- published: 25 Feb 2021
- views: 92
-
remove the playlistOxford University Dramatic Society
- remove the playlistOxford University Dramatic Society
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Welcome to the 2020/21 Cuppers Awards Ceremony! Thanks so much for taking part and we're looking forward to making more amazing theatre with you in the future!
We'll announce the awards, then have a screening of the show that wins 'Best of Cuppers'!
In May 2018 the Oxford University Drama Society performed a modern adaptation of Euripides' tragedy Medea with an all BAME cast and crew.
“You think that I might be a witch? That I might be a strange, dangerous monster? Because I wasn’t born here and because I am a woman.”
Set in a dystopian world, Jason has abandoned his wife, Medea, and their two children. He is remarrying the princess of the land, with the hope that this partnership will bring him security and prosperity. Medea, a barbarian and now left alone, is seen as a menace to the law and is threatened with banishment. After pleading for mercy, Medea is allowed one day before she must leave, during which she plans to complete her dark and disturbing quest for "justice”.
Medea is not just a play about fidelity, family and revenge, but an inquiry into the psyche of those most marginalised by society. It is an exploration of the themes of identity and belonging, the politics of power and femininity, and a psychological examination of how anyone can be sufficiently inflamed by insult, loss and the threat of isolation to harm the people they most love.
Featuring a BAME cast and crew, Oxford BAME Drama Society presents a modern adaptation of Euripides’ Tragedy, combining music with movement and spoken word to transform Robin Robertson’s translation into a celebration of culture and exploration of identity.
Based on Robin Robertson’s translation
Adapted by Francesca Amewudah-Rivers
Music featured:
Ibeyi - No Man Is Big Enough For My Arms
Nina Simone - I Wish I Knew How It Would Feel to Be Free
Kendrick Lamar - How Much A Dollar Cost
Kanye West - Monster
Fugees - Ready or Not
Enya - Boadicea
Stormzy - Blinded By Your Grace, Pt. 2
Dos Santos, V., 'Oxford’s students are diversifying their theatre scene', gal-dem (2018)
http://gal-dem.com/oxfords-students-are-diversifying-their-theatre-scene/
Andújar, R., 'Play Review - Khameleon Productions’ Medea: Oxford’s first BAME play', Didaskalia: The Journal for Ancient Performance, 14(1). (2018)
https://core.ac.uk/download/pdf/160275477.pdf
- published: 28 Nov 2019
- views: 4356
Join the OUDS as they present As You Like It in the beautiful Sam Wanamaker Playhouse. Love is never simple, idealism is sometimes naive, and the border of the forest cannot keep the world out forever...
http://po.st/OudsInThePlayhouse
- published: 14 Jul 2017
- views: 3000
Week of Sunday Nov 6th - Saturday Nov 12th. Did I get Fifth Week Blues?! Drama Cuppers performances finally happened and I also went to RAG Ball! Like, comment & subscribe for more xx ↓ OPEN ME! ↓
Fifth Week Blues - https://apieceofviola.wordpress.com/2016/11/15/fifth-week-blues-uni-diaries/
Oxford Balls - https://apieceofviola.wordpress.com/2016/11/19/oxford-balls-union-ball-and-rag-ball-uni-diaries/
S U B S C R I B E - https://www.youtube.com/channel/UCzf3VsJqDDWp-v938ewpT8g
P R E V I O U S - https://youtu.be/EE9ZdP3oJ5E
HELLOOOOO
If you've just stumbled across my channel then welcome! I post videos every Friday (and sometimes on Monday!) on a variety of things, from graduate life to travel vlogs. Join the adventures + subscribe 🌟
PAYPAL TIPS
If you like my content and want to help me out: https://bit.ly/32YkW2p
££ SAVE MONEY WITH MY DISCOUNTS! ££
FREE £25 when you sign up to AirBnB https://www.airbnb.co.uk/c/violah10
FREE £10 on Deliveroo https://roo.it/violah-8w91
FREE Audible 30 Day Trial https://amzn.to/2J3ppIb
FREE 6 month trial of Amazon Prime - https://amzn.to/2QuLvIf
SOCIALS
Blog | https://apieceofviola.com/
Instagram | https://www.instagram.com/violahelen_/
Twitter | https://twitter.com/violahelen_
Tumblr | http://beautifulandl0st.tumblr.com/
MUSIC
Be Together - Zaza
https://soundcloud.com/zazamakesmusic/
- published: 05 Jan 2017
- views: 4366
Had you heard of Medea before this production?
What were your first impressions of Medea?
What do you think of her now?
Is Medea still relevant today?
In May 2018 the Oxford University Drama Society performed a modern adaptation of Euripides' tragedy Medea with an all BAME cast and crew.
This video features interviews with the cast and crew filmed just before their final performance, where we find out what they think about Medea.
“You think that I might be a witch? That I might be a strange, dangerous monster? Because I wasn’t born here and because I am a woman.”
Set in a dystopian world, Jason has abandoned his wife, Medea, and their two children. He is remarrying the princess of the land, with the hope that this partnership will bring him security and prosperity. Medea, a barbarian and now left alone, is seen as a menace to the law and is threatened with banishment. After pleading for mercy, Medea is allowed one day before she must leave, during which she plans to complete her dark and disturbing quest for "justice”.
Medea is not just a play about fidelity, family and revenge, but an inquiry into the psyche of those most marginalised by society. It is an exploration of the themes of identity and belonging, the politics of power and femininity, and a psychological examination of how anyone can be sufficiently inflamed by insult, loss and the threat of isolation to harm the people they most love.
Featuring a BAME cast and crew, Oxford BAME Drama Society presents a modern adaptation of Euripides’ Tragedy, combining music with movement and spoken word to transform Robin Robertson’s translation into a celebration of culture and exploration of identity.
Dos Santos, V., 'Oxford’s students are diversifying their theatre scene', gal-dem (2018)
http://gal-dem.com/oxfords-students-are-diversifying-their-theatre-scene/
Andújar, R., 'Play Review - Khameleon Productions’ Medea: Oxford’s first BAME play', Didaskalia: The Journal for Ancient Performance, 14(1). (2018)
https://core.ac.uk/download/pdf/160275477.pdf
- published: 28 Nov 2019
- views: 265
In May 2018 the Oxford University Drama Society performed a modern adaptation of Euripides' tragedy Medea with an all BAME cast and crew.
“You think that I might be a witch? That I might be a strange, dangerous monster? Because I wasn’t born here and because I am a woman.”
Set in a dystopian world, Jason has abandoned his wife, Medea, and their two children. He is remarrying the princess of the land, with the hope that this partnership will bring him security and prosperity. Medea, a barbarian and now left alone, is seen as a menace to the law and is threatened with banishment. After pleading for mercy, Medea is allowed one day before she must leave, during which she plans to complete her dark and disturbing quest for "justice”.
Medea is not just a play about fidelity, family and revenge, but an inquiry into the psyche of those most marginalised by society. It is an exploration of the themes of identity and belonging, the politics of power and femininity, and a psychological examination of how anyone can be sufficiently inflamed by insult, loss and the threat of isolation to harm the people they most love.
Featuring a BAME cast and crew, Oxford BAME Drama Society presents a modern adaptation of Euripides’ Tragedy, combining music with movement and spoken word to transform Robin Robertson’s translation into a celebration of culture and exploration of identity.
Dos Santos, V., 'Oxford’s students are diversifying their theatre scene', gal-dem (2018)
http://gal-dem.com/oxfords-students-are-diversifying-their-theatre-scene/
Andújar, R., 'Play Review - Khameleon Productions’ Medea: Oxford’s first BAME play', Didaskalia: The Journal for Ancient Performance, 14(1). (2018)
https://core.ac.uk/download/pdf/160275477.pdf
- published: 20 Nov 2019
- views: 551
Why is this production important to BAME students at Oxford?
