An odor or odour is caused by one or more volatilized chemical compounds, generally at a very low concentration, that humans or other animals perceive by the sense of olfaction. Odors are also called scents, which can refer to both pleasant and unpleasant odors. The terms fragrance, scent, and aroma are used primarily by the food and cosmetic industry to describe a pleasant odor, and are sometimes used to refer to perfumes. In contrast, malodor, stench, reek, and stink are used specifically to describe unpleasant odors.

Terminology

In the United Kingdom, "odour" refers to scents in general. In the United States, "odor" has a more negative connotation, such as "stench" or "stink"; "scent" or "aroma" are used for pleasant smells.

Basics

Sense of smell gives rise to the perception of odors. Smell is mediated by the olfactory nerve. The olfactory receptor cells are neurons present in the olfactory epithelium- a small patch of tissue in back of nasal cavity. There are millions of olfactory receptor neurons that act as sensory signaling cells. Each neuron has cilia in direct contact with air. The olfactory nerve is considered the smell mediator, the axon connects the brain to the external air. Odorous molecules act as a chemical stimulus. Molecules bind to receptor proteins extended from cilia initiating a electric signal. When the signal reaches a threshold it fires, traveling along the axon to the olfactory bulb, part or the limbic system right outside of brain. Interpretation of the smell begins, relating the smell to past experiences and in relation to the substance(s) emitted. The olfactory bulb is relay station connecting nose to olfactory cortex. Olfactory information is further processed and projected through a pathway to the CNS, which controls emotions and behavior as well as basic thought processes. Odor sensation depends on the concentration (number of molecules) available to the olfactory receptors. A single odorant is typically recognized by multiple receptors, and different odorants are recognized by combinations of receptors, the neuron fire helps to identify the smell. The olfactory system does not interpret a single compound but instead the whole odorous mix not corresponding to concentration or intensity.

The widest range of odors consists of organic compounds, although some inorganic substances, such as hydrogen sulfide and ammonia, are also odorants. The perception of an odor effect is a two-step process. First, there is the physiological part; the detection of stimuli by receptors in the nose. The stimuli are processed by the region of the human brain which is responsible for olfaction. Because of this, an objective and analytical measure of odor is impossible. While odor feelings are very personal perceptions, individual reactions are related to gender, age, state of health, and private affectations. Common odors that people are used to, such as their own body odor, are less noticeable to individuals than external or uncommon odors. This is due to habituation, after continuous odor exposure the sense of smell fatigues quickly, but recovers rapidly. Odors can change due to environmental conditions, for example odors tend to be more distinguishable in cool dry air.

Habituation is the the ability to generalize odors after continuous exposure. The sensitivity and ability to discriminate odors diminishes with exposure to ignore continuous stimulus and focus on a particular sense. When odorants are mixed, the conditioned odorant is blocked out because of habituation. This depends on the strength of the odorants in the mixture which can change perception and processing of an odor. This process helps classify similar odors as well as adjust sensitivity to differences in complex stimuli.

For most people, the process of smelling gives little information concerning the ingredients of a substance. It only offers information related to the emotional impact. Experienced people, however, such as flavorists and perfumers, can pick out individual chemicals in complex mixes through smell alone.

Odor perception is a primal sense. Sense of smell enables both pleasure, can non consciously warn animals of danger, help locate mates, find food, or detect predators. Humans have a surprisingly good sense of smell even though they only have 350 functional olfactory receptor genes compared to the 1,300 found in mice correlated to an evolutionary decline in sense of smell. Humans remarkable sense of smell is just as good as most animals and can distinguish a diversity of odors- approximately 10,000 scents. This is because of the retro nasal route in humans to increase sensation. However, animals such as dogs show a greater sensitivity to odors than humans especially in studies using short chained compounds. Higher cognitive brain mechanisms and more olfactory brain regions enable humans to discriminate odors better than other mammals despite less olfactory receptor genes. It has been proposed that there are seven primary odors: ( with examples) 1.) musky- perfumes/aftershave 2.) putrid- rotten eggs 3.) pungent- vinegar 4.) camphoraceous- mothballs 5.) ethereal- dry cleaning fluid 6.) floral- roses 7.) pepperminty- mint gum

Odor analysis

The ability to identify odors varies among people and decreases with age. Studies show there are sex differences in odor discrimination; women usually outperform males. Pregnant women also have increased smell sensitivity leading to abnormal taste and smell perceptions leading to food cravings or aversions. Deficits in smell also increase with age as well as a prevalence of taste problems. Chronic smell problems are reported in small numbers for those in their mid-twenties with numbers increasing steadily with overall sensitivity beginning to decline in the second decade of life and, then, deteriorating appreciably as age increased to over 70 years of age.

In Germany, the concentrations of odorants have since the 1870s been defined by the “Olfaktometrie”, which helps to analyze the human sense of smell using the following parameters: odor substance concentration, intensity of odor, and hedonic assessment.

To establish the odor concentration, an olfactometer is used which employs a panel of human noses as sensors. In the olfactometry testing procedure, a diluted odorous mixture and an odor-free gas (as a reference) are presented separately from sniffing ports to a group of panelists, which are housed in an odor neutral room. They are asked to compare the gases emitted from each sniffing port, after which the panelists are asked to report the presence of odor together with a confidence level such as guessing, inkling, or certainty of their assessment. The gas-diluting ratio is then decreased by a factor of two (i.e. chemical concentration is increased by a factor of two). The panelists are asked to repeat their judgment. This continues for a number of dilution levels. The responses of the panelists over a range of dilution settings are used to calculate the concentration of the odor in terms of European Odor Units (ouE/m³). The main panel calibration gas used is Butan-1-ol., which at a certain diluting gives 1 ouE/m³.

It has been proposed that there are seven primary odors: ( with examples) 1.) musky- perfumes/aftershave 2.) putrid- rotten eggs 3.) pungent- vinegar 4.) camphoraceous- mothballs 5.) ethereal- dry cleaning fluid 6.) floral- roses 7.) pepperminty- mint gum

General survey

The analytic methods could be subdivided into the physical, the gas chromatographical, and the chemosensory method.

When measuring odor, there is a difference between and measurements. Emission measurement can be conducted by olfactometry using an olfactometer to dilute the odor sample. On the contrary, olfactometry is rarely used for immission measurement because of the low odor concentrations. The same measuring principals are used, but the judgment of the air assay happens without diluting the samples.

