Dun Carloway broch, Lewis, Scotland

A broch is an Iron Age drystone hollow-walled structure of a type found only in Scotland. Brochs include some of the most sophisticated examples of drystone architecture ever created, and belong to the classification "complex Atlantic Roundhouse" devised by Scottish archaeologists in the 1980s. Their origin is a matter of some controversy. The theory that they were defensive military structures is not accepted by many modern archaeologists (see the 'general references' below), while the alternative notion that they were farmhouses is dismissed by some others. Although most stand alone in the landscape, some examples exist of brochs surrounded by clusters of smaller dwellings. There is controversy about whether or not brochs were roofed.

Origin and definition[link]

The word broch is derived from Lowland Scots 'brough', meaning (among other things) fort. In the mid-19th century Scottish antiquaries called brochs 'burgs', after Old Norse borg, with the same meaning. Place names in Scandinavian Scotland such as Burgawater and Burgan show that O.N. borg is the older word used for these structures in the north. Brochs are often referred to as 'duns' in the west. Antiquaries began to use the spelling 'broch' in the 1870s.

A precise definition for the word has proved elusive. Brochs are the most spectacular of a complex class of roundhouse buildings found throughout "Atlantic Scotland". The Shetland Amenity Trust lists about 120 sites in Shetland as candidate brochs, while The Royal Commission on the Ancient and Historic Monuments of Scotland identifies a total of 571 candidate broch sites throughout the country. Researcher Euan MacKie has proposed a much smaller total for Scotland of 104.^[1]

Broch of Mousa

The origin of brochs is a subject of continuing research. Sixty years ago most archaeologists believed that brochs, usually regarded as castles, were built by immigrants who had been displaced and pushed northward, first by the intrusions of Belgic tribes into what is now south-east England towards the end of the second century BC and later by the Roman invasion of southern Britain from AD 43 onwards. Yet there is now little doubt that the hollow-walled broch tower was purely an invention from what is now Scotland, or that even the kinds of pottery found inside them that most resembled south British styles were local hybrid forms. The first of the modern review articles on the subject (MacKie 1965)^[2] did not, as is commonly believed, propose that brochs were built by immigrants, but rather that a hybrid culture of a small number of immigrants with the native population of the Hebrides produced them in the first century BC, basing them on earlier, simpler promontory forts. This view contrasted for example with that of Sir Lindsay Scott, who argued^[3]—following Childe (1935)^[4] for a wholesale migration into Atlantic Scotland of people from south-west England.

MacKie's theory has fallen from favour too, mainly because from the 1970s there was a general move away from 'diffusionist' explanations in archaeology towards those involving exclusively indigenous development. Meanwhile, the increasing number (albeit still pitifully few) of radiocarbon dates for the primary use of brochs (as opposed to their later, secondary use) still suggests that most of the towers were built in the 1st centuries BC and AD.^[5] A few may be earlier, notably the one proposed for Old Scatness Broch in Shetland, where a sheep bone dating to 390–200 BC has been reported^[6] The other broch claimed to be substantially older than the 1st century BC is Crosskirk in Caithness, but a recent review of the evidence suggests that it cannot plausibly be assigned a date earlier than the 1st centuries BC/AD^[7][8]

Distribution[link]

Global overview of the distribution of brochs.

The distribution of brochs is centred on northern Scotland. Caithness, Sutherland and the Northern Isles have the densest concentrations, but there are also a great many examples in the west of Scotland and the Hebrides.

Although mainly concentrated in the northern Highlands and the Islands, a few examples occur in the Borders (for example Edin's Hall Broch), on the west coast of Dumfries and Galloway and near Stirling. This small group of southern brochs has never been satisfactorily explained.

Purposes[link]

The remains of Kilphedir broch, Sutherland, are surrounded by massive earthworks.

The original interpretation of brochs, favoured by nineteenth century antiquarians, was that they were defensive structures, places of refuge for the community and their livestock. They were sometimes regarded as the work of Danes or Picts.

From the 1930s to the 1960s, archaeologists like V. Gordon Childe and later John Hamilton^[9] regarded them as castles where local landowners held sway over a subject population.