Why is this production important to Classics?
Had you done any theatre before this?
What is your favourite part of this production?
In May 2018 the Oxford University Drama Society performed a modern adaptation of Euripides' tragedy Medea with an all BAME cast and crew.
This video features interviews with the cast and crew filmed just before their final performance, where we find out what they think about putting on the first all BAME production in Oxford.
“You think that I might be a witch? That I might be a strange, dangerous monster? Because I wasn’t born here and because I am a woman.”
Set in a dystopian world, Jason has abandoned his wife, Medea, and their two children. He is remarrying the princess of the land, with the hope that this partnership will bring him security and prosperity. Medea, a barbarian and now left alone, is seen as a menace to the law and is threatened with banishment. After pleading for mercy, Medea is allowed one day before she must leave, during which she plans to complete her dark and disturbing quest for "justice”.
Medea is not just a play about fidelity, family and revenge, but an inquiry into the psyche of those most marginalised by society. It is an exploration of the themes of identity and belonging, the politics of power and femininity, and a psychological examination of how anyone can be sufficiently inflamed by insult, loss and the threat of isolation to harm the people they most love.
Featuring a BAME cast and crew, Oxford BAME Drama Society presents a modern adaptation of Euripides’ Tragedy, combining music with movement and spoken word to transform Robin Robertson’s translation into a celebration of culture and exploration of identity.
Dos Santos, V., 'Oxford’s students are diversifying their theatre scene', gal-dem (2018)
http://gal-dem.com/oxfords-students-are-diversifying-their-theatre-scene/
Andújar, R., 'Play Review - Khameleon Productions’ Medea: Oxford’s first BAME play', Didaskalia: The Journal for Ancient Performance, 14(1). (2018)
https://core.ac.uk/download/pdf/160275477.pdf
- published: 28 Nov 2019
- views: 226
OUDS has organised a workshop to give an introduction to funding and budgeting for student theatre, with an emphasis on understanding and adapting to pandemic-specific limitations.
We explain how theatre funding works in Oxford, with general tips for budgeting, writing funding bids and securing funding. We then look towards next term and discuss what to expect in terms of social distancing, and other differences from usual budgeting. Overall, we aimed to demistify show finances and give you the tools to continue producing brilliant theatre regardless of the Covid restrictions we find ourselves in.
Presentation slides: https://drive.google.com/file/d/1PrB1R4jJFNEXWEyAzozuqrvnfTCaewUA/view?usp=sharing
OUDS funding information, including how to apply: https://www.ouds.org/funding-advice
Up-to-date Covid-19 guidance for student theatre: https://www.ouds.org/covid-19
For a more general introduction to drama in Hilary term, check out this workshop: https://youtu.be/vUoHkOo1Tbk
- published: 28 Nov 2020
- views: 28
Item title reads: "The Dynasts - Thomas Hardy's famous work was produced and acted by the University Dramatic Society with great success."
Oxford.
Students of the Oxford University Dramatic Society parade through a street in their costumes for Thomas Hardy's play of the "Dynasts". Some of them are in character including one dressed as an old man smoking a pipe. He takes the pipe out of his mouth and spits on the ground.
Static shot of them as they walk past crowds of spectators. Some very good costumes.
FILM ID:206.12
A VIDEO FROM BRITISH PATHÉ. EXPLORE OUR ONLINE CHANNEL, BRITISH PATHÉ TV. IT'S FULL OF GREAT DOCUMENTARIES, FASCINATING INTERVIEWS, AND CLASSIC MOVIES. http://www.britishpathe.tv/
FOR LICENSING ENQUIRIES VISIT http://www.britishpathe.com/
British Pathé also represents the Reuters historical collection, which includes more than 136,000 items from the news agencies Gaumont Graphic (1910-1932), Empire News Bulletin (1926-1930), British Paramount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1984. All footage can be viewed on the British Pathé website. https://www.britishpathe.com/
- published: 13 Apr 2014
- views: 817
developed with YouTube
Oxford University Dramatic Society
The Oxford University Dramatic Society (OUDS) is the principal funding body and provider of theatrical services to the many independent student productions put on by students in Oxford, England. Not all student productions at Oxford University are awarded funding from the society; however it is rare, for example, for any student production at the Oxford Playhouse not to receive substantial funding from the society. The society funds many types of shows, mostly at the Oxford Playhouse, Burton Taylor Theatre, and the individual college theatres such as the Moser Theatre at Wadham and the O'Reilly Theatre at Keble. All productions put on by Oxford University students can use the society's services, such as the website, the wardrobe, and advice from the committee.
The Society supports a competition for Freshers (Cuppers), held in Michaelmas Term and a New Writing Festival in Hilary Term. OUDS also supports an annual National UK Tour, which culminates in a long run at the Edinburgh Festival Fringe and, jointly with Thelma Holt, a Shakespeare production which tours Japan, with preview performances in the UK.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Oxford_University_Dramatic_Society
-
Cuppers Award Ceremony 2021
Welcome to the 2020/21 Cuppers Awards Ceremony! Thanks so much for taking part and we're looking forward to making more amazing theatre with you in the future! We'll announce the awards, then have a screening of the show that wins 'Best of Cuppers'!
published: 25 Feb 2021 -
THE PLAY | BAME Medea (Oxford University BAME Drama Society)
In May 2018 the Oxford University Drama Society performed a modern adaptation of Euripides' tragedy Medea with an all BAME cast and crew. “You think that I might be a witch? That I might be a strange, dangerous monster? Because I wasn’t born here and because I am a woman.” Set in a dystopian world, Jason has abandoned his wife, Medea, and their two children. He is remarrying the princess of the land, with the hope that this partnership will bring him security and prosperity. Medea, a barbarian and now left alone, is seen as a menace to the law and is threatened with banishment. After pleading for mercy, Medea is allowed one day before she must leave, during which she plans to complete her dark and disturbing quest for "justice”. Medea is not just a play about fidelity, family and reveng...
published: 28 Nov 2019 -
Oxford University Dramatic Society: As You Like It
Join the OUDS as they present As You Like It in the beautiful Sam Wanamaker Playhouse. Love is never simple, idealism is sometimes naive, and the border of the forest cannot keep the world out forever... http://po.st/OudsInThePlayhouse
published: 14 Jul 2017 -
Oxford University Drama Society - The Alchemist
published: 02 Aug 2014 -
FIFTH WEEK AT OXFORD UNI - DRAMA CUPPERS, RAG BALL & FIFTH WEEK BLUES | viola helen
Week of Sunday Nov 6th - Saturday Nov 12th. Did I get Fifth Week Blues?! Drama Cuppers performances finally happened and I also went to RAG Ball! Like, comment & subscribe for more xx ↓ OPEN ME! ↓ Fifth Week Blues - https://apieceofviola.wordpress.com/2016/11/15/fifth-week-blues-uni-diaries/ Oxford Balls - https://apieceofviola.wordpress.com/2016/11/19/oxford-balls-union-ball-and-rag-ball-uni-diaries/ S U B S C R I B E - https://www.youtube.com/channel/UCzf3VsJqDDWp-v938ewpT8g P R E V I O U S - https://youtu.be/EE9ZdP3oJ5E HELLOOOOO If you've just stumbled across my channel then welcome! I post videos every Friday (and sometimes on Monday!) on a variety of things, from graduate life to travel vlogs. Join the adventures + subscribe 🌟 PAYPAL TIPS If you like my content and want to help m...