Measurement

Different aspects of odor can be measured through a number of quantitative methods, such as assessing concentration or apparent intensity.

Initial entry into a room provides the most accurate sensing of smell.

Sensation of odor has 4 properties related to threshold and tolerance: Odor concentration, odor intensity, odor quality, and hedonic tone

Measuring odor concentration

Odor concentration is an odor's pervasiveness. To measure odor sensation, an odor is diluted to certain amounts to reach a detection or recognition threshold. The detection threshold is the concentration of an odor in air when 50% of a population can distinguish between the odorous sample and an odor free blank. The recognition threshold is the concentration of an odor in air in which 50% of a population can discern from an odorous sample and odor free blank.The recognition odor threshold is usually a factor of 2 to 5 times higher than the detection threshold.

The measurement of odor concentration is the most widespread method to quantify odors. It is standardized in CEN EN 13725:2003. The method is based on dilution of an odor sample to the odor threshold (the point at which the odor is only just detectable to 50 % of the test panel). The numerical value of the odor concentration is equal to the dilution factor that is necessary to reach the odor threshold. Its unit is the European Odor Unit, OU_E. Therefore, the odor concentration at the odor threshold is 1 OU_E by definition.

To establish the odor concentration, an olfactometer is used which employs a group of panelists. A diluted odorous mixture and an odor-free gas (as a reference) are presented from sniffing ports to a group of panelists. In comparing the odor emitted from each port, the panelists are asked to report if they can detect a difference between the ports. The gas-diluting ratio is then decreased by a factor of 1.4 or two (i.e. the concentration is increased accordingly). The panelists are asked to repeat their judgment. This continues until the panelists respond certain and correct twice in a row. These responses used to calculate the concentration of the odor in terms of European Odor Units (OU_E/m³).

The test persons must fulfill certain requirements, for example regarding their sensitivity of odor perception. The main panel calibration gas to verify this requirement used is n-Butanol (as 1 OU_E/m³≡40 ppb/v n-butanol).

To collect an odor sample, the samples must be collected using specialized sample bags, which are made from an odor free material e.g. Teflon. The most accepted technique for collecting odor samples is the lung technique, where the sample bag is placed in a sealed drum, and a vacuum is placed on the drum, which fills the sample bag as the bag expands, and draws the sample from the source into the bag. Critically, all components which touch the odor sample, must be odor free, which includes sample lines and fittings.

A human's odor detection threshold is variable. Repeated exposure to an odorant leads to enhanced olfactory sensitivity and decreased detection thresholds for a number of different odorants. It was found in a study that humans that were completely unable to detect the odor of androstenone developed the ability to detect it after repeated exposure.

Humans can discriminate between two odorants that differ in concentration by as little as 7%.

There are a number of issues which have to be overcome with sampling, these include: - If the source is under vacuum - if the source is at a high temperature - If the source has high humidity

Issues such as temperature and humidity are best overcome using either pre-dilution or dynamic dilution techniques.

Odor intensity

Odor intensity is the perceived strength of odor sensation. This intensity property is used to locate the source of odors and perhaps most directly related to odor nuisance.

Perceived strength of the odor sensation is measured in conjunction with odor concentration. This can be modeled by the Weber-Fechner law: I= a * log(c)+b

I is the perceived psychological intensity at the dilution step on the butanol scale, a is the Weber-Fechner coefficient, C is the chemical concentrations, and b is the intercept constant (0.5 by definition)

Odor character

The character of an odor is a critical element in assessing an odor. This property is the ability to distinguish different odors and is only descriptive. First a basic description is used such as sweet, pungent, acrid, fragrant, warm, dry, or sour. The odor is then referenced to a source such as sewage or apple which can then be followed by a reference to a specific chemical such as acids or gasoline. Most commonly, a set of standard descriptors is used, which may range from fragrant to sewer odor. Although the method is fairly simplistic, it is important for the FIDOL factors to be understood by the person recording the character. This method is most commonly used to define the character of an odor which can then be compared to other odors. It is common for olfactometry laboratories to report character as an additional factor post sample analysis.

Interpreting Dispersion Modelling

In many countries odor modeling is used to determine the extent of an impact from an odor source.

These are a function of modelled concentration, averaging time (over what time period the model steps are run over (typically hourly)) and a percentile. Percentiles refer to a statistical representation of how many hours per year, the concentration C may be exceeded based on the averaging period.

Sampling from area sources

There are two main odor sampling techniques, the direct odor sampling and the indirect odor sampling technique.

Indirect refers to collecting samples from the air stream which has already passed over the emitting surface.

Direct sampling

Direct refers to the placement of a enclosure on an emitting surface from which samples are collected, and an odor emission rate is determined.

The most commonly used direct methods include the Flux Chamber and wind tunnels which include the UNSW Wind tunnel. There are many other available techniques, and consideration should be given to a number of factors before selecting a suitable method.

A source which has implications for this method are sources such as bark bed biofilters, which have a vertical velocity component. For such sources, consideration needs to be given as to the most appropriate method. A commonly used technique is to measure the odor concentration at the emitting surface, and combine this with the volumetric flow rate of air entering the biofilter to produce an emission rate.

Indirect odor sampling

Indirect sampling is often referred to as back calculation. It involves the use of a mathematical formula to predict an emission rate.

Many methods are used, but all make use of the same inputs which include - Surface roughness - Upwind and down wind concentrations - Stability class (or other similar factor) - Wind speed and direction

Odor in the Indoor Environment

Human sense of smell is a primary factor in the sensation of comfort. Olfaction as a sensory system brings awareness to the presence of airborne chemicals. Some inhaled chemicals are volatile compounds that act as a stimulus triggering unwanted reactions such as nose, eye, and throat irritation. Perception or odor and of irritation is unique to each person and varies over because of physical conditions or memory of past exposures to similar chemicals. A person's specific threshold before an odor becomes a nuisance depends also on the frequency, concentration, and duration of an odor. The perception of irritation from odor sensation is hard to investigate because response to a volatile chemical elicits a different response based on sensory and physiological signals and interpretation of these signals influenced by experience, expectations, personality or situational factors. Indoor environments have a higher range of chemical compounds that disrupt health. Health effects of odor are traced to the sensation of an odor or the odorant itself. Health effects and symptoms vary- eye, nose, or throat irritation, cough, chest tightness, drowsiness, and mood change; all of which decrease as an odor ceases. Odors may also trigger illnesses such as asthma, depression, stressed induced illness, or hypersensitivity. Ability to perform tasks may decrease, ability to perform tasks, and other social/behavioral changes. Occupants should expect remediation from disturbing and unexpected odors that disturb concentration, diminish productivity, evoke symptoms, and generally increase the dislike for a particular environment. It is important to set OELS or occupational exposure limits to ensure the health and safety or workers as well as comfort because exposure to chemicals can elicit physiological and biochemical changes in the upper respiratory system. Standards are hard to set when exposures are not reported and can also be hard to measure. Work force populations vary in levels of discomfort from odors because of exposure history, habituation, or may not realize chemicals possible risks.

