- published: 11 Apr 2016
- views: 4985
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From a BBC documentary on Sir Adrian Boult (1889-1983).
I am an ardent admirer of Boult's interpretations.
Peter Heyworth wrote in The Observer: "From Arthur Nikisch he had early acquired an immaculate stick technique and was quietly scathing about conductors who used their anatomy to indicate their artistic requirements. [...] In an occupation ridden with inflated egos and circus tricksters Boult brought a rare probity to everything he undertook."
It is interesting that when one observes his conducting style, from the outside there is always calmness, elegance, self-control and economy of movement and gesture, but with this style he often achieved great results with the orchestra characterized by a warm, refined, living sound, full of expression and fire. Behind every work he conducted there was immense knowledge and thoroughness.
I think these principles also hold true for many of the truly great pianists of the past.
Violin Concerto in D Major op 61
by Ludwig van Beethoven
1. Allegro ma non troppo
2. Larghetto
3. Rondo.Allegro
David Oistrakh, Violin
London Symphony Orchestra
Sir Adrian Boult, Conductor
1968
- published: 07 Dec 2016
- views: 421
Excerpts from Sir Adrian Boult conducting the London Philharmonic Orchestra – with Rodney Friend as leader – and the London Philharmonic Choir, recorded in Canterbury Cathedral on the 27th and 28th March 1968 by the BBC.
One of the first classical music performances to be filmed in colour, it will be screened ahead of the last ever concert in the Adrian Boult Hall, Birmingham Conservatoire on Sunday 26 June.
Birmingham Conservatoire, part of Birmingham City University, is now preparing to move to its new £56 million home in the Eastside region of the City, currently under construction and due to open in 2017.
The full 1968 recording of ‘The Dream of Gerontius’ will receive a long-awaited double-DVD release in October this year by ICA Classics who are currently cleaning, restoring and digitally remastering the original recording, shown here.
More information: www.bcu.ac.uk/news-events/news/sir-adrian-boult
- published: 22 Jun 2016
- views: 2689
This early recording of The Planets from 1954 is offered in stereo 3D for the first time. Restored to its full fidelity, it is truly a gem. Originally released in the UK as Pye Nixa 903, its last release in the US was on the Everest label in the early 1980s. No other conductor had as direct an impact on this score and its development as Sir Adrian Boult. A contemporary of England's most important composers of the 20th Century, his performances of their music is legendary.
Although Boult recorded The Planets six times, this is his first high fidelity outing, giving us one of the earliest versions of what the piece would ultimately become in his hands. The 1978-79 recording for EMI is his last, regarded by many to be the best recorded performance available, representing the peak of analogue recording, it was the first time that the technology was really able to keep up with his dynamic requirements. It also ranks among the best sounding recordings ever made in the history of sound recording. The present recording gives a first look at what Boult's interpretations of "The Planets" would develop into over the years. Already, the great British conductor was pushing the limits of early high fidelity recording.
There was never any such thing as a pristine pressing from Everest Records. Even when pulled fresh out of the shrink wrap, they already sounded like worn-out LPs. Although the Everest pressing was noisy and difficult to work with, it was still possible to clean up the signal and get reasonable fidelity after removing the faux stereo sound and restoring time align. No filtering or EQ was used to cover surface noise, this was achieved using the natural phase characteristic of the playing surface itself. (Mastering Hint: NEVER transfer anything from a record in mono!) The high frequency in the last four movements on side two are somewhat degraded, (Remember, this is from an Everest pressing!), no effort was made to correct this as it would have involved using equalization, and compromised time align.
The present recording was mastered at 48kHz/32-bit floating point digital audio from 4 tracks using the RS3D type I formula.
What is RS3D?
Close your eyes. Can you see the orchestra in the space in front of you? You're listening to RS3D, which uses the physics of the original recording microphone to recapture the moment, no matter how far back in time that is. There is no reverb or convolution, everything you hear is original acoustics. This is what the recording microphones actually picked up.
- published: 29 Feb 2016
- views: 1096
Vernon Handley in conversation with Richard R. Adams. (Abergavenny, Wales - November 2001) The great British maestro discusses his first meeting with Sir Adrian Boult and the relationship that followed. Some of what he has to say about Boult is quite surprising.
- published: 11 Nov 2015
- views: 950
Sir Adrian Boult
VAUGHAN WILLIAMS
Symphony No.8
Job: A Masque for Dancing
London Philharmonic Orchestra
ROYAL FESTIVAL HALL, LONDON, 12 OCTOBER 1972
Master of the baton and one of Britain's leading conductors, Sir Adrian Boult was renowned for his interpretations of English works, in particular music by Ralph Vaughan Williams, who was said to be 'totally in favour of Sir Adrian's approach to his music' (John Culshaw). Job: A Masque for Dancing was dedicated to Sir Adrian, a fitting conductor for this magnificent Centenary celebration.
The ICA Classics Legacy series presents a collection of historic performances by some of the world's greatest artists. These performances are released on DVD for the first time, incorporating rare archive footage that has been expertly and lovingly restored.
Catalogue Number: ICAD 5037
http://www.icartists.co.uk/classics/catalog/dvds/sir-adrian-boult
- published: 27 Jul 2011
- views: 14203
Norfolk Rhapsody for orchestra No. 1 in E minor
by Ralph Vaughan Williams
New Philharmonia Orchestra
Adrian Boult
- published: 29 Jul 2015
- views: 1545
Benjamin Britten (after Rossini) : Soirées Musicales Op. 9 : March (1936) 00:00-01:25
Gustav Holst orch. Gordon Jacob : Suite No. 1 Op. 28 No. 1: March (1911 orch. 1945) 01:25-04:25
Percy Grainger : Over The Hills And Far Away (Children's March) (ca. 1919) 04:25-08:20
William Walton arr. Muir Mathieson : Hamlet, Funeral March (1947) 08:20-13:15
Herbert Howells : Procession (1922) 13:15-17:55
Ralph Vaughan Williams : The Wasps: March Past Of The Kitchen Untensils (1909 rev. 1912) 17:55-21:00
Frederick Delius : Marche Caprice (1890) 21:00-24:25
Charles Stanford : Becket: Funeral March 'The Martyrdom' Op. 48 (1893) 24:25-31:10
Hubert Parry : The Birds: Bridal March (1883) 31:10-36:35
Eric Coates : March 'The Dam Busters' (1954) 36:35-40:40
Performed by the London Philharmonic Orchestra and New Philharmonia Orchestra conducted by Sir Adrian Boult.
- published: 15 Mar 2017
- views: 144
Mars - the Bringer of War.
Gustav Holst's Planet Suite was premiered towards the end of WW1 & aptly this evocative performance was made in early 1945 by Sir Adrian Boult & his impressive BBC Symphony Orchestra with a fine recording to match.
- published: 21 Aug 2012
- views: 2749
Adrian Boult
Sir Adrian Cedric Boult, CH (/boʊlt/; 8 April 1889 – 22 February 1983) was an English conductor. Brought up in a prosperous mercantile family, he followed musical studies in England and at Leipzig, Germany, with early conducting work in London for the Royal Opera House and Sergei Diaghilev's ballet company. His first prominent post was conductor of the City of Birmingham Orchestra in 1924. When the British Broadcasting Corporation appointed him director of music in 1930, he established the BBC Symphony Orchestra and became its chief conductor. The orchestra set standards of excellence that were rivalled in Britain only by the London Philharmonic Orchestra (LPO), founded two years later.
Forced to leave the BBC in 1950 on reaching retirement age, Boult took on the chief conductorship of the LPO. The orchestra had declined from its peak of the 1930s, but under his guidance its fortunes were revived. He retired as its chief conductor in 1957, and later accepted the post of president. Although in the latter part of his career he worked with other orchestras, including the London Symphony Orchestra, the Philharmonia Orchestra, the Royal Philharmonic Orchestra, and his former orchestra, the BBC Symphony, it was the LPO with which he was primarily associated, conducting it in concerts and recordings until 1978, in what was widely called his "Indian Summer".
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Adrian_Boult
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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4:33Sir Adrian Boult explains his conducting technique (video)
Sir Adrian Boult explains his conducting technique (video)Sir Adrian Boult explains his conducting technique (video)
From a BBC documentary on Sir Adrian Boult (1889-1983). I am an ardent admirer of Boult's interpretations. Peter Heyworth wrote in The Observer: "From Arthur Nikisch he had early acquired an immaculate stick technique and was quietly scathing about conductors who used their anatomy to indicate their artistic requirements. [...] In an occupation ridden with inflated egos and circus tricksters Boult brought a rare probity to everything he undertook." It is interesting that when one observes his conducting style, from the outside there is always calmness, elegance, self-control and economy of movement and gesture, but with this style he often achieved great results with the orchestra characterized by a warm, refined, living sound, full of expression and fire. Behind every work he conducted there was immense knowledge and thoroughness. I think these principles also hold true for many of the truly great pianists of the past. -
45:03Beethoven "Violin Concerto" David Oistrakh/Sir Adrian Boult
Beethoven "Violin Concerto" David Oistrakh/Sir Adrian BoultBeethoven "Violin Concerto" David Oistrakh/Sir Adrian Boult
Violin Concerto in D Major op 61 by Ludwig van Beethoven 1. Allegro ma non troppo 2. Larghetto 3. Rondo.Allegro David Oistrakh, Violin London Symphony Orchestra Sir Adrian Boult, Conductor 1968 -
2:04Sir Adrian Boult conducts Sir Edward Elgar's ‘The Dream of Gerontius’ (1968)
Sir Adrian Boult conducts Sir Edward Elgar's ‘The Dream of Gerontius’ (1968)Sir Adrian Boult conducts Sir Edward Elgar's ‘The Dream of Gerontius’ (1968)
Excerpts from Sir Adrian Boult conducting the London Philharmonic Orchestra – with Rodney Friend as leader – and the London Philharmonic Choir, recorded in Canterbury Cathedral on the 27th and 28th March 1968 by the BBC. One of the first classical music performances to be filmed in colour, it will be screened ahead of the last ever concert in the Adrian Boult Hall, Birmingham Conservatoire on Sunday 26 June. Birmingham Conservatoire, part of Birmingham City University, is now preparing to move to its new £56 million home in the Eastside region of the City, currently under construction and due to open in 2017. The full 1968 recording of ‘The Dream of Gerontius’ will receive a long-awaited double-DVD release in October this year by ICA Classics who are currently cleaning, restoring and digitally remastering the original recording, shown here. More information: www.bcu.ac.uk/news-events/news/sir-adrian-boult -
48:26Holst: The Planets Sir Adrian Boult/LPO (1954) RS3D
Holst: The Planets Sir Adrian Boult/LPO (1954) RS3DHolst: The Planets Sir Adrian Boult/LPO (1954) RS3D
This early recording of The Planets from 1954 is offered in stereo 3D for the first time. Restored to its full fidelity, it is truly a gem. Originally released in the UK as Pye Nixa 903, its last release in the US was on the Everest label in the early 1980s. No other conductor had as direct an impact on this score and its development as Sir Adrian Boult. A contemporary of England's most important composers of the 20th Century, his performances of their music is legendary. Although Boult recorded The Planets six times, this is his first high fidelity outing, giving us one of the earliest versions of what the piece would ultimately become in his hands. The 1978-79 recording for EMI is his last, regarded by many to be the best recorded performance available, representing the peak of analogue recording, it was the first time that the technology was really able to keep up with his dynamic requirements. It also ranks among the best sounding recordings ever made in the history of sound recording. The present recording gives a first look at what Boult's interpretations of "The Planets" would develop into over the years. Already, the great British conductor was pushing the limits of early high fidelity recording. There was never any such thing as a pristine pressing from Everest Records. Even when pulled fresh out of the shrink wrap, they already sounded like worn-out LPs. Although the Everest pressing was noisy and difficult to work with, it was still possible to clean up the signal and get reasonable fidelity after removing the faux stereo sound and restoring time align. No filtering or EQ was used to cover surface noise, this was achieved using the natural phase characteristic of the playing surface itself. (Mastering Hint: NEVER transfer anything from a record in mono!) The high frequency in the last four movements on side two are somewhat degraded, (Remember, this is from an Everest pressing!), no effort was made to correct this as it would have involved using equalization, and compromised time align. The present recording was mastered at 48kHz/32-bit floating point digital audio from 4 tracks using the RS3D type I formula. What is RS3D? Close your eyes. Can you see the orchestra in the space in front of you? You're listening to RS3D, which uses the physics of the original recording microphone to recapture the moment, no matter how far back in time that is. There is no reverb or convolution, everything you hear is original acoustics. This is what the recording microphones actually picked up. -
2:49Land of Hope and Glory, sir Adrian Boult & BBC Symphony Orchestra 1932
Land of Hope and Glory, sir Adrian Boult & BBC Symphony Orchestra 1932Land of Hope and Glory, sir Adrian Boult & BBC Symphony Orchestra 1932
at Queens Hall -
9:57Vernon Handley discusses Sir Adrian Boult
Vernon Handley discusses Sir Adrian BoultVernon Handley discusses Sir Adrian Boult
Vernon Handley in conversation with Richard R. Adams. (Abergavenny, Wales - November 2001) The great British maestro discusses his first meeting with Sir Adrian Boult and the relationship that followed. Some of what he has to say about Boult is quite surprising. -
2:55Sir Adrian Boult - Vaughan Williams: Symphony No.8 | ICA Classics DVD
Sir Adrian Boult - Vaughan Williams: Symphony No.8 | ICA Classics DVDSir Adrian Boult - Vaughan Williams: Symphony No.8 | ICA Classics DVD
Sir Adrian Boult VAUGHAN WILLIAMS Symphony No.8 Job: A Masque for Dancing London Philharmonic Orchestra ROYAL FESTIVAL HALL, LONDON, 12 OCTOBER 1972 Master of the baton and one of Britain's leading conductors, Sir Adrian Boult was renowned for his interpretations of English works, in particular music by Ralph Vaughan Williams, who was said to be 'totally in favour of Sir Adrian's approach to his music' (John Culshaw). Job: A Masque for Dancing was dedicated to Sir Adrian, a fitting conductor for this magnificent Centenary celebration. The ICA Classics Legacy series presents a collection of historic performances by some of the world's greatest artists. These performances are released on DVD for the first time, incorporating rare archive footage that has been expertly and lovingly restored. Catalogue Number: ICAD 5037 http://www.icartists.co.uk/classics/catalog/dvds/sir-adrian-boult -
10:41Vaughan Williams "Norfolk Rhapsody" Sir Adrian Boult
Vaughan Williams "Norfolk Rhapsody" Sir Adrian BoultVaughan Williams "Norfolk Rhapsody" Sir Adrian Boult
Norfolk Rhapsody for orchestra No. 1 in E minor by Ralph Vaughan Williams New Philharmonia Orchestra Adrian Boult -
40:46Sir Adrian Boult conducts Marches (originally on Lyrita LP SRCS 95)
Sir Adrian Boult conducts Marches (originally on Lyrita LP SRCS 95)Sir Adrian Boult conducts Marches (originally on Lyrita LP SRCS 95)
Benjamin Britten (after Rossini) : Soirées Musicales Op. 9 : March (1936) 00:00-01:25 Gustav Holst orch. Gordon Jacob : Suite No. 1 Op. 28 No. 1: March (1911 orch. 1945) 01:25-04:25 Percy Grainger : Over The Hills And Far Away (Children's March) (ca. 1919) 04:25-08:20 William Walton arr. Muir Mathieson : Hamlet, Funeral March (1947) 08:20-13:15 Herbert Howells : Procession (1922) 13:15-17:55 Ralph Vaughan Williams : The Wasps: March Past Of The Kitchen Untensils (1909 rev. 1912) 17:55-21:00 Frederick Delius : Marche Caprice (1890) 21:00-24:25 Charles Stanford : Becket: Funeral March 'The Martyrdom' Op. 48 (1893) 24:25-31:10 Hubert Parry : The Birds: Bridal March (1883) 31:10-36:35 Eric Coates : March 'The Dam Busters' (1954) 36:35-40:40 Performed by the London Philharmonic Orchestra and New Philharmonia Orchestra conducted by Sir Adrian Boult. -
7:343) SIR ADRIAN BOULT & The 'PLANETS' Suite - 'MARS' BY Gustav Holst.wmv
3) SIR ADRIAN BOULT & The 'PLANETS' Suite - 'MARS' BY Gustav Holst.wmv3) SIR ADRIAN BOULT & The 'PLANETS' Suite - 'MARS' BY Gustav Holst.wmv
Mars - the Bringer of War. Gustav Holst's Planet Suite was premiered towards the end of WW1 & aptly this evocative performance was made in early 1945 by Sir Adrian Boult & his impressive BBC Symphony Orchestra with a fine recording to match.