published: 05 Jan 2017 -
PART 1 - ON MEDEA | INTERVIEWS | BAME Medea (Oxford University BAME Drama Society
Had you heard of Medea before this production? What were your first impressions of Medea? What do you think of her now? Is Medea still relevant today? In May 2018 the Oxford University Drama Society performed a modern adaptation of Euripides' tragedy Medea with an all BAME cast and crew. This video features interviews with the cast and crew filmed just before their final performance, where we find out what they think about Medea. “You think that I might be a witch? That I might be a strange, dangerous monster? Because I wasn’t born here and because I am a woman.” Set in a dystopian world, Jason has abandoned his wife, Medea, and their two children. He is remarrying the princess of the land, with the hope that this partnership will bring him security and prosperity. Medea, a barba...
published: 28 Nov 2019 -
TRAILER | BAME Medea (Oxford University BAME Drama Society)
In May 2018 the Oxford University Drama Society performed a modern adaptation of Euripides' tragedy Medea with an all BAME cast and crew. “You think that I might be a witch? That I might be a strange, dangerous monster? Because I wasn’t born here and because I am a woman.” Set in a dystopian world, Jason has abandoned his wife, Medea, and their two children. He is remarrying the princess of the land, with the hope that this partnership will bring him security and prosperity. Medea, a barbarian and now left alone, is seen as a menace to the law and is threatened with banishment. After pleading for mercy, Medea is allowed one day before she must leave, during which she plans to complete her dark and disturbing quest for "justice”. Medea is not just a play about fidelity, family and reve...
published: 20 Nov 2019 -
PART 2 - ON PRODUCTION | INTERVIEWS | BAME Medea (Oxford University BAME Drama Society
Why is this production important to BAME students at Oxford? Why is this production important to Classics? Had you done any theatre before this? What is your favourite part of this production? In May 2018 the Oxford University Drama Society performed a modern adaptation of Euripides' tragedy Medea with an all BAME cast and crew. This video features interviews with the cast and crew filmed just before their final performance, where we find out what they think about putting on the first all BAME production in Oxford. “You think that I might be a witch? That I might be a strange, dangerous monster? Because I wasn’t born here and because I am a woman.” Set in a dystopian world, Jason has abandoned his wife, Medea, and their two children. He is remarrying the princess of the land, with t...
published: 28 Nov 2019 -
Introduction to Funding and Budgeting in Oxford Drama
OUDS has organised a workshop to give an introduction to funding and budgeting for student theatre, with an emphasis on understanding and adapting to pandemic-specific limitations. We explain how theatre funding works in Oxford, with general tips for budgeting, writing funding bids and securing funding. We then look towards next term and discuss what to expect in terms of social distancing, and other differences from usual budgeting. Overall, we aimed to demistify show finances and give you the tools to continue producing brilliant theatre regardless of the Covid restrictions we find ourselves in. Presentation slides: https://drive.google.com/file/d/1PrB1R4jJFNEXWEyAzozuqrvnfTCaewUA/view?usp=sharing OUDS funding information, including how to apply: https://www.ouds.org/funding-advice Up...
published: 28 Nov 2020 -
University Drama - The Dynasts (1920)
Item title reads: "The Dynasts - Thomas Hardy's famous work was produced and acted by the University Dramatic Society with great success." Oxford. Students of the Oxford University Dramatic Society parade through a street in their costumes for Thomas Hardy's play of the "Dynasts". Some of them are in character including one dressed as an old man smoking a pipe. He takes the pipe out of his mouth and spits on the ground. Static shot of them as they walk past crowds of spectators. Some very good costumes. FILM ID:206.12 A VIDEO FROM BRITISH PATHÉ. EXPLORE OUR ONLINE CHANNEL, BRITISH PATHÉ TV. IT'S FULL OF GREAT DOCUMENTARIES, FASCINATING INTERVIEWS, AND CLASSIC MOVIES. http://www.britishpathe.tv/ FOR LICENSING ENQUIRIES VISIT http://www.britishpathe.com/ British Pathé also re...
published: 13 Apr 2014
developed with YouTube
20:48
Cuppers Award Ceremony 2021
- Order: Reorder
- Duration: 20:48
- Uploaded Date: 25 Feb 2021
- views: 92
Welcome to the 2020/21 Cuppers Awards Ceremony! Thanks so much for taking part and we're looking forward to making more amazing theatre with you in the future! ...
Welcome to the 2020/21 Cuppers Awards Ceremony! Thanks so much for taking part and we're looking forward to making more amazing theatre with you in the future!
We'll announce the awards, then have a screening of the show that wins 'Best of Cuppers'!
https://wn.com/Cuppers_Award_Ceremony_2021
Welcome to the 2020/21 Cuppers Awards Ceremony! Thanks so much for taking part and we're looking forward to making more amazing theatre with you in the future!
We'll announce the awards, then have a screening of the show that wins 'Best of Cuppers'!
- published: 25 Feb 2021
- views: 92
1:16:38
THE PLAY | BAME Medea (Oxford University BAME Drama Society)
- Order: Reorder
- Duration: 1:16:38
- Uploaded Date: 28 Nov 2019
- views: 4356
In May 2018 the Oxford University Drama Society performed a modern adaptation of Euripides' tragedy Medea with an all BAME cast and crew.
“You think that I mig...
In May 2018 the Oxford University Drama Society performed a modern adaptation of Euripides' tragedy Medea with an all BAME cast and crew.
“You think that I might be a witch? That I might be a strange, dangerous monster? Because I wasn’t born here and because I am a woman.”
Set in a dystopian world, Jason has abandoned his wife, Medea, and their two children. He is remarrying the princess of the land, with the hope that this partnership will bring him security and prosperity. Medea, a barbarian and now left alone, is seen as a menace to the law and is threatened with banishment. After pleading for mercy, Medea is allowed one day before she must leave, during which she plans to complete her dark and disturbing quest for "justice”.
Medea is not just a play about fidelity, family and revenge, but an inquiry into the psyche of those most marginalised by society. It is an exploration of the themes of identity and belonging, the politics of power and femininity, and a psychological examination of how anyone can be sufficiently inflamed by insult, loss and the threat of isolation to harm the people they most love.
Featuring a BAME cast and crew, Oxford BAME Drama Society presents a modern adaptation of Euripides’ Tragedy, combining music with movement and spoken word to transform Robin Robertson’s translation into a celebration of culture and exploration of identity.
Based on Robin Robertson’s translation
Adapted by Francesca Amewudah-Rivers
Music featured:
Ibeyi - No Man Is Big Enough For My Arms
Nina Simone - I Wish I Knew How It Would Feel to Be Free
Kendrick Lamar - How Much A Dollar Cost
Kanye West - Monster
Fugees - Ready or Not
Enya - Boadicea
Stormzy - Blinded By Your Grace, Pt. 2
Dos Santos, V., 'Oxford’s students are diversifying their theatre scene', gal-dem (2018)
http://gal-dem.com/oxfords-students-are-diversifying-their-theatre-scene/
Andújar, R., 'Play Review - Khameleon Productions’ Medea: Oxford’s first BAME play', Didaskalia: The Journal for Ancient Performance, 14(1). (2018)
https://core.ac.uk/download/pdf/160275477.pdf
https://wn.com/The_Play_|_Bame_Medea_(Oxford_University_Bame_Drama_Society)
In May 2018 the Oxford University Drama Society performed a modern adaptation of Euripides' tragedy Medea with an all BAME cast and crew.
“You think that I might be a witch? That I might be a strange, dangerous monster? Because I wasn’t born here and because I am a woman.”
Set in a dystopian world, Jason has abandoned his wife, Medea, and their two children. He is remarrying the princess of the land, with the hope that this partnership will bring him security and prosperity. Medea, a barbarian and now left alone, is seen as a menace to the law and is threatened with banishment. After pleading for mercy, Medea is allowed one day before she must leave, during which she plans to complete her dark and disturbing quest for "justice”.
Medea is not just a play about fidelity, family and revenge, but an inquiry into the psyche of those most marginalised by society. It is an exploration of the themes of identity and belonging, the politics of power and femininity, and a psychological examination of how anyone can be sufficiently inflamed by insult, loss and the threat of isolation to harm the people they most love.