Legislative provisions associated with odors

While developing environmental legislation in Germany, it was noted that there was a need for a method with which to accurately measure odor. Since that time, the following laws have been made:

#“refinery guideline” (early 1970s) #federal emission protection law (1974) #technical guideline to keep the air fresh #olfactory emission guideline (early 1980s until 1998)

Controls at the point of the emission, like plural vitrification against aircraft noise, drop out. Terms of transmission could be marginally changed by establishing ramparts, plantings and so on, but the objective efficiency of those controls is likely minimal. But the subjective efficiency of a plantings is remarkable.

The choice of the location is the most important control. This involves keeping an adequate distance from the nearest receptor and paying attention to the meteorological conditions; e.g., prevailing wind direction. Reducing the concentraion of an odor (emission), by diluting a small emission with a large air flow, could be an effective and economic alternative to reducing the emission with different controls. Encapsulating of olfactory relevant asset areas is the best known method to reduce the emission, but it is not the most suitable one. Different matters need to be considered by encapsulation. Within an enclosure a damp and oppressive atmosphere can arise, so that the inner materials of the capsule produce a high degree of mechanical stress. Not to let the explosion hazard slide.

For encapsulation to be viable, there must be some way to exhaust the spent air. When emission is avoided through capsuling, odorants remain inside the medium and tend to leak at the next suitable spot. In any case, capsuling is never really gas-proof, and at some spots substances may leak out at considerably higher concentrations.

There are three different ways exhausted air may be treated:

chemical treatment

physical treatment

biological treatment

Adsorption as separating process

Adsorption is a thermo separation process, which is characterized by the removal of molecules out of a fluid phase at a solid surface. Molecules of a gas- or fluid mixture are taken up by a solid with a porous interface surface. The solid matter is called the adsorbant, the adsorbed fluid is called the adsorbate. There are two types of adsorption, physisorption and chemisorption. The type of force driving the adsorption process is different between the two.

Physisorption

A special type of adsorption is physisorption. The difference between physisorption and chemisorption is that the adsorbed molecule is tied up with the substrate by physical forces, defined here as forces which do not cause chemical bonds. Such interactions are mostly unfocused in contrast to chemical bonds. “Van-Der-Waals” – forces are a special type of such physical forces. These forces are characterized by electrostatic interactions between induced, fluctuating dipoles. To be more specific you have to call those forces “London's Dispersal forces.” A so called dipole moment occurs because of fluctuations in the distribution of electrons around individual atoms. The temporary mean value of this force is however zero. Even though it’s only a mere transient dipole moment, this moment can cause a nonparallel dipole moment in an adjacent molecule. Operating forces of this nature are in inverse proportion to the sixth power of the distance between those molecules. These forces occur in almost every chemical system, but are relatively weak.

Physisorption is an exothermic and reversible reaction. Obviously stronger strengths accrue through the interaction between solid dipoles at polar surfaces or reflexive loadings, appearing in electric conductive surfaces. Such interactions could be defined as a chemisorption because of their strength.

Chemisorption

In many reactions, physisorption is a pre-cursor to chemisorption. Compared to physisorption, chemisorption is not reversible and requires a larger activation energy. Usually the bond energy is about 800 kJ/mol. For physisorption the bond energy is only about 80 kJ/mol. A monomolecular layer could be maximally adsorbed. Strong bonds between the adsorbative molecules and the substrate could lead to the point that their intermolecular bonds partly or completely detach. In such a case you have to call this a dissociation. Those molecules are in a highly reactive state. This is the basis of heterogeneous catalysis. The substrate is then called catalytic converter. The differences between Chemisorption and Physisorption extends beyond an increased activation energy. An important criteria for chemisorption is the chemical mutation of the absorbent. Thereby it is possible that you have to deal with a chemisorption in a few combinations with a relatively low bond energy, for example 80 kJ/mol, as a physisorption could be another combination with a bond energy even by 100 kJ/mol. The interaction with different adsorbative molecules is very different. The surface could be taken by substances, which point out a very high bond energy with the substrate, and as a consequence of this the wanted reaction is impossible. Because of that feature those substances are called catalytic converter venom. Heat is released during that process too.

Loading of the adsorben

During the adsorption of a molecule, energy - the heat of adsorption – is released. This energy is the difference of the enthalpy of the adsorben in the fluid or gaseous phase and the its corresponding enthalpy on the surface of the adsorbant. With an increase of the loading on the surface of the adsorbant the bond energy decreases in the area of the monomolecular covering. For higher loading this value approaches zero. This implies that there is a limit for the loading of an adsorbant. The procedure of turning back that process is called desorption. Adsorption as a separating process is a challenging process, in the case of finding the eligible adsorbents, which could link as multilateral as possible.

Types of odors

Some odors such as perfumes and flowers are sought after, elite varieties commanding high prices. Whole industries have developed products to remove unpleasant odors (see deodorant). The perception of odors is also very much dependent upon circumstance and culture. The odor of cooking processes may be pleasurable while cooking but not necessarily after the meal.

The odor molecules transmit messages to the limbic system, the area of the brain that governs emotional responses. Some believe that these messages have the power to alter moods, evoke distant memories, raise their spirits, and boost self-confidence. This belief has led to the concept of “aromatherapy” wherein fragrances are claimed to cure a wide range of psychological and physical problems. Aromatherapy claims fragrances can positively affect sleep, stress, alertness, social interaction, and general feelings of well-being. However, the evidence for the effectiveness of aromatherapy consists mostly of anecdotes and lacks controlled scientific studies to back up its claims.

With some fragrances, such as those found in perfume, scented shampoo, scented deodorant, or similar products, people can be allergic to the ingredients. The reaction, as with other chemical allergies, can be anywhere from a slight headache to anaphylactic shock, which can result in death.