Sir Adrian Boult
ALBUMS
- Holst: The Planets / Elgar: 'Enigma' Variations released: 2012
- Piano Concertos nos. 1 & 3 released: 2011
- The Nine Symphonies released: 2011
- Cello Concerto / Cello Sonata / Prelude released: 2009
- Symphonies 1 & 2 released: 2007
- The Lark Ascending / Fantasia on a Theme by Thomas Tallis released: 2005
- Rachmaninov: Symphony no. 3 / Vaughan Williams: Symphony no. 8 released: 2001
- Brahms: Piano Concerto no. 2 / Schumann: Kinderszenen released: 2001
- Symphony no. 2 in E-flat / Cockaigne Overture released: 2001
- Symphony no. 1 in A-flat / Serenade for Strings / Chanson de nuit / Chanson de matin released: 2001
- Schubert: Symphony no. 8 / Ravel: Daphnis et Chloé Suite no. 2 / Sibelius: Symphony no. 7 released: 2000
- The Complete Symphonies / Orchestral Works released: 2000
- Four Symphonies released: 1999
- Orchestral Works released: 1999
- Piano Concerto No. 2 / Rhapsody on a Theme of Paganini / Variations on a Nursery Theme released: 1997
- Overtures and Preludes released: 1995
- A Sea Symphony released: 1994
- Ralph Vaughan-Williams: Job, A Masque for Dancing / The Wasps / Malcolm Arnold: Four Scottish Dances released: 1994
- On Wenlock Edge / Job: A Masque for Dancing released: 1992
- Greensleeves Fantasia / The Lark Ascending / Serenade to Music / Tallis Fantasia released: 1992
- A Sea Symphony released: 1991
- Enigma Variations released: 1991
- Concert Favorites released: 1991
- A Pastoral Symphony / Symphony no. 5 released: 1991
- Enigma Variations / Pomp & Circumstance Marches 1-5 released: 1991
- Serenade to Music / The Lark Ascending / Fantasia on Greensleeves / English Folk Song Suite / In the Fen Country / Norfolk Rhapsody no. 1 released: 1991
- Symphony no. 4 / Symphony no. 6 released: 1991
- Flos Campi / An Oxford Elegy / Magnificat / Fantasia on the old 104th released: 1989
- British Composers: Holst: The Planets / The Perfect Fool (Ballet Music) / Egdon Heath released: 1988
- The Planets released: 1979
- Sir Adrian Boult Conducts Marches released: 1978
- A London Symphony released: 1971
- Messiah, Arias and Choruses released: 1963
- The Planets released: 1956
- Violin Concerto / Romances nos. 1 & 2 released:
- Artur Schnabel Plays Bach & Brahms released:
- Boult’s Planets released:
- Holst: The Planets / Vaughan Williams: Serenade to Music released:
- A Portrait of Sir Adrian Boult released:
- The Symphony: Beethoven No. 6 / Brahms No. 2 released:
- Bach-Handel Recital released:
- A London Symphony / Fantasia on a Theme by Thomas Tallis released:
Holst: The Planets / Elgar: 'Enigma' Variations
Released 2012- add to main playlist Play in Full Screen Variations on an Original Theme, op. 36 "Enigma": Theme: Andante
- add to main playlist Play in Full Screen Variations on an Original Theme, op. 36 "Enigma": I. C.A.E. (The composer's wife): L'istesso tempo
- add to main playlist Play in Full Screen Variations on an Original Theme, op. 36 "Enigma": II. H.D.S-P. (Hew David Steuart-Powell): Allegro
- add to main playlist Play in Full Screen Variations on an Original Theme, op. 36 "Enigma": III. R.B.T. (Richard Baxter Townshend): Allegretto
- add to main playlist Play in Full Screen Variations on an Original Theme, op. 36 "Enigma": IV. W.M.B. (William Meath Baker): Allegro di molto
- add to main playlist Play in Full Screen Variations on an Original Theme, op. 36 "Enigma": V. R.P.A. (Richard Penrose Arnold): Moderato
- add to main playlist Play in Full Screen Variations on an Original Theme, op. 36 "Enigma": VI. Ysobel (Isabel Fitton): Andantino
- add to main playlist Play in Full Screen Variations on an Original Theme, op. 36 "Enigma": VII. Troyte (Arthur Troyte Griffith): Presto
- add to main playlist Play in Full Screen Variations on an Original Theme, op. 36 "Enigma": VIII. W.N. (Winifred Norbury): Allegretto
- add to main playlist Play in Full Screen Variations on an Original Theme, op. 36 "Enigma": IX. Nimrod (August Johannes Jaeger): Adagio
- add to main playlist Play in Full Screen Variations on an Original Theme, op. 36 "Enigma": X. Intermezzo: Dorabella (Dora Penny): Allegretto
- add to main playlist Play in Full Screen Variations on an Original Theme, op. 36 "Enigma": XI. G.R.S. (George Robertson Sinclair): Allegro di molto
- add to main playlist Play in Full Screen Variations on an Original Theme, op. 36 "Enigma": XII. B.G.N. (Basil G. Nevinson): Andante
- add to main playlist Play in Full Screen Variations on an Original Theme, op. 36 "Enigma": XIII. Romanza: *** [Lady Mary Lygon]: Moderato
- add to main playlist Play in Full Screen Variations on an Original Theme, op. 36 "Enigma": XIV. Finale: E.D.U. (The composer): Allegro
- add to main playlist Play in Full Screen The Planets, op. 32: I. Mars, the Bringer of War: Allegro
- add to main playlist Play in Full Screen The Planets, op. 32: II. Venus, the Bringer of Peace: Adagio
- add to main playlist Play in Full Screen The Planets, op. 32: III. Mercury, the Winged Messenger: Vivace
- add to main playlist Play in Full Screen The Planets, op. 32: IV. Jupiter, the Bringer of Jollity: Allegro giocoso - Andante maestoso
- add to main playlist Play in Full Screen The Planets, op. 32: V. Saturn, the Bringer of Old Age: Adagio
- add to main playlist Play in Full Screen The Planets, op. 32: VI. Uranus, the Magician: Allegro
- add to main playlist Play in Full Screen The Planets, op. 32: VII. Neptune, the Mystic: Andante
Piano Concertos nos. 1 & 3
Released 2011- add to main playlist Play in Full Screen Piano Concerto no. 1 in C major, op 15: I. Allegro con brio (cadenza: Beethoven)
- add to main playlist Play in Full Screen Piano Concerto no. 1 in C major, op 15: II. Largo
- add to main playlist Play in Full Screen Piano Concerto no. 1 in C major, op 15: III. Rondo. Allegro scherzando
- add to main playlist Play in Full Screen Piano Concerto no. 3 in C minor, op 37: I. Allegro con brio (cadenza: Beethoven)
- add to main playlist Play in Full Screen Piano Concerto no. 3 in C minor, op 37: II. Largo
- add to main playlist Play in Full Screen Piano Concerto no. 3 in C minor, op 37: III. Rondo. Allegro
The Nine Symphonies
Released 2011- add to main playlist Play in Full Screen Sea Symphony: I. A Song for All Seas, All Ships (Moderato maestoso) / 1. Behold, the sea itself (chorus)
- add to main playlist Play in Full Screen Sea Symphony: I. A Song for All Seas, All Ships (Moderato maestoso) / 2. Today a brief recitative (baritone & chorus)
- add to main playlist Play in Full Screen Sea Symphony: I. A Song for All Seas, All Ships (Moderato maestoso) / 3. Flaunt out, O sea, you separate flags of nations! (soprano & chorus)
- add to main playlist Play in Full Screen Sea Symphony: I. A Song for All Seas, All Ships (Moderato maestoso) / 4. Token of all brave captains (chorus)
- add to main playlist Play in Full Screen Sea Symphony: I. A Song for All Seas, All Ships (Moderato maestoso) / 5. A pennant universal (baritone, soprano & chorus)
- add to main playlist Play in Full Screen Sea Symphony: II. On the Beach at Night, Alone (Largo sostenuto) / 1. On the beach at night, alone (baritone & semi-chorus)
- add to main playlist Play in Full Screen Sea Symphony: II. On the Beach at Night, Alone (Largo sostenuto) / 2. A vast similitude interlocks all (baritone & chorus)
- add to main playlist Play in Full Screen Sea Symphony: III. Scherzo: The Waves(Allegro brillante)
- add to main playlist Play in Full Screen Sea Symphony: IV. The Explorers (Grave e molto adagio) / 1. O vast Rondure, swimming in Space (chorus)
- add to main playlist Play in Full Screen Sea Symphony: IV. The Explorers (Grave e molto adagio) / 2. Down from the gardens of Asia descending (chorus)
- add to main playlist Play in Full Screen Sea Symphony: IV. The Explorers (Grave e molto adagio) / 3. O we can wait no longer (baritone & soprano)
- add to main playlist Play in Full Screen Sea Symphony: IV. The Explorers (Grave e molto adagio) / 4. O thou transcendent (soprano, baritone & chorus)
- add to main playlist Play in Full Screen Sea Symphony: IV. The Explorers (Grave e molto adagio) / 5. Greater than stars or suns (chorus, soprano & baritone)
- add to main playlist Play in Full Screen Sea Symphony: IV. The Explorers (Grave e molto adagio) / 6. Sail forth (chorus, soprano & baritone)
- add to main playlist Play in Full Screen Sea Symphony: IV. The Explorers (Grave e molto adagio) / 7. O my brave Soul! (soprano, baritone & chorus)
Cello Concerto / Cello Sonata / Prelude
Released 2009- add to main playlist Play in Full Screen Cello Concerto: I. Moderato
- add to main playlist Play in Full Screen Cello Concerto: II. Adagio
- add to main playlist Play in Full Screen Cello Concerto: III. Allegretto deciso alla marcia
- add to main playlist Play in Full Screen Cello Sonata in A minor: I. Tempo moderato, Allegro
- add to main playlist Play in Full Screen Cello Sonata in A minor: II. Adagio
- add to main playlist Play in Full Screen Cello Sonata in A minor: III. Allegro
- add to main playlist Play in Full Screen Prelude for Cello and Piano
Symphonies 1 & 2
Released 2007- add to main playlist Play in Full Screen Symphony no. 1 in A-flat major, op. 55: I. Andante. Nobilmente e semplice - Allegro
- add to main playlist Play in Full Screen Symphony no. 1 in A-flat major, op. 55: II. Allegro molto
- add to main playlist Play in Full Screen Symphony no. 1 in A-flat major, op. 55: III. Adagio
- add to main playlist Play in Full Screen Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro
The Lark Ascending / Fantasia on a Theme by Thomas Tallis
Released 2005- add to main playlist Play in Full Screen Fantasia on Greensleeves (London Symphony Orchestra)
- add to main playlist Play in Full Screen The Lark Ascending (New Philharmonia Orchestra feat. violin: Hugh Bean)
- add to main playlist Play in Full Screen English Folk Song Suite: I. March (Seventeen Come Sunday) (London Symphony Orchestra)
- add to main playlist Play in Full Screen English Folk Song Suite: II. Intermezzo (My Bonny Boy) (London Symphony Orchestra)
- add to main playlist Play in Full Screen English Folk Song Suite: III. March (Folk Songs From Somerset) (London Symphony Orchestra)
- add to main playlist Play in Full Screen The Wasps: I. Overture (London Philharmonic Orchestra)
- add to main playlist Play in Full Screen Norfolk Rhapsody No. 1 (New Philharmonia Orchestra feat. conductor: Sir Adrian Boult)
- add to main playlist Play in Full Screen Five Variants of 'Dives and Lazarus' (City of Birmingham Symphony Orchestra feat. conductor: Norman Del Mar)
- add to main playlist Play in Full Screen Fantasia on a Theme by Thomas Tallis (Sinfonia of London feat. conductor: Sir John Barbirolli)
Rachmaninov: Symphony no. 3 / Vaughan Williams: Symphony no. 8
Released 2001- add to main playlist Play in Full Screen Symphony no. 3 in A minor, op. 44: I. Lento - Allegro moderato
- add to main playlist Play in Full Screen Symphony no. 3 in A minor, op. 44: II. Adagio ma non troppo
- add to main playlist Play in Full Screen Symphony no. 3 in A minor, op. 44: III. Allegro
- add to main playlist Play in Full Screen Symphony no. 8 in D minor: I. Fantasia (Variazioni senza tema)
- add to main playlist Play in Full Screen Symphony no. 8 in D minor: II. Scherzo alla marcia (per stromenti a fiato)
- add to main playlist Play in Full Screen Symphony no. 8 in D minor: III. Cavatina (per stromenti ad arco)
- add to main playlist Play in Full Screen Symphony no. 8 in D minor: IV. Toccata
Brahms: Piano Concerto no. 2 / Schumann: Kinderszenen
Released 2001- add to main playlist Play in Full Screen Kinderszenen, op. 15: No. 1. Von fremden Ländern und Menschen
- add to main playlist Play in Full Screen Kinderszenen, op. 15: No. 2. Kuriose Geschichte
- add to main playlist Play in Full Screen Kinderszenen, op. 15: No. 3. Hasche-Mann
- add to main playlist Play in Full Screen Kinderszenen, op. 15: No. 4. Bittendes Kind
- add to main playlist Play in Full Screen Kinderszenen, op. 15: No. 5. Glückes genug
- add to main playlist Play in Full Screen Kinderszenen, op. 15: No. 6. Wichtige Begebenheit
- add to main playlist Play in Full Screen Kinderszenen, op. 15: No. 7. Träumerei
- add to main playlist Play in Full Screen Kinderszenen, op. 15: No. 8. Am Kamin
- add to main playlist Play in Full Screen Kinderszenen, op. 15: No. 9. Ritter von Steckenpferd
- add to main playlist Play in Full Screen Kinderszenen, op. 15: No. 10. Fast zu ernst
- add to main playlist Play in Full Screen Kinderszenen, op. 15: No. 11. Fürchtenmachen
- add to main playlist Play in Full Screen Kinderszenen, op. 15: No. 12. Kind im Einschlummern
- add to main playlist Play in Full Screen Kinderszenen, op. 15: No. 13. Der Dichter spricht
- add to main playlist Play in Full Screen Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo
- add to main playlist Play in Full Screen Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato
- add to main playlist Play in Full Screen Piano Concerto no. 2 in B-flat major, op. 83: III. Andante
- add to main playlist Play in Full Screen Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegro grazioso
Symphony no. 2 in E-flat / Cockaigne Overture
Released 2001- add to main playlist Play in Full Screen Overture: Cockaigne (In London Town), op. 40
- add to main playlist Play in Full Screen Symphony no. 2 in E-flat, op. 63: I. Allegro vivace e nobilmente
- add to main playlist Play in Full Screen Symphony no. 2 in E-flat, op. 63: II. Larghetto
- add to main playlist Play in Full Screen Symphony no. 2 in E-flat, op. 63: III. Rondo (Presto)
- add to main playlist Play in Full Screen Symphony no. 2 in E-flat, op. 63: IV. Moderato e maestoso
Symphony no. 1 in A-flat / Serenade for Strings / Chanson de nuit / Chanson de matin
Released 2001- add to main playlist Play in Full Screen Symphony no. 1 in A-flat, op. 66: I. Andante nobilmente e semplice - Allegro
- add to main playlist Play in Full Screen Symphony no. 1 in A-flat, op. 66: II. Allegro molto
- add to main playlist Play in Full Screen Symphony no. 1 in A-flat, op. 66: III. Adagio
- add to main playlist Play in Full Screen Symphony no. 1 in A-flat, op. 66: IV. Lento - Allegro
- add to main playlist Play in Full Screen Serenade in E minor, op. 20: I. Allegro piacevolle
- add to main playlist Play in Full Screen Serenade in E minor, op. 20: II. Larghetto
- add to main playlist Play in Full Screen Serenade in E minor, op. 20: III. Allegretto - Come prima
- add to main playlist Play in Full Screen Chanson de nuit, op. 15 no. 1
- add to main playlist Play in Full Screen Chanson de matin, op. 15 no. 2
Schubert: Symphony no. 8 / Ravel: Daphnis et Chloé Suite no. 2 / Sibelius: Symphony no. 7
Released 2000- add to main playlist Play in Full Screen Symphony no. 8 in B minor D. 759 "Unfinished": I. Allegro moderato
- add to main playlist Play in Full Screen Symphony no. 8 in B minor D. 759 "Unfinished": II. Andante con moto
- add to main playlist Play in Full Screen Jeux d'enfants: I. Marche. Trompette et tambour
- add to main playlist Play in Full Screen Jeux d'enfants: II. Berceuse. La Poupée
- add to main playlist Play in Full Screen Jeux d'enfants: III. Impromptu. La Toupie
- add to main playlist Play in Full Screen Jeux d'enfants: IV. Duo. Petit mari, petite femme
- add to main playlist Play in Full Screen Jeux d'enfants: V. Galop. Le Bal
- add to main playlist Play in Full Screen Daphnis et Chloé Suite no. 2: I. Lever du jour
- add to main playlist Play in Full Screen Daphnis et Chloé Suite no. 2: II. Pantomime
- add to main playlist Play in Full Screen Daphnis et Chloé Suite no. 2: III. Danse générale
- add to main playlist Play in Full Screen Symphony no. 7 in C major, op. 105
The Complete Symphonies / Orchestral Works
Released 2000- add to main playlist Play in Full Screen Symphony No. 8 in D minor: I. Fantasia (Variazioni senza tema)
- add to main playlist Play in Full Screen Symphony No. 8 in D minor: II. Scherzo alla marcia (per stromenti a fiato) - Allegro
- add to main playlist Play in Full Screen Symphony No. 8 in D minor: III. Cavatina (per stromenti ad arco) - Lento espressivo
- add to main playlist Play in Full Screen Symphony No. 8 in D minor: IV. Toccata - Moderato maestoso
- add to main playlist Play in Full Screen Symphony No. 9 in E minor: I. Moderato maestoso
- add to main playlist Play in Full Screen Symphony No. 9 in E minor: II. Andante sostenuto
- add to main playlist Play in Full Screen Symphony No. 9 in E minor: III. Scherzo (Allegro pesante)
- add to main playlist Play in Full Screen Symphony No. 9 in E minor: IV. Andante tranquillo
Four Symphonies
Released 1999- add to main playlist Play in Full Screen Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro
- add to main playlist Play in Full Screen Symphony no. 1 in C minor, op. 68: II. Andante sostenuto
- add to main playlist Play in Full Screen Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso
- add to main playlist Play in Full Screen Symphony no. 1 in C minor, op. 68: IV. Adagio - Allegro non troppo ma con brio
- add to main playlist Play in Full Screen Tragic Overture, op. 81
- add to main playlist Play in Full Screen Alto Rhapsody, op. 53
Orchestral Works
Released 1999- add to main playlist Play in Full Screen Fantasia on "Greensleeves"
- add to main playlist Play in Full Screen English Folk Song Suite: I. March: Seventeen Come Sunday
- add to main playlist Play in Full Screen English Folk Song Suite: II. Intermezzo: My Bonny Boy
- add to main playlist Play in Full Screen English Folk Song Suite: III. March: Folk Songs From Somerset
- add to main playlist Play in Full Screen Oboe Concerto: I. Rondo Pastorale (feat. oboe: Celia Nicklin)
- add to main playlist Play in Full Screen Oboe Concerto: II. Minuet And Musette (feat. oboe: Celia Nicklin)
- add to main playlist Play in Full Screen Oboe Concerto: III. Finale (feat. oboe: Celia Nicklin)
- add to main playlist Play in Full Screen Concerto Grosso: I. Intrada
- add to main playlist Play in Full Screen Concerto Grosso: II. Burlesca Ostinata
- add to main playlist Play in Full Screen Concerto Grosso: III. Sarabande
- add to main playlist Play in Full Screen Concerto Grosso: IV. Scherzo
- add to main playlist Play in Full Screen Concerto Grosso: V. March And Reprise
- add to main playlist Play in Full Screen Romance (For Harmonica, Strings & Piano) (feat. harmonica: Tommy Reilly)
- add to main playlist Play in Full Screen The Lark Ascending (For Violin And Orchestra) (feat. violin: Iona Brown)
Piano Concerto No. 2 / Rhapsody on a Theme of Paganini / Variations on a Nursery Theme
Released 1997- add to main playlist Play in Full Screen Piano Concerto no. 2: I. Moderato
- add to main playlist Play in Full Screen Piano Concerto no. 2: II. Adagio sostenuto
- add to main playlist Play in Full Screen Piano Concerto no. 2: III. Allegro scherzando
- add to main playlist Play in Full Screen Rhapsody on a Theme of Paganini
- add to main playlist Play in Full Screen Variations on a Nursery Theme
Overtures and Preludes
Released 1995- add to main playlist Play in Full Screen Tristan und Isolde: Prelude and Liebestod
- add to main playlist Play in Full Screen Parsifal - Prelude to Act I
- add to main playlist Play in Full Screen Parsifal - Good Friday Music
- add to main playlist Play in Full Screen Die Meistersinger von Nüremberg - Prelude to Act III
- add to main playlist Play in Full Screen Lohengrin - Prelude to Act I
- add to main playlist Play in Full Screen Tannhäuser - Overture
A Sea Symphony
Released 1994- add to main playlist Play in Full Screen Symphony No. 1 ("A Sea Symphony"): I A Song for all seas, all ships: Behold the sea itself
- add to main playlist Play in Full Screen Symphony No. 1 ("A Sea Symphony"): I A Song for all seas, all ships: Flaunt out O sea your separate flags
- add to main playlist Play in Full Screen Symphony No. 1 ("A Sea Symphony"): II. On the Beach at Night alone
- add to main playlist Play in Full Screen Symphony No. 1 ("A Sea Symphony"): III. Scherzo - The Waves
- add to main playlist Play in Full Screen Symphony No. 1 ("A Sea Symphony"): IV. The Explorers: O vast Rondure, swimming in space
- add to main playlist Play in Full Screen Symphony No. 1 ("A Sea Symphony"): IV. The Explorers: O we can wait no longer
- add to main playlist Play in Full Screen Symphony No. 1 ("A Sea Symphony"): IV. The Explorers: O thou transcendent
- add to main playlist Play in Full Screen Symphony No. 1 ("A Sea Symphony"): IV. The Explorers: Away O soul
Ralph Vaughan-Williams: Job, A Masque for Dancing / The Wasps / Malcolm Arnold: Four Scottish Dances
Released 1994- add to main playlist Play in Full Screen Job, A Masque for Dancing, ballet: Scene 1: Introduction
- add to main playlist Play in Full Screen Job, A Masque for Dancing, ballet: Scene 1: Saraband of the Sons of God
- add to main playlist Play in Full Screen Job, A Masque for Dancing, ballet: Scene 2: Satan's Dance of Triumph
- add to main playlist Play in Full Screen Job, A Masque for Dancing, ballet: Scene 3: Minuet of the Sons of Job and Their Wives
- add to main playlist Play in Full Screen Job, A Masque for Dancing, ballet: Scene 4: Job's Dream
- add to main playlist Play in Full Screen Job, A Masque for Dancing, ballet: Scene 5: Dance of the Three Messengers
- add to main playlist Play in Full Screen Job, A Masque for Dancing, ballet: Scene 6: Dance of Job's Comforters
- add to main playlist Play in Full Screen Job, A Masque for Dancing, ballet: Scene 7: Elihu's Dance of Youth and Beauty
- add to main playlist Play in Full Screen Job, A Masque for Dancing, ballet: Scene 7: Pavane of the Sons of the Morning
- add to main playlist Play in Full Screen Job, A Masque for Dancing, ballet: Scene 8: Galliard of the Sons of the Morning
- add to main playlist Play in Full Screen Job, A Masque for Dancing, ballet: Scene 8: Altar Dance
- add to main playlist Play in Full Screen Job, A Masque for Dancing, ballet: Scene 9: Epilogue
- add to main playlist Play in Full Screen The Wasps, Aristophanic Suite, for orchestra from the incidental music: Overture
- add to main playlist Play in Full Screen Scottish Dances (4), for orchestra, Op. 59: Pesante
- add to main playlist Play in Full Screen Scottish Dances (4), for orchestra, Op. 59: Vivace
- add to main playlist Play in Full Screen Scottish Dances (4), for orchestra, Op. 59: Allegretto
- add to main playlist Play in Full Screen Scottish Dances (4), for orchestra, Op. 59: Con brio
On Wenlock Edge / Job: A Masque for Dancing
Released 1992- add to main playlist Play in Full Screen On Wenlock Edge: I. On Wenlock Edge
- add to main playlist Play in Full Screen On Wenlock Edge: II. From far, from eve and morning
- add to main playlist Play in Full Screen On Wenlock Edge: III. Is my team ploughing
- add to main playlist Play in Full Screen On Wenlock Edge: IV. Oh, when I was in love with you
- add to main playlist Play in Full Screen On Wenlock Edge: V. Bredon Hill
- add to main playlist Play in Full Screen On Wenlock Edge: VI. Clun
- add to main playlist Play in Full Screen Job: A Masque for Dancing
Greensleeves Fantasia / The Lark Ascending / Serenade to Music / Tallis Fantasia
Released 1992- add to main playlist Play in Full Screen Fantasia on Greensleeves (London Symphony Orchestra)
- add to main playlist Play in Full Screen Serenade to Music (London Symphony Orchestra)
- add to main playlist Play in Full Screen English Folk Song Suite: I. March (Seventeen Come Sunday) (London Symphony Orchestra)
- add to main playlist Play in Full Screen English Folk Song Suite: II. Intermezzo (My Bonny Boy) (London Symphony Orchestra)
- add to main playlist Play in Full Screen English Folk Song Suite: III. March (Folk Songs from Somerset) (London Symphony Orchestra)
- add to main playlist Play in Full Screen The Wasps: Overture (London Philharmonic Orchestra)
- add to main playlist Play in Full Screen The Wasps: March Past of the Kitchen Utensils (London Philharmonic Orchestra)
- add to main playlist Play in Full Screen Fantasia on a Theme by Thomas Tallis (London Philharmonic Orchestra)
- add to main playlist Play in Full Screen The Lark Ascending (New Philharmonic Orchestra, feat. violin: Hugh Bean)
A Sea Symphony
Released 1991- add to main playlist Play in Full Screen 1a. A Song for All Seas, All Ships: Behold, the Sea Itself
- add to main playlist Play in Full Screen 1b. A Song for All Seas, All Ships: Today a Rude Brief Recitative
- add to main playlist Play in Full Screen 1c. A Song for All Seas, All Ships: Flaunt Out, o Sea, Your Separate Flags of National
- add to main playlist Play in Full Screen 1d. A Song for All Seas, All Ships: Token of All Brave Captains
- add to main playlist Play in Full Screen 1e. A Song for All Seas, All Ships: A Pennant Universal
- add to main playlist Play in Full Screen 2a. On the Beach at Night, Alone
- add to main playlist Play in Full Screen 2b. On the Beach at Night, Alone: A Vast Similitude Interlocks All
- add to main playlist Play in Full Screen 3. Scherzo: The Waves
- add to main playlist Play in Full Screen 4a. The Explorers: O Vast Rondure, Swimming in Space
- add to main playlist Play in Full Screen 4b. The Explorers: Down From the Gardens of Asia Descending
- add to main playlist Play in Full Screen 4c. The Explorers: O We Can Wait No Longer
- add to main playlist Play in Full Screen 4d. The Explorers: O Thou Transcendent
- add to main playlist Play in Full Screen 4e. The Explorers: Greater Than Stars or Suns
- add to main playlist Play in Full Screen 4f. The Explorers: Sail Forth
- add to main playlist Play in Full Screen 4g. The Explorers: O My Brave Soul
Enigma Variations
Released 1991- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: C.A.E
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: H.D.S-P.