The castle theory fell from favour among Scottish archaeologists in the 1980s, due to a lack of supporting archaeological evidence. These archaeologists suggested that defensibility was never a major concern in the siting of a broch, and argued that they may have been the "stately homes" of their time, objects of prestige and very visible demonstrations of superiority for important families (Armit 2003). Once again, however, there is a lack of archaeological proof for this reconstruction, and the sheer number of brochs, sometimes in places with a lack of good land, makes it problematical.

Brochs' close groupings and profusion in many areas may indeed suggest that they had a primarily defensive or even offensive function. Some of them were sited beside precipitous cliffs and were protected by large ramparts, artificial or natural: a good example is at Burland near Gulberwick in Shetland, on a clifftop and cut off from the mainland by huge ditches. Often they are at key strategic points. In Shetland they sometimes cluster on each side of narrow stretches of water: the broch of Mousa, for instance, is directly opposite another at Burraland in Sandwick. In Orkney there are more than a dozen on the facing shores of Eynhallow Sound, and many at the exits and entrances of the great harbour of Scapa Flow. In Sutherland quite a few are placed along the sides and at the mouths of deep valleys. Writing in 1956 John Stewart suggested that brochs were forts put up by a military society to scan and protect the countryside and seas.^[10]

Finally, some archaeologists consider broch sites individually, doubting that there ever was a single common purpose for which every broch was constructed. There are differences between the various areas in which brochs are found, with regard to position, dimensions and likely status. For example, the broch 'villages' which occur at a few places in Orkney have no parallel in the Western Isles.

Structures[link]

Brochs vary from 5 to 15 metres (16–50 ft) in internal diameter, with 3 metre (10 ft) thick walls. On average, the walls only survive to a few metres. There are five extant examples of towers with significantly higher walls: Dun Carloway on Lewis, Dun Telve and Dun Troddan in Glenelg, Mousa in Shetland and Dun Dornaigil in Sutherland, all of whose walls exceed 6.5 m (21 ft) in height.^[11] Mousa's walls are the best preserved and are still 13 m tall, however it is not clear how many brochs originally stood this high. A frequent characteristic is that the walls are galleried (the outer and inner wall skins are separate but tied together with linking stone slabs, with an open space between). These linking slabs may in some cases have served as steps to higher floors. Beside the door, it is normal for there to be a cell breaking off from the passage; this is known as the guard cell. It has been found in some Shetland brochs that guard cells in entrance passageways are close to large door-check stones. Though there was much argument in the past, it is now generally accepted that brochs were roofed, probably with a conical timber framed roof covered with a locally sourced thatch. The evidence for this assertion is still fairly scanty, though excavations at Dun Bharabhat, Lewis, have supported it. The main difficulty with this interpretation continues to be the potential source of structural timber, though bog and driftwood may have been plentiful sources.

The remains of Feranch broch, Sutherland

On the islands of Orkney and Shetland there are very few cells at ground floor. However, most brochs have scarcements (ledges) which would have allowed the construction of a very sturdy wooden first floor (first spotted by the antiquary George Low in Shetland in 1774), and excavations at Loch na Berie on the Isle of Lewis show signs of a further, second floor (e.g. stairs on the first floor, which head upwards). Some brochs such as Dun Dornaigill and Culswick in Shetland have unusual triangular lintels above the entrance door.^[12][13]

As in the case of Old Scatness in Shetland (near Jarlshof and Burroughston on Shapinsay, brochs were sometimes located close to arable land and a source of water (some have wells or natural springs rising within their central space).^[14] Sometimes, on the other hand, they were sited in wilderness areas (e.g. Levenwick and Culswick in Shetland, Castle Cole in Sutherland). Brochs are often built beside the sea (Carn Liath, Sutherland); sometimes they are on islands in lochs (e.g. Clickimin in Shetland).

About 20 Orcadian broch sites include small settlements of stone buildings surrounding the main tower. Examples include Howe, near Stromness, Gurness Broch in the north west of Mainland, Orkney, Midhowe on Rousay and Lingro near Kirkwall (destroyed in the 1980s). There are "broch village" sites in Caithness, but elsewhere they are unknown.^[15]

Most brochs are unexcavated^[16] Many of those that have been properly examined show that they continued in use for many centuries, although the interiors were often modified and changed, and they underwent many phases of habitation and abandonment. The end of the broch period par excellence seems to have come around AD 200-300.