Unpleasant odors can arise from specific industrial processes, adversely affecting workers and even residents downwind of the industry. The most common sources of industrial odor arise from sewage treatment plants, refineries, specific animal rendering plants and industries processing chemicals (such as sulfur) which have odorous characteristics. Sometimes industrial odor sources are the subject of community controversy and scientific analysis.

Study of odors

The study of odors is a growing field but is a complex and difficult one. The human olfactory system can detect many thousands of scents based on only very minute airborne concentrations of a chemical. The sense of smell of many animals is even better. Some fragrant flowers give off odor plumes that move downwind and are detectable by bees more than a kilometer away.

The study of odors can also get complicated because of the complex chemistry taking place at the moment of a smell sensation. For example iron metal objects are perceived to have an odor when touched although iron vapor pressure is negligible. According to a 2006 study this smell is the result of aldehydes (for example nonanal) and ketones (example: 1-octen-3-one) released from the human skin on contact with ferrous ions that are formed in the sweat-mediated corrosion of iron. The same chemicals are also associated with the smell of blood as ferrous iron in blood on skin produces the same reaction.

Pheromones

Pheromones are odors that are used for communication. A female moth may release a pheromone that can entice a male moth that is several kilometers away. Honeybee queens constantly release pheromones that regulate the activity of the hive. Workers can release such smells to call other bees into an appropriate cavity when a swarm moves in or to "sound" an alarm when the hive is threatened.

Advanced technology

There are hopes that advanced technology could do everything from test perfumes to help detect cancer or explosives by detecting specific scents, but as of yet artificial noses are still problematic. The complex nature of the human nose, its ability to detect even the most subtle of scents, is at the present moment difficult to replicate.

Most artificial or electronic nose instruments work by combining output from an array of non-specific chemical sensors to produce a finger print of whatever volatile chemicals it is exposed to. Most electronic noses need to be "trained" to recognize whatever chemicals are of interest for the application in question before it can be used. The training involves exposure to chemicals with the response being recorded and statistically analyzed, often using multivariate analysis and neural network techniques, to "learn" the chemicals. Many current electronic nose instruments suffer from problems with reproducibility with varying ambient temperature and humidity. An example of this type of technology is the colorimetric sensor array, which visualizes odor through color change and creates a picture of it.

Odor cues

Odor perception is a complex process involving the central nervous system that can evoke psychological and physiological responses. Because the olfactory signal terminates in or near the amygdala odors are strongly linked to memories and can evoke emotions. The amygdala participates in the hedonic or emotional processing of olfactory stimuli. Odors can disturb our concentration, diminish productivity, evoke symptoms, and, in general, increase a dislike for a particular environment. Odors can impact the liking for a person, place, food, or product as a form of conditioning. Memories recalled by odors are significantly more emotional and evocative than those recalled by the same cue presented visually or auditorily. Odors can become conditioned to experiential states and when later encountered have directional influences on behavior. Doing a frustrating task in a scented room decreases performance of other cognitive tasks with the presence of the same odor. Nonhuman animals communicate their emotional states through changes in body odor and human body odors are indicative of emotional state.

Human body odors influence interpersonal relationships. Human body odors are involved in adaptive behaviors, such as parental attachment in infants or partner choice in adults."Mothers can discriminate the odor of their own child, and infants recognize and prefer the body odor of their mother over that of another woman. This maternal odor appears to guide infants toward the breast and to have a calming effect" Body odor is involved in the development of infant–mother attachment and is essential to a child’s social and emotional development bringing feelings of security. Reassurance created by familiar parental body odors may contribute significantly to the attachment process.

How a man smells is critical for woman to find a lover. Body odor is a sensory cue critical for mate selection because it is a signal of immunological health. Women prefer men with major histocompatibility complex (MHC) genotypes and odor different then themselves especially during ovulation. Different MHC alleles are favorable because different allele combination's would maximize disease protection and minimize recessive mutations in offspring. Biologically females tend to select mates "who are most likely to secure offspring survival and thus increase the likelihood that her genetic contribution will be reproductively viable."

Studies have suggested that people might be using odor cues associated with the immune system to select mates. Using a brain imaging technique, Swedish researchers have shown that gay and straight males' brains respond differently to two odors that may be involved in sexual arousal, and that the gay men respond in the same way as straight women, though it could not be determined whether this was cause or effect. The study was expanded to include lesbian women; the results were consistent with previous findings meaning that lesbian women were not as responsive to male identified odors, while their response to female cues was similar to straight males. According to the researchers, this research suggests a possible role for human pheromones in the biological basis of sexual orientation.

An odor can cue a memory. Most memories that pertain to odor come from the first decade of life compared to verbal and photo memories which usually come from 10-30 years of life.Odor-evoked memories are more emotional, associated with stronger feelings of being brought back in time, and have been thought of less often as compared to memories evoked by other cues.

Use of scent in design

The sense of smell is often overlooked as a way of marketing products. The controlled application of scent is used by designers, scientists, artists, perfumers, architects and chefs. Some applications of scents in environments are in casinos, hotels, private clubs and new automobiles. "Technicians at New York City’s Sloan-Kettering Cancer Center disperse vanilla-scented oil into the air to help patients cope with the claustrophobic effects of MRI testing. Scents are used at the Chicago Board of Trade to lower the decibel level on the trading floor."

The new car smell is not intentional by the manufacturer but is the smell “of number of harmful chemicals, including antimony, bromine, chlorine, and lead. Repeated and concentrated exposure to any of these chemicals may contribute to a variety of acute and long-term health issues such as birth defects, impaired learning, liver toxicity, and cancer.”

Currently there is no regulation of the use of scent in product design. The FDA has no say as to what items are used to create a scent. If ingredients are listed on a product, the term fragrance can be used in a general sense. The National Academy of Sciences (NAS) reports that “95 percent of the ingredients used to create fragrances today are synthetic compounds derived from petroleum, including benzene derivatives, aldehydes, and many other known toxins and sensitizers. Many of these substances have been linked to cancer, birth defects, central nervous system disorders, and allergic reactions.”

See also

Olfaction

Aroma compound

Olfactory fatigue

Machine olfaction

Scented water

Olfactometer

References

External links

Answers to several questions from curious kids about smells and odors

American Assoc. for Chemoreception Sciences society

Structure-Odor Relationships

Category:Olfaction Odor

Name	Al Pacino
Caption	Al Pacino attending the Venice Film Festival in September 2004
Birth name	Alfredo James Pacino
Birth date	April 25, 1940
Birth place	New York City, New York, U.S.
Death date
Occupation	Actor, director, screenwriter, producer
Years active	1968–present

Alfredo James "Al" Pacino (born April 25, 1940) is an American film and stage actor and director. He is most famed for playing mobsters including Michael Corleone in The Godfather trilogy and Tony Montana in Scarface, though he has also appeared several times on the other side of the law—as a police officer, detective and a lawyer. His role as Frank Slade in Scent of a Woman won him the Academy Award for Best Actor in 1992 after receiving seven previous Oscar nominations.