Featuring a BAME cast and crew, Oxford BAME Drama Society presents a modern adaptation of Euripides’ Tragedy, combining music with movement and spoken word to transform Robin Robertson’s translation into a celebration of culture and exploration of identity.
Based on Robin Robertson’s translation
Adapted by Francesca Amewudah-Rivers
Music featured:
Ibeyi - No Man Is Big Enough For My Arms
Nina Simone - I Wish I Knew How It Would Feel to Be Free
Kendrick Lamar - How Much A Dollar Cost
Kanye West - Monster
Fugees - Ready or Not
Enya - Boadicea
Stormzy - Blinded By Your Grace, Pt. 2
Dos Santos, V., 'Oxford’s students are diversifying their theatre scene', gal-dem (2018)
http://gal-dem.com/oxfords-students-are-diversifying-their-theatre-scene/
Andújar, R., 'Play Review - Khameleon Productions’ Medea: Oxford’s first BAME play', Didaskalia: The Journal for Ancient Performance, 14(1). (2018)
https://core.ac.uk/download/pdf/160275477.pdf
- published: 28 Nov 2019
- views: 4356
0:40
Oxford University Dramatic Society: As You Like It
- Order: Reorder
- Duration: 0:40
- Uploaded Date: 14 Jul 2017
- views: 3000
Join the OUDS as they present As You Like It in the beautiful Sam Wanamaker Playhouse. Love is never simple, idealism is sometimes naive, and the border of the ...
Join the OUDS as they present As You Like It in the beautiful Sam Wanamaker Playhouse. Love is never simple, idealism is sometimes naive, and the border of the forest cannot keep the world out forever...
http://po.st/OudsInThePlayhouse
https://wn.com/Oxford_University_Dramatic_Society_As_You_Like_It
Join the OUDS as they present As You Like It in the beautiful Sam Wanamaker Playhouse. Love is never simple, idealism is sometimes naive, and the border of the forest cannot keep the world out forever...
http://po.st/OudsInThePlayhouse
- published: 14 Jul 2017
- views: 3000
0:50
Oxford University Drama Society - The Alchemist
- Order: Reorder
- Duration: 0:50
- Uploaded Date: 02 Aug 2014
- views: 625
- published: 02 Aug 2014
- views: 625
11:49
FIFTH WEEK AT OXFORD UNI - DRAMA CUPPERS, RAG BALL & FIFTH WEEK BLUES | viola helen
- Order: Reorder
- Duration: 11:49
- Uploaded Date: 05 Jan 2017
- views: 4366
Week of Sunday Nov 6th - Saturday Nov 12th. Did I get Fifth Week Blues?! Drama Cuppers performances finally happened and I also went to RAG Ball! Like, comment ...
Week of Sunday Nov 6th - Saturday Nov 12th. Did I get Fifth Week Blues?! Drama Cuppers performances finally happened and I also went to RAG Ball! Like, comment & subscribe for more xx ↓ OPEN ME! ↓
Fifth Week Blues - https://apieceofviola.wordpress.com/2016/11/15/fifth-week-blues-uni-diaries/
Oxford Balls - https://apieceofviola.wordpress.com/2016/11/19/oxford-balls-union-ball-and-rag-ball-uni-diaries/
S U B S C R I B E - https://www.youtube.com/channel/UCzf3VsJqDDWp-v938ewpT8g
P R E V I O U S - https://youtu.be/EE9ZdP3oJ5E
HELLOOOOO
If you've just stumbled across my channel then welcome! I post videos every Friday (and sometimes on Monday!) on a variety of things, from graduate life to travel vlogs. Join the adventures + subscribe 🌟
PAYPAL TIPS
If you like my content and want to help me out: https://bit.ly/32YkW2p
££ SAVE MONEY WITH MY DISCOUNTS! ££
FREE £25 when you sign up to AirBnB https://www.airbnb.co.uk/c/violah10
FREE £10 on Deliveroo https://roo.it/violah-8w91
FREE Audible 30 Day Trial https://amzn.to/2J3ppIb
FREE 6 month trial of Amazon Prime - https://amzn.to/2QuLvIf
SOCIALS
Blog | https://apieceofviola.com/
Instagram | https://www.instagram.com/violahelen_/
Twitter | https://twitter.com/violahelen_
Tumblr | http://beautifulandl0st.tumblr.com/
MUSIC
Be Together - Zaza
https://soundcloud.com/zazamakesmusic/
https://wn.com/Fifth_Week_At_Oxford_Uni_Drama_Cuppers,_Rag_Ball_Fifth_Week_Blues_|_Viola_Helen
Week of Sunday Nov 6th - Saturday Nov 12th. Did I get Fifth Week Blues?! Drama Cuppers performances finally happened and I also went to RAG Ball! Like, comment & subscribe for more xx ↓ OPEN ME! ↓
Fifth Week Blues - https://apieceofviola.wordpress.com/2016/11/15/fifth-week-blues-uni-diaries/
Oxford Balls - https://apieceofviola.wordpress.com/2016/11/19/oxford-balls-union-ball-and-rag-ball-uni-diaries/
S U B S C R I B E - https://www.youtube.com/channel/UCzf3VsJqDDWp-v938ewpT8g
P R E V I O U S - https://youtu.be/EE9ZdP3oJ5E
HELLOOOOO
If you've just stumbled across my channel then welcome! I post videos every Friday (and sometimes on Monday!) on a variety of things, from graduate life to travel vlogs. Join the adventures + subscribe 🌟
PAYPAL TIPS
If you like my content and want to help me out: https://bit.ly/32YkW2p
££ SAVE MONEY WITH MY DISCOUNTS! ££
FREE £25 when you sign up to AirBnB https://www.airbnb.co.uk/c/violah10
FREE £10 on Deliveroo https://roo.it/violah-8w91
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MUSIC
Be Together - Zaza
https://soundcloud.com/zazamakesmusic/
- published: 05 Jan 2017
- views: 4366
10:22
PART 1 - ON MEDEA | INTERVIEWS | BAME Medea (Oxford University BAME Drama Society
- Order: Reorder
- Duration: 10:22
- Uploaded Date: 28 Nov 2019
- views: 265
Had you heard of Medea before this production?
What were your first impressions of Medea?
What do you think of her now?
Is Medea still relevant today?
In Ma...
Had you heard of Medea before this production?
What were your first impressions of Medea?
What do you think of her now?
Is Medea still relevant today?
In May 2018 the Oxford University Drama Society performed a modern adaptation of Euripides' tragedy Medea with an all BAME cast and crew.
This video features interviews with the cast and crew filmed just before their final performance, where we find out what they think about Medea.
“You think that I might be a witch? That I might be a strange, dangerous monster? Because I wasn’t born here and because I am a woman.”
Set in a dystopian world, Jason has abandoned his wife, Medea, and their two children. He is remarrying the princess of the land, with the hope that this partnership will bring him security and prosperity. Medea, a barbarian and now left alone, is seen as a menace to the law and is threatened with banishment. After pleading for mercy, Medea is allowed one day before she must leave, during which she plans to complete her dark and disturbing quest for "justice”.
Medea is not just a play about fidelity, family and revenge, but an inquiry into the psyche of those most marginalised by society. It is an exploration of the themes of identity and belonging, the politics of power and femininity, and a psychological examination of how anyone can be sufficiently inflamed by insult, loss and the threat of isolation to harm the people they most love.
Featuring a BAME cast and crew, Oxford BAME Drama Society presents a modern adaptation of Euripides’ Tragedy, combining music with movement and spoken word to transform Robin Robertson’s translation into a celebration of culture and exploration of identity.
