A quincunx /ˈkwɪn.kəŋks/ is a geometric pattern consisting of five points arranged in a cross, that is five coplanar points, four of them forming a square or rectangle and a fifth at its center. It forms the arrangement of five units in the pattern corresponding to the five-spot on a six-sided die, playing cards, or dominoes.

The quincunx was originally a coin issued by the Roman Republic c. 211–200 BC, whose value was five twelfths (quinque + uncia) of an as, the Roman standard bronze coin. On the Roman quincunx coins, the value was sometimes indicated by a pattern of five dots or pellets. However, these dots were not always arranged in a quincunx pattern.

Quincunx patterns occur in many contexts:

Various literary works use or refer to the quincunx pattern for its symbolic value:

(Agnes) Elisabeth Lutyens, CBE (9 July 1906, London – 14 April 1983, London) was an English composer.

She was one of the five children of architect Sir Edwin Lutyens and his wife Emily, who was profoundly involved in the Theosophical Movement. From 1911 the young Krishnamurti was living in their London house as a friend of Elisabeth and her sisters. At age nine she began to aspire to be a composer, which given the prowess of her father in architecture, and the domineering nature of her mother, allowed her to elude her parents' attempt to live vicariously through their children.^{[citation needed]} In 1922, Lutyens pursued her musical education at the École Normale de Musique in Paris, before accompanying her mother to India in 1923. On her return she studied with John Foulds and subsequently continued her musical education from 1926 to 1930 at the Royal College of Music in London as a pupil of Harold Darke.

Lutyens is credited with bringing Schoenbergian serial technique (albeit her own very personal interpretation of it) to the UK. She disapproved of the 'overblown sound' of Mahler and similar composers, and instead chose to work with sparse textures and develop her own type of serialism; she first used a 12-note series in Chamber Concerto I for 9 instruments (1939), a work that has been compared with Webern's op.24 Concerto, but earlier than this she had been using the techniques of inversion and retrograde fundamental to a serial idiom, and she claimed she had been inspired to this by precedents she found in older British music, especially Purcell.

Luke Abbott is an English electronic music producer from Norfolk, with releases on Output Recordings, Trash Aesthetics and James Holden's Border Community label.

Edward Davis "Ed" Wood, Jr. (October 10, 1924 – December 10, 1978) was an American screenwriter, director, producer, actor, author, and editor, who often performed many of these functions simultaneously. In the 1950s, Wood made a number of low-budget genre films, now notable for their technical errors, unsophisticated special effects, large amounts of ill-fitting stock footage, idiosyncratic dialogue, eccentric casts and outlandish plot elements, although his flair for showmanship gave his projects at least a modicum of critical success.

Wood's popularity waned soon after his biggest name star Bela Lugosi died (in August 1956). He was able to salvage a saleable feature from Lugosi's last moments on film, but his career declined thereafter. Toward the end of his life, Wood made pornographic movies and wrote pulp crime, horror, and sex novels. His infamy began two years after his death, when he was awarded a Golden Turkey Award as Worst Director of All Time. The lack of filmmaking ability in his work has earned Wood and his films a considerable cult following.