He made his feature film debut in the 1969 film Me, Natalie in a minor supporting role, before playing the leading role in the 1971 drama The Panic in Needle Park. Pacino made his major breakthrough when he was given the role of Michael Corleone in The Godfather in 1972, which earned him an Academy Award nomination for Best Supporting Actor. Other Oscar nominations for Best Supporting Actor were for Dick Tracy and Glengarry Glen Ross. Oscar nominations for Best Actor include The Godfather Part II, Serpico, Dog Day Afternoon, the court room drama ...And Justice for All and Scent of a Woman.

In addition to a career in film, he has also enjoyed a successful career on stage, picking up Tony Awards for Does a Tiger Wear a Necktie? and The Basic Training of Pavlo Hummel. His love of Shakespeare caused him to direct his first film with Looking for Richard, a part documentary on the play Richard III. Pacino has received numerous lifetime achievement awards, including one from the American Film Institute. He is a method actor, taught mainly by Lee Strasberg and Charlie Laughton at the Actors Studio in New York.

Although he has never married, Pacino has had several relationships with actresses and has three children.

Early life and education

Pacino was born in East Harlem, New York City to Italian American parents Rose and Salvatore Pacino, who divorced when he was two years old. When he was two, his mother moved to the South Bronx near the Bronx Zoo, to live with her parents, Kate and James Gerardi, who originated from Corleone, Sicily. During his teenage years 'Sonny', as he was known to his friends, aimed to become a baseball player, though he was also nicknamed 'The Actor'. Pacino flunked nearly all of his classes except English and dropped out of school at 17. His mother disagreed with his decision; they had an argument and he left home. He worked at a string of low-paying jobs, including messenger boy, busboy, janitor, and postal clerk, in order to finance his acting studies. In 1962, his mother died at the age of 43. The following year, his grandfather, James Gerardi, one of the most influential people in his life, also died. During another interview he added, "It was exciting to work for him [Lee Strasberg] because he was so interesting when he talked about a scene or talked about people. One would just want to hear him talk, because things he would say, you’d never heard before ... He had such a great understanding ... he loved actors so much."

Pacino is currently co-president, along with Ellen Burstyn and Harvey Keitel, of the Actors Studio.

Stage career

In 1967, Pacino spent a season at the Charles Playhouse in Boston, performing in Clifford Odets' Awake and Sing! (his first major paycheck: $125 a week); and in Jean-Claude Van Itallie's America, Hurrah, where he met actress Jill Clayburgh while working on this play. They went on to have a five-year romance and moved together back to New York City.

Pacino made his return to the stage in 2010 as Shylock in The Merchant of Venice. The production continued in October 2010 at the Broadhurst Theatre New York, earning US$1 million at the box office in its first week.

Film career

Early film career

Pacino found acting to be enjoyable and realized he had a gift for it while studying at The Actors Studio. However, his early work was not financially rewarding. and the comedy-drama Author! Author! were critically panned. Pacino earned a Golden Globe nomination for his role as Cuban drug lord Tony Montana. Pacino returned to film in 1989's Sea of Love, Later in the year he followed this up by a return to one of his most famous characters, Michael Corleone, in The Godfather Part III (1990).

In 1992 Pacino won the Academy Award for Best Actor, for his portrayal of retired U.S. Army Lieutenant Colonel Frank Slade in Martin Brest's Scent of a Woman. Roger Ebert in the Chicago Sun Times wrote, ‘The satanic character is played by Pacino with relish bordering on glee.’ In Donnie Brasco Pacino played mafia gangster "Lefty", in the true story of undercover FBI agent Donnie Brasco (Johnny Depp) and his work in bringing down the mafia from the inside. Pacino also starred as real life 60 Minutes producer Lowell Bergman in the multi-Oscar nominated The Insider opposite Russell Crowe, before starring in Oliver Stone's Any Given Sunday in 1999.

2000s

in 2008.]]

Pacino has not received another nomination from the Academy since Scent of a Woman, but won two Golden Globes since the year 2000, the first being the Cecil B. DeMille Award in 2001 for lifetime achievement in motion pictures.

Pacino's film festival-screened Chinese Coffee earned good notices. Shot almost exclusively as a one-on-one conversation between the two main characters, it was filmed in 1997 but not released until 2000. Chinese Coffee was included along with Pacino's two other rare films he has been involved in producing, The Local Stigmatic and Looking for Richard, on a special DVD boxset titled Pacino: An Actor's Vision which was released in 2007. Pacino produced prologues and epilogues for the discs containing the films.

Pacino turned down an offer to reprise his role as Michael Corleone in the computer game version of . As a result, Electronic Arts was not permitted to use Pacino's likeness or voice in the game, although his character does appear in it. He did allow his likeness to appear in the game adaptation of the remake of 1983's Scarface, titled .

Director Christopher Nolan worked with Pacino for Insomnia, a remake of the Norwegian film of the same name, co-starring Robin Williams. In this film, Pacino delivered a performance of a burned-out character, like in Donnie Brasco. Newsweek stated that "he [Pacino] can play small as rivetingly as he can play big, that he can implode as well as explode". The film did moderately well at the box office, taking US$113 million dollars worldwide. His next film, S1m0ne, was one that Pacino liked, but which did not gain much critical praise or box office success.

In Two for the Money, Pacino works as a sports gambling agent and mentor for Matthew McConaughey, alongside Renee Russo. The film was released on October 8, 2005 and received mixed reviews. Desson Thomson wrote in The Washington Post, "Al Pacino has played the mentor so many times, he ought to get a kingmaker's award (...) the fight between good and evil feels fixed in favor of Hollywood redemption." Pacino starred as Shylock in Michael Radford's 2004 film adaptation of The Merchant of Venice, choosing to add empathy to a character that had usually been played as a straight villain. On November 22, 2006, the University Philosophical Society of Trinity College, Dublin awarded Pacino the Honorary Patronage of the Society.