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: R.B.T.
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: W.M.B.
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: R.P.A.
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: Ysobel
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: Troyte
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: W.N.
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: Nimrod
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: Dorabella
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: G.R.S.
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: B.G.N.
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: * * *
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: E.D.U.
- add to main playlist Play in Full Screen Introduction and Allegro for Strings and Orchestra, op. 47: Introduction
- add to main playlist Play in Full Screen Introduction and Allegro for Strings and Orchestra, op. 47: Allegro
Concert Favorites
Released 1991- add to main playlist Play in Full Screen Pomp and Circumstance March Nº 1 in D Op.39
- add to main playlist Play in Full Screen The Hebrides (Fingal's Cave Overture)
- add to main playlist Play in Full Screen Night on Bald Mountain
- add to main playlist Play in Full Screen Overture di Ballo
- add to main playlist Play in Full Screen Les Preludes
- add to main playlist Play in Full Screen Nutcracker Suite - Miniature Overture
- add to main playlist Play in Full Screen Nutcracker Suite - March
- add to main playlist Play in Full Screen Nutcracker Suite - Dance of the Sugar Plum Fairy
- add to main playlist Play in Full Screen Nutcracker Suite - Russian Dance
- add to main playlist Play in Full Screen Nutcracker Suite - Arabian Dance
- add to main playlist Play in Full Screen Nutcracker Suite - Chinese Dance
- add to main playlist Play in Full Screen Nutcracker Suite - Dance of the Mirlitons
- add to main playlist Play in Full Screen Nutcracker Suite - Waltz of the Flowers
A Pastoral Symphony / Symphony no. 5
Released 1991- add to main playlist Play in Full Screen Symphony No. 3, "A Pastoral Symphony": I. Molto moderato
- add to main playlist Play in Full Screen Symphony No. 3, "A Pastoral Symphony": II. Lento moderato
- add to main playlist Play in Full Screen Symphony No. 3, "A Pastoral Symphony": III. Moderato pesante
- add to main playlist Play in Full Screen Symphony No. 3, "A Pastoral Symphony": IV. Lento (feat. soprano: Margaret Price)
- add to main playlist Play in Full Screen Symphony No. 5 in D major: I. Preludio (Moderato)
- add to main playlist Play in Full Screen Symphony No. 5 in D major: II. Scherzo (Presto)
- add to main playlist Play in Full Screen Symphony No. 5 in D major: III. Romanza (Lento)
- add to main playlist Play in Full Screen Symphony No. 5 in D major: IV. Passacaglia (Moderato)
Enigma Variations / Pomp & Circumstance Marches 1-5
Released 1991- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: Theme (Andante)
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: I. C.A.E. (the composer's wife)
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: II. H.D.S.-P. (Hew David Steuart-Powell)
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: III. R.B.T. (Richard Baxter Townshend)
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: IV. W.M.B. (William Meath Baker)
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: V. R.P.A. (Richard Penrose Arnold)
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: VI. Ysobel (Isabel Fitton)
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: VII. Troyte (Troyte Griffith)
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: VIII. W.N. (Winifred Norbury)
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: IX. Nimrod (A. J. Jaeger)
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: X. Intermezzo: Dorabella (Dora Penny)
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: XI. G.R.S. (George Robertson Sinclair)
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: XII. B.G.N. (Basil G. Nevinson)
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: XIII: Romanza: *** (Lady Mary Lygon)
- add to main playlist Play in Full Screen Variations on an Original Theme "Enigma", op. 36: XIV. Finale: E.D.U. (the composer)
- add to main playlist Play in Full Screen Pomp and Circumstance Marches, op. 39: no. 1 in D
- add to main playlist Play in Full Screen Pomp and Circumstance Marches, op. 39, no. 2 in A Minor
- add to main playlist Play in Full Screen Pomp and Circumstance Marches, op. 39, no. 3 in C Minor
- add to main playlist Play in Full Screen Pomp and Circumstance Marches, op. 39: no. 4 in G
- add to main playlist Play in Full Screen Pomp and Circumstance Marches, op. 39: no. 5 in C
Serenade to Music / The Lark Ascending / Fantasia on Greensleeves / English Folk Song Suite / In the Fen Country / Norfolk Rhapsody no. 1
Released 1991- add to main playlist Play in Full Screen Serenade to Music
- add to main playlist Play in Full Screen English Folk Song Suite (arr. Gordon Jacob): I. March (Seventeen Come Sunday)
- add to main playlist Play in Full Screen English Folk Song Suite (arr. Gordon Jacob): II. Intermezzo (My Bonny Boy) (London Symphony Orchestra)
- add to main playlist Play in Full Screen English Folk Song Suite (arr. Gordon Jacob): III. March (Folk Songs from Somerset) (London Symphony Orchestra)
- add to main playlist Play in Full Screen Norfolk Rhapsody for orchestra No. 1 in E minor (New Philharmonia Orchestra)
- add to main playlist Play in Full Screen Fantasia on Greensleeves (arr. Ralph Greaves) (London Symphony Orchestra)
- add to main playlist Play in Full Screen In the Fen Country (New Philharmonia Orchestra)
- add to main playlist Play in Full Screen The Lark Ascending (New Philharmonia Orchestra feat. violin: Hugh Bean)
Symphony no. 4 / Symphony no. 6
Released 1991- add to main playlist Play in Full Screen Symphony no. 4 in F minor: I. Allegro
- add to main playlist Play in Full Screen Symphony no. 4 in F minor: II. Andante moderato
- add to main playlist Play in Full Screen Symphony no. 4 in F minor: III. Scherzo - Allegro molto
- add to main playlist Play in Full Screen Symphony no. 4 in F minor: IV. Finale con epilogo fugato - Allegro molto
- add to main playlist Play in Full Screen Symphony no. 6 in E minor: I. Allegro
- add to main playlist Play in Full Screen Symphony no. 6 in E minor: II. Moderato
- add to main playlist Play in Full Screen Symphony no. 6 in E minor: III. Scherzo - Allegro vivace
- add to main playlist Play in Full Screen Symphony no. 6 in E minor: IV. Epilogue - Moderato
Flos Campi / An Oxford Elegy / Magnificat / Fantasia on the old 104th
Released 1989- add to main playlist Play in Full Screen Flos Campi - 1. Sicut Lilium inter spinas (feat. viola: Cecil Aronowitz)
- add to main playlist Play in Full Screen Flos Campi - 2. Jam enim biems transit
- add to main playlist Play in Full Screen Flos Campi - 3. Quaesivi quem diligit amima mea
- add to main playlist Play in Full Screen Flos Campi - 4. En lectuium Salomonis
- add to main playlist Play in Full Screen Flos Campi - 5. Revertere, revertere Sulamitis!
- add to main playlist Play in Full Screen Flos Campi - 6. Pone me up signaculum
- add to main playlist Play in Full Screen An Oxford Elegy
- add to main playlist Play in Full Screen Magnificat
- add to main playlist Play in Full Screen Fantasia on the Old 104th Psalm Tune
British Composers: Holst: The Planets / The Perfect Fool (Ballet Music) / Egdon Heath
Released 1988- add to main playlist Play in Full Screen The Perfect Fool, Op. 39: Andante
- add to main playlist Play in Full Screen The Perfect Fool, Op. 39: Dance of Spirits of Earth
- add to main playlist Play in Full Screen The Perfect Fool, Op. 39: Dance of Spirits of Water
- add to main playlist Play in Full Screen The Perfect Fool, Op. 39: Dance of Spirits of Fire
- add to main playlist Play in Full Screen Egdon Heath (Homage to Hardy), Op. 47
- add to main playlist Play in Full Screen The Planets, Op. 32: I. Mars, the Bringer of War
- add to main playlist Play in Full Screen The Planets, Op. 32: II. Venus, the Bringer of Peace
- add to main playlist Play in Full Screen The Planets, Op. 32: III. Mercury, the Winged Messenger
- add to main playlist Play in Full Screen The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity
- add to main playlist Play in Full Screen The Planets, Op. 32: V. Saturn, the Bringer of Old Age
- add to main playlist Play in Full Screen The Planets, Op. 32: VI. Uranus, the Magician
- add to main playlist Play in Full Screen The Planets, Op. 32: VII. Neptune, the Mystic
The Planets
Released 1979- add to main playlist Play in Full Screen The Planets: I. Mars, the Bringer of War
- add to main playlist Play in Full Screen The Planets: II. Venus, the Bringer of Peace
- add to main playlist Play in Full Screen The Planets: III. Mercury, the Winged Messenger
- add to main playlist Play in Full Screen The Planets: IV. Jupiter, the Bringer of Jollity
- add to main playlist Play in Full Screen The Planets: V. Saturn, the Bringer of Old Age
- add to main playlist Play in Full Screen The Planets: VI. Uranus, the Magician
- add to main playlist Play in Full Screen The Planets: VII. Neptune, the Mystic
Sir Adrian Boult Conducts Marches
Released 1978- add to main playlist Play in Full Screen Soirées Musicales: March
- add to main playlist Play in Full Screen Suite No. 1, Op. 28 No. 1: March
- add to main playlist Play in Full Screen Over the Hills and Far Away, (Children's March)
- add to main playlist Play in Full Screen Hamlet: Funeral March
- add to main playlist Play in Full Screen Procession
- add to main playlist Play in Full Screen The Wasps: March Past of the Kitchen Utensils
- add to main playlist Play in Full Screen Marche Caprice
- add to main playlist Play in Full Screen Becket: Funeral March, "The Martyrdom"
- add to main playlist Play in Full Screen The Birds: Bridal March
- add to main playlist Play in Full Screen March, "The Dam Busters"
A London Symphony
Released 1971- add to main playlist Play in Full Screen A London Symphony (Symphony No. 2): I. Lento - Allegro risoluto
- add to main playlist Play in Full Screen A London Symphony (Symphony No. 2): II. Lento
- add to main playlist Play in Full Screen A London Symphony (Symphony No. 2): III. Scherzo (Nocturne) - Allegro vivace
- add to main playlist Play in Full Screen A London Symphony (Symphony No. 2): IV. Andante con moto - Maestoso alla marcia
Messiah, Arias and Choruses
Released 1963- add to main playlist Play in Full Screen Messiah: Comfort ye / Ev'ry Valley
- add to main playlist Play in Full Screen Messiah: For Unto us a Child is Born
- add to main playlist Play in Full Screen Messiah: There Were Shepherds / And lo! The Angel of the Lord / And the Angel Said Unto Them / And Suddenly There was With the Angel / Glory to God
- add to main playlist Play in Full Screen Messiah: Then Shall the Eyes of the Blind be Opened / He Shall Feed his Flock
- add to main playlist Play in Full Screen Messiah: He was Despised
- add to main playlist Play in Full Screen Messiah: How Beautiful are the Feet
- add to main playlist Play in Full Screen Messiah: Why do the Nations
- add to main playlist Play in Full Screen Messiah: Hallelujah
- add to main playlist Play in Full Screen Messiah: I Know That my Redeemer Liveth
- add to main playlist Play in Full Screen Messiah: The Trumpet Shall Sound
- add to main playlist Play in Full Screen Messiah: Worthy is the Lamb
The Planets
Released 1956- add to main playlist Play in Full Screen The Planets: I. Mars, the Bringer of War
- add to main playlist Play in Full Screen The Planets: II. Venus, the Bringer of Peace
- add to main playlist Play in Full Screen The Planets: III. Mercury, the Winged Messenger
- add to main playlist Play in Full Screen The Planets: IV. Jupiter, the Bringer of Jollity
- add to main playlist Play in Full Screen The Planets: V. Saturn, the Bringer of Old Age
- add to main playlist Play in Full Screen The Planets: VI. Uranus, the Magician
- add to main playlist Play in Full Screen The Planets: VII. Neptune, the Mystic
Violin Concerto / Romances nos. 1 & 2
- add to main playlist Play in Full Screen Violin Concerto in D major, op. 61: I: Allegro ma non troppo
- add to main playlist Play in Full Screen Violin Concerto in D major, op. 61: II: Larghetto
- add to main playlist Play in Full Screen Violin Concerto in D major, op. 61: III: Rondo (Allegro)
- add to main playlist Play in Full Screen Romance no. 1 in G major, op. 40
- add to main playlist Play in Full Screen Romance no. 2 in F major, op. 50
Artur Schnabel Plays Bach & Brahms
- add to main playlist Play in Full Screen Concerto in C major for Two Harpsichords, BWV 1061: I. Allegro
- add to main playlist Play in Full Screen Concerto in C major for Two Harpsichords, BWV 1061: II. Adagio
- add to main playlist Play in Full Screen Concerto in C major for Two Harpsichords, BWV 1061: III. Vivace
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante-Più adagio
- add to main playlist Play in Full Screen Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso
Boult’s Planets
- add to main playlist Play in Full Screen The Planets Suite for Orchestra, Op. 32: I. Mars, the Bringer of War
- add to main playlist Play in Full Screen The Planets Suite for Orchestra, Op. 32: II. Venus, the Bringer of Peace
- add to main playlist Play in Full Screen The Planets Suite for Orchestra, Op. 32: III. Mercury, the Winged Messenger
- add to main playlist Play in Full Screen The Planets Suite for Orchestra, Op. 32: IV. Jupiter, the Bringer of Jollity
- add to main playlist Play in Full Screen The Planets Suite for Orchestra, Op. 32: V. Saturn, the Bringer of Old Age
- add to main playlist Play in Full Screen The Planets Suite for Orchestra, Op. 32: VI. Uranus, the Magician
- add to main playlist Play in Full Screen The Planets Suite for Orchestra, Op. 32: VII. Neptune, the Mystic
- add to main playlist Play in Full Screen Crown Imperial: Coronation March
- add to main playlist Play in Full Screen Fantasia on a Theme by Thomas Tallis
Holst: The Planets / Vaughan Williams: Serenade to Music
- add to main playlist Play in Full Screen Mars, the Bringer of War
- add to main playlist Play in Full Screen Venus, the Bringer of Peace
- add to main playlist Play in Full Screen Mercury, the Winged Messenger
- add to main playlist Play in Full Screen Jupiter, the Bringer of Jollity
- add to main playlist Play in Full Screen Saturn, the Bringer of Old Age
- add to main playlist Play in Full Screen Uranus, the Magician
- add to main playlist Play in Full Screen Neptune, the Mystic
- add to main playlist Play in Full Screen Serenade to Music
A Portrait of Sir Adrian Boult
- add to main playlist Play in Full Screen Die Meistersinger von Nürnberg: Overture
- add to main playlist Play in Full Screen The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity
- add to main playlist Play in Full Screen Brandenburg Concerto No. 3 in G major, BWV 1048: I. Allegro
- add to main playlist Play in Full Screen Brandenburg Concerto No. 3 in G major, BWV 1048: II. Allegro
- add to main playlist Play in Full Screen Tragic Overture, Op. 81
- add to main playlist Play in Full Screen Serenade for Strings in E minor, Op. 20: I. Allegro piacevole
- add to main playlist Play in Full Screen Serenade for Strings in E minor, Op. 20: II. Larghetto
- add to main playlist Play in Full Screen Serenade for Strings in E minor, Op. 20: III. Allegro - Come prima
- add to main playlist Play in Full Screen Der fliegende Holländer: Overture
The Symphony: Beethoven No. 6 / Brahms No. 2
- add to main playlist Play in Full Screen Symphony No. 6 in F major, Op. 68 "Pastoral": I. Allegro ma non troppo
- add to main playlist Play in Full Screen Symphony No. 6 in F major, Op. 68 "Pastoral": II. Andante molto mosso
- add to main playlist Play in Full Screen Symphony No. 6 in F major, Op. 68 "Pastoral": III. Allegro
- add to main playlist Play in Full Screen Symphony No. 6 in F major, Op. 68 "Pastoral": IV. Allegro
- add to main playlist Play in Full Screen Symphony No. 6 in F major, Op. 68 "Pastoral": V. Allegretto
- add to main playlist Play in Full Screen Symphony No. 2 in D major, Op. 73: I. Allegro non troppo
- add to main playlist Play in Full Screen Symphony No. 2 in D major, Op. 73: II. Adagio non troppo
- add to main playlist Play in Full Screen Symphony No. 2 in D major, Op. 73: III. Allegretto grazioso
- add to main playlist Play in Full Screen Symphony No. 2 in D major, Op. 73: IV. Allegro con spirito
Bach-Handel Recital
- add to main playlist Play in Full Screen Mass in B Minor - Aria (Qui Sedes as Dextram Patris)
- add to main playlist Play in Full Screen St. Matthew Passion - Aria (Grief for Sin)
- add to main playlist Play in Full Screen St. John Passion - Aria (All Is Fulfilled)
- add to main playlist Play in Full Screen Mass in B Minor - Aria (Agnus Dei)
- add to main playlist Play in Full Screen Samson - Aria (Return, O God of Hosts)
- add to main playlist Play in Full Screen Messiah - Aria (O Thou That Tellest Good Tidings to Zion)
- add to main playlist Play in Full Screen Judas Maccabaeus - Aria (Father of Heaven)
- add to main playlist Play in Full Screen Messiah - Aria (He Was Despised)
A London Symphony / Fantasia on a Theme by Thomas Tallis
- add to main playlist Play in Full Screen Fantasia on a Theme by Thomas Tallis
- add to main playlist Play in Full Screen A London Symphony (Symphony No. 2): I. Lento - Allegro risoluto
- add to main playlist Play in Full Screen A London Symphony (Symphony No. 2): II. Lento
- add to main playlist Play in Full Screen A London Symphony (Symphony No. 2): III. Scherzo (Nocturne) - Allegro vivace
- add to main playlist Play in Full Screen A London Symphony (Symphony No. 2): IV. Andante con moto - Maestoso alla marcia
Born: 1889-04-08
Died: 1983-03-24
-
Sir Adrian Boult explains his conducting technique (video)
From a BBC documentary on Sir Adrian Boult (1889-1983). I am an ardent admirer of Boult's interpretations. Peter Heyworth wrote in The Observer: "From Arthur Nikisch he had early acquired an immaculate stick technique and was quietly scathing about conductors who used their anatomy to indicate their artistic requirements. [...] In an occupation ridden with inflated egos and circus tricksters Boult brought a rare probity to everything he undertook." It is interesting that when one observes his conducting style, from the outside there is always calmness, elegance, self-control and economy of movement and gesture, but with this style he often achieved great results with the orchestra characterized by a warm, refined, living sound, full of expression and fire. Behind every work he conducted th...