Dos Santos, V., 'Oxford’s students are diversifying their theatre scene', gal-dem (2018)
http://gal-dem.com/oxfords-students-are-diversifying-their-theatre-scene/
Andújar, R., 'Play Review - Khameleon Productions’ Medea: Oxford’s first BAME play', Didaskalia: The Journal for Ancient Performance, 14(1). (2018)
https://core.ac.uk/download/pdf/160275477.pdf
https://wn.com/Part_1_On_Medea_|_Interviews_|_Bame_Medea_(Oxford_University_Bame_Drama_Society
Had you heard of Medea before this production?
What were your first impressions of Medea?
What do you think of her now?
Is Medea still relevant today?
In May 2018 the Oxford University Drama Society performed a modern adaptation of Euripides' tragedy Medea with an all BAME cast and crew.
This video features interviews with the cast and crew filmed just before their final performance, where we find out what they think about Medea.
“You think that I might be a witch? That I might be a strange, dangerous monster? Because I wasn’t born here and because I am a woman.”
Set in a dystopian world, Jason has abandoned his wife, Medea, and their two children. He is remarrying the princess of the land, with the hope that this partnership will bring him security and prosperity. Medea, a barbarian and now left alone, is seen as a menace to the law and is threatened with banishment. After pleading for mercy, Medea is allowed one day before she must leave, during which she plans to complete her dark and disturbing quest for "justice”.
Medea is not just a play about fidelity, family and revenge, but an inquiry into the psyche of those most marginalised by society. It is an exploration of the themes of identity and belonging, the politics of power and femininity, and a psychological examination of how anyone can be sufficiently inflamed by insult, loss and the threat of isolation to harm the people they most love.
Featuring a BAME cast and crew, Oxford BAME Drama Society presents a modern adaptation of Euripides’ Tragedy, combining music with movement and spoken word to transform Robin Robertson’s translation into a celebration of culture and exploration of identity.
Dos Santos, V., 'Oxford’s students are diversifying their theatre scene', gal-dem (2018)
http://gal-dem.com/oxfords-students-are-diversifying-their-theatre-scene/
Andújar, R., 'Play Review - Khameleon Productions’ Medea: Oxford’s first BAME play', Didaskalia: The Journal for Ancient Performance, 14(1). (2018)
https://core.ac.uk/download/pdf/160275477.pdf
- published: 28 Nov 2019
- views: 265
0:49
TRAILER | BAME Medea (Oxford University BAME Drama Society)
- Order: Reorder
- Duration: 0:49
- Uploaded Date: 20 Nov 2019
- views: 551
In May 2018 the Oxford University Drama Society performed a modern adaptation of Euripides' tragedy Medea with an all BAME cast and crew.
“You think that I mig...
In May 2018 the Oxford University Drama Society performed a modern adaptation of Euripides' tragedy Medea with an all BAME cast and crew.
“You think that I might be a witch? That I might be a strange, dangerous monster? Because I wasn’t born here and because I am a woman.”
Set in a dystopian world, Jason has abandoned his wife, Medea, and their two children. He is remarrying the princess of the land, with the hope that this partnership will bring him security and prosperity. Medea, a barbarian and now left alone, is seen as a menace to the law and is threatened with banishment. After pleading for mercy, Medea is allowed one day before she must leave, during which she plans to complete her dark and disturbing quest for "justice”.
Medea is not just a play about fidelity, family and revenge, but an inquiry into the psyche of those most marginalised by society. It is an exploration of the themes of identity and belonging, the politics of power and femininity, and a psychological examination of how anyone can be sufficiently inflamed by insult, loss and the threat of isolation to harm the people they most love.
Featuring a BAME cast and crew, Oxford BAME Drama Society presents a modern adaptation of Euripides’ Tragedy, combining music with movement and spoken word to transform Robin Robertson’s translation into a celebration of culture and exploration of identity.
Dos Santos, V., 'Oxford’s students are diversifying their theatre scene', gal-dem (2018)
http://gal-dem.com/oxfords-students-are-diversifying-their-theatre-scene/
Andújar, R., 'Play Review - Khameleon Productions’ Medea: Oxford’s first BAME play', Didaskalia: The Journal for Ancient Performance, 14(1). (2018)
https://core.ac.uk/download/pdf/160275477.pdf
https://wn.com/Trailer_|_Bame_Medea_(Oxford_University_Bame_Drama_Society)
In May 2018 the Oxford University Drama Society performed a modern adaptation of Euripides' tragedy Medea with an all BAME cast and crew.
“You think that I might be a witch? That I might be a strange, dangerous monster? Because I wasn’t born here and because I am a woman.”
Set in a dystopian world, Jason has abandoned his wife, Medea, and their two children. He is remarrying the princess of the land, with the hope that this partnership will bring him security and prosperity. Medea, a barbarian and now left alone, is seen as a menace to the law and is threatened with banishment. After pleading for mercy, Medea is allowed one day before she must leave, during which she plans to complete her dark and disturbing quest for "justice”.
Medea is not just a play about fidelity, family and revenge, but an inquiry into the psyche of those most marginalised by society. It is an exploration of the themes of identity and belonging, the politics of power and femininity, and a psychological examination of how anyone can be sufficiently inflamed by insult, loss and the threat of isolation to harm the people they most love.
Featuring a BAME cast and crew, Oxford BAME Drama Society presents a modern adaptation of Euripides’ Tragedy, combining music with movement and spoken word to transform Robin Robertson’s translation into a celebration of culture and exploration of identity.
Dos Santos, V., 'Oxford’s students are diversifying their theatre scene', gal-dem (2018)
http://gal-dem.com/oxfords-students-are-diversifying-their-theatre-scene/
Andújar, R., 'Play Review - Khameleon Productions’ Medea: Oxford’s first BAME play', Didaskalia: The Journal for Ancient Performance, 14(1). (2018)
https://core.ac.uk/download/pdf/160275477.pdf
- published: 20 Nov 2019
- views: 551
14:52
PART 2 - ON PRODUCTION | INTERVIEWS | BAME Medea (Oxford University BAME Drama Society
- Order: Reorder
- Duration: 14:52
- Uploaded Date: 28 Nov 2019
- views: 226
Why is this production important to BAME students at Oxford?
Why is this production important to Classics?
Had you done any theatre before this?
What is your ...
Why is this production important to BAME students at Oxford?
Why is this production important to Classics?
Had you done any theatre before this?
What is your favourite part of this production?
In May 2018 the Oxford University Drama Society performed a modern adaptation of Euripides' tragedy Medea with an all BAME cast and crew.
This video features interviews with the cast and crew filmed just before their final performance, where we find out what they think about putting on the first all BAME production in Oxford.
“You think that I might be a witch? That I might be a strange, dangerous monster? Because I wasn’t born here and because I am a woman.”
Set in a dystopian world, Jason has abandoned his wife, Medea, and their two children. He is remarrying the princess of the land, with the hope that this partnership will bring him security and prosperity. Medea, a barbarian and now left alone, is seen as a menace to the law and is threatened with banishment. After pleading for mercy, Medea is allowed one day before she must leave, during which she plans to complete her dark and disturbing quest for "justice”.
Medea is not just a play about fidelity, family and revenge, but an inquiry into the psyche of those most marginalised by society. It is an exploration of the themes of identity and belonging, the politics of power and femininity, and a psychological examination of how anyone can be sufficiently inflamed by insult, loss and the threat of isolation to harm the people they most love.
Featuring a BAME cast and crew, Oxford BAME Drama Society presents a modern adaptation of Euripides’ Tragedy, combining music with movement and spoken word to transform Robin Robertson’s translation into a celebration of culture and exploration of identity.
Dos Santos, V., 'Oxford’s students are diversifying their theatre scene', gal-dem (2018)
http://gal-dem.com/oxfords-students-are-diversifying-their-theatre-scene/
Andújar, R., 'Play Review - Khameleon Productions’ Medea: Oxford’s first BAME play', Didaskalia: The Journal for Ancient Performance, 14(1). (2018)
https://core.ac.uk/download/pdf/160275477.pdf
https://wn.com/Part_2_On_Production_|_Interviews_|_Bame_Medea_(Oxford_University_Bame_Drama_Society
Why is this production important to BAME students at Oxford?