Pacino starred in Steven Soderbergh’s Ocean's Thirteen alongside George Clooney, Brad Pitt, Matt Damon, Elliott Gould and Andy García as the villain Willy Bank, a casino tycoon targeted out of revenge by Danny Ocean and his crew. The film received generally favorable reviews.

88 Minutes was released on April 18, 2008 in the United States, having already been released in various other countries in 2007. The film co-starred Alicia Witt and was critically panned, although critics found the fault to be in the plot instead of Pacino's acting. In Righteous Kill, Pacino and Robert De Niro co-star as New York detectives searching for a serial killer; rapper 50 Cent also stars in it. The film was released to theaters on September 12, 2008. Although it was an anticipated return for the two stars, it was not well received by critics. Lou Luminick of The New York Post gave Righteous Kill one star out of four, saying: "Al Pacino and Robert De Niro collect bloated paychecks with intent to bore in Righteous Kill, a slow-moving, ridiculous police thriller that would have been shipped straight to the remainder bin at Blockbuster if it starred anyone else."

Pacino played Dr. Jack Kevorkian in an HBO Films biopic entitled You Don't Know Jack, which premiered April 2010. The film is about the life and work of the doctor-assisted suicide advocate. The performance earned Pacino his second Emmy Award for lead actor.

Personal life

While Pacino has never married, he has three children. The first, Julie Marie (b. 1989), is his daughter with acting coach Jan Tarrant. He also has twins, Anton James and Olivia Rose (b. January 25, 2001), with actress Beverly D'Angelo, with whom he had a relationship from 1996 until 2003. Pacino also had a relationship with Diane Keaton, his co-star in the Godfather Trilogy. The on-again, off-again relationship ended following the filming of The Godfather Part II. Other relationships he has had over the years include Tuesday Weld, Marthe Keller, Kathleen Quinlan and Lyndall Hobbs.Nominated—BAFTA Award for Best NewcomerNominated—Golden Globe Award for Best Actor – Motion Picture Drama |- | 1973 | Scarecrow | Francis Lionel 'Lion' Delbuchi | |- | 1973 | Serpico | Frank Serpico | Golden Globe Award for Best Actor – Motion Picture Drama |- | 1974 | | Michael Corleone | BAFTA Award for Best ActorNominated—Academy Award for Best ActorNominated—Academy Award for Best ActorNominated—Golden Globe Award for Best Supporting Actor |- | 1996 | City Hall | John Pappas | |- | 1997 | Donnie Brasco | Benjamin 'Lefty' Ruggiero | |- | 1997 | | John Milton | |- | 1999 | | Lowell Bergman | |- | 1999 | Any Given Sunday | Tony D'Amato | |- | 2000 | Chinese Coffee | Harry Levine | Also director; filmed in 1997 |- | 2002 | Insomnia | Will Dormer | |- | 2002 | S1m0ne | Viktor Taransky | |- | 2002 | People I Know | Eli Wurman | |- | 2003 | | Walter Burke | |- | 2003 | Gigli | Starkman | |- | 2003 | Angels in America | Roy Cohn | Emmy Award for Best Lead Actor – Miniseries or a MovieGolden Globe Award for Best Actor in a Mini-Series or Motion Picture |- | 2004 | | Shylock | |- | 2005 | Two for the Money | Walter Abrams | |- | 2007 | Ocean's Thirteen | Willie Bank | |- | 2007 | 88 Minutes | Dr. Jack Gramm | |- | 2008 | Righteous Kill | Detective David "Rooster" Fisk | |- | 2010 | You Don't Know Jack | Dr. Jack Kevorkian | TV filmEmmy Award for Outstanding Lead Actor – Miniseries or a Movie |- | 2010 | Wilde Salome | Himself / King Herod | Also director, post-production |- | 2011 | Jack & Jill | Himself | |}

Awards and nominations

References

External links

Category:1940 births Category:Actors Studio alumni Category:American film actors Category:American film directors Category:BAFTA winners (people) Category:American people of Italian descent Category:Best Actor BAFTA Award winners Category:Best Actor Academy Award winners Category:Best Drama Actor Golden Globe (film) winners Category:Best Miniseries or Television Movie Actor Golden Globe winners Category:Outstanding Performance by a Male Actor in a Miniseries or Television Movie Screen Actors Guild Award winners Category:Cecil B. DeMille Award Golden Globe winners Category:Drama Desk Award winners Category:Emmy Award winners Category:Fiorello H. LaGuardia High School of Music & Art and Performing Arts alumni Category:Actors from New York Category:People from New York City Category:American people of Sicilian descent Category:Tony Award winners Category:Living people Category:American actors of Italian descent

Name	Marion Meadows
Background	non_vocal_instrumentalist
Born	West Virginia, United States
Instrument	Saxophones
Genre	Jazz

Marion Meadows is an American tenor saxophonist, soprano saxophonist, composer, and smooth jazz recording artist of Native American, African American and Caucasian descent. Meadows has released a total of 9 albums to date.

Upbringing

Meadows was born in West Virginia and grew up in Stamford, Connecticut. He began playing the clarinet and studying classical music at the age of eight. In high school, Meadows began to play the soprano saxophone and played tenor through most of his college years. His passion for music led him to appreciate the work of many jazz musicians such as Stevie Wonder and Duke Ellington. After studying jazz with Anthony Truglia, Meadows attended Berklee College of Music, where he majored in arranging and composition. He later went to the SUNY Purchase School for the Arts, where he studied under Ron Herder.

Career with TappanZee Records

During college, Meadows was with a band called the Aboriginal Music Society. Meadows was playing in Grand Central Station and Jay Chattaway who was working with Bob James at the time introduced himself and later signed Marion to his record label, TappanZee. Although Meadows’ first recording went unreleased, the experience of recording with Bob James put him on the road to his eventual success.

Meadows collaborated up with numerous artists and musicians in the 80s, recording or performing over the years with Brook Benton, Eartha Kitt, Phyllis Hyman, Jean Carne, The Temptations, Michael Bolton, Angela Bofill, Will Downing and Native American flute player Douglas Spotted Eagle, among others.

