998.^{[50][51][52][53]} In 2001, Shankar was made an Honorary Knight Commander of the Order of the British Empire by Elizabeth II for his "services to music".^[54] Shankar is an honorary member of the American Academy of Arts and Letters and in 1997 received the Praemium Imperiale for music from the Japan Art Association.^[6] The American jazz saxophonist John Coltrane named his son Ravi Coltrane after Shankar.^[55]

Personal life and family[link]

Shankar in 1988

Shankar married Allauddin Khan's daughter Annapurna Devi in 1941 and a son, Shubhendra Shankar, was born in 1942.^[10] Shankar separated from Devi during the 1940s and had a relationship with Kamala Shastri, a dancer, beginning in the late 1940s.^[56] An affair with Sue Jones, a New York concert producer, led to the birth of Norah Jones in 1979.^[56] In 1981, Anoushka Shankar was born to Shankar and Sukanya Rajan, whom Shankar had known since the 1970s.^[56] After separating from Kamala Shastri in 1981, Shankar lived with Sue Jones until 1986. He married Sukanya Rajan in 1989.^[56]

Shubhendra "Shubho" Shankar often accompanied his father on tours.^[57] He could play the sitar and surbahar, but elected not to pursue a solo career and died in 1992.^[57] Norah Jones became a successful musician in the 2000s, winning eight Grammy Awards in 2003.^[58] Anoushka Shankar was nominated for a Grammy Award for Best World Music Album in 2003.^[58]

Shankar is a Hindu and a vegetarian.^[59][60] He lives with Sukanya in Encinitas, California.^[61]

Discography[link]

Bibliography[link]

• Shankar, Ravi (1968). My Music, My Life. Simon & Schuster. ISBN 0-671-20113-1. 
• Shankar, Ravi (1979). Learning Indian Music: A Systematic Approach. Onomatopoeia. OCLC 21376688. 
• Shankar, Ravi (1997). Raga Mala: The Autobiography of Ravi Shankar. Genesis Publications. ISBN 0-904351-46-7. 

Notes[link]