Dun Telve broch, Glenelg

The skills involved in broch building are currently being explored by drystone dyker Irwin Campbell^[17] and AOC Archaeology Ltd., based in Edinburgh.

Heritage status[link]

Mousa, Old Scatness and Jarlshof: The Crucible of Iron Age Shetland is a combination of three broch sites in Shetland that are on the United Kingdom "Tentative List" of possible nominations for the UNESCO World Heritage Programme list of sites of outstanding cultural or natural importance to the common heritage of humankind. This list, published in July 2010, includes sites that may be nominated for inscription over the next 5–10 years.^[18]

See also[link]

• Atlantic Roundhouses
• Broch of Mousa
• Crannog
• Hill fort
• Dun
• Tower house
• Nuraghe
• Talaiot
• Round tower

References and footnotes[link]

General references

• Armit, I. (1991) The Atlantic Scottish Iron Age: five levels of chronology, Proc. Soc. Antiq. Scot. v. 121, p. 181-214, ISSN 0081-1564
• Armit, I. (1996) The Archaeology of Skye and the Western Isles, Edinburgh University Press, ISBN 0-7486-0640-8
• Armit, I. (2003) Towers in the North: The Brochs of Scotland, Stroud : Tempus, ISBN 0-7524-1932-3
• Ballin Smith, B. and Banks, I. (eds) (2002) In the Shadow of the Brochs, the Iron Age in Scotland, Stroud : Tempus, ISBN 0-7524-2517-X
• Fojut, N. (1982) Towards a Geography of Shetland Brochs, Glasgow Archaeological Journal, v. 9, p. 38-59, ISSN 0305-8980
• Harding, D.W. (2000) The Hebridean Iron Age: Twenty Years’ Research, University of Edinburgh Department of Archaeology, Occasional Paper No. 20, ISSN: 0144-3313
• Harding, D.W. (2004) The Iron Age in Northern Britain, London : Routledge, ISBN 0-415-30150-5
• Hingley, R (1992) Society in Scotland from 700 BC to 200 AD, Proc. Soc. Antiq. Scot. v. 122, p. 7-53, ISSN 0081-1564.

Specific references and notes

1. ^ Armit (2003) p. 16.
2. ^ MacKie, E. W. (1965) 'The origin and development of the broch and wheelhouse building cultures of the Scottish Iron Age'. Proceedings of the Prehistoric Society 31, pages 93-146.
3. ^ Scott, Sir Lindsay (1947), ‘The problem of the brochs’, Proceedings of the Prehistoric Society 13, pages 1-36.
4. ^ Childe, V. G. (1935) The Prehistory of Scotland. London.
5. ^ Parker Pearson, M. & Sharples, N. et al. (1999) Between land and sea: excavations at Dun Vulan, South Uist. Sheffield.
6. ^ Dockrill, S. J., Outram, Z. and Batt, C. M. (2006) Time and place: a new chronology for the origin of the broch based on the scientific dating programme at the Old Scatness Broch, Shetland, PSAS, v. 136, p. 89-110, ISSN 0081-1564
7. ^ MacKie, E. W. (2007) The Roundhouses, Brochs and Wheelhouses of Atlantic Scotland c. 700 BC - AD 500: architecture and material culture. Part 2 The Mainland and the Western Islands. British Archaeological Reports British Series. Oxford.
8. ^ For the C14 dates for the Shetland sites see Shetland Amenity Trust Retrieved 14 August 2007.
9. ^ Hamilton, J.R.C. (1968) Excavations at Clickhimin, Shetland. Edinburgh.
10. ^ Stewart, J. (1956) An Outline of Shetland Archaeology, Lerwick : Shetland Times Ltd.
11. ^ Armit (2003) p. 55.
12. ^ "Dun Dornaigil" The Megalithic Portal. Retrieved 11 May 2008.
13. ^ "Culswick" RockStanza. Retrieved 11 May 2008.
14. ^ Hogan, C. Michael (Oct. 7, 2007) Burroughston Broch The Megalithic Portal. Retrieved 11 May 2008.
15. ^ Armit (2003) p. 95-106.
16. ^ Armit (2003) p. 51 notes that of 140 Atlantic roundhouses in the Outer Hebrides only 14 have been "at least partially excavated".
17. ^ Irwin Campbell brochbuild.co.uk. Retrieved 11 May 2008.
18. ^ From Chatham to Chester and Lincoln to the Lake District - 38 UK places put themselves forward for World Heritage status, United Kingdom Department for Culture, Media and Sport, 2010-07-07, http://www.culture.gov.uk/news/media_releases/7220.aspx, retrieved 2010-07-07 