Why is this production important to Classics?
Had you done any theatre before this?
What is your favourite part of this production?
In May 2018 the Oxford University Drama Society performed a modern adaptation of Euripides' tragedy Medea with an all BAME cast and crew.
This video features interviews with the cast and crew filmed just before their final performance, where we find out what they think about putting on the first all BAME production in Oxford.
“You think that I might be a witch? That I might be a strange, dangerous monster? Because I wasn’t born here and because I am a woman.”
Set in a dystopian world, Jason has abandoned his wife, Medea, and their two children. He is remarrying the princess of the land, with the hope that this partnership will bring him security and prosperity. Medea, a barbarian and now left alone, is seen as a menace to the law and is threatened with banishment. After pleading for mercy, Medea is allowed one day before she must leave, during which she plans to complete her dark and disturbing quest for "justice”.
Medea is not just a play about fidelity, family and revenge, but an inquiry into the psyche of those most marginalised by society. It is an exploration of the themes of identity and belonging, the politics of power and femininity, and a psychological examination of how anyone can be sufficiently inflamed by insult, loss and the threat of isolation to harm the people they most love.
Featuring a BAME cast and crew, Oxford BAME Drama Society presents a modern adaptation of Euripides’ Tragedy, combining music with movement and spoken word to transform Robin Robertson’s translation into a celebration of culture and exploration of identity.
Dos Santos, V., 'Oxford’s students are diversifying their theatre scene', gal-dem (2018)
http://gal-dem.com/oxfords-students-are-diversifying-their-theatre-scene/
Andújar, R., 'Play Review - Khameleon Productions’ Medea: Oxford’s first BAME play', Didaskalia: The Journal for Ancient Performance, 14(1). (2018)
https://core.ac.uk/download/pdf/160275477.pdf
- published: 28 Nov 2019
- views: 226
1:08:13
Introduction to Funding and Budgeting in Oxford Drama
- Order: Reorder
- Duration: 1:08:13
- Uploaded Date: 28 Nov 2020
- views: 28
OUDS has organised a workshop to give an introduction to funding and budgeting for student theatre, with an emphasis on understanding and adapting to pandemic-s...
OUDS has organised a workshop to give an introduction to funding and budgeting for student theatre, with an emphasis on understanding and adapting to pandemic-specific limitations.
We explain how theatre funding works in Oxford, with general tips for budgeting, writing funding bids and securing funding. We then look towards next term and discuss what to expect in terms of social distancing, and other differences from usual budgeting. Overall, we aimed to demistify show finances and give you the tools to continue producing brilliant theatre regardless of the Covid restrictions we find ourselves in.
Presentation slides: https://drive.google.com/file/d/1PrB1R4jJFNEXWEyAzozuqrvnfTCaewUA/view?usp=sharing
OUDS funding information, including how to apply: https://www.ouds.org/funding-advice
Up-to-date Covid-19 guidance for student theatre: https://www.ouds.org/covid-19
For a more general introduction to drama in Hilary term, check out this workshop: https://youtu.be/vUoHkOo1Tbk
https://wn.com/Introduction_To_Funding_And_Budgeting_In_Oxford_Drama
OUDS has organised a workshop to give an introduction to funding and budgeting for student theatre, with an emphasis on understanding and adapting to pandemic-specific limitations.
We explain how theatre funding works in Oxford, with general tips for budgeting, writing funding bids and securing funding. We then look towards next term and discuss what to expect in terms of social distancing, and other differences from usual budgeting. Overall, we aimed to demistify show finances and give you the tools to continue producing brilliant theatre regardless of the Covid restrictions we find ourselves in.
Presentation slides: https://drive.google.com/file/d/1PrB1R4jJFNEXWEyAzozuqrvnfTCaewUA/view?usp=sharing
OUDS funding information, including how to apply: https://www.ouds.org/funding-advice
Up-to-date Covid-19 guidance for student theatre: https://www.ouds.org/covid-19
For a more general introduction to drama in Hilary term, check out this workshop: https://youtu.be/vUoHkOo1Tbk
- published: 28 Nov 2020
- views: 28
1:08
University Drama - The Dynasts (1920)
- Order: Reorder
- Duration: 1:08
- Uploaded Date: 13 Apr 2014
- views: 817
Item title reads: "The Dynasts - Thomas Hardy's famous work was produced and acted by the University Dramatic Society with great success."
Oxford.
Student...
Item title reads: "The Dynasts - Thomas Hardy's famous work was produced and acted by the University Dramatic Society with great success."
Oxford.
Students of the Oxford University Dramatic Society parade through a street in their costumes for Thomas Hardy's play of the "Dynasts". Some of them are in character including one dressed as an old man smoking a pipe. He takes the pipe out of his mouth and spits on the ground.
Static shot of them as they walk past crowds of spectators. Some very good costumes.
FILM ID:206.12
A VIDEO FROM BRITISH PATHÉ. EXPLORE OUR ONLINE CHANNEL, BRITISH PATHÉ TV. IT'S FULL OF GREAT DOCUMENTARIES, FASCINATING INTERVIEWS, AND CLASSIC MOVIES. http://www.britishpathe.tv/
FOR LICENSING ENQUIRIES VISIT http://www.britishpathe.com/
British Pathé also represents the Reuters historical collection, which includes more than 136,000 items from the news agencies Gaumont Graphic (1910-1932), Empire News Bulletin (1926-1930), British Paramount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1984. All footage can be viewed on the British Pathé website. https://www.britishpathe.com/
https://wn.com/University_Drama_The_Dynasts_(1920)
Item title reads: "The Dynasts - Thomas Hardy's famous work was produced and acted by the University Dramatic Society with great success."
Oxford.
Students of the Oxford University Dramatic Society parade through a street in their costumes for Thomas Hardy's play of the "Dynasts". Some of them are in character including one dressed as an old man smoking a pipe. He takes the pipe out of his mouth and spits on the ground.
Static shot of them as they walk past crowds of spectators. Some very good costumes.
FILM ID:206.12
A VIDEO FROM BRITISH PATHÉ. EXPLORE OUR ONLINE CHANNEL, BRITISH PATHÉ TV. IT'S FULL OF GREAT DOCUMENTARIES, FASCINATING INTERVIEWS, AND CLASSIC MOVIES. http://www.britishpathe.tv/
FOR LICENSING ENQUIRIES VISIT http://www.britishpathe.com/
British Pathé also represents the Reuters historical collection, which includes more than 136,000 items from the news agencies Gaumont Graphic (1910-1932), Empire News Bulletin (1926-1930), British Paramount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1984. All footage can be viewed on the British Pathé website. https://www.britishpathe.com/
- published: 13 Apr 2014
- views: 817
20:48
Cuppers Award Ceremony 2021
Welcome to the 2020/21 Cuppers Awards Ceremony! Thanks so much for taking part and we're l...
published: 25 Feb 2021
Cuppers Award Ceremony 2021
Cuppers Award Ceremony 2021
- Report rights infringement
- published: 25 Feb 2021
- views: 92
Welcome to the 2020/21 Cuppers Awards Ceremony! Thanks so much for taking part and we're looking forward to making more amazing theatre with you in the future!
We'll announce the awards, then have a screening of the show that wins 'Best of Cuppers'!
1:16:38
THE PLAY | BAME Medea (Oxford University BAME Drama Society)
In May 2018 the Oxford University Drama Society performed a modern adaptation of Euripides...
published: 28 Nov 2019
THE PLAY | BAME Medea (Oxford University BAME Drama Society)
THE PLAY | BAME Medea (Oxford University BAME Drama Society)
- Report rights infringement
- published: 28 Nov 2019
- views: 4356
In May 2018 the Oxford University Drama Society performed a modern adaptation of Euripides' tragedy Medea with an all BAME cast and crew.
