- published: 04 Nov 2009
- views: 6378
- author: AmpexDataSystems
2:30
An Overview of Ampex History
A montage of Ampex's amazing history since the company started in 1944. Stuffed with some ...
published: 04 Nov 2009
author: AmpexDataSystems
An Overview of Ampex History
A montage of Ampex's amazing history since the company started in 1944. Stuffed with some fascinating clips of classic Ampex equipment in action.
- published: 04 Nov 2009
- views: 6378
- author: AmpexDataSystems
2:42
Close-up of the Ampex VPR 3 in operation
Close-up of the Ampex VPR-3 videotape recorder. You'll see threading and operation of the ...
published: 01 Jul 2008
author: Charles Park Seward
Close-up of the Ampex VPR 3 in operation
Close-up of the Ampex VPR-3 videotape recorder. You'll see threading and operation of the fastest 1" VTR ever made. If you need a dub from 1", let me know.
- published: 01 Jul 2008
- views: 18121
- author: Charles Park Seward
2:59
Ampex VR-1200B Quad VTR with Merlin mods with audio
The last upload did not include all the audio. Here is another try with different compress...
published: 19 Nov 2008
author: Charles Park Seward
Ampex VR-1200B Quad VTR with Merlin mods with audio
The last upload did not include all the audio. Here is another try with different compression. Ultrafurb Merlin Ampex 1200B. Here is a look at threading and starting playback from many different angles. Then, some segments from local old 70s commercials. If you need a dub from 2" quad, let me now.
- published: 19 Nov 2008
- views: 15468
- author: Charles Park Seward
6:54
AMPEX 8-Track
This documentary lifts the lid off the recording industry. Well alright, maybe it doesn't ...
published: 06 Mar 2010
author: EdMatzenik
AMPEX 8-Track
This documentary lifts the lid off the recording industry. Well alright, maybe it doesn't lift the lid, but Steve Newton does open a few cover plates and show what's inside.
- published: 06 Mar 2010
- views: 15186
- author: EdMatzenik
9:57
Ampex Video Systems (1985) writer/director Stefan Sargent
A year after I left Molinare, I was commissioned to make a promotional video for Ampex. Fo...
published: 01 Jan 2010
author: Stefan Sargent
Ampex Video Systems (1985) writer/director Stefan Sargent
A year after I left Molinare, I was commissioned to make a promotional video for Ampex. For a change I had a decent budget, which accounts for the numerous tracking shots. For the primary shoot I hired John Henshall and his crew. Later I went back and did pickup shots myself. The aggressive library music was chosen by Cameron Shaw, who also did the sound mix. I off-lined the edit on U-Matic to a mixed track. The on-line was performed by Phil Stone at VTR facilities. Voice over is David Tate using his "trans-Atlantic" voice. Computer graphics from Sam Burford using an Ampex Cubicomp system. The red headed guy in the video thumbnail is Stuart English, now in charge of fun at RED cameras. As I wasn't shooting, I keep appearing in shot - notably sitting next to the smoking blonde in the edit suite, the video editor,Martin Stretton, is also smoking. How things have changed. Originally 12 minutes - cut to 10 to meet YouTube requirements. On March 30, 2008, Ampex Corp. filed for Chapter 11 protection.
- published: 01 Jan 2010
- views: 5584
- author: Stefan Sargent
4:56
AMPEX AG-440, AG-440C analog tape recorder
A quick demonstration of my highly configurable Ampex AG-440C. There's only one other vide...
published: 23 Jan 2011
author: wado1942
AMPEX AG-440, AG-440C analog tape recorder
A quick demonstration of my highly configurable Ampex AG-440C. There's only one other video I've seen on this series so I thought I'd post one as well. Sorry for the poor audio. I threw this together very quickly. About the music. It's called "Destination" and is a part of a new project on which I'm working with a friend. Guitar is an SG run through a Vox AC-15. Drums are recorded with an overhead, large diaphragm condenser and a large diaphragm dynamic in front. It was recorded live with the guitar to a single track. Bass is a J-bass through a Kustom 250 and Ampeg SVT 15" cab with large diaphragm dynamic mic in front. There's also a Hammond M3 on a separate track, which can't really be heard here. Vocals are not yet recorded.
- published: 23 Jan 2011
- views: 9203
- author: wado1942
7:02
Ampex MM-1000
I took this video footage of my MM-1000 after I took it out to rebuild the power supply. L...
published: 25 Dec 2010
author: alcorepresents
Ampex MM-1000
I took this video footage of my MM-1000 after I took it out to rebuild the power supply. Listen to those relays. Watch those reels spin round. Ahhh, you can almost smell that distinct odor of a warm Ampex! Enjoy.