Further reading[link]

• MacKie, E W 1992 The Iron Age semibrochs of Atlantic Scotland: a case study in the problems of deductive reasoning. Archaeol Journ 149 (1991), 149-81.
• MacKie, E W 1995a Gurness and Midhowe brochs in Orkney: some problems of misinterpretation. Archaeol Journ 151 (1994), 98-157.
• MacKie, E W 1995b The early Celts in Scotland. Miranda Green (ed) The Celtic World. Routledge, London: 654-70.
• MacKie, E W 1997 Dun Mor Vaul re-visited, J.N.G. Ritchie (ed) The Archaeology of Argyll. Edinburgh: 141-80.
• MacKie, E W 1998 Continuity over three thousand years of northern prehistory: the ‘tel’ at Howe, Orkney. Antiq Journ 78, 1-42.
• MacKie, E W 2000 The Scottish Atlantic Iron Age: indigenous and isolated or part of a wider European world? 99-116 in Jon C Henderson (ed) The Prehistory and Early History of Atlantic Europe. BAR International Series 861: Oxford.
• MacKie, E W 2002a Excavations at Dun Ardtreck, Skye, in 1964 and 1965. Proc Soc Antiq Scot 131 (2000), 301-411.
• MacKie, E W 2002b The Roundhouses, Brochs and Wheelhouses of Atlantic Scotland c. 700 BC - AD 500: architecture and material culture. Part 1 The Orkney and Shetland Isles. British Archaeological Reports British Series 342. Oxford.
• MacKie, E. W. 2005 119. Scottish brochs at the start of the new millennium, 11-31 in Turner, Val E, Nicholson, Rebecca A, Dockrill, S J & Bond, Julie M (eds.) Tall stories? Two millennia of brochs. Lerwick.
• Hunter, Mollie, The Stronghold, an historical novel about the building of the first broch.

External links[link]

Look up broch in Wiktionary, the free dictionary.

• "Towers of stone–the brochs of Scotland", from The Scotsman, February 27, 2006.
• Pretanic World - Chart of Neolithic, Bronze Age and Celtic Stone Structures
• Glenelg Brochs
• Shetlopedia: Brochs of Shetland

v t e Brochs Shetland Clickimin Culswick Jarlshof Mousa Old Scatness Snabrough West Burrafirth Orkney Burroughston Gurness Hebrides Dun Carloway Dun Beag Highlands Carn Liath Dun Dornaigil Glenelg Ousdale Burn Carrol Applecross Southern Scotland Edin's Hall Tappoch Bow Castle

Nicolai Cleve Broch (born 14 November 1975) is a Norwegian actor of theatre and film. He rose to national fame playing one of the leading roles in the 2002 drama series Lekestue, which aired on NRK in 2002.^[1] He is also known for playing the protagonist in Buddy, a romantic comedy from 2003. Other major film credits include Uno, Uro and Den siste revejakta. More recently, Cleve Broch was nominated for an Amanda Award for his portrayal of World War II resistance fighter Gregers Gram in Max Manus. Often appearing alongside Aksel Hennie, the two have been referred to as "Norway's Ben Affleck and Matt Damon".^[2]

Theatre[link]