Discography

For Lovers Only (1990)

Keep It Right Here (1992)

Forbidden Fruit (1994)

Body Rhythm (1995)

Pleasure (1997)

Another Side of Midnight (1999)

Next To You (2000)

In Deep (2002)

Player's Club (2004)

Dressed To Chill (2006)

Secrets (2009)

External links

Official Page

[ All Music Profile]

Category:Living people Category:American jazz tenor saxophonists Category:American jazz soprano saxophonists Category:Smooth jazz saxophonists Category:Novus Records artists

Name	David Sylvian
Background	solo_singer
Birth name	David Alan Batt
Born	February 23, 1958
Origin	Beckenham, Kent, England
Instrument	guitarskeyboards
Genre	Avant-garde
Years active	1974–present
Label	Virgin Records Samadhisound
Associated acts	JapanNine Horses
Url	David Sylvian.com

David Sylvian (born David Alan Batt, 23 February 1958, Beckenham, Kent) is an English singer-songwriter and musician. He came to prominence in the late 1970s as the lead vocalist and main songwriter in the group Japan. His subsequent solo work is described by critic Jason Ankeny as "a far-ranging and esoteric career that encompassed not only solo projects but also a series of fascinating collaborative efforts." Sylvian's solo work has been influenced by a variety of musical styles and genres, including jazz, avant-garde, ambient, electronic, and progressive rock.

Biography

Early years

Sylvian was born the son of a plasterer and a housewife. He was educated at Catford Boys' School, Catford, South East London leaving at 16. As a youth, he listened to glam rock artists such as David Bowie and Roxy Music.

1970s-Early 1980s: Japan

in Toronto, 24 November 1979]] The band Japan, whose other members included bassist Mick Karn, guitarist Rob Dean, keyboardist Richard Barbieri and Sylvian's brother Steve Jansen as drummer, began as a group of friends. As youngsters they played music as a means of escape, playing Sylvian's two-chord numbers – sometimes with Karn as the front man, sometimes with Sylvian at the fore.

They christened themselves Japan in 1974, signed a recording contract with Hansa, and became an alternative glam rock outfit in the mould of David Bowie, T.Rex, and The New York Dolls. Over a period of a few years their music became more sophisticated, drawing initially on the art rock stylings of Roxy Music. Their visual image also evolved and the band was tagged with the New Romantic label. Indeed, it could be argued that Japan was at the forefront of the entire New Romantic movement, even though the band never associated itself with it. Noting their distinction from the New Romantics, Sylvian stated: "I don't like to be associated with them. The attitudes are so very different." Of Japan's fashion sense, Sylvian said: "For them [New Romantics], fancy dress is a costume. But ours is a way of life. We look and dress this way every day."

Japan recorded five studio albums between March 1978 and November 1981. In 1980, the band signed with Virgin Records, where Sylvian remained as a recording artist for the next twenty years. The band suffered from personal and creative clashes, particularly between Sylvian and Karn, with tensions springing from Sylvian's relationship with Yuka Fujii, a photographer, artist and designer, and Karn's former girlfriend. Fujii quickly became an influential figure in Sylvian's life. She was the first person to introduce Sylvian seriously to jazz, which in turn inspired him to follow musical avenues not otherwise open to him. She also encouraged Sylvian to incorporate spiritual discipline into his daily routine. Throughout his solo career, Fujii maintained a large role in the design of artwork for his albums.

1980s-1990s: Solo career

In 1982, Sylvian released his first collaborative effort with Ryuichi Sakamoto, entitled "Bamboo Houses/Bamboo Music". He also worked with Sakamoto on the UK Top 20 song "Forbidden Colours" for the 1983 Nagisa Oshima film Merry Christmas, Mr. Lawrence.

Sylvian's debut solo album, Brilliant Trees (1984), met with critical acclaim. The album included contributions from Ryuichi Sakamoto, trumpeter Jon Hassell, and former Can bassist Holger Czukay. It featured the UK Top 20 single Red Guitar.

In 1985, Sylvian released an instrumental mini-album , in collaboration with Jansen, Hassell and Czukay, a recording that, when re-released in 2003, included the addition of Sylvian's Steel Cathedrals, the soundtrack to his video release of the same name.

The next release was the ambitious two-record set Gone to Earth (1986), which further flouted conventional and commercial wisdom by featuring one record of atmospheric vocal tracks and a second record consisting of ambient instrumentals. The album contained significant contributions from noted guitarists Bill Nelson of Be-Bop Deluxe and Robert Fripp of King Crimson.

Secrets of the Beehive (1987) made greater use of acoustic instruments and was musically oriented towards sombre, emotive ballads laced with shimmering string arrangements by Ryuichi Sakamoto and Brian Gascoigne. The album yielded one of Sylvian's most well-received songs, "Orpheus," and was later supported by his first solo tour, 1988's 'In Praise of Shamans.'

Never one to conform to commercial expectations, Sylvian then collaborated with Holger Czukay. Plight and Premonition, issued in 1988, and Flux and Mutability, recorded and released the following year, also included contributions from Can members Jaki Liebezeit and Michael Karoli.

Virgin decided to close out the 1980s with the release of Weatherbox, an elaborate boxed-set compilation consisting of Sylvian's four previous solo albums.

In 1990, Sylvian collaborated with artists Russell Mills and Ian Walton on the elaborate multi-media installation using sculpture, sound and light titled Ember Glance - The Permanence of Memory. The exhibition was staged at the temporary museum 'Space FGO-Soko' on Tokyo Bay, Shinagawa.

1990s: Rain Tree Crow

Also in 1990, Sylvian reunited with the former members of Japan for a new project. Unlike their past work, Sylvian decided to use methods of improvisation like those he explored in his work with Czukay.

Ingrid Chavez, an artist signed to Prince's Paisley Park Records, sent Sylvian a copy of her first album. He liked what he heard and thought her voice would fit well with some material that both Ryuichi Sakamoto and he were working on for a new Sakamoto release. Chavez and Sylvian quickly developed a bond and decided to travel together throughout the UK and the USA, where they eventually settled after marrying in 1992.

1993: With Robert Fripp

In the early 1990s, guitarist Robert Fripp invited Sylvian to join a new version of progressive rock stalwarts King Crimson. Sylvian declined the invitation, but he and Fripp recorded the album The First Day released in July 1993. Something of a departure for Sylvian, the album melded Sylvian's philosophical lyrics to funk workouts and aggressive rock stylings very much in the mould of Fripp's King Crimson. To capitalize on the album's success, the musicians went back out on the road in the autumn of 1993. A live recording, called and released in 1994, was culled from the final shows of the tour.

Sylvian and Fripp's final collaboration was the installation Redemption – Approaching Silence. The exhibition was held at the P3 Art and Environment centre in Shinjuku, Tokyo, and ran from 30 August to 18 September 1994. The accompanying music was composed by Sylvian, with text written and recited by Fripp.