- published: 25 Dec 2010
- views: 2988
- author: alcorepresents
1:23
Ampex Quadruplex video tape machine on air
Seqence showing VT4 at Central TV Birmingham playing opening of Central news Early 1982...
published: 11 May 2007
author: SteveTeague
Ampex Quadruplex video tape machine on air
Seqence showing VT4 at Central TV Birmingham playing opening of Central news Early 1982
- published: 11 May 2007
- views: 12521
- author: SteveTeague
4:58
AMPEX 601
Ampex 601 reel to reel suitcase 1/4inch tape recorder with tube pre amp...
published: 02 Mar 2009
author: thermionicman1964
AMPEX 601
Ampex 601 reel to reel suitcase 1/4inch tape recorder with tube pre amp
- published: 02 Mar 2009
- views: 3164
- author: thermionicman1964
10:04
Ampex D-2 VPR-300 demo tape
Ampex demo of their "new" D-2 format VTR, the VPR-300. Interviews with industry leaders wh...
published: 09 Mar 2009
author: Charles Park Seward
Ampex D-2 VPR-300 demo tape
Ampex demo of their "new" D-2 format VTR, the VPR-300. Interviews with industry leaders who have adopted this format talk about its strengths. D-2 was a great leap forward in video quality. Much better pictures than 1" Type "C", which was the current leading broadcast format at the time. It offered "read before write" or "pre-read" where you could insert over material already recorded on tape. It offered simultaneous playback and recording on the same VTR. D-2 was introduced in 1988. D-2 used 19 mm (¾ inch) metal particle tape. Need a dub from D-2 or D-3? Contact me.
- published: 09 Mar 2009
- views: 5250
- author: Charles Park Seward
17:09
Universal Audio UAD Ampex ATR-102 - Extended Video Review
Russ gets his hands on the UAD Ampex ATR-102 tape emulation and puts it through its paces ...
published: 03 Jun 2012
author: airusersblog
Universal Audio UAD Ampex ATR-102 - Extended Video Review
Russ gets his hands on the UAD Ampex ATR-102 tape emulation and puts it through its paces in this extended video. He takes a novel approach and looks at the effect it can have on different instruments rather than just as a mix-buss process. Find out more and get top Pro Tools and recording tips and tricks at www.pro-tools-expert.com
- published: 03 Jun 2012
- views: 11459
- author: airusersblog
3:15
Ampex AG-440 8-track 1inch tape recorder
One of the first big studio recorders. This one was purchased new in 1973 by Don Cedarstro...
published: 27 Nov 2007
author: Nathaniel Scott
Ampex AG-440 8-track 1inch tape recorder
One of the first big studio recorders. This one was purchased new in 1973 by Don Cedarstrom of Custom Recording and Sound in Boise Idaho. Don, incidentally, did some of the early recording for Paul Revere and the Raiders in Boise in the 60s. I purchased the recorder from Don in 1997. It is a great deck but in the late 90s personal computers became powerful enough to start being considered as a recording platform, so I have only used this great old deck on a few projects. I also show a owners manual and a first edition copy of Runstein's Modern Recording Techniques which features this recorder, among other, and is a great resource for professional recording, and was first printed in 1974. An interesting note about that edition of the book is that in the section covering noise reduction Runstein discuses what was then a new noise reduction technology, that is, digital recording. It is a great historical look at the foundational causes of why digital audio supplanted analogue. To see and even older recorder check this out: youtube.com
- published: 27 Nov 2007
- views: 28478
- author: Nathaniel Scott
Vimeo results:
7:47
BLONDES - HATER
music by BLONDES
off LOVER/HATER 12" (RVNG Intl.)
http://soundcloud.com/blondes
video by...
published: 09 Apr 2011
author: PHIL LOGAN
BLONDES - HATER
music by BLONDES
off LOVER/HATER 12" (RVNG Intl.)
http://soundcloud.com/blondes
video by PHIL LOGAN
analog video synthesis
OEI + Arp 2600 + Ampex ADO
29:34
Acid Jazz with Gilles Peterson. feat. Brand New Heavies - Mark "Snowboy" Cotgrove - Steve Williamson and Bukky Leo at Dingwalls.
OK, Found in my archive recently, I just had to post this one - its 30 minutes long and 21...
published: 20 Aug 2011
author: Paul TV
Acid Jazz with Gilles Peterson. feat. Brand New Heavies - Mark "Snowboy" Cotgrove - Steve Williamson and Bukky Leo at Dingwalls.
OK, Found in my archive recently, I just had to post this one - its 30 minutes long and 21 years old.