Cleve Broch received his education at the Norwegian National Academy of Theatre from 1996 to 1999.^[3] He made his debut in the play Hjalmar og Frode. From 2005, Cleve Broch has been at Nationaltheatret, where he has portrayed Julian the Apostate in Henrik Ibsen's Emperor and Galilean.^[1] He has previously been employed at Oslo Nye Teater and Det Norske Teatret, where he has appeared in plays such as The Seagull by Anton Chekhov, and Who's Afraid of Virginia Woolf? by Edward Albee.^[1] Cleve Broch was named "Theatre Talent of the Year" in 2002 by Dagbladet.^[4]

Film and television[link]

Cleve Broch made his film debut in 1995, in the Swedish-Norwegian coming-of-age film Sebastian. In 2002, Cleve Broch became well known for playing Roger, a kindergarten teacher, on NRK's 2002 drama series Lekestue.^[3] Critics praised him for his "dreamlike charisma" and "expressive, awkward, body language", and he was nominated for an award in the category "Best male actor" in Gullruten for his performance.^[3] The following year, Cleve Broch got his big break in Buddy, a romantic comedy directed by Morten Tyldum.^[5] The film revolves around two friends, played by Cleve Broch and Aksel Hennie, and their ascent from being billboard hangers to getting their own segment in a popular talk show.^[5] According to Cleve Broch, "it was a challenge to make all the storylines affect my character and the way he sees things".^[5] The film was well received by critics, who highlighted its "perfect cast",^[6] and were impressed with what was coined a "new generation of [Norwegian] film actors".^[7]

In 2004, Cleve Broch took on another film role alongside Aksel Hennie, this time in Uno (2004), a drama set in a shady gym in Oslo. Cleve Broch plays Morten, the best friend of David (Hennie). The film was a critical success. Verdens Gang and Dagbladet both rated it 5 out of 6,^[8][9] while Birger Vestmo of NRK P3 gave it 6/6.^[10] Vestmo praised Cleve Broch for believably portraying the cowardly Morten,^[10] while Adresseavisen commended Cleve Broch and Hennie for their "spontaneous interplay".^[11] In 2006, Cleve Broch starred opposite Ane Dahl Torp in Uro, a crime film directed by Stefan Faldbakken. His portrayal of the undercover police officer Hans Petter "HP" Hansen was generally well received. Nettavisen's reviewer felt that Cleve Broch carried the film, and praised him for "brilliantly unfolding Hans Petter's troubled mind".^[12] Both he and Dahl Torp were nominated for Amanda Awards, for "Best Leading Actor" and Best Leading Actress", respectively.^[13]

Cleve Broch once again starred alongside Hennie in Max Manus, a 2008 war film based on real events from the life of resistance fighter Max Manus, played by Hennie. Cleve Broch portrays Gregers Gram, fellow resistance fighter and best friend of Manus.^[14] Cleve Broch found it easy to play Hennie's best friend. "Once, many years ago, we were going to play friends, and while preparing for that, we hung out together every day for a whole summer", he recalled.^[14] In an interview on TV 2, he expressed pride that he performed all the stunts himself.^[15] In preparation for the film, the actors got to fire live ammunition, something "one rarely gets to do" in Norwegian film, according to Cleve Broch.^[15] He was once again critically lauded for his on-screen interactions with Hennie, particularly for being able to emphasize the special friendship and humour between Manus and Gram.^[16] He received an Amanda Award nomination in the category "Best Actor in a Supporting Role" for his performance.^[15]

As an actor, Cleve Broch is noted for radically changing his appearance for his different roles, such a getting physically fit for Uno and Uro, growing a large beard and long hair for Den siste revejakta, and bleaching his hair for his role in Max Manus.^[17]

Personal life[link]

Nicolai Cleve Broch is married to his long-time girlfriend Heidi Gjermundsen Broch, who has received education at the Liverpool Institute for Performing Arts, and the Norwegian National Academy of Theatre.^[18] She got her break playing Eliza Doolittle in Oslo Nye Teater,^[4] and has also received attention for her roles in Mamma Mia!, and particularly as Édith Piaf in Piaf.^[18] The couple has two sons, Jakob and Jørgen.^[18] Cleve Broch is the half-brother of actress Ida Elise Broch.^[17]

Selected filmography[link]

References[link]

External links[link]

• Nicolai Cleve Broch at the Internet Movie Database