In the late summer of 1995, Sylvian undertook a one-man solo tour which he called 'Slow Fire - A Personal Retrospective.'

A period of relative musical inactivity followed, during which Sylvian and Ingrid Chavez moved from Minnesota to the Napa Valley. Chavez had given birth to two daughters, Ameera-Daya (born 1993) and Isobel (born 1997), and pursued her interest in photography and music.

2000s: Recent work

In 1999, Sylvian released Dead Bees on a Cake, his first solo album proper since Secrets of the Beehive twelve years earlier. The disc gathered together the most eclectic influences of all his recordings, ranging from soul music to jazz fusion to blues to Eastern-inflected spiritual chants, and most of the songs' lyrics reflected the now 41-year-old Sylvian's inner peace resulting from his marriage, family, and beliefs. Guest musicians included long-time friend Ryuichi Sakamoto, classically-trained tabla player Talvin Singh, avant-garde guitarist Marc Ribot, jazz trumpeter Kenny Wheeler, and contemporary jazz guitarist Bill Frisell.

Following Dead Bees, Sylvian released a pair of compilation albums through Virgin, a two-disc retrospective, Everything and Nothing, and an instrumental collection, Camphor. Both albums contained previously released material, some remixes, and several new or previously unreleased tracks which Sylvian finished especially for the projects.

Sylvian parted ways with Virgin and launched his own independent label, Samadhi Sound. He released the album Blemish. A fusion of styles, including jazz and electronica, the tour enabled Sylvian to perform music from the Nine Horses project, as well as various selections from his back catalogue.

A new solo album entitled Manafon was released on September 14, 2009 in two editions - a regular CD/digipak edition and a twin boxset deluxe edition with two books that include the CD and a DVD featuring the film 'Amplified Gesture'. Manafon features contributions from leading figures in electroacoustic improvisation such as saxophonist Evan Parker, multi-instrumentalist Otomo Yoshihide, Christian Fennesz, Sachiko M and AMM alumnists guitarist Keith Rowe, percussionist Eddie Prévost and pianist John Tilbury.

Discography

Japan

(March 1978) Adolescent Sex

(October 1978) Obscure Alternatives

(December 1979) Quiet Life

(November 1980) Gentlemen Take Polaroids

(September 1981) Assemblage - compilation

(November 1981) Tin Drum

(June 1983) Oil On Canvas - live album

(July 1984) Exorcising Ghosts - compilation

(April 1991) Rain Tree Crow - same line-up as Japan

(March 2006) The Very Best of Japan - compilation

Solo & Collaborations

(1984) Brilliant Trees

(1985)

(1986) Gone to Earth

(1987) Secrets of the Beehive

(1988) Plight & Premonition

(1989) Flux and Mutability

(1989) Weatherbox - Limited edition 5CD box set

(1991) Rain Tree Crow

(1991)

(1993) The First Day

(1993) Darshan (The Road To Graceland)

(1994)

(1999) Dead Bees on a Cake

(1999) Approaching Silence

(2000) Everything and Nothing

(2002) Camphor

(2003) Blemish

(2003) World Citizen

(2005) The Good Son vs. The Only Daughter (The Blemish Remixes)

(2005) Snow Borne Sorrow by Nine Horses

(2007) Money for All by Nine Horses

(2007) When Loud Weather Buffeted Naoshima

(2009) Manafon

(2010) Sleepwalkers (remix compilation CD)]

Contributions

This is an incomplete list.

(1982) "Good Night" on Ai Ga Nakucha Ne by Akiko Yano

(1983) "Forbidden Colours" on Merry Christmas Mr Lawrence soundtrack by Ryuichi Sakamoto

(1986) "Some Small Hope" on Hope In A Darkened Heart by Virginia Astley

(1987) "Buoy" and "When Love Walks In" on Dreams Of Reason Produce Monsters by Mick Karn

(1991) "Heartbeat (Returning To The Womb)" and "Cloud #9" on Heartbeat by Ryuichi Sakamoto

(1992) "To A Reason" and "Victim Of Stars" on Sahara Blue by Hector Zazou

(1995) "Come Morning", "The Golden Way" and "Maya" on Marco Polo by Nicola Alesini & Pier Luigi Andreoni

(1995) "Ti Ho Aspettato (I Have Waited For You)" on L'Albero Pazzo by Andrea Chimenti

(1996) "How Safe Is Deep?" on Undark:Strange Familiar by Russell Mills

(1998) "Salvation" on Discord by Ryuichi Sakamoto

(1999) "Rooms Of Sixteen Shimmers" on Pearl And Umbra by Russell Mills

(2000) "Forbidden Colours" on Cinemage by Ryuichi Sakamoto

(2001) "Zero Landmine" on Zero Landmine by No More Landmine featuring Ryuichi Sakamoto and Various Artists

(2001) "Sugarfuel" on Bold by Readymade FC

(2001) "Linoleum" on The Attraction to All Things Uncertain by Tweaker

(2004) "World Citizen (I Won't Be Disappointed)" on Chasm by Ryuichi Sakamoto

(2004) "Transit" on Venice by Fennesz

(2004) "Pure Genius" on 2 a.m. Wakeup Call by Tweaker

(2004) "Late Night Shopping (remix)" by Fennesz

(2004) "Messenger" on The Secret Society Of Butterflies by Blonde Redhead

(2004) "Exit/Delete" on Coieda by Takagi Masakatsu

(2004) "For The Love Of Life (Ending Theme Full Version)" on "Monster - Original Soundtrack" by 配島邦明

(2005) "The Librarian" on Out In The Sticks by Burnt Friedman & Jaki Liebezeit

(2005) "A Fire In The Forest" (Remix) on Babilonia by Readymade FC

(2006) "Angels" on Crime Scenes by Punkt

(2006) "World Citizen - I Won't Be Disappointed" on Babel soundtrack by Gustavo Santaolalla

(2007) "Playground Martyrs" and "Ballad Of A Deadman" on Slope by Steve Jansen

(2008) "Honor Wishes" and "No Question" on To Survive by Joan As Police Woman

(2008) "Before And Afterlife" and "Thermal" on Cartography by Arve Henriksen

(2009) "Jacqueline" on The Believer -The 2009 Music Issue-

References

External links

David Sylvian.com - The official David Sylvian website.

Category:1958 births Category:Living people Category:English male singers Category:English rock musicians Category:People from Beckenham Category:Japan (band) members