published: 11 Apr 2016 -
Beethoven "Violin Concerto" David Oistrakh/Sir Adrian Boult
Violin Concerto in D Major op 61 by Ludwig van Beethoven 1. Allegro ma non troppo 2. Larghetto 3. Rondo.Allegro David Oistrakh, Violin London Symphony Orchestra Sir Adrian Boult, Conductor 1968
published: 07 Dec 2016 -
Sir Adrian Boult conducts Sir Edward Elgar's ‘The Dream of Gerontius’ (1968)
Excerpts from Sir Adrian Boult conducting the London Philharmonic Orchestra – with Rodney Friend as leader – and the London Philharmonic Choir, recorded in Canterbury Cathedral on the 27th and 28th March 1968 by the BBC. One of the first classical music performances to be filmed in colour, it will be screened ahead of the last ever concert in the Adrian Boult Hall, Birmingham Conservatoire on Sunday 26 June. Birmingham Conservatoire, part of Birmingham City University, is now preparing to move to its new £56 million home in the Eastside region of the City, currently under construction and due to open in 2017. The full 1968 recording of ‘The Dream of Gerontius’ will receive a long-awaited double-DVD release in October this year by ICA Classics who are currently cleaning, restoring and ...
published: 22 Jun 2016 -
Holst: The Planets Sir Adrian Boult/LPO (1954) RS3D
This early recording of The Planets from 1954 is offered in stereo 3D for the first time. Restored to its full fidelity, it is truly a gem. Originally released in the UK as Pye Nixa 903, its last release in the US was on the Everest label in the early 1980s. No other conductor had as direct an impact on this score and its development as Sir Adrian Boult. A contemporary of England's most important composers of the 20th Century, his performances of their music is legendary. Although Boult recorded The Planets six times, this is his first high fidelity outing, giving us one of the earliest versions of what the piece would ultimately become in his hands. The 1978-79 recording for EMI is his last, regarded by many to be the best recorded performance available, representing the peak of analogue...
published: 29 Feb 2016 -
Land of Hope and Glory, sir Adrian Boult & BBC Symphony Orchestra 1932
at Queens Hall
published: 07 May 2014 -
Vernon Handley discusses Sir Adrian Boult
Vernon Handley in conversation with Richard R. Adams. (Abergavenny, Wales - November 2001) The great British maestro discusses his first meeting with Sir Adrian Boult and the relationship that followed. Some of what he has to say about Boult is quite surprising.
published: 11 Nov 2015 -
Sir Adrian Boult - Vaughan Williams: Symphony No.8 | ICA Classics DVD
Sir Adrian Boult VAUGHAN WILLIAMS Symphony No.8 Job: A Masque for Dancing London Philharmonic Orchestra ROYAL FESTIVAL HALL, LONDON, 12 OCTOBER 1972 Master of the baton and one of Britain's leading conductors, Sir Adrian Boult was renowned for his interpretations of English works, in particular music by Ralph Vaughan Williams, who was said to be 'totally in favour of Sir Adrian's approach to his music' (John Culshaw). Job: A Masque for Dancing was dedicated to Sir Adrian, a fitting conductor for this magnificent Centenary celebration. The ICA Classics Legacy series presents a collection of historic performances by some of the world's greatest artists. These performances are released on DVD for the first time, incorporating rare archive footage that has been expertly and lovingly r...
published: 27 Jul 2011 -
Vaughan Williams "Norfolk Rhapsody" Sir Adrian Boult
Norfolk Rhapsody for orchestra No. 1 in E minor by Ralph Vaughan Williams New Philharmonia Orchestra Adrian Boult
published: 29 Jul 2015 -
Sir Adrian Boult conducts Marches (originally on Lyrita LP SRCS 95)
Benjamin Britten (after Rossini) : Soirées Musicales Op. 9 : March (1936) 00:00-01:25 Gustav Holst orch. Gordon Jacob : Suite No. 1 Op. 28 No. 1: March (1911 orch. 1945) 01:25-04:25 Percy Grainger : Over The Hills And Far Away (Children's March) (ca. 1919) 04:25-08:20 William Walton arr. Muir Mathieson : Hamlet, Funeral March (1947) 08:20-13:15 Herbert Howells : Procession (1922) 13:15-17:55 Ralph Vaughan Williams : The Wasps: March Past Of The Kitchen Untensils (1909 rev. 1912) 17:55-21:00 Frederick Delius : Marche Caprice (1890) 21:00-24:25 Charles Stanford : Becket: Funeral March 'The Martyrdom' Op. 48 (1893) 24:25-31:10 Hubert Parry : The Birds: Bridal March (1883) 31:10-36:35 Eric Coates : March 'The Dam Busters' (1954) 36:35-40:40 Performed by the London Philharmonic Orchestra and Ne...
published: 15 Mar 2017 -
3) SIR ADRIAN BOULT & The 'PLANETS' Suite - 'MARS' BY Gustav Holst.wmv
Mars - the Bringer of War. Gustav Holst's Planet Suite was premiered towards the end of WW1 & aptly this evocative performance was made in early 1945 by Sir Adrian Boult & his impressive BBC Symphony Orchestra with a fine recording to match.
published: 21 Aug 2012
Sir Adrian Boult explains his conducting technique (video)
- Order: Reorder
- Duration: 4:33
- Updated: 11 Apr 2016
- views: 4985
From a BBC documentary on Sir Adrian Boult (1889-1983).
I am an ardent admirer of Boult's interpretations.
Peter Heyworth wrote in The Observer: "From Arthur Ni...
From a BBC documentary on Sir Adrian Boult (1889-1983).
I am an ardent admirer of Boult's interpretations.
Peter Heyworth wrote in The Observer: "From Arthur Nikisch he had early acquired an immaculate stick technique and was quietly scathing about conductors who used their anatomy to indicate their artistic requirements. [...] In an occupation ridden with inflated egos and circus tricksters Boult brought a rare probity to everything he undertook."
It is interesting that when one observes his conducting style, from the outside there is always calmness, elegance, self-control and economy of movement and gesture, but with this style he often achieved great results with the orchestra characterized by a warm, refined, living sound, full of expression and fire. Behind every work he conducted there was immense knowledge and thoroughness.
I think these principles also hold true for many of the truly great pianists of the past.
https://wn.com/Sir_Adrian_Boult_Explains_His_Conducting_Technique_(Video)
From a BBC documentary on Sir Adrian Boult (1889-1983).
I am an ardent admirer of Boult's interpretations.
Peter Heyworth wrote in The Observer: "From Arthur Nikisch he had early acquired an immaculate stick technique and was quietly scathing about conductors who used their anatomy to indicate their artistic requirements. [...] In an occupation ridden with inflated egos and circus tricksters Boult brought a rare probity to everything he undertook."
It is interesting that when one observes his conducting style, from the outside there is always calmness, elegance, self-control and economy of movement and gesture, but with this style he often achieved great results with the orchestra characterized by a warm, refined, living sound, full of expression and fire. Behind every work he conducted there was immense knowledge and thoroughness.
I think these principles also hold true for many of the truly great pianists of the past.
- published: 11 Apr 2016
- views: 4985
Beethoven "Violin Concerto" David Oistrakh/Sir Adrian Boult
- Order: Reorder
- Duration: 45:03
- Updated: 07 Dec 2016
- views: 421
Violin Concerto in D Major op 61
by Ludwig van Beethoven
1. Allegro ma non troppo
2. Larghetto
3. Rondo.Allegro
David Oistrakh, Violin
London Symphony Orchestra...
Violin Concerto in D Major op 61
by Ludwig van Beethoven
1. Allegro ma non troppo
2. Larghetto
3. Rondo.Allegro
David Oistrakh, Violin
London Symphony Orchestra
Sir Adrian Boult, Conductor
1968
https://wn.com/Beethoven_Violin_Concerto_David_Oistrakh_Sir_Adrian_Boult
Violin Concerto in D Major op 61
by Ludwig van Beethoven
1. Allegro ma non troppo
2. Larghetto
3. Rondo.Allegro
David Oistrakh, Violin
London Symphony Orchestra
Sir Adrian Boult, Conductor
1968
- published: 07 Dec 2016
- views: 421
Sir Adrian Boult conducts Sir Edward Elgar's ‘The Dream of Gerontius’ (1968)
- Order: Reorder
- Duration: 2:04
- Updated: 22 Jun 2016
- views: 2689
Excerpts from Sir Adrian Boult conducting the London Philharmonic Orchestra – with Rodney Friend as leader – and the London Philharmonic Choir, recorded in Cant...
Excerpts from Sir Adrian Boult conducting the London Philharmonic Orchestra – with Rodney Friend as leader – and the London Philharmonic Choir, recorded in Canterbury Cathedral on the 27th and 28th March 1968 by the BBC.
One of the first classical music performances to be filmed in colour, it will be screened ahead of the last ever concert in the Adrian Boult Hall, Birmingham Conservatoire on Sunday 26 June.
Birmingham Conservatoire, part of Birmingham City University, is now preparing to move to its new £56 million home in the Eastside region of the City, currently under construction and due to open in 2017.
The full 1968 recording of ‘The Dream of Gerontius’ will receive a long-awaited double-DVD release in October this year by ICA Classics who are currently cleaning, restoring and digitally remastering the original recording, shown here.
More information: www.bcu.ac.uk/news-events/news/sir-adrian-boult
https://wn.com/Sir_Adrian_Boult_Conducts_Sir_Edward_Elgar's_‘The_Dream_Of_Gerontius’_(1968)
Excerpts from Sir Adrian Boult conducting the London Philharmonic Orchestra – with Rodney Friend as leader – and the London Philharmonic Choir, recorded in Canterbury Cathedral on the 27th and 28th March 1968 by the BBC.
One of the first classical music performances to be filmed in colour, it will be screened ahead of the last ever concert in the Adrian Boult Hall, Birmingham Conservatoire on Sunday 26 June.
Birmingham Conservatoire, part of Birmingham City University, is now preparing to move to its new £56 million home in the Eastside region of the City, currently under construction and due to open in 2017.
The full 1968 recording of ‘The Dream of Gerontius’ will receive a long-awaited double-DVD release in October this year by ICA Classics who are currently cleaning, restoring and digitally remastering the original recording, shown here.
More information: www.bcu.ac.uk/news-events/news/sir-adrian-boult
- published: 22 Jun 2016
- views: 2689
Holst: The Planets Sir Adrian Boult/LPO (1954) RS3D
- Order: Reorder
- Duration: 48:26
- Updated: 29 Feb 2016
- views: 1096
This early recording of The Planets from 1954 is offered in stereo 3D for the first time. Restored to its full fidelity, it is truly a gem. Originally released ...
This early recording of The Planets from 1954 is offered in stereo 3D for the first time. Restored to its full fidelity, it is truly a gem. Originally released in the UK as Pye Nixa 903, its last release in the US was on the Everest label in the early 1980s. No other conductor had as direct an impact on this score and its development as Sir Adrian Boult. A contemporary of England's most important composers of the 20th Century, his performances of their music is legendary.
Although Boult recorded The Planets six times, this is his first high fidelity outing, giving us one of the earliest versions of what the piece would ultimately become in his hands. The 1978-79 recording for EMI is his last, regarded by many to be the best recorded performance available, representing the peak of analogue recording, it was the first time that the technology was really able to keep up with his dynamic requirements. It also ranks among the best sounding recordings ever made in the history of sound recording. The present recording gives a first look at what Boult's interpretations of "The Planets" would develop into over the years. Already, the great British conductor was pushing the limits of early high fidelity recording.
There was never any such thing as a pristine pressing from Everest Records. Even when pulled fresh out of the shrink wrap, they already sounded like worn-out LPs. Although the Everest pressing was noisy and difficult to work with, it was still possible to clean up the signal and get reasonable fidelity after removing the faux stereo sound and restoring time align. No filtering or EQ was used to cover surface noise, this was achieved using the natural phase characteristic of the playing surface itself. (Mastering Hint: NEVER transfer anything from a record in mono!) The high frequency in the last four movements on side two are somewhat degraded, (Remember, this is from an Everest pressing!), no effort was made to correct this as it would have involved using equalization, and compromised time align.
The present recording was mastered at 48kHz/32-bit floating point digital audio from 4 tracks using the RS3D type I formula.
What is RS3D?
Close your eyes. Can you see the orchestra in the space in front of you? You're listening to RS3D, which uses the physics of the original recording microphone to recapture the moment, no matter how far back in time that is. There is no reverb or convolution, everything you hear is original acoustics. This is what the recording microphones actually picked up.
https://wn.com/Holst_The_Planets_Sir_Adrian_Boult_Lpo_(1954)_Rs3D
This early recording of The Planets from 1954 is offered in stereo 3D for the first time. Restored to its full fidelity, it is truly a gem. Originally released in the UK as Pye Nixa 903, its last release in the US was on the Everest label in the early 1980s. No other conductor had as direct an impact on this score and its development as Sir Adrian Boult. A contemporary of England's most important composers of the 20th Century, his performances of their music is legendary.
Although Boult recorded The Planets six times, this is his first high fidelity outing, giving us one of the earliest versions of what the piece would ultimately become in his hands. The 1978-79 recording for EMI is his last, regarded by many to be the best recorded performance available, representing the peak of analogue recording, it was the first time that the technology was really able to keep up with his dynamic requirements. It also ranks among the best sounding recordings ever made in the history of sound recording. The present recording gives a first look at what Boult's interpretations of "The Planets" would develop into over the years. Already, the great British conductor was pushing the limits of early high fidelity recording.
There was never any such thing as a pristine pressing from Everest Records. Even when pulled fresh out of the shrink wrap, they already sounded like worn-out LPs. Although the Everest pressing was noisy and difficult to work with, it was still possible to clean up the signal and get reasonable fidelity after removing the faux stereo sound and restoring time align. No filtering or EQ was used to cover surface noise, this was achieved using the natural phase characteristic of the playing surface itself. (Mastering Hint: NEVER transfer anything from a record in mono!) The high frequency in the last four movements on side two are somewhat degraded, (Remember, this is from an Everest pressing!), no effort was made to correct this as it would have involved using equalization, and compromised time align.
The present recording was mastered at 48kHz/32-bit floating point digital audio from 4 tracks using the RS3D type I formula.
What is RS3D?
Close your eyes. Can you see the orchestra in the space in front of you? You're listening to RS3D, which uses the physics of the original recording microphone to recapture the moment, no matter how far back in time that is. There is no reverb or convolution, everything you hear is original acoustics. This is what the recording microphones actually picked up.
- published: 29 Feb 2016
- views: 1096
Land of Hope and Glory, sir Adrian Boult & BBC Symphony Orchestra 1932
- Order: Reorder
- Duration: 2:49
- Updated: 07 May 2014
- views: 2729
at Queens Hall
at Queens Hall
https://wn.com/Land_Of_Hope_And_Glory,_Sir_Adrian_Boult_BBC_Symphony_Orchestra_1932
Vernon Handley discusses Sir Adrian Boult
- Order: Reorder
- Duration: 9:57
- Updated: 11 Nov 2015
- views: 950
Vernon Handley in conversation with Richard R. Adams. (Abergavenny, Wales - November 2001) The great British maestro discusses his first meeting with Sir Ad...