“You think that I might be a witch? That I might be a strange, dangerous monster? Because I wasn’t born here and because I am a woman.”
Set in a dystopian world, Jason has abandoned his wife, Medea, and their two children. He is remarrying the princess of the land, with the hope that this partnership will bring him security and prosperity. Medea, a barbarian and now left alone, is seen as a menace to the law and is threatened with banishment. After pleading for mercy, Medea is allowed one day before she must leave, during which she plans to complete her dark and disturbing quest for "justice”.
Medea is not just a play about fidelity, family and revenge, but an inquiry into the psyche of those most marginalised by society. It is an exploration of the themes of identity and belonging, the politics of power and femininity, and a psychological examination of how anyone can be sufficiently inflamed by insult, loss and the threat of isolation to harm the people they most love.
Featuring a BAME cast and crew, Oxford BAME Drama Society presents a modern adaptation of Euripides’ Tragedy, combining music with movement and spoken word to transform Robin Robertson’s translation into a celebration of culture and exploration of identity.
Based on Robin Robertson’s translation
Adapted by Francesca Amewudah-Rivers
Music featured:
Ibeyi - No Man Is Big Enough For My Arms
Nina Simone - I Wish I Knew How It Would Feel to Be Free
Kendrick Lamar - How Much A Dollar Cost
Kanye West - Monster
Fugees - Ready or Not
Enya - Boadicea
Stormzy - Blinded By Your Grace, Pt. 2
Dos Santos, V., 'Oxford’s students are diversifying their theatre scene', gal-dem (2018)
http://gal-dem.com/oxfords-students-are-diversifying-their-theatre-scene/
Andújar, R., 'Play Review - Khameleon Productions’ Medea: Oxford’s first BAME play', Didaskalia: The Journal for Ancient Performance, 14(1). (2018)
https://core.ac.uk/download/pdf/160275477.pdf
0:40
Oxford University Dramatic Society: As You Like It
Join the OUDS as they present As You Like It in the beautiful Sam Wanamaker Playhouse. Lov...
published: 14 Jul 2017
Oxford University Dramatic Society: As You Like It
Oxford University Dramatic Society: As You Like It
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- published: 14 Jul 2017
- views: 3000
Join the OUDS as they present As You Like It in the beautiful Sam Wanamaker Playhouse. Love is never simple, idealism is sometimes naive, and the border of the forest cannot keep the world out forever...
http://po.st/OudsInThePlayhouse
0:50
Oxford University Drama Society - The Alchemist
published: 02 Aug 2014
Oxford University Drama Society - The Alchemist
Oxford University Drama Society - The Alchemist
- Report rights infringement
- published: 02 Aug 2014
- views: 625
11:49
FIFTH WEEK AT OXFORD UNI - DRAMA CUPPERS, RAG BALL & FIFTH WEEK BLUES | viola helen
Week of Sunday Nov 6th - Saturday Nov 12th. Did I get Fifth Week Blues?! Drama Cuppers per...
published: 05 Jan 2017
FIFTH WEEK AT OXFORD UNI - DRAMA CUPPERS, RAG BALL & FIFTH WEEK BLUES | viola helen
FIFTH WEEK AT OXFORD UNI - DRAMA CUPPERS, RAG BALL & FIFTH WEEK BLUES | viola helen
- Report rights infringement
- published: 05 Jan 2017
- views: 4366
Week of Sunday Nov 6th - Saturday Nov 12th. Did I get Fifth Week Blues?! Drama Cuppers performances finally happened and I also went to RAG Ball! Like, comment & subscribe for more xx ↓ OPEN ME! ↓
Fifth Week Blues - https://apieceofviola.wordpress.com/2016/11/15/fifth-week-blues-uni-diaries/
Oxford Balls - https://apieceofviola.wordpress.com/2016/11/19/oxford-balls-union-ball-and-rag-ball-uni-diaries/
S U B S C R I B E - https://www.youtube.com/channel/UCzf3VsJqDDWp-v938ewpT8g
P R E V I O U S - https://youtu.be/EE9ZdP3oJ5E
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MUSIC
Be Together - Zaza
https://soundcloud.com/zazamakesmusic/
10:22
PART 1 - ON MEDEA | INTERVIEWS | BAME Medea (Oxford University BAME Drama Society
Had you heard of Medea before this production?
What were your first impressions of Medea?...
published: 28 Nov 2019
PART 1 - ON MEDEA | INTERVIEWS | BAME Medea (Oxford University BAME Drama Society
PART 1 - ON MEDEA | INTERVIEWS | BAME Medea (Oxford University BAME Drama Society
- Report rights infringement
- published: 28 Nov 2019
- views: 265
Had you heard of Medea before this production?
What were your first impressions of Medea?
What do you think of her now?
Is Medea still relevant today?
In May 2018 the Oxford University Drama Society performed a modern adaptation of Euripides' tragedy Medea with an all BAME cast and crew.
This video features interviews with the cast and crew filmed just before their final performance, where we find out what they think about Medea.
“You think that I might be a witch? That I might be a strange, dangerous monster? Because I wasn’t born here and because I am a woman.”
Set in a dystopian world, Jason has abandoned his wife, Medea, and their two children. He is remarrying the princess of the land, with the hope that this partnership will bring him security and prosperity. Medea, a barbarian and now left alone, is seen as a menace to the law and is threatened with banishment. After pleading for mercy, Medea is allowed one day before she must leave, during which she plans to complete her dark and disturbing quest for "justice”.
Medea is not just a play about fidelity, family and revenge, but an inquiry into the psyche of those most marginalised by society. It is an exploration of the themes of identity and belonging, the politics of power and femininity, and a psychological examination of how anyone can be sufficiently inflamed by insult, loss and the threat of isolation to harm the people they most love.
Featuring a BAME cast and crew, Oxford BAME Drama Society presents a modern adaptation of Euripides’ Tragedy, combining music with movement and spoken word to transform Robin Robertson’s translation into a celebration of culture and exploration of identity.
Dos Santos, V., 'Oxford’s students are diversifying their theatre scene', gal-dem (2018)
http://gal-dem.com/oxfords-students-are-diversifying-their-theatre-scene/
Andújar, R., 'Play Review - Khameleon Productions’ Medea: Oxford’s first BAME play', Didaskalia: The Journal for Ancient Performance, 14(1). (2018)
https://core.ac.uk/download/pdf/160275477.pdf
0:49
TRAILER | BAME Medea (Oxford University BAME Drama Society)
In May 2018 the Oxford University Drama Society performed a modern adaptation of Euripides...
published: 20 Nov 2019
TRAILER | BAME Medea (Oxford University BAME Drama Society)
TRAILER | BAME Medea (Oxford University BAME Drama Society)
- Report rights infringement
- published: 20 Nov 2019
- views: 551
In May 2018 the Oxford University Drama Society performed a modern adaptation of Euripides' tragedy Medea with an all BAME cast and crew.
“You think that I might be a witch? That I might be a strange, dangerous monster? Because I wasn’t born here and because I am a woman.”
Set in a dystopian world, Jason has abandoned his wife, Medea, and their two children. He is remarrying the princess of the land, with the hope that this partnership will bring him security and prosperity. Medea, a barbarian and now left alone, is seen as a menace to the law and is threatened with banishment. After pleading for mercy, Medea is allowed one day before she must leave, during which she plans to complete her dark and disturbing quest for "justice”.
Medea is not just a play about fidelity, family and revenge, but an inquiry into the psyche of those most marginalised by society. It is an exploration of the themes of identity and belonging, the politics of power and femininity, and a psychological examination of how anyone can be sufficiently inflamed by insult, loss and the threat of isolation to harm the people they most love.
