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The history of Ancient Greek coinage can be divided (along with most other Greek art forms) into three periods, the Archaic, the Classical, and the Hellenistic. The Archaic period extends from the introduction of coinage to the Greek world in about 600 BCE until the Persian Wars in about 480 BCE. The Classical period then began, and lasted until the conquests of Alexander the Great in about 330 BC, which began the Hellenistic period, extending until the Roman absorption of the Greek world in the 1st century BCE. The Greek cities continued to produce their own coins for several more centuries under Roman rule. The coins produced during this period are called Roman provincial coins or Greek Imperial Coins.

Denominations[link]

The central denomination to the Ancient Greek monetary system was the drachm. The word drachm(a) means "a handful", literally "a grasp". Drachmae were divided into six obols (from the Greek word for a spit of iron), and six spits made a "handful". This suggests that before coinage came to be used in Greece, spits were used as measures of value, perhaps for paying fines. In archaic/pre-numismatic times iron was valued for making durable tools and weapons, and its casting in spit form may have actually represented a form of transportable bullion, which eventually became bulky and inconvenient after the adoption of precious metals. Because of this very aspect, Spartan legislation famously forbade issuance of Spartan coin, and enforced the continued use of iron spits so as to discourage avarice and the hoarding of wealth. In addition to its original meaning (which also gave the euphemistic diminutive "obelisk", "little spit"), the word obol (ὀβολός, obolós, or ὀβελός, obelós) was retained as a Greek word for coins of small value, still used as such in Modern Greek slang (όβολα, óvola, "monies").

The obol was further subdivided into tetartemorioi (singular tetartemorion) which represented 1/4 of an obol, or 1/24 of a drachm. This coin (which was known to have been struck in Athens, Colophon, and several other cities) is mentioned by Aristotle as the smallest silver coin.^[1]:237 Various multiples of this denomination were also struck, including the trihemitetartemorion (literally three half-tetartemorioi) valued at 3/8 of an obol.^[1]:247

Archaic period[link]

Uninscribed electrum coin from Lydia, 6th century BC
Obverse: lion head and sunburst
Reverse: plain square imprints, probably used to standardise weight

The first coins were issued in either Lydia or Ionia in Asia Minor at some time before 600 B.C., either by the non-Greek Lydians for their own use or perhaps because Greek mercenaries wanted to be paid in precious metal at the conclusion of their time of service, and wanted to have their payments marked in a way that would authenticate them. These coins were made of electrum, a natural alloy of gold and silver that was highly prized and abundant in that area. By the middle of the sixth century B.C., technology had advanced, making the production of pure gold and silver coins simpler. Accordingly, King Croesus introduced a bi-metallic standard that allowed for coins of pure gold and pure silver to be struck and traded in the marketplace.

Drachma of Aegina, 6th century BC
Obverse: Land tortoise
Reverse: ΑΙΓ[INAΤΟΝ] ("[of the] Aeg[inetans]") and dolphin within a geometrical drawing

The Greek world was divided into more than two thousand self-governing city-states (in Greek, poleis), and more than half of them issued their own coins. Some coins circulated widely beyond their polis, indicating that they were being used in inter-city trade; the first example appears to have been the silver stater or didrachm of island of Aigina that regularly turns up in hoards in Egypt and the Levant, places which were deficient in silver supply. As such coins circulated more widely, other cities began to mint coins to this "Aeginetan" weight standard of (6.1 grams to the drachm), other cities included their own symbols on the coins. This is not unlike present day Euro coins, which are recognisably from a particular country, but usable all over the Euro zone.

Athenian coins, however, were struck on the "Attic" standard, with a drachm equaling 4.3 grams of silver. Over time, Athens' plentiful supply of silver from the mines at Laurion and its increasing dominance in trade made this the pre-eminent standard. These coins, known as "Owls" because of their central design feature, were also minted to an extremely tight standard of purity and weight. This contributed to their success as the premier trade coin of their era. Tetradrachms on this weight standard continued to be a widely used coin (often the most widely used) through the classical period. By the time of Alexander the Great and his Hellenistic successors, this large denomination was being regularly used to make large payments, or was often saved for hoarding.