Vernon Handley in conversation with Richard R. Adams. (Abergavenny, Wales - November 2001) The great British maestro discusses his first meeting with Sir Adrian Boult and the relationship that followed. Some of what he has to say about Boult is quite surprising.
https://wn.com/Vernon_Handley_Discusses_Sir_Adrian_Boult
Vernon Handley in conversation with Richard R. Adams. (Abergavenny, Wales - November 2001) The great British maestro discusses his first meeting with Sir Adrian Boult and the relationship that followed. Some of what he has to say about Boult is quite surprising.
- published: 11 Nov 2015
- views: 950
Sir Adrian Boult - Vaughan Williams: Symphony No.8 | ICA Classics DVD
- Order: Reorder
- Duration: 2:55
- Updated: 27 Jul 2011
- views: 14203
Sir Adrian Boult
VAUGHAN WILLIAMS
Symphony No.8
Job: A Masque for Dancing
London Philharmonic Orchestra
ROYAL FESTIVAL HALL, LONDON, 12 OCTOBER 1972
Mast...
Sir Adrian Boult
VAUGHAN WILLIAMS
Symphony No.8
Job: A Masque for Dancing
London Philharmonic Orchestra
ROYAL FESTIVAL HALL, LONDON, 12 OCTOBER 1972
Master of the baton and one of Britain's leading conductors, Sir Adrian Boult was renowned for his interpretations of English works, in particular music by Ralph Vaughan Williams, who was said to be 'totally in favour of Sir Adrian's approach to his music' (John Culshaw). Job: A Masque for Dancing was dedicated to Sir Adrian, a fitting conductor for this magnificent Centenary celebration.
The ICA Classics Legacy series presents a collection of historic performances by some of the world's greatest artists. These performances are released on DVD for the first time, incorporating rare archive footage that has been expertly and lovingly restored.
Catalogue Number: ICAD 5037
http://www.icartists.co.uk/classics/catalog/dvds/sir-adrian-boult
https://wn.com/Sir_Adrian_Boult_Vaughan_Williams_Symphony_No.8_|_Ica_Classics_Dvd
Sir Adrian Boult
VAUGHAN WILLIAMS
Symphony No.8
Job: A Masque for Dancing
London Philharmonic Orchestra
ROYAL FESTIVAL HALL, LONDON, 12 OCTOBER 1972
Master of the baton and one of Britain's leading conductors, Sir Adrian Boult was renowned for his interpretations of English works, in particular music by Ralph Vaughan Williams, who was said to be 'totally in favour of Sir Adrian's approach to his music' (John Culshaw). Job: A Masque for Dancing was dedicated to Sir Adrian, a fitting conductor for this magnificent Centenary celebration.
The ICA Classics Legacy series presents a collection of historic performances by some of the world's greatest artists. These performances are released on DVD for the first time, incorporating rare archive footage that has been expertly and lovingly restored.
Catalogue Number: ICAD 5037
http://www.icartists.co.uk/classics/catalog/dvds/sir-adrian-boult
- published: 27 Jul 2011
- views: 14203
Vaughan Williams "Norfolk Rhapsody" Sir Adrian Boult
- Order: Reorder
- Duration: 10:41
- Updated: 29 Jul 2015
- views: 1545
Norfolk Rhapsody for orchestra No. 1 in E minor
by Ralph Vaughan Williams
New Philharmonia Orchestra
Adrian Boult
Norfolk Rhapsody for orchestra No. 1 in E minor
by Ralph Vaughan Williams
New Philharmonia Orchestra
Adrian Boult
https://wn.com/Vaughan_Williams_Norfolk_Rhapsody_Sir_Adrian_Boult
Norfolk Rhapsody for orchestra No. 1 in E minor
by Ralph Vaughan Williams
New Philharmonia Orchestra
Adrian Boult
- published: 29 Jul 2015
- views: 1545
Sir Adrian Boult conducts Marches (originally on Lyrita LP SRCS 95)
- Order: Reorder
- Duration: 40:46
- Updated: 15 Mar 2017
- views: 144
Benjamin Britten (after Rossini) : Soirées Musicales Op. 9 : March (1936) 00:00-01:25
Gustav Holst orch. Gordon Jacob : Suite No. 1 Op. 28 No. 1: March (1911 or...
Benjamin Britten (after Rossini) : Soirées Musicales Op. 9 : March (1936) 00:00-01:25
Gustav Holst orch. Gordon Jacob : Suite No. 1 Op. 28 No. 1: March (1911 orch. 1945) 01:25-04:25
Percy Grainger : Over The Hills And Far Away (Children's March) (ca. 1919) 04:25-08:20
William Walton arr. Muir Mathieson : Hamlet, Funeral March (1947) 08:20-13:15
Herbert Howells : Procession (1922) 13:15-17:55
Ralph Vaughan Williams : The Wasps: March Past Of The Kitchen Untensils (1909 rev. 1912) 17:55-21:00
Frederick Delius : Marche Caprice (1890) 21:00-24:25
Charles Stanford : Becket: Funeral March 'The Martyrdom' Op. 48 (1893) 24:25-31:10
Hubert Parry : The Birds: Bridal March (1883) 31:10-36:35
Eric Coates : March 'The Dam Busters' (1954) 36:35-40:40
Performed by the London Philharmonic Orchestra and New Philharmonia Orchestra conducted by Sir Adrian Boult.
https://wn.com/Sir_Adrian_Boult_Conducts_Marches_(Originally_On_Lyrita_Lp_Srcs_95)
Benjamin Britten (after Rossini) : Soirées Musicales Op. 9 : March (1936) 00:00-01:25
Gustav Holst orch. Gordon Jacob : Suite No. 1 Op. 28 No. 1: March (1911 orch. 1945) 01:25-04:25
Percy Grainger : Over The Hills And Far Away (Children's March) (ca. 1919) 04:25-08:20
William Walton arr. Muir Mathieson : Hamlet, Funeral March (1947) 08:20-13:15
Herbert Howells : Procession (1922) 13:15-17:55
Ralph Vaughan Williams : The Wasps: March Past Of The Kitchen Untensils (1909 rev. 1912) 17:55-21:00
Frederick Delius : Marche Caprice (1890) 21:00-24:25
Charles Stanford : Becket: Funeral March 'The Martyrdom' Op. 48 (1893) 24:25-31:10
Hubert Parry : The Birds: Bridal March (1883) 31:10-36:35
Eric Coates : March 'The Dam Busters' (1954) 36:35-40:40
Performed by the London Philharmonic Orchestra and New Philharmonia Orchestra conducted by Sir Adrian Boult.
- published: 15 Mar 2017
- views: 144
3) SIR ADRIAN BOULT & The 'PLANETS' Suite - 'MARS' BY Gustav Holst.wmv
- Order: Reorder
- Duration: 7:34
- Updated: 21 Aug 2012
- views: 2749
Mars - the Bringer of War.
Gustav Holst's Planet Suite was premiered towards the end of WW1 & aptly this evocative performance was made in early 1945 by Sir Ad...
Mars - the Bringer of War.
Gustav Holst's Planet Suite was premiered towards the end of WW1 & aptly this evocative performance was made in early 1945 by Sir Adrian Boult & his impressive BBC Symphony Orchestra with a fine recording to match.
https://wn.com/3)_Sir_Adrian_Boult_The_'PLANETS'_Suite_'MARS'_By_Gustav_Holst.Wmv
Mars - the Bringer of War.
Gustav Holst's Planet Suite was premiered towards the end of WW1 & aptly this evocative performance was made in early 1945 by Sir Adrian Boult & his impressive BBC Symphony Orchestra with a fine recording to match.
- published: 21 Aug 2012
- views: 2749
-
Sir Adrian Boult explains his conducting technique (video)
From a BBC documentary on Sir Adrian Boult (1889-1983). I am an ardent admirer of Boult's interpretations. Peter Heyworth wrote in The Observer: "From Arthur Nikisch he had early acquired an immaculate stick technique and was quietly scathing about conductors who used their anatomy to indicate their artistic requirements. [...] In an occupation ridden with inflated egos and circus tricksters Boult brought a rare probity to everything he undertook." It is interesting that when one observes his conducting style, from the outside there is always calmness, elegance, self-control and economy of movement and gesture, but with this style he often achieved great results with the orchestra characterized by a warm, refined, living sound, full of expression and fire. Behind every work he conducted th...
published: 11 Apr 2016 -
Beethoven "Violin Concerto" David Oistrakh/Sir Adrian Boult
Violin Concerto in D Major op 61 by Ludwig van Beethoven 1. Allegro ma non troppo 2. Larghetto 3. Rondo.Allegro David Oistrakh, Violin London Symphony Orchestra Sir Adrian Boult, Conductor 1968
published: 07 Dec 2016 -
Sir Adrian Boult conducts Sir Edward Elgar's ‘The Dream of Gerontius’ (1968)
Excerpts from Sir Adrian Boult conducting the London Philharmonic Orchestra – with Rodney Friend as leader – and the London Philharmonic Choir, recorded in Canterbury Cathedral on the 27th and 28th March 1968 by the BBC. One of the first classical music performances to be filmed in colour, it will be screened ahead of the last ever concert in the Adrian Boult Hall, Birmingham Conservatoire on Sunday 26 June. Birmingham Conservatoire, part of Birmingham City University, is now preparing to move to its new £56 million home in the Eastside region of the City, currently under construction and due to open in 2017. The full 1968 recording of ‘The Dream of Gerontius’ will receive a long-awaited double-DVD release in October this year by ICA Classics who are currently cleaning, restoring and ...
published: 22 Jun 2016 -
Holst: The Planets Sir Adrian Boult/LPO (1954) RS3D
This early recording of The Planets from 1954 is offered in stereo 3D for the first time. Restored to its full fidelity, it is truly a gem. Originally released in the UK as Pye Nixa 903, its last release in the US was on the Everest label in the early 1980s. No other conductor had as direct an impact on this score and its development as Sir Adrian Boult. A contemporary of England's most important composers of the 20th Century, his performances of their music is legendary. Although Boult recorded The Planets six times, this is his first high fidelity outing, giving us one of the earliest versions of what the piece would ultimately become in his hands. The 1978-79 recording for EMI is his last, regarded by many to be the best recorded performance available, representing the peak of analogue...
published: 29 Feb 2016 -
Land of Hope and Glory, sir Adrian Boult & BBC Symphony Orchestra 1932
at Queens Hall
published: 07 May 2014 -
Vernon Handley discusses Sir Adrian Boult
Vernon Handley in conversation with Richard R. Adams. (Abergavenny, Wales - November 2001) The great British maestro discusses his first meeting with Sir Adrian Boult and the relationship that followed. Some of what he has to say about Boult is quite surprising.
published: 11 Nov 2015 -
Sir Adrian Boult - Vaughan Williams: Symphony No.8 | ICA Classics DVD
Sir Adrian Boult VAUGHAN WILLIAMS Symphony No.8 Job: A Masque for Dancing London Philharmonic Orchestra ROYAL FESTIVAL HALL, LONDON, 12 OCTOBER 1972 Master of the baton and one of Britain's leading conductors, Sir Adrian Boult was renowned for his interpretations of English works, in particular music by Ralph Vaughan Williams, who was said to be 'totally in favour of Sir Adrian's approach to his music' (John Culshaw). Job: A Masque for Dancing was dedicated to Sir Adrian, a fitting conductor for this magnificent Centenary celebration. The ICA Classics Legacy series presents a collection of historic performances by some of the world's greatest artists. These performances are released on DVD for the first time, incorporating rare archive footage that has been expertly and lovingly r...
published: 27 Jul 2011 -
Vaughan Williams "Norfolk Rhapsody" Sir Adrian Boult
Norfolk Rhapsody for orchestra No. 1 in E minor by Ralph Vaughan Williams New Philharmonia Orchestra Adrian Boult
published: 29 Jul 2015 -
Sir Adrian Boult conducts Marches (originally on Lyrita LP SRCS 95)
Benjamin Britten (after Rossini) : Soirées Musicales Op. 9 : March (1936) 00:00-01:25 Gustav Holst orch. Gordon Jacob : Suite No. 1 Op. 28 No. 1: March (1911 orch. 1945) 01:25-04:25 Percy Grainger : Over The Hills And Far Away (Children's March) (ca. 1919) 04:25-08:20 William Walton arr. Muir Mathieson : Hamlet, Funeral March (1947) 08:20-13:15 Herbert Howells : Procession (1922) 13:15-17:55 Ralph Vaughan Williams : The Wasps: March Past Of The Kitchen Untensils (1909 rev. 1912) 17:55-21:00 Frederick Delius : Marche Caprice (1890) 21:00-24:25 Charles Stanford : Becket: Funeral March 'The Martyrdom' Op. 48 (1893) 24:25-31:10 Hubert Parry : The Birds: Bridal March (1883) 31:10-36:35 Eric Coates : March 'The Dam Busters' (1954) 36:35-40:40 Performed by the London Philharmonic Orchestra and Ne...
published: 15 Mar 2017 -
3) SIR ADRIAN BOULT & The 'PLANETS' Suite - 'MARS' BY Gustav Holst.wmv
Mars - the Bringer of War. Gustav Holst's Planet Suite was premiered towards the end of WW1 & aptly this evocative performance was made in early 1945 by Sir Adrian Boult & his impressive BBC Symphony Orchestra with a fine recording to match.
published: 21 Aug 2012
Sir Adrian Boult explains his conducting technique (video)
- Order: Reorder
- Duration: 4:33
- Updated: 11 Apr 2016
- views: 4985
From a BBC documentary on Sir Adrian Boult (1889-1983).
I am an ardent admirer of Boult's interpretations.
Peter Heyworth wrote in The Observer: "From Arthur Ni...
From a BBC documentary on Sir Adrian Boult (1889-1983).
I am an ardent admirer of Boult's interpretations.
Peter Heyworth wrote in The Observer: "From Arthur Nikisch he had early acquired an immaculate stick technique and was quietly scathing about conductors who used their anatomy to indicate their artistic requirements. [...] In an occupation ridden with inflated egos and circus tricksters Boult brought a rare probity to everything he undertook."
It is interesting that when one observes his conducting style, from the outside there is always calmness, elegance, self-control and economy of movement and gesture, but with this style he often achieved great results with the orchestra characterized by a warm, refined, living sound, full of expression and fire. Behind every work he conducted there was immense knowledge and thoroughness.
I think these principles also hold true for many of the truly great pianists of the past.
https://wn.com/Sir_Adrian_Boult_Explains_His_Conducting_Technique_(Video)
From a BBC documentary on Sir Adrian Boult (1889-1983).
I am an ardent admirer of Boult's interpretations.
Peter Heyworth wrote in The Observer: "From Arthur Nikisch he had early acquired an immaculate stick technique and was quietly scathing about conductors who used their anatomy to indicate their artistic requirements. [...] In an occupation ridden with inflated egos and circus tricksters Boult brought a rare probity to everything he undertook."
It is interesting that when one observes his conducting style, from the outside there is always calmness, elegance, self-control and economy of movement and gesture, but with this style he often achieved great results with the orchestra characterized by a warm, refined, living sound, full of expression and fire. Behind every work he conducted there was immense knowledge and thoroughness.
I think these principles also hold true for many of the truly great pianists of the past.
- published: 11 Apr 2016
- views: 4985
Beethoven "Violin Concerto" David Oistrakh/Sir Adrian Boult
- Order: Reorder
- Duration: 45:03
- Updated: 07 Dec 2016
- views: 421
Violin Concerto in D Major op 61
by Ludwig van Beethoven
1. Allegro ma non troppo
2. Larghetto
3. Rondo.Allegro
David Oistrakh, Violin
London Symphony Orchestra...
Violin Concerto in D Major op 61
by Ludwig van Beethoven
1. Allegro ma non troppo
2. Larghetto
3. Rondo.Allegro
David Oistrakh, Violin
London Symphony Orchestra
Sir Adrian Boult, Conductor
1968
https://wn.com/Beethoven_Violin_Concerto_David_Oistrakh_Sir_Adrian_Boult
Violin Concerto in D Major op 61
by Ludwig van Beethoven
1. Allegro ma non troppo
2. Larghetto
3. Rondo.Allegro
David Oistrakh, Violin
London Symphony Orchestra
Sir Adrian Boult, Conductor
1968
- published: 07 Dec 2016
- views: 421
Sir Adrian Boult conducts Sir Edward Elgar's ‘The Dream of Gerontius’ (1968)
- Order: Reorder
- Duration: 2:04
- Updated: 22 Jun 2016
- views: 2689
Excerpts from Sir Adrian Boult conducting the London Philharmonic Orchestra – with Rodney Friend as leader – and the London Philharmonic Choir, recorded in Cant...
Excerpts from Sir Adrian Boult conducting the London Philharmonic Orchestra – with Rodney Friend as leader – and the London Philharmonic Choir, recorded in Canterbury Cathedral on the 27th and 28th March 1968 by the BBC.
One of the first classical music performances to be filmed in colour, it will be screened ahead of the last ever concert in the Adrian Boult Hall, Birmingham Conservatoire on Sunday 26 June.
Birmingham Conservatoire, part of Birmingham City University, is now preparing to move to its new £56 million home in the Eastside region of the City, currently under construction and due to open in 2017.
The full 1968 recording of ‘The Dream of Gerontius’ will receive a long-awaited double-DVD release in October this year by ICA Classics who are currently cleaning, restoring and digitally remastering the original recording, shown here.
More information: www.bcu.ac.uk/news-events/news/sir-adrian-boult
https://wn.com/Sir_Adrian_Boult_Conducts_Sir_Edward_Elgar's_‘The_Dream_Of_Gerontius’_(1968)
Excerpts from Sir Adrian Boult conducting the London Philharmonic Orchestra – with Rodney Friend as leader – and the London Philharmonic Choir, recorded in Canterbury Cathedral on the 27th and 28th March 1968 by the BBC.
One of the first classical music performances to be filmed in colour, it will be screened ahead of the last ever concert in the Adrian Boult Hall, Birmingham Conservatoire on Sunday 26 June.
Birmingham Conservatoire, part of Birmingham City University, is now preparing to move to its new £56 million home in the Eastside region of the City, currently under construction and due to open in 2017.
The full 1968 recording of ‘The Dream of Gerontius’ will receive a long-awaited double-DVD release in October this year by ICA Classics who are currently cleaning, restoring and digitally remastering the original recording, shown here.
More information: www.bcu.ac.uk/news-events/news/sir-adrian-boult
- published: 22 Jun 2016
- views: 2689
Holst: The Planets Sir Adrian Boult/LPO (1954) RS3D
- Order: Reorder
- Duration: 48:26
- Updated: 29 Feb 2016
- views: 1096
This early recording of The Planets from 1954 is offered in stereo 3D for the first time. Restored to its full fidelity, it is truly a gem. Originally released ...
This early recording of The Planets from 1954 is offered in stereo 3D for the first time. Restored to its full fidelity, it is truly a gem. Originally released in the UK as Pye Nixa 903, its last release in the US was on the Everest label in the early 1980s. No other conductor had as direct an impact on this score and its development as Sir Adrian Boult. A contemporary of England's most important composers of the 20th Century, his performances of their music is legendary.
Although Boult recorded The Planets six times, this is his first high fidelity outing, giving us one of the earliest versions of what the piece would ultimately become in his hands. The 1978-79 recording for EMI is his last, regarded by many to be the best recorded performance available, representing the peak of analogue recording, it was the first time that the technology was really able to keep up with his dynamic requirements. It also ranks among the best sounding recordings ever made in the history of sound recording. The present recording gives a first look at what Boult's interpretations of "The Planets" would develop into over the years. Already, the great British conductor was pushing the limits of early high fidelity recording.