Featuring a BAME cast and crew, Oxford BAME Drama Society presents a modern adaptation of Euripides’ Tragedy, combining music with movement and spoken word to transform Robin Robertson’s translation into a celebration of culture and exploration of identity.
Dos Santos, V., 'Oxford’s students are diversifying their theatre scene', gal-dem (2018)
http://gal-dem.com/oxfords-students-are-diversifying-their-theatre-scene/
Andújar, R., 'Play Review - Khameleon Productions’ Medea: Oxford’s first BAME play', Didaskalia: The Journal for Ancient Performance, 14(1). (2018)
https://core.ac.uk/download/pdf/160275477.pdf
14:52
PART 2 - ON PRODUCTION | INTERVIEWS | BAME Medea (Oxford University BAME Drama Society
Why is this production important to BAME students at Oxford?
Why is this production impor...
published: 28 Nov 2019
PART 2 - ON PRODUCTION | INTERVIEWS | BAME Medea (Oxford University BAME Drama Society
PART 2 - ON PRODUCTION | INTERVIEWS | BAME Medea (Oxford University BAME Drama Society
- Report rights infringement
- published: 28 Nov 2019
- views: 226
Why is this production important to BAME students at Oxford?
Why is this production important to Classics?
Had you done any theatre before this?
What is your favourite part of this production?
In May 2018 the Oxford University Drama Society performed a modern adaptation of Euripides' tragedy Medea with an all BAME cast and crew.
This video features interviews with the cast and crew filmed just before their final performance, where we find out what they think about putting on the first all BAME production in Oxford.
“You think that I might be a witch? That I might be a strange, dangerous monster? Because I wasn’t born here and because I am a woman.”
Set in a dystopian world, Jason has abandoned his wife, Medea, and their two children. He is remarrying the princess of the land, with the hope that this partnership will bring him security and prosperity. Medea, a barbarian and now left alone, is seen as a menace to the law and is threatened with banishment. After pleading for mercy, Medea is allowed one day before she must leave, during which she plans to complete her dark and disturbing quest for "justice”.
Medea is not just a play about fidelity, family and revenge, but an inquiry into the psyche of those most marginalised by society. It is an exploration of the themes of identity and belonging, the politics of power and femininity, and a psychological examination of how anyone can be sufficiently inflamed by insult, loss and the threat of isolation to harm the people they most love.
Featuring a BAME cast and crew, Oxford BAME Drama Society presents a modern adaptation of Euripides’ Tragedy, combining music with movement and spoken word to transform Robin Robertson’s translation into a celebration of culture and exploration of identity.
Dos Santos, V., 'Oxford’s students are diversifying their theatre scene', gal-dem (2018)
http://gal-dem.com/oxfords-students-are-diversifying-their-theatre-scene/
Andújar, R., 'Play Review - Khameleon Productions’ Medea: Oxford’s first BAME play', Didaskalia: The Journal for Ancient Performance, 14(1). (2018)
https://core.ac.uk/download/pdf/160275477.pdf
1:08:13
Introduction to Funding and Budgeting in Oxford Drama
OUDS has organised a workshop to give an introduction to funding and budgeting for student...
published: 28 Nov 2020
Introduction to Funding and Budgeting in Oxford Drama
Introduction to Funding and Budgeting in Oxford Drama
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- published: 28 Nov 2020
- views: 28
OUDS has organised a workshop to give an introduction to funding and budgeting for student theatre, with an emphasis on understanding and adapting to pandemic-specific limitations.
We explain how theatre funding works in Oxford, with general tips for budgeting, writing funding bids and securing funding. We then look towards next term and discuss what to expect in terms of social distancing, and other differences from usual budgeting. Overall, we aimed to demistify show finances and give you the tools to continue producing brilliant theatre regardless of the Covid restrictions we find ourselves in.
Presentation slides: https://drive.google.com/file/d/1PrB1R4jJFNEXWEyAzozuqrvnfTCaewUA/view?usp=sharing
OUDS funding information, including how to apply: https://www.ouds.org/funding-advice
Up-to-date Covid-19 guidance for student theatre: https://www.ouds.org/covid-19
For a more general introduction to drama in Hilary term, check out this workshop: https://youtu.be/vUoHkOo1Tbk
1:08
University Drama - The Dynasts (1920)
Item title reads: "The Dynasts - Thomas Hardy's famous work was produced and acted by the ...
published: 13 Apr 2014
University Drama - The Dynasts (1920)
University Drama - The Dynasts (1920)
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- published: 13 Apr 2014
- views: 817
Item title reads: "The Dynasts - Thomas Hardy's famous work was produced and acted by the University Dramatic Society with great success."
Oxford.
Students of the Oxford University Dramatic Society parade through a street in their costumes for Thomas Hardy's play of the "Dynasts". Some of them are in character including one dressed as an old man smoking a pipe. He takes the pipe out of his mouth and spits on the ground.
Static shot of them as they walk past crowds of spectators. Some very good costumes.
FILM ID:206.12
A VIDEO FROM BRITISH PATHÉ. EXPLORE OUR ONLINE CHANNEL, BRITISH PATHÉ TV. IT'S FULL OF GREAT DOCUMENTARIES, FASCINATING INTERVIEWS, AND CLASSIC MOVIES. http://www.britishpathe.tv/
FOR LICENSING ENQUIRIES VISIT http://www.britishpathe.com/
British Pathé also represents the Reuters historical collection, which includes more than 136,000 items from the news agencies Gaumont Graphic (1910-1932), Empire News Bulletin (1926-1930), British Paramount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1984. All footage can be viewed on the British Pathé website. https://www.britishpathe.com/
Oxford University Dramatic Society
The Oxford University Dramatic Society (OUDS) is the principal funding body and provider of theatrical services to the many independent student productions put on by students in Oxford, England. Not all student productions at Oxford University are awarded funding from the society; however it is rare, for example, for any student production at the Oxford Playhouse not to receive substantial funding from the society. The society funds many types of shows, mostly at the Oxford Playhouse, Burton Taylor Theatre, and the individual college theatres such as the Moser Theatre at Wadham and the O'Reilly Theatre at Keble. All productions put on by Oxford University students can use the society's services, such as the website, the wardrobe, and advice from the committee.
The Society supports a competition for Freshers (Cuppers), held in Michaelmas Term and a New Writing Festival in Hilary Term. OUDS also supports an annual National UK Tour, which culminates in a long run at the Edinburgh Festival Fringe and, jointly with Thelma Holt, a Shakespeare production which tours Japan, with preview performances in the UK.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Oxford_University_Dramatic_Society
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Teenage Dirtbag
Her name is Noel
I have a dream about her
She rings my bell
I got gym class in half an hour
Oh how she rocks
In Keds and tube socks
But she doesn't know who I am
And she doesn't give a damn about me
Cause I'm just a teenage dirtbag baby
Yeah I'm just a teenage dirtbag baby
Listen to Iron Maiden baby with me
Her boyfriend's a dick
And he brings a gun to school
And he'd sI'mply kick
My ass if he knew the truth
He lives on my block
And he drives an Iroc
But he doesn't know who I am
And he doesn't give a damn about me
Cause I'm just a teenage dirtbag baby
Yeah I'm just a teenage dirtbag baby
Listen to Iron Maiden baby with me
Yeeah dirtbag, no she doesn't know what she's missin
Yeeah dirtbag, no she doesn't know what she's missin
Man I feel like mold
It's prom night and I am lonely
Low and behold
She's walking over to me
This must be fake
My lip starts to shake
How does she know who I am
And why does she give a damn about
I've got two tickets to Iron Maiden baby
Come with me Friday, don't say maybe
I'm just a teenage dirtbag baby like you
Yeeah dirtbag, no she doesn't know what she's missin
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