I and my friends/colleagues/workforce/mates whatever we were in those Inphase Production Co. days, made this in our spare time, out of interest and...because we could, being self motivated and autonomous.
Much of it was "driven" by Tony "Crash" Williams who worked for us as a runner/tape opp at the time. He was responsible for the interviews, the dancers and much else besides, I on the other hand filmed the "Snowboy" session and edited the whole thing together. Simon Garton, my erstwhile business partner edited the Mission Impossible track to shots from Paris c/o Leo Sanchez - wonder where you are these days Leo?
All performances were filmed at Dingwalls in Camden Town, sadly long gone - seeing people smoking in the bar, dancing, listening to Jazz, drinking - yea man - we all too clean and boring these days.
I make no excuses for the editing, its the music that counts, but only ever having a single camera to record with, limits the visual experience, but hey, a bit of slo-mo patches it all up, and a few mad effects thrown in too!
I can't believe the 80's titles Ha ha! great.
I remember shooting the title sequence sax material on the studio roof in Waterloo one Saturday morning -
For those who are interested: Production gear was: Sony DXC 3000 camera (early Chip cam) into a BVU110P high band VTR. Sound recorded off the desk and ambience seperately to a Hi8 digital audio recorder.
Post produced at Inphase using Ampex VPR6 VT's an Ampex ACE Edit controller through a 5 bus Ampex Vision Mixer - Some of the strange chroma effects in the fan at the beginning come from an Abekas A72 caption generator.
I hope you all enjoy this, it's really a valuable time-slice from an exciting musical period in London, and one of the earliest surviving pieces of my work too -
I'm making a digitally cleaned DVD available to those who are interested - contact me at info@whitewatermedia.net for details
Pauli B.
2:38
Jerry McCain and his Upstart - That's What They Want (Excello 2068)
fliped with ''Courtin' In A Cadillac'' issued on Excello Records in 1956.
Jerry McCain, B...
published: 28 Mar 2009
author: boogaludo
Jerry McCain and his Upstart - That's What They Want (Excello 2068)
fliped with ''Courtin' In A Cadillac'' issued on Excello Records in 1956.
Jerry McCain, Born 19 June 1930, Gadsden, Alabama
Biography
Jerry McCain was born on June 19, 1930 in Gadsden (Etowah County), Alabama - the same place where he's still located. He even lives in the same house that he built with his father in 1950. In all probability it's the father who originated Jerry's musical awakening as well, by running his own local barbeque joint (called Green Front Cafe), and spinning there the hottest blues and r'n'b records on the jukebox. There were also a few other influential relatives: Jerry had two harmonica playing uncles and his mother played the guitar. Jerry, who was the youngest of five children, had been playing harmonica since the age of five. As a teenager he tried also with guitar, drums, jew's harp and even trumpet, until finding the crucial inspiration from artists such as Sonny Boy Williamson I, and gradually becoming a full-bodied harpist. Sonny Boy Williamson II (a.k.a. Rice Miller) also had a notable effect on him both technically and mentally - since the two had been introduced to each other during McCain's first recording session for Trumpet in 1953. Over the years, Jerry became mainly influenced by the music of Little Walter Jacobs, and in fact, again sometime in 1953, when the last mentioned was performing in Gadsden, Jerry also had a chance to become friends and even join Walter on stage for a couple of numbers. Before making any recordings, Jerry used to perform at the radio station WETO with only a jug to accompany him. His first band was founded in the early 1950's. Jerry McCain & his Trio consisted of Jerry himself on vocals and harp, Christopher Collins on guitar, and Jerry's older brothers Roosevelt and Walter, who both played drums alternately. Before the brothers came into the picture, Jerry used to know a drummer named Jean Dozier who played marching type drums, which of course didn't match McCain's style that well. It was obvious that sooner or later the young musicians also wanted to make a record. They managed to find a cheap recording machine somewhere from Alabama, and cut their own acetate version of Little Walter's "Crazy 'Bout You, Baby" which was sent to the head of Trumpet Records, Mrs. Lillian S. McMurray. She liked the song so much that she invited Jerry and the band to Jackson, MS. The first studio session at the State Furniture Co. on October 10, 1953 was strengthened by the Trumpet session men David Campbell on piano, Herman Fowlkes on bass, and Bernard "Bunny" Williams, who played the second solo instrument, tenor saxophone - a quite surprising but effective choice for the harmonica blues recordings. The captured songs were "East Of The Sun", "Wine-O-Wine", "Oh Wee Baby", and "Feel Just Like I'm In Love". The first two came out on Trumpet 217, the others are still unissued. This debut single was a regional hit (sold 2.500 copies), and Lillian gave Jerry another chance. The second and the last Trumpet session was arranged at Diamond Recording Studios, Jackson, MS on November 4, 1954. The brothers Roosevelt and Walter didn't attend this time. Collins however did, along with another guitarist J.V. Turner who had worked previously with Sonny Boy Williamson among others. Other musicians at the studio were David Campbell (pno), Raz Roseby (bs) and Junior Blackman (dms). From the five songs they cut, "Stay Out Of Automobiles" and "Love To Make Up" ended up to Trumpet 231. McMurray had bad financial troubles, and only 750 copies were pressed. Soon afterwards the Trumpet company closed its doors, and the rest of the tracks, "Middle Of The Night", "Crazy 'Bout That Mess" and "Fall Guy", remained unissued until the early 1990's. At some point in the mid-1950's Jerry and the band (Chris Collins:gtr, Robert Christian:gtr, Roosevelt McCain:dms) did an 11-song demo session in the living room of Jerry's Gadsden home using only one microphone and 1-track recorder (first issued on the White Label LP "Choo Choo Rock" in 1979). When Nashville record boss Ernie Young heard these wild rock'n'roll tapes, it didn't take long before Jerry found himself working for Excello Records. The forthcoming recordings were made mostly at the 3rd Street's Nashboro studios, and Young usually was in charge of engineering. The background group (The Upstarts) changed slightly with every session but the main players were always Collins and Christian on guitars, Ed "Skippy" Brooks on piano and Roosevelt McCain or Jimmy Sheffield on drums. The first Excello single (#2068) was released in 1955. The A-side "That's What They Want" represented Mannish Boy/I'm A Man-style slow downhome blues, while its flip, "Courtin' In A Cadillac" was already straight rock'n'roll. By 1957 this platter was followed by five more high-quality 45rpm records containing some highly enjoyable uptempo rockers such as "My Next Door Neighbor", "The Jig's Up" and "Run, Uncle John, Run!" which was Jerry's answer to Little Richard
3:49
Master Wave
Digital Preservation PSA created by Tellina Liu and Madison Stubblefield at the University...
published: 22 Apr 2012
author: ampex187
Master Wave
Digital Preservation PSA created by Tellina Liu and Madison Stubblefield at the University of Pittsburgh School of Information Science (Archives, Preservation, and Records Management Specialization)
Youtube results:
2:19
Ampex ADO Digi-Trail Effects
Special effects you can do with the target framestore option of the Ampex Digital Optics....
published: 30 Mar 2009
author: Charles Park Seward
Ampex ADO Digi-Trail Effects
Special effects you can do with the target framestore option of the Ampex Digital Optics.
- published: 30 Mar 2009
- views: 1783
- author: Charles Park Seward
1:16
Ampex VPR 3
A short demo of the speed and power of the fastest 1" video recorder ever made. Sit back a...
published: 23 Mar 2008
author: Charles Park Seward
Ampex VPR 3
A short demo of the speed and power of the fastest 1" video recorder ever made. Sit back and keep your hands away from the spinning reels! If you need a dub from 1", let me know. See also www.youtube.com
- published: 23 Mar 2008
- views: 12406
- author: Charles Park Seward
5:17
AMPEX VPR3 Working video recorder one inch C format
My working AMPEX VPR3. Some waveforms like RF ENVELOPE, CONTROL TRACK, AST SERVO signals a...
published: 13 Aug 2009
author: Zdenek Houska
AMPEX VPR3 Working video recorder one inch C format
My working AMPEX VPR3. Some waveforms like RF ENVELOPE, CONTROL TRACK, AST SERVO signals and also details of air system can be seen in this video.
- published: 13 Aug 2009
- views: 12430
- author: Zdenek Houska
4:46
Ampex ATR-102 Plug-In on drums
1080p fullscreen recommended - thumbUP if you like ;-) HQ-Version: vimeo.com There is a la...
published: 10 Sep 2011
author: Andreas Neubert
Ampex ATR-102 Plug-In on drums
1080p fullscreen recommended - thumbUP if you like ;-) HQ-Version: vimeo.com There is a lack of transients in UA's official Ampex ATR-102 trailer, so I´ve quickly compiled this video including audio material with lots of peaks to be rounded out. Please keep in mind that this is just zapping through presets, most of which where created for mixing and not for mastering and have not been finetuned to suit this actual mix. Only the very first setting "Default +3dB" was edited to fit the music - the other settings are just to show off, in what directions the emulation could change your music. I had no time to include closed captions, so please view fullscreen in 1080p or at least 720p to see what´s going on!
- published: 10 Sep 2011
- views: 16808
- author: Andreas Neubert