There was never any such thing as a pristine pressing from Everest Records. Even when pulled fresh out of the shrink wrap, they already sounded like worn-out LPs. Although the Everest pressing was noisy and difficult to work with, it was still possible to clean up the signal and get reasonable fidelity after removing the faux stereo sound and restoring time align. No filtering or EQ was used to cover surface noise, this was achieved using the natural phase characteristic of the playing surface itself. (Mastering Hint: NEVER transfer anything from a record in mono!) The high frequency in the last four movements on side two are somewhat degraded, (Remember, this is from an Everest pressing!), no effort was made to correct this as it would have involved using equalization, and compromised time align.
The present recording was mastered at 48kHz/32-bit floating point digital audio from 4 tracks using the RS3D type I formula.
What is RS3D?
Close your eyes. Can you see the orchestra in the space in front of you? You're listening to RS3D, which uses the physics of the original recording microphone to recapture the moment, no matter how far back in time that is. There is no reverb or convolution, everything you hear is original acoustics. This is what the recording microphones actually picked up.
https://wn.com/Holst_The_Planets_Sir_Adrian_Boult_Lpo_(1954)_Rs3D
This early recording of The Planets from 1954 is offered in stereo 3D for the first time. Restored to its full fidelity, it is truly a gem. Originally released in the UK as Pye Nixa 903, its last release in the US was on the Everest label in the early 1980s. No other conductor had as direct an impact on this score and its development as Sir Adrian Boult. A contemporary of England's most important composers of the 20th Century, his performances of their music is legendary.
Although Boult recorded The Planets six times, this is his first high fidelity outing, giving us one of the earliest versions of what the piece would ultimately become in his hands. The 1978-79 recording for EMI is his last, regarded by many to be the best recorded performance available, representing the peak of analogue recording, it was the first time that the technology was really able to keep up with his dynamic requirements. It also ranks among the best sounding recordings ever made in the history of sound recording. The present recording gives a first look at what Boult's interpretations of "The Planets" would develop into over the years. Already, the great British conductor was pushing the limits of early high fidelity recording.
There was never any such thing as a pristine pressing from Everest Records. Even when pulled fresh out of the shrink wrap, they already sounded like worn-out LPs. Although the Everest pressing was noisy and difficult to work with, it was still possible to clean up the signal and get reasonable fidelity after removing the faux stereo sound and restoring time align. No filtering or EQ was used to cover surface noise, this was achieved using the natural phase characteristic of the playing surface itself. (Mastering Hint: NEVER transfer anything from a record in mono!) The high frequency in the last four movements on side two are somewhat degraded, (Remember, this is from an Everest pressing!), no effort was made to correct this as it would have involved using equalization, and compromised time align.
The present recording was mastered at 48kHz/32-bit floating point digital audio from 4 tracks using the RS3D type I formula.
What is RS3D?
Close your eyes. Can you see the orchestra in the space in front of you? You're listening to RS3D, which uses the physics of the original recording microphone to recapture the moment, no matter how far back in time that is. There is no reverb or convolution, everything you hear is original acoustics. This is what the recording microphones actually picked up.
- published: 29 Feb 2016
- views: 1096
Land of Hope and Glory, sir Adrian Boult & BBC Symphony Orchestra 1932
- Order: Reorder
- Duration: 2:49
- Updated: 07 May 2014
- views: 2729
at Queens Hall
at Queens Hall
https://wn.com/Land_Of_Hope_And_Glory,_Sir_Adrian_Boult_BBC_Symphony_Orchestra_1932
Vernon Handley discusses Sir Adrian Boult
- Order: Reorder
- Duration: 9:57
- Updated: 11 Nov 2015
- views: 950
Vernon Handley in conversation with Richard R. Adams. (Abergavenny, Wales - November 2001) The great British maestro discusses his first meeting with Sir Ad...
Vernon Handley in conversation with Richard R. Adams. (Abergavenny, Wales - November 2001) The great British maestro discusses his first meeting with Sir Adrian Boult and the relationship that followed. Some of what he has to say about Boult is quite surprising.
https://wn.com/Vernon_Handley_Discusses_Sir_Adrian_Boult
Vernon Handley in conversation with Richard R. Adams. (Abergavenny, Wales - November 2001) The great British maestro discusses his first meeting with Sir Adrian Boult and the relationship that followed. Some of what he has to say about Boult is quite surprising.
- published: 11 Nov 2015
- views: 950
Sir Adrian Boult - Vaughan Williams: Symphony No.8 | ICA Classics DVD
- Order: Reorder
- Duration: 2:55
- Updated: 27 Jul 2011
- views: 14203
Sir Adrian Boult
VAUGHAN WILLIAMS
Symphony No.8
Job: A Masque for Dancing
London Philharmonic Orchestra
ROYAL FESTIVAL HALL, LONDON, 12 OCTOBER 1972
Mast...
Sir Adrian Boult
VAUGHAN WILLIAMS
Symphony No.8
Job: A Masque for Dancing
London Philharmonic Orchestra
ROYAL FESTIVAL HALL, LONDON, 12 OCTOBER 1972
Master of the baton and one of Britain's leading conductors, Sir Adrian Boult was renowned for his interpretations of English works, in particular music by Ralph Vaughan Williams, who was said to be 'totally in favour of Sir Adrian's approach to his music' (John Culshaw). Job: A Masque for Dancing was dedicated to Sir Adrian, a fitting conductor for this magnificent Centenary celebration.
The ICA Classics Legacy series presents a collection of historic performances by some of the world's greatest artists. These performances are released on DVD for the first time, incorporating rare archive footage that has been expertly and lovingly restored.
Catalogue Number: ICAD 5037
http://www.icartists.co.uk/classics/catalog/dvds/sir-adrian-boult
https://wn.com/Sir_Adrian_Boult_Vaughan_Williams_Symphony_No.8_|_Ica_Classics_Dvd
Sir Adrian Boult
VAUGHAN WILLIAMS
Symphony No.8
Job: A Masque for Dancing
London Philharmonic Orchestra
ROYAL FESTIVAL HALL, LONDON, 12 OCTOBER 1972
Master of the baton and one of Britain's leading conductors, Sir Adrian Boult was renowned for his interpretations of English works, in particular music by Ralph Vaughan Williams, who was said to be 'totally in favour of Sir Adrian's approach to his music' (John Culshaw). Job: A Masque for Dancing was dedicated to Sir Adrian, a fitting conductor for this magnificent Centenary celebration.
The ICA Classics Legacy series presents a collection of historic performances by some of the world's greatest artists. These performances are released on DVD for the first time, incorporating rare archive footage that has been expertly and lovingly restored.
Catalogue Number: ICAD 5037
http://www.icartists.co.uk/classics/catalog/dvds/sir-adrian-boult
- published: 27 Jul 2011
- views: 14203
Vaughan Williams "Norfolk Rhapsody" Sir Adrian Boult
- Order: Reorder
- Duration: 10:41
- Updated: 29 Jul 2015
- views: 1545
Norfolk Rhapsody for orchestra No. 1 in E minor
by Ralph Vaughan Williams
New Philharmonia Orchestra
Adrian Boult
Norfolk Rhapsody for orchestra No. 1 in E minor
by Ralph Vaughan Williams
New Philharmonia Orchestra
Adrian Boult
https://wn.com/Vaughan_Williams_Norfolk_Rhapsody_Sir_Adrian_Boult
Norfolk Rhapsody for orchestra No. 1 in E minor
by Ralph Vaughan Williams
New Philharmonia Orchestra
Adrian Boult
- published: 29 Jul 2015
- views: 1545
Sir Adrian Boult conducts Marches (originally on Lyrita LP SRCS 95)
- Order: Reorder
- Duration: 40:46
- Updated: 15 Mar 2017
- views: 144
Benjamin Britten (after Rossini) : Soirées Musicales Op. 9 : March (1936) 00:00-01:25
Gustav Holst orch. Gordon Jacob : Suite No. 1 Op. 28 No. 1: March (1911 or...
Benjamin Britten (after Rossini) : Soirées Musicales Op. 9 : March (1936) 00:00-01:25
Gustav Holst orch. Gordon Jacob : Suite No. 1 Op. 28 No. 1: March (1911 orch. 1945) 01:25-04:25
Percy Grainger : Over The Hills And Far Away (Children's March) (ca. 1919) 04:25-08:20
William Walton arr. Muir Mathieson : Hamlet, Funeral March (1947) 08:20-13:15
Herbert Howells : Procession (1922) 13:15-17:55
Ralph Vaughan Williams : The Wasps: March Past Of The Kitchen Untensils (1909 rev. 1912) 17:55-21:00
Frederick Delius : Marche Caprice (1890) 21:00-24:25
Charles Stanford : Becket: Funeral March 'The Martyrdom' Op. 48 (1893) 24:25-31:10
Hubert Parry : The Birds: Bridal March (1883) 31:10-36:35
Eric Coates : March 'The Dam Busters' (1954) 36:35-40:40
Performed by the London Philharmonic Orchestra and New Philharmonia Orchestra conducted by Sir Adrian Boult.
https://wn.com/Sir_Adrian_Boult_Conducts_Marches_(Originally_On_Lyrita_Lp_Srcs_95)
Benjamin Britten (after Rossini) : Soirées Musicales Op. 9 : March (1936) 00:00-01:25
Gustav Holst orch. Gordon Jacob : Suite No. 1 Op. 28 No. 1: March (1911 orch. 1945) 01:25-04:25
Percy Grainger : Over The Hills And Far Away (Children's March) (ca. 1919) 04:25-08:20
William Walton arr. Muir Mathieson : Hamlet, Funeral March (1947) 08:20-13:15
Herbert Howells : Procession (1922) 13:15-17:55
Ralph Vaughan Williams : The Wasps: March Past Of The Kitchen Untensils (1909 rev. 1912) 17:55-21:00
Frederick Delius : Marche Caprice (1890) 21:00-24:25
Charles Stanford : Becket: Funeral March 'The Martyrdom' Op. 48 (1893) 24:25-31:10
Hubert Parry : The Birds: Bridal March (1883) 31:10-36:35
Eric Coates : March 'The Dam Busters' (1954) 36:35-40:40
Performed by the London Philharmonic Orchestra and New Philharmonia Orchestra conducted by Sir Adrian Boult.
- published: 15 Mar 2017
- views: 144
3) SIR ADRIAN BOULT & The 'PLANETS' Suite - 'MARS' BY Gustav Holst.wmv
- Order: Reorder
- Duration: 7:34
- Updated: 21 Aug 2012
- views: 2749
Mars - the Bringer of War.
Gustav Holst's Planet Suite was premiered towards the end of WW1 & aptly this evocative performance was made in early 1945 by Sir Ad...
Mars - the Bringer of War.
Gustav Holst's Planet Suite was premiered towards the end of WW1 & aptly this evocative performance was made in early 1945 by Sir Adrian Boult & his impressive BBC Symphony Orchestra with a fine recording to match.
https://wn.com/3)_Sir_Adrian_Boult_The_'PLANETS'_Suite_'MARS'_By_Gustav_Holst.Wmv
Mars - the Bringer of War.
Gustav Holst's Planet Suite was premiered towards the end of WW1 & aptly this evocative performance was made in early 1945 by Sir Adrian Boult & his impressive BBC Symphony Orchestra with a fine recording to match.
- published: 21 Aug 2012
- views: 2749
-
Beethoven "Violin Concerto" David Oistrakh/Sir Adrian Boult
Violin Concerto in D Major op 61 by Ludwig van Beethoven 1. Allegro ma non troppo 2. Larghetto 3. Rondo.Allegro David Oistrakh, Violin London Symphony Orchestra Sir Adrian Boult, Conductor 1968
published: 07 Dec 2016 -
Holst: The Planets Sir Adrian Boult/LPO (1954) RS3D
This early recording of The Planets from 1954 is offered in stereo 3D for the first time. Restored to its full fidelity, it is truly a gem. Originally released in the UK as Pye Nixa 903, its last release in the US was on the Everest label in the early 1980s. No other conductor had as direct an impact on this score and its development as Sir Adrian Boult. A contemporary of England's most important composers of the 20th Century, his performances of their music is legendary. Although Boult recorded The Planets six times, this is his first high fidelity outing, giving us one of the earliest versions of what the piece would ultimately become in his hands. The 1978-79 recording for EMI is his last, regarded by many to be the best recorded performance available, representing the peak of analogue...
published: 29 Feb 2016 -
Sir Adrian Boult introduces the instruments of the orchestra
Recording transfer information. This fascinating recording was transferred in 1987 from vinyl to cassette (Neal 312) machine using a Linn LP12 turntable fitted with a Decca Gold cartridge. Later transferred by me to CD in October 2013. The slight flutter is due to a worn Neal 312 pinch wheel. EMI Record Company Information Classics For Pleasure – CFP 40074 Format: Vinyl, Album Released 1968. Sir Adrian Boult Introduces The Instruments of The Orchestra Sir Adrian Boult Born April 8th 1889 in Chester, England; died February 22nd 1983 at the age of 93. Sir Adrian was a conductor with the BBC Symphony (1930-1950), City of Birmingham Symphony (1924-1930); and London Philharmonic (1950-1958) Orchestras. He was knighted in 1937. His gave his last public performance conducting Sir Edward Elg...
published: 01 Sep 2016 -
Sir Adrian Boult conducts Marches (originally on Lyrita LP SRCS 95)
Benjamin Britten (after Rossini) : Soirées Musicales Op. 9 : March (1936) 00:00-01:25 Gustav Holst orch. Gordon Jacob : Suite No. 1 Op. 28 No. 1: March (1911 orch. 1945) 01:25-04:25 Percy Grainger : Over The Hills And Far Away (Children's March) (ca. 1919) 04:25-08:20 William Walton arr. Muir Mathieson : Hamlet, Funeral March (1947) 08:20-13:15 Herbert Howells : Procession (1922) 13:15-17:55 Ralph Vaughan Williams : The Wasps: March Past Of The Kitchen Untensils (1909 rev. 1912) 17:55-21:00 Frederick Delius : Marche Caprice (1890) 21:00-24:25 Charles Stanford : Becket: Funeral March 'The Martyrdom' Op. 48 (1893) 24:25-31:10 Hubert Parry : The Birds: Bridal March (1883) 31:10-36:35 Eric Coates : March 'The Dam Busters' (1954) 36:35-40:40 Performed by the London Philharmonic Orchestra and Ne...
published: 15 Mar 2017 -
Vaughan Williams, London Symphony, 1,2mov, sir, Adrian Boult, Conducting
The music and the images were extracted from my lp.
published: 16 Mar 2014 -
Elgar=XIV 'Enigma' Variations=Boult & London SO in 'New Estereo'
Sir Adrian Boult, the London SO in circa '70 with as fine a studio performance as we are likely to hear even if not his own London PO.
published: 16 Mar 2016 -
Tchiakovsky : Violin Concerto in D Major Op.35 - Elman, Boult
Mischa Elman (Violin) Sir Adrian Boult (Conductor) London Philharmonic Orchestra 01. Allegro Moderato 0:00 02. Canzonetta. Andante - 20:49 03. Finale. Allegro Vivacissimo 27:23 1954/06/01, 03 Mono, Kingsway Hall, London Producer: Peter Andry Balance Engineer: Kenneth Wilkinson ⓟ 1954 Decca Records
published: 27 Mar 2017 -
Mozart - Piano concerto n°23 K.488 - Fischer / Boult
Wolfgang Amadeus Mozart Piano concerto n°23 K.488 I. Allegro 0:00 II. Adagio 10:54 III. Allegro assai 17:42 Annie Fischer Philharmonia Orchestra Sir Adrian Boult Studio recording, London, 13-15.II & 22.IV.1959
published: 12 Apr 2014 -
David Oistrakh - Beethoven Violin Concerto in D major, 1. Allegro ma non troppo
violin - David Oistrakh conductor - Sir Adrian Boult London Symphony Orchestra (1968) Royal Albert Hall London
published: 06 May 2012 -
Brahms, Symphony No,4 , Adrian Boult,conductor
published: 02 Oct 2016
Beethoven "Violin Concerto" David Oistrakh/Sir Adrian Boult
- Order: Reorder
- Duration: 45:03
- Updated: 07 Dec 2016
- views: 421
Violin Concerto in D Major op 61
by Ludwig van Beethoven
1. Allegro ma non troppo
2. Larghetto
3. Rondo.Allegro
David Oistrakh, Violin
London Symphony Orchestra...
Violin Concerto in D Major op 61
by Ludwig van Beethoven
1. Allegro ma non troppo
2. Larghetto
3. Rondo.Allegro
David Oistrakh, Violin
London Symphony Orchestra
Sir Adrian Boult, Conductor
1968
https://wn.com/Beethoven_Violin_Concerto_David_Oistrakh_Sir_Adrian_Boult
Violin Concerto in D Major op 61
by Ludwig van Beethoven
1. Allegro ma non troppo
2. Larghetto
3. Rondo.Allegro
David Oistrakh, Violin
London Symphony Orchestra
Sir Adrian Boult, Conductor
1968
- published: 07 Dec 2016
- views: 421
Holst: The Planets Sir Adrian Boult/LPO (1954) RS3D
- Order: Reorder
- Duration: 48:26
- Updated: 29 Feb 2016
- views: 1096
This early recording of The Planets from 1954 is offered in stereo 3D for the first time. Restored to its full fidelity, it is truly a gem. Originally released ...
This early recording of The Planets from 1954 is offered in stereo 3D for the first time. Restored to its full fidelity, it is truly a gem. Originally released in the UK as Pye Nixa 903, its last release in the US was on the Everest label in the early 1980s. No other conductor had as direct an impact on this score and its development as Sir Adrian Boult. A contemporary of England's most important composers of the 20th Century, his performances of their music is legendary.
Although Boult recorded The Planets six times, this is his first high fidelity outing, giving us one of the earliest versions of what the piece would ultimately become in his hands. The 1978-79 recording for EMI is his last, regarded by many to be the best recorded performance available, representing the peak of analogue recording, it was the first time that the technology was really able to keep up with his dynamic requirements. It also ranks among the best sounding recordings ever made in the history of sound recording. The present recording gives a first look at what Boult's interpretations of "The Planets" would develop into over the years. Already, the great British conductor was pushing the limits of early high fidelity recording.
There was never any such thing as a pristine pressing from Everest Records. Even when pulled fresh out of the shrink wrap, they already sounded like worn-out LPs. Although the Everest pressing was noisy and difficult to work with, it was still possible to clean up the signal and get reasonable fidelity after removing the faux stereo sound and restoring time align. No filtering or EQ was used to cover surface noise, this was achieved using the natural phase characteristic of the playing surface itself. (Mastering Hint: NEVER transfer anything from a record in mono!) The high frequency in the last four movements on side two are somewhat degraded, (Remember, this is from an Everest pressing!), no effort was made to correct this as it would have involved using equalization, and compromised time align.
The present recording was mastered at 48kHz/32-bit floating point digital audio from 4 tracks using the RS3D type I formula.
What is RS3D?
Close your eyes. Can you see the orchestra in the space in front of you? You're listening to RS3D, which uses the physics of the original recording microphone to recapture the moment, no matter how far back in time that is. There is no reverb or convolution, everything you hear is original acoustics. This is what the recording microphones actually picked up.
https://wn.com/Holst_The_Planets_Sir_Adrian_Boult_Lpo_(1954)_Rs3D
This early recording of The Planets from 1954 is offered in stereo 3D for the first time. Restored to its full fidelity, it is truly a gem. Originally released in the UK as Pye Nixa 903, its last release in the US was on the Everest label in the early 1980s. No other conductor had as direct an impact on this score and its development as Sir Adrian Boult. A contemporary of England's most important composers of the 20th Century, his performances of their music is legendary.
Although Boult recorded The Planets six times, this is his first high fidelity outing, giving us one of the earliest versions of what the piece would ultimately become in his hands. The 1978-79 recording for EMI is his last, regarded by many to be the best recorded performance available, representing the peak of analogue recording, it was the first time that the technology was really able to keep up with his dynamic requirements. It also ranks among the best sounding recordings ever made in the history of sound recording. The present recording gives a first look at what Boult's interpretations of "The Planets" would develop into over the years. Already, the great British conductor was pushing the limits of early high fidelity recording.
There was never any such thing as a pristine pressing from Everest Records. Even when pulled fresh out of the shrink wrap, they already sounded like worn-out LPs. Although the Everest pressing was noisy and difficult to work with, it was still possible to clean up the signal and get reasonable fidelity after removing the faux stereo sound and restoring time align. No filtering or EQ was used to cover surface noise, this was achieved using the natural phase characteristic of the playing surface itself. (Mastering Hint: NEVER transfer anything from a record in mono!) The high frequency in the last four movements on side two are somewhat degraded, (Remember, this is from an Everest pressing!), no effort was made to correct this as it would have involved using equalization, and compromised time align.
The present recording was mastered at 48kHz/32-bit floating point digital audio from 4 tracks using the RS3D type I formula.
What is RS3D?
Close your eyes. Can you see the orchestra in the space in front of you? You're listening to RS3D, which uses the physics of the original recording microphone to recapture the moment, no matter how far back in time that is. There is no reverb or convolution, everything you hear is original acoustics. This is what the recording microphones actually picked up.
- published: 29 Feb 2016
- views: 1096
Sir Adrian Boult introduces the instruments of the orchestra
- Order: Reorder
- Duration: 57:12
- Updated: 01 Sep 2016
- views: 150
Recording transfer information.
This fascinating recording was transferred in 1987 from vinyl to cassette (Neal 312) machine using a Linn LP12 turntable fitted ...
Recording transfer information.
This fascinating recording was transferred in 1987 from vinyl to cassette (Neal 312) machine using a Linn LP12 turntable fitted with a Decca Gold cartridge. Later transferred by me to CD in October 2013.
The slight flutter is due to a worn Neal 312 pinch wheel.
EMI Record Company Information
Classics For Pleasure – CFP 40074
Format: Vinyl, Album
Released 1968.
Sir Adrian Boult Introduces
The Instruments of The Orchestra
Sir Adrian Boult
Born April 8th 1889 in Chester, England; died February 22nd 1983 at the age of 93.
Sir Adrian was a conductor with the BBC Symphony (1930-1950), City of Birmingham Symphony (1924-1930); and London Philharmonic (1950-1958) Orchestras. He was knighted in 1937.
His gave his last public performance conducting Sir Edward Elgar's ballet, The Sanguine Fan for London Festival Ballet at the Coliseum London, 24 June 1978. His final record, completed in December 1978, was of music by Hubert Parry. He formally retired from conducting in 1981.
Track list: 1, Strings, 2, Brass, 3, Woodwinds, 4, Percussions.
With members of The London Philharmonic Orchestra.
1. Strings
Violin
The four strings
The compass
Pizzicato
Muting
Long notes - Scheherezade (Rimsky-Korsakov)
Double stopping - Caprice Espagnole (Rimsky-Korsakov)
Viola
The compass
Giselle (Adam)
Harold in Italy (Berlioz)
Arpeggio effect (Harold in Italy - Berlioz)
Cello
Compass
Brahms 3rd movement from 2nd Piano Concerto
Pizzicato
Double Bass
Compass
Pizzicato
1st Symphony, 3rd movement (Mahler)
Harmonic demonstration from Gavotte (Lorinzetti)
Harp
Compass
Caprice Espagnole (Rimsky-Korsakov)
2. Brass
Horn
Compass
4th Horn Concerto (Rondo) (Mozart)
4th Horn Concerto (Romanza) (Mozart)
Open and muted effects from Scheherezade (Rimsky-Korsakov)
Horn call from Siegfried (Wagner)
Trumpet
Compass
Fanfare from Caprice Espagnole (Rimsky-Korsakov)
Off-stage effect from Leonore No.3 Overture (Beethoven)
High Baroque (Clarino register)
2nd Brandenburg Concerto (J.S. Bach)
Chromatic Trumpet. Slow movement from Trumpet Concerto (Haydn)
Open and muted effect from Scheherezade (Rimksy-Korsakov)
Cornet part from Capriccio Italien (Tchaikovsky)
Trombone
Compass
Glissando (slides)
Tannhauser Overture (Wagner)
Open and muted effects from Scheherezade (Rimsky-Korsakov)
Legato from Tuba Mirum. Requiem Mass (Mozart)
Bass Trombone
Lower notes of register
Overture 1812 (Tchaikovsky)
Tuba
Compass
Theme from Overture The Mastersingers (Wagner
3. Woodwind
Flute
Compass
Dance from the Blessed Spirits (Gluck)
Piccolo
Compass
Overture Semiramide (Rossini)
Oboe
Compass
Overture The Silken Ladder (Rossini)
The same with piccolo in duet
Slow movement from Eroica Symphony (Beethoven)
Cor Anglais
Compass
Largo From The New World Symphony (Dvorak)
Slow movement from Symphonie Fantastique (Berlioz) with oboe contrasted
Clarinet in A
Compass
First movement from Concerto (Mozart)
Sleeping Beauty (Tchaikovsky)
Bass Clarinet
The Sugar Plum Fairy from Nutcracker Suite (Tchaikovsky) with celeste and Clarinet in A
E-flat Clarinet
Compass
Finale from Symphonie Fantastique (Berlioz)
Bassoon
Compass
Hall of the Mountain King from Peer Gynt (Grieg)
Scheherezade (Rimsky-Korsakov)
Overture Leonore No.3 with Flute (Beethoven)
Double (contra) Bassoon
Lower notes
Dies Irae
4. Percussion
Timpani (Kettledrums)
Christmas Oratorio (J.S. Bach)
Soft playing on three drums
The same with harder sticks
Modern chromatic timpani with soft and hard sticks with glissando effect
Glissando alone
Side drum (Snare Drum)
Cymbals
Sleigh Bells and Whip
Glockenspiel and Chinese Block
Xylophone and Chinese Finger Cymbals
Tubular Bells and Tam Tam (Gong)
Tam Tam (Gong) solo
Bass Drum (with different sticks)
Castanets
Tambourine (shaken)
Triangle
Tambourine (struck)
Cymbal beaten with stick
https://wn.com/Sir_Adrian_Boult_Introduces_The_Instruments_Of_The_Orchestra
Recording transfer information.
This fascinating recording was transferred in 1987 from vinyl to cassette (Neal 312) machine using a Linn LP12 turntable fitted with a Decca Gold cartridge. Later transferred by me to CD in October 2013.
The slight flutter is due to a worn Neal 312 pinch wheel.
EMI Record Company Information
Classics For Pleasure – CFP 40074
Format: Vinyl, Album
Released 1968.
Sir Adrian Boult Introduces
The Instruments of The Orchestra
Sir Adrian Boult
Born April 8th 1889 in Chester, England; died February 22nd 1983 at the age of 93.
Sir Adrian was a conductor with the BBC Symphony (1930-1950), City of Birmingham Symphony (1924-1930); and London Philharmonic (1950-1958) Orchestras. He was knighted in 1937.
His gave his last public performance conducting Sir Edward Elgar's ballet, The Sanguine Fan for London Festival Ballet at the Coliseum London, 24 June 1978. His final record, completed in December 1978, was of music by Hubert Parry. He formally retired from conducting in 1981.
Track list: 1, Strings, 2, Brass, 3, Woodwinds, 4, Percussions.
With members of The London Philharmonic Orchestra.
1. Strings
Violin
The four strings
The compass
Pizzicato
Muting
Long notes - Scheherezade (Rimsky-Korsakov)
Double stopping - Caprice Espagnole (Rimsky-Korsakov)
Viola
The compass
Giselle (Adam)
Harold in Italy (Berlioz)
Arpeggio effect (Harold in Italy - Berlioz)
Cello
Compass
Brahms 3rd movement from 2nd Piano Concerto
Pizzicato
Double Bass
Compass
Pizzicato
1st Symphony, 3rd movement (Mahler)
Harmonic demonstration from Gavotte (Lorinzetti)
Harp
Compass
Caprice Espagnole (Rimsky-Korsakov)
2. Brass
Horn
Compass
4th Horn Concerto (Rondo) (Mozart)
4th Horn Concerto (Romanza) (Mozart)
Open and muted effects from Scheherezade (Rimsky-Korsakov)
Horn call from Siegfried (Wagner)
Trumpet
Compass
Fanfare from Caprice Espagnole (Rimsky-Korsakov)
Off-stage effect from Leonore No.3 Overture (Beethoven)
High Baroque (Clarino register)
2nd Brandenburg Concerto (J.S. Bach)
Chromatic Trumpet. Slow movement from Trumpet Concerto (Haydn)
Open and muted effect from Scheherezade (Rimksy-Korsakov)
Cornet part from Capriccio Italien (Tchaikovsky)
Trombone
Compass
Glissando (slides)
Tannhauser Overture (Wagner)
Open and muted effects from Scheherezade (Rimsky-Korsakov)
Legato from Tuba Mirum. Requiem Mass (Mozart)
Bass Trombone
Lower notes of register
Overture 1812 (Tchaikovsky)
Tuba
Compass
Theme from Overture The Mastersingers (Wagner
3. Woodwind
Flute
Compass
Dance from the Blessed Spirits (Gluck)
Piccolo
Compass
Overture Semiramide (Rossini)
Oboe
Compass
Overture The Silken Ladder (Rossini)
The same with piccolo in duet
Slow movement from Eroica Symphony (Beethoven)
Cor Anglais
Compass
Largo From The New World Symphony (Dvorak)
Slow movement from Symphonie Fantastique (Berlioz) with oboe contrasted
Clarinet in A
Compass
First movement from Concerto (Mozart)
Sleeping Beauty (Tchaikovsky)
Bass Clarinet
The Sugar Plum Fairy from Nutcracker Suite (Tchaikovsky) with celeste and Clarinet in A
E-flat Clarinet
Compass
Finale from Symphonie Fantastique (Berlioz)
Bassoon
Compass
Hall of the Mountain King from Peer Gynt (Grieg)
Scheherezade (Rimsky-Korsakov)
Overture Leonore No.3 with Flute (Beethoven)
Double (contra) Bassoon
Lower notes
Dies Irae
4. Percussion
Timpani (Kettledrums)
Christmas Oratorio (J.S. Bach)
Soft playing on three drums
The same with harder sticks
Modern chromatic timpani with soft and hard sticks with glissando effect
Glissando alone
Side drum (Snare Drum)
Cymbals
Sleigh Bells and Whip
Glockenspiel and Chinese Block
Xylophone and Chinese Finger Cymbals
Tubular Bells and Tam Tam (Gong)
Tam Tam (Gong) solo
Bass Drum (with different sticks)
Castanets
Tambourine (shaken)
Triangle
Tambourine (struck)
Cymbal beaten with stick
- published: 01 Sep 2016
- views: 150
Sir Adrian Boult conducts Marches (originally on Lyrita LP SRCS 95)
- Order: Reorder
- Duration: 40:46
- Updated: 15 Mar 2017
- views: 144
Benjamin Britten (after Rossini) : Soirées Musicales Op. 9 : March (1936) 00:00-01:25
Gustav Holst orch. Gordon Jacob : Suite No. 1 Op. 28 No. 1: March (1911 or...
Benjamin Britten (after Rossini) : Soirées Musicales Op. 9 : March (1936) 00:00-01:25
Gustav Holst orch. Gordon Jacob : Suite No. 1 Op. 28 No. 1: March (1911 orch. 1945) 01:25-04:25
Percy Grainger : Over The Hills And Far Away (Children's March) (ca. 1919) 04:25-08:20
William Walton arr. Muir Mathieson : Hamlet, Funeral March (1947) 08:20-13:15
Herbert Howells : Procession (1922) 13:15-17:55
Ralph Vaughan Williams : The Wasps: March Past Of The Kitchen Untensils (1909 rev. 1912) 17:55-21:00
Frederick Delius : Marche Caprice (1890) 21:00-24:25
Charles Stanford : Becket: Funeral March 'The Martyrdom' Op. 48 (1893) 24:25-31:10
Hubert Parry : The Birds: Bridal March (1883) 31:10-36:35
Eric Coates : March 'The Dam Busters' (1954) 36:35-40:40
Performed by the London Philharmonic Orchestra and New Philharmonia Orchestra conducted by Sir Adrian Boult.
https://wn.com/Sir_Adrian_Boult_Conducts_Marches_(Originally_On_Lyrita_Lp_Srcs_95)
Benjamin Britten (after Rossini) : Soirées Musicales Op. 9 : March (1936) 00:00-01:25
Gustav Holst orch. Gordon Jacob : Suite No. 1 Op. 28 No. 1: March (1911 orch. 1945) 01:25-04:25
Percy Grainger : Over The Hills And Far Away (Children's March) (ca. 1919) 04:25-08:20
William Walton arr. Muir Mathieson : Hamlet, Funeral March (1947) 08:20-13:15
Herbert Howells : Procession (1922) 13:15-17:55
Ralph Vaughan Williams : The Wasps: March Past Of The Kitchen Untensils (1909 rev. 1912) 17:55-21:00
Frederick Delius : Marche Caprice (1890) 21:00-24:25
Charles Stanford : Becket: Funeral March 'The Martyrdom' Op. 48 (1893) 24:25-31:10
Hubert Parry : The Birds: Bridal March (1883) 31:10-36:35
Eric Coates : March 'The Dam Busters' (1954) 36:35-40:40
Performed by the London Philharmonic Orchestra and New Philharmonia Orchestra conducted by Sir Adrian Boult.
- published: 15 Mar 2017
- views: 144
Vaughan Williams, London Symphony, 1,2mov, sir, Adrian Boult, Conducting
- Order: Reorder
- Duration: 23:48
- Updated: 16 Mar 2014
- views: 799
The music and the images were extracted from my lp.
The music and the images were extracted from my lp.
https://wn.com/Vaughan_Williams,_London_Symphony,_1,2Mov,_Sir,_Adrian_Boult,_Conducting
Elgar=XIV 'Enigma' Variations=Boult & London SO in 'New Estereo'
- Order: Reorder
- Duration: 29:40
- Updated: 16 Mar 2016
- views: 613
Sir Adrian Boult, the London SO in circa '70 with as fine a studio performance as we are likely to hear even if not his own London PO.
Sir Adrian Boult, the London SO in circa '70 with as fine a studio performance as we are likely to hear even if not his own London PO.
https://wn.com/Elgar_Xiv_'Enigma'_Variations_Boult_London_So_In_'New_Estereo'
Sir Adrian Boult, the London SO in circa '70 with as fine a studio performance as we are likely to hear even if not his own London PO.
- published: 16 Mar 2016
- views: 613
Tchiakovsky : Violin Concerto in D Major Op.35 - Elman, Boult
- Order: Reorder
- Duration: 36:58
- Updated: 27 Mar 2017
- views: 215
Mischa Elman (Violin)
Sir Adrian Boult (Conductor)
London Philharmonic Orchestra
01. Allegro Moderato 0:00
02. Canzonetta. Andante - 20:49
03. Finale. Allegro ...
Mischa Elman (Violin)
Sir Adrian Boult (Conductor)
London Philharmonic Orchestra
01. Allegro Moderato 0:00
02. Canzonetta. Andante - 20:49
03. Finale. Allegro Vivacissimo 27:23
1954/06/01, 03 Mono, Kingsway Hall, London
Producer: Peter Andry
Balance Engineer: Kenneth Wilkinson
ⓟ 1954 Decca Records
https://wn.com/Tchiakovsky_Violin_Concerto_In_D_Major_Op.35_Elman,_Boult
Mischa Elman (Violin)
Sir Adrian Boult (Conductor)
London Philharmonic Orchestra
01. Allegro Moderato 0:00
02. Canzonetta. Andante - 20:49
03. Finale. Allegro Vivacissimo 27:23
1954/06/01, 03 Mono, Kingsway Hall, London
Producer: Peter Andry
Balance Engineer: Kenneth Wilkinson
ⓟ 1954 Decca Records
- published: 27 Mar 2017
- views: 215
Mozart - Piano concerto n°23 K.488 - Fischer / Boult
- Order: Reorder
- Duration: 26:01
- Updated: 12 Apr 2014
- views: 4322
Wolfgang Amadeus Mozart
Piano concerto n°23 K.488
I. Allegro 0:00
II. Adagio 10:54
III. Allegro assai 17:42
Annie Fischer
Philharmonia Orchestra
Sir Adrian B...
Wolfgang Amadeus Mozart
Piano concerto n°23 K.488
I. Allegro 0:00
II. Adagio 10:54
III. Allegro assai 17:42
Annie Fischer
Philharmonia Orchestra
Sir Adrian Boult
Studio recording, London, 13-15.II & 22.IV.1959
https://wn.com/Mozart_Piano_Concerto_N°23_K.488_Fischer_Boult
Wolfgang Amadeus Mozart
Piano concerto n°23 K.488
I. Allegro 0:00
II. Adagio 10:54
III. Allegro assai 17:42
Annie Fischer
Philharmonia Orchestra
Sir Adrian Boult
Studio recording, London, 13-15.II & 22.IV.1959
- published: 12 Apr 2014
- views: 4322
David Oistrakh - Beethoven Violin Concerto in D major, 1. Allegro ma non troppo
- Order: Reorder
- Duration: 24:13
- Updated: 06 May 2012
- views: 20807
violin - David Oistrakh
conductor - Sir Adrian Boult
London Symphony Orchestra
(1968)
Royal Albert Hall London
violin - David Oistrakh
conductor - Sir Adrian Boult
London Symphony Orchestra
(1968)
Royal Albert Hall London
https://wn.com/David_Oistrakh_Beethoven_Violin_Concerto_In_D_Major,_1._Allegro_Ma_Non_Troppo
violin - David Oistrakh
conductor - Sir Adrian Boult
London Symphony Orchestra
(1968)
Royal Albert Hall London
- published: 06 May 2012
- views: 20807
Brahms, Symphony No,4 , Adrian Boult,conductor
- Order: Reorder
- Duration: 38:39
- Updated: 02 Oct 2016
- views: 372
- published: 02 Oct 2016
- views: 372
fullscreen slideshow
- Playlist
- Chat
fullscreen slideshow
- Playlist
- Chat
4:33
Sir Adrian Boult explains his conducting technique (video)
From a BBC documentary on Sir Adrian Boult (1889-1983).
I am an ardent admirer of Boult's ...
published: 11 Apr 2016
Sir Adrian Boult explains his conducting technique (video)
Sir Adrian Boult explains his conducting technique (video)
- Report rights infringement
- published: 11 Apr 2016
- views: 4985
45:03
Beethoven "Violin Concerto" David Oistrakh/Sir Adrian Boult
Violin Concerto in D Major op 61
by Ludwig van Beethoven
1. Allegro ma non troppo
2. Largh...
published: 07 Dec 2016
Beethoven "Violin Concerto" David Oistrakh/Sir Adrian Boult
Beethoven "Violin Concerto" David Oistrakh/Sir Adrian Boult
- Report rights infringement
- published: 07 Dec 2016
- views: 421
2:04
Sir Adrian Boult conducts Sir Edward Elgar's ‘The Dream of Gerontius’ (1968)
Excerpts from Sir Adrian Boult conducting the London Philharmonic Orchestra – with Rodney ...
published: 22 Jun 2016
Sir Adrian Boult conducts Sir Edward Elgar's ‘The Dream of Gerontius’ (1968)
Sir Adrian Boult conducts Sir Edward Elgar's ‘The Dream of Gerontius’ (1968)
- Report rights infringement
- published: 22 Jun 2016
- views: 2689
48:26
Holst: The Planets Sir Adrian Boult/LPO (1954) RS3D
This early recording of The Planets from 1954 is offered in stereo 3D for the first time. ...
published: 29 Feb 2016
Holst: The Planets Sir Adrian Boult/LPO (1954) RS3D
Holst: The Planets Sir Adrian Boult/LPO (1954) RS3D
- Report rights infringement
- published: 29 Feb 2016
- views: 1096
2:49
Land of Hope and Glory, sir Adrian Boult & BBC Symphony Orchestra 1932
at Queens Hall
published: 07 May 2014
Land of Hope and Glory, sir Adrian Boult & BBC Symphony Orchestra 1932
Land of Hope and Glory, sir Adrian Boult & BBC Symphony Orchestra 1932
- Report rights infringement
- published: 07 May 2014
- views: 2729
9:57
Vernon Handley discusses Sir Adrian Boult
Vernon Handley in conversation with Richard R. Adams. (Abergavenny, Wales - November 20...
published: 11 Nov 2015
Vernon Handley discusses Sir Adrian Boult
Vernon Handley discusses Sir Adrian Boult
- Report rights infringement
- published: 11 Nov 2015
- views: 950
2:55
Sir Adrian Boult - Vaughan Williams: Symphony No.8 | ICA Classics DVD
Sir Adrian Boult
VAUGHAN WILLIAMS
Symphony No.8
Job: A Masque for Dancing
London Phil...
published: 27 Jul 2011
Sir Adrian Boult - Vaughan Williams: Symphony No.8 | ICA Classics DVD
Sir Adrian Boult - Vaughan Williams: Symphony No.8 | ICA Classics DVD
- Report rights infringement
- published: 27 Jul 2011
- views: 14203
10:41
Vaughan Williams "Norfolk Rhapsody" Sir Adrian Boult
Norfolk Rhapsody for orchestra No. 1 in E minor
by Ralph Vaughan Williams
New Philharmon...
published: 29 Jul 2015
Vaughan Williams "Norfolk Rhapsody" Sir Adrian Boult
Vaughan Williams "Norfolk Rhapsody" Sir Adrian Boult
- Report rights infringement
- published: 29 Jul 2015
- views: 1545
40:46
Sir Adrian Boult conducts Marches (originally on Lyrita LP SRCS 95)
Benjamin Britten (after Rossini) : Soirées Musicales Op. 9 : March (1936) 00:00-01:25
Gust...
published: 15 Mar 2017
Sir Adrian Boult conducts Marches (originally on Lyrita LP SRCS 95)
Sir Adrian Boult conducts Marches (originally on Lyrita LP SRCS 95)
- Report rights infringement
- published: 15 Mar 2017
- views: 144
7:34
3) SIR ADRIAN BOULT & The 'PLANETS' Suite - 'MARS' BY Gustav Holst.wmv
Mars - the Bringer of War.
Gustav Holst's Planet Suite was premiered towards the end of W...
published: 21 Aug 2012
3) SIR ADRIAN BOULT & The 'PLANETS' Suite - 'MARS' BY Gustav Holst.wmv
3) SIR ADRIAN BOULT & The 'PLANETS' Suite - 'MARS' BY Gustav Holst.wmv
- Report rights infringement
- published: 21 Aug 2012
- views: 2749
fullscreen slideshow
- Playlist
- Chat
4:33
Sir Adrian Boult explains his conducting technique (video)
From a BBC documentary on Sir Adrian Boult (1889-1983).
I am an ardent admirer of Boult's ...
published: 11 Apr 2016
Sir Adrian Boult explains his conducting technique (video)
Sir Adrian Boult explains his conducting technique (video)
- Report rights infringement
- published: 11 Apr 2016
- views: 4985
45:03
Beethoven "Violin Concerto" David Oistrakh/Sir Adrian Boult
Violin Concerto in D Major op 61
by Ludwig van Beethoven
1. Allegro ma non troppo
2. Largh...
published: 07 Dec 2016
Beethoven "Violin Concerto" David Oistrakh/Sir Adrian Boult
Beethoven "Violin Concerto" David Oistrakh/Sir Adrian Boult
- Report rights infringement
- published: 07 Dec 2016
- views: 421
2:04
Sir Adrian Boult conducts Sir Edward Elgar's ‘The Dream of Gerontius’ (1968)
Excerpts from Sir Adrian Boult conducting the London Philharmonic Orchestra – with Rodney ...
published: 22 Jun 2016
Sir Adrian Boult conducts Sir Edward Elgar's ‘The Dream of Gerontius’ (1968)
Sir Adrian Boult conducts Sir Edward Elgar's ‘The Dream of Gerontius’ (1968)
- Report rights infringement
- published: 22 Jun 2016
- views: 2689
48:26
Holst: The Planets Sir Adrian Boult/LPO (1954) RS3D
This early recording of The Planets from 1954 is offered in stereo 3D for the first time. ...
published: 29 Feb 2016
Holst: The Planets Sir Adrian Boult/LPO (1954) RS3D
Holst: The Planets Sir Adrian Boult/LPO (1954) RS3D
- Report rights infringement
- published: 29 Feb 2016
- views: 1096
2:49
Land of Hope and Glory, sir Adrian Boult & BBC Symphony Orchestra 1932
at Queens Hall
published: 07 May 2014
Land of Hope and Glory, sir Adrian Boult & BBC Symphony Orchestra 1932
Land of Hope and Glory, sir Adrian Boult & BBC Symphony Orchestra 1932
- Report rights infringement
- published: 07 May 2014
- views: 2729
9:57
Vernon Handley discusses Sir Adrian Boult
Vernon Handley in conversation with Richard R. Adams. (Abergavenny, Wales - November 20...
published: 11 Nov 2015
Vernon Handley discusses Sir Adrian Boult
Vernon Handley discusses Sir Adrian Boult
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- published: 11 Nov 2015
- views: 950
2:55
Sir Adrian Boult - Vaughan Williams: Symphony No.8 | ICA Classics DVD
Sir Adrian Boult
VAUGHAN WILLIAMS
Symphony No.8
Job: A Masque for Dancing
London Phil...
published: 27 Jul 2011
Sir Adrian Boult - Vaughan Williams: Symphony No.8 | ICA Classics DVD
Sir Adrian Boult - Vaughan Williams: Symphony No.8 | ICA Classics DVD
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- published: 27 Jul 2011
- views: 14203
10:41
Vaughan Williams "Norfolk Rhapsody" Sir Adrian Boult
Norfolk Rhapsody for orchestra No. 1 in E minor
by Ralph Vaughan Williams
New Philharmon...
published: 29 Jul 2015
Vaughan Williams "Norfolk Rhapsody" Sir Adrian Boult
Vaughan Williams "Norfolk Rhapsody" Sir Adrian Boult
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- published: 29 Jul 2015
- views: 1545
40:46
Sir Adrian Boult conducts Marches (originally on Lyrita LP SRCS 95)
Benjamin Britten (after Rossini) : Soirées Musicales Op. 9 : March (1936) 00:00-01:25
Gust...
published: 15 Mar 2017
Sir Adrian Boult conducts Marches (originally on Lyrita LP SRCS 95)
Sir Adrian Boult conducts Marches (originally on Lyrita LP SRCS 95)
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- published: 15 Mar 2017
- views: 144
7:34
3) SIR ADRIAN BOULT & The 'PLANETS' Suite - 'MARS' BY Gustav Holst.wmv
Mars - the Bringer of War.
Gustav Holst's Planet Suite was premiered towards the end of W...
published: 21 Aug 2012
3) SIR ADRIAN BOULT & The 'PLANETS' Suite - 'MARS' BY Gustav Holst.wmv
3) SIR ADRIAN BOULT & The 'PLANETS' Suite - 'MARS' BY Gustav Holst.wmv
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- published: 21 Aug 2012
- views: 2749
fullscreen slideshow
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45:03
Beethoven "Violin Concerto" David Oistrakh/Sir Adrian Boult
Violin Concerto in D Major op 61
by Ludwig van Beethoven
1. Allegro ma non troppo
2. Largh...
published: 07 Dec 2016
Beethoven "Violin Concerto" David Oistrakh/Sir Adrian Boult
Beethoven "Violin Concerto" David Oistrakh/Sir Adrian Boult
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- published: 07 Dec 2016
- views: 421
48:26
Holst: The Planets Sir Adrian Boult/LPO (1954) RS3D
This early recording of The Planets from 1954 is offered in stereo 3D for the first time. ...
published: 29 Feb 2016
Holst: The Planets Sir Adrian Boult/LPO (1954) RS3D
Holst: The Planets Sir Adrian Boult/LPO (1954) RS3D
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- published: 29 Feb 2016
- views: 1096
57:12
Sir Adrian Boult introduces the instruments of the orchestra
Recording transfer information.
This fascinating recording was transferred in 1987 from vi...
published: 01 Sep 2016
Sir Adrian Boult introduces the instruments of the orchestra
Sir Adrian Boult introduces the instruments of the orchestra
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- published: 01 Sep 2016
- views: 150
40:46
Sir Adrian Boult conducts Marches (originally on Lyrita LP SRCS 95)
Benjamin Britten (after Rossini) : Soirées Musicales Op. 9 : March (1936) 00:00-01:25
Gust...
published: 15 Mar 2017
Sir Adrian Boult conducts Marches (originally on Lyrita LP SRCS 95)
Sir Adrian Boult conducts Marches (originally on Lyrita LP SRCS 95)
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- published: 15 Mar 2017
- views: 144
23:48
Vaughan Williams, London Symphony, 1,2mov, sir, Adrian Boult, Conducting
The music and the images were extracted from my lp.
published: 16 Mar 2014
Vaughan Williams, London Symphony, 1,2mov, sir, Adrian Boult, Conducting
Vaughan Williams, London Symphony, 1,2mov, sir, Adrian Boult, Conducting
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- published: 16 Mar 2014
- views: 799
29:40
Elgar=XIV 'Enigma' Variations=Boult & London SO in 'New Estereo'
Sir Adrian Boult, the London SO in circa '70 with as fine a studio performance as we are l...
published: 16 Mar 2016
Elgar=XIV 'Enigma' Variations=Boult & London SO in 'New Estereo'
Elgar=XIV 'Enigma' Variations=Boult & London SO in 'New Estereo'
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- published: 16 Mar 2016
- views: 613
36:58
Tchiakovsky : Violin Concerto in D Major Op.35 - Elman, Boult
Mischa Elman (Violin)
Sir Adrian Boult (Conductor)
London Philharmonic Orchestra
01. Alle...
published: 27 Mar 2017
Tchiakovsky : Violin Concerto in D Major Op.35 - Elman, Boult
Tchiakovsky : Violin Concerto in D Major Op.35 - Elman, Boult
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- published: 27 Mar 2017
- views: 215
26:01
Mozart - Piano concerto n°23 K.488 - Fischer / Boult
Wolfgang Amadeus Mozart
Piano concerto n°23 K.488
I. Allegro 0:00
II. Adagio 10:54
III. ...
published: 12 Apr 2014
Mozart - Piano concerto n°23 K.488 - Fischer / Boult
Mozart - Piano concerto n°23 K.488 - Fischer / Boult
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- published: 12 Apr 2014
- views: 4322
24:13
David Oistrakh - Beethoven Violin Concerto in D major, 1. Allegro ma non troppo
violin - David Oistrakh
conductor - Sir Adrian Boult
London Symphony Orchestra
(1968)
Roya...
published: 06 May 2012
David Oistrakh - Beethoven Violin Concerto in D major, 1. Allegro ma non troppo
David Oistrakh - Beethoven Violin Concerto in D major, 1. Allegro ma non troppo
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- published: 06 May 2012
- views: 20807
38:39
Brahms, Symphony No,4 , Adrian Boult,conductor
published: 02 Oct 2016
Brahms, Symphony No,4 , Adrian Boult,conductor
Brahms, Symphony No,4 , Adrian Boult,conductor
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- published: 02 Oct 2016
- views: 372
Beethoven "Violin Concerto" David Oistrakh/Sir Adr...
Holst: The Planets Sir Adrian Boult/LPO (1954) RS3...
Sir Adrian Boult introduces the instruments of the...
Sir Adrian Boult conducts Marches (originally on L...
Vaughan Williams, London Symphony, 1,2mov, sir, Ad...
Elgar=XIV 'Enigma' Variations=Boult & London SO in...
Tchiakovsky : Violin Concerto in D Major Op.35 - E...
Mozart - Piano concerto n°23 K.488 - Fischer / Bou...
David Oistrakh - Beethoven Violin Concerto in D ma...
Brahms, Symphony No,4 , Adrian Boult,conductor...
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New Zealand Tourist Killed By Jet Engine Blast on Saint Maarten Beach
Edit WorldNews.com 13 Jul 2017
A New Zealand woman who was traveling in the Caribbean territory of Saint Maarten has died after a powerful jet engine knocked her down on a popular beach just outside the airport runway, according to BBC News. The famous Princess Juliana International Airport is just steps away from the beach where beachgoers can walk up the airport fence as planes take off and land ... She was taken to the hospital for treatment but died later ... – St....
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Trump Does About-Face, Says 'No Need For Full Border Wall' With Mexico
Edit WorldNews.com 13 Jul 2017
Speaking to reporters aboard the presidential jet during his flight to Paris Thursday, U.S. President Donald Trump surprisingly reversed course on his long-standing statement on his pledge to build a border wall, The Los Angeles Times reported. "You don't need 2,000 miles of wall because you have a lot of natural barriers.” – U.S. President Donald Trump aboard Air Force One. "You have mountains ... Bush and Obama."You need transparency....
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London hit with five acid attacks in under two hours, male teen arrested
Edit TVNZ 14 Jul 2017
Police have arrested one teenage boy and are hunting for another following five suspected acid attacks in less than 90 minutes in east London. The video appears to be from one of five attacks reported to have occurred today in the UK capital. Source. @RealNangerz / Twitter. One victim was said to have suffered "life-changing" injuries during one of the attacks late on Thursday local time ... All five victims were taken to hospital ... ....
JIT used ‘Sir’ only for a retired general, not even for PM
Edit The News International 14 Jul 2017
The Joint Investigation Team (JIT) appeared selective in the use of words as it did not write the prefix “Sir” with any of the witnesses but Lt General (retd) Syed Amjad Ali ... Out of the total 18, the JIT report has not mentioned or added the prefix “Sir” with 17 ... However, astonishingly, none of the JIT members addressed the prime minister as “Sir” during the question answer session....
Beyonce Unveils Newborn Twins on Instagram (Photo)
Edit The Wrap 14 Jul 2017
“Sir Carter and Rumi 1 month today,” the singer captioned an upload to her Instagram account ... A trademark family from family attorneys hinted that the fraternal twins were indeed named Sir and Rumi, which Bey confirmed in her caption ... Beyonce Files Trademark Applications for Rumi Carter and Sir Carter After Twins' Birth ... Sir Carter and Rumi 1 month today....
Beyoncé debuts newborn twins Sir and Rumi
Edit CNN 14 Jul 2017
Sir Carter and Rumi 1 month today ... "Sir Carter and Rumi 1 month today," the caption read ... Oh,Beyoncé thought we was sleep, huh? Sir and Rumi Carter #carters #twins #sirandrumi pic.twitter.com/zgTA5BgFjM— PartyGirlsPod (@PartyGirlsPod) July 14, 2017 ... Welcome to this world beatiful twins, Sir and Rumi Carter 👶🏽👶🏽❤️ pic.twitter.com/LHFMziolG4— Beyoncé News (@TheYonceNews) July 14, 2017....
Britain's butterflies are on the brink, says Sir David Attenborough as he warns this summer is 'vital' for their survival
Edit This is Money 14 Jul 2017
This summer is crucial to the survival of the nation's butterflies, Sir David Attenborough has warned ... Sir David, president of the charity Butterfly Conservation ... Sir David with a morpho butterfly....
Kate reveals her children love Natural History Museum as she unveils new attraction
Edit This is Money 14 Jul 2017
Sir David Attenborough told the audience he first walked into the Natural History Museum more than 80 years ago, when he was just 10 ... “The glory of this museum is you are surrounded by the real thing,” Sir David said ... Sir Michael Dixon, director of the museum, said the whale told a “powerful story” which is why they had chosen to put her at the heart of the museum....
Beyoncé releases first pic of twins Sir and Rumi
Edit Entertainment Weekly 14 Jul 2017
Sir Carter and Rumi 1 month today. 🙏🏽❤️👨🏽👩🏽👧🏽👶🏾👶🏾 ... “Sir Carter and Rumi 1 month today,” the songstress, 35, captioned the image on Instagram early Friday morning ... RELATED ... Rumi and Sir Carter are the newest members of the Carter family, joining big sister Blue Ivy, 5 ... ....
Beyonce unveils first pic of twins Sir Carter and Rumi, sends internet into meltdown
Edit Metro 14 Jul 2017
Sir Carter and Rumi 1 month today. 🙏🏽❤️👨🏽👩🏽👧🏽👶🏾👶🏾 ... It’s the moment that all Beyonce fans have been waiting for, as she gave everybody a glimpse of newborn twins Sir Carter and Rumi in a stunning photo ... ‘Sir Carter and Rumi 1 month today,’ she wrote ... – The Carters ... ....
NBA rumors: Knicks pause Carmelo trade talks
Edit Sports Illustrated 14 Jul 2017
NBA free agency is in full swing and there has been tons of buzz around the league and many of its star players this off-season ... Free agency began at 12.01 a.m. on Saturday, July 1 ... Thursday ... (Adrian Wojnarowski and Ramona Shelburne, ESPN.com) ... (Royce Young, ESPN.com) ... (Adrian Wojnarowski, ESPN.com) ... (Adrian Wojnarowski, ESPN.com) ... ....
Beyonce Introduces Twins Sir and Rumi in First Official Pic
Edit Rollingstone 14 Jul 2017
Beyoncé introduced the world to twins Sir and Rumi Carter in the first official photo of her and Jay-Z's newborns. The singer posted the photo on Instagram with the caption, "Sir Carter and Rumi 1 month today."Related ... "We have been blessed two times over ... Sir Carter and Rumi 1 month today ... More News ... ....
Beyoncé Finally Debuts Her Twins with Stunning New Instagram Portrait
Edit Vanity Fair 14 Jul 2017
Looking every inch the icon, Beyoncé strikes a divine pose with new twins Sir and Rumi Carter ... “Sir Carter and Rumi 1 month today” followed by a string of emojis meant to represent the entire Carter-Knowles family ... behind the pregnancy announcement series—shot Sir and Rumi’s Instagram debut as well....
Priyanka Chopra might not be attending IIFA 2017, but she is making sure that her Bollywood buddies feel at home in NYC – View Pics
Edit Yahoo Daily News 14 Jul 2017
While Priyanka Chopra is enjoying Mumbai Monsoons here in India, the rest of the Bollywood is gearing up to take on the stage in New York for the 18th edition of International Indian Film Academy (IIFA) awards,which will be held at the MetLife Stadium from July 13-15 ... #IIFA2017” ... Welcome to Nyc Boman sir ... lol. ... Haha. Welcome to Nyc Boman sir ... lol. ... Hope to see you soon! Have fun boman sir ... Hope to see you soon! Have fun boman sir ... ....
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