Classical period[link]

A Syracusan tetradrachm (c. 415–405 BC)
Obverse: head of the nymph Arethusa, surrounded by four swimming dolphins and a rudder
Reverse: a racing quadriga, its charioteer crowned by the goddess Victory in flight

Tetradrachm of Athens, 5th century BCE
Obverse: a portrait of Athena, patron goddess of the city, in helmet
Reverse: the owl of Athens, with an olive sprig and the inscription "ΑΘΕ", short for ΑΘΕΝΑΙΟΝ, "of the Athenians"

The Classical period saw Greek coinage reach a high level of technical and aesthetic quality. Larger cities now produced a range of fine silver and gold coins, most bearing a portrait of their patron god or goddess or a legendary hero on one side, and a symbol of the city on the other. Some coins employed a visual pun: some coins from Rhodes featured a rose, since the Greek word for rose is rhodon. The use of inscriptions on coins also began, usually the name of the issuing city.

The wealthy cities of Sicily produced some especially fine coins. The large silver decadrachm (10-drachm) coin from Syracuse is regarded by many collectors as the finest coin produced in the ancient world, perhaps ever. Syracusan issues were rather standard in their imprints, one side bearing the head of the nymph Arethusa and the other usually a victorious quadriga. The tyrants of Syracuse were fabulously rich, and part of their public relations policy was to fund quadrigas for the Olympic chariot race, a very expensive undertaking. As they were often able to finance more than one quadriga at a time, they were frequent victors in this highly prestigious event.

Syracuse was one of the epicenters of numismatic art during the classical period. Led by the engravers Kimon and Euainetos, Syracuse produced some of the finest coin designs of antiquity.

Hellenistic period[link]

Gold 20-stater of Eucratides I, the largest gold coin ever minted in Antiquity.

The Hellenistic period was characterised by the spread of Greek culture across a large part of the known world. Greek-speaking kingdoms were established in Egypt and Syria, and for a time also in Iran and as far east as what is now Afghanistan and northwestern India. Greek traders spread Greek coins across this vast area, and the new kingdoms soon began to produce their own coins. Because these kingdoms were much larger and wealthier than the Greek city states of the classical period, their coins tended to be more mass-produced, as well as larger, and more frequently in gold. They often lacked the aesthetic delicacy of coins of the earlier period.

Still, some of the Greco-Bactrian coins, and those of their successors in India, the Indo-Greeks, are considered the finest examples of Greek numismatic art with "a nice blend of realism and idealization", including the largest coins to be minted in the Hellenistic world: the largest gold coin was minted by Eucratides (reigned 171–145 BC), the largest silver coin by the Indo-Greek king Amyntas (reigned c. 95–90 BC). The portraits "show a degree of individuality never matched by the often bland depictions of their royal contemporaries further West" (Roger Ling, "Greece and the Hellenistic World").

The most striking new feature of Hellenistic coins was the use of portraits of living people, namely of the kings themselves. This practice had begun in Sicily, but was disapproved of by other Greeks as showing hubris (arrogance). But the kings of Ptolemaic Egypt and Seleucid Syria had no such scruples: having already awarded themselves with "divine" status, they issued magnificent gold coins adorned with their own portraits, with the symbols of their state on the reverse. The names of the kings were frequently inscribed on the coin as well. This established a pattern for coins which has persisted ever since: a portrait of the king, usually in profile and striking a heroic pose, on the obverse, with his name beside him, and a coat of arms or other symbol of state on the reverse.

Minting[link]

All Greek coins were hand-made, rather than machined as modern coins are. The design for the obverse was carved (in incuso) into a block of bronze or possibly iron, called a die. The design of the reverse was carved into a similar punch. A blank disk of gold, silver, or electrum was cast in a mold and then, placed between these two and the punch struck hard with a hammer, raising the design on both sides of the coin.^[2]

Coins as Propaganda[link]

The use of coins for propaganda purposes was a Greek invention. Coins are valuable, durable and pass through many hands. In an age without newspapers or other mass media, they were an ideal way of disseminating a political message. The first such coin was a commemorative decadrachm issued by Athens following the Greek victory in the Persian Wars. On these coins the owl of Athens, the goddess Athena's sacred bird, was depicted facing the viewer with wings outstretched, holding a spray of olive leaves, the olive tree being Athena's sacred plant and also a symbol of peace and prosperity. The message was that Athens was powerful and victorious, but also peace-loving.

Ancient Greek coins today[link]

Collections of Ancient Greek coins are held by museums around the world, of which the collections of the British Museum, the American Numismatic Society, and the Danish National Museum are considered to be the finest. To varying degrees, these coins are available for study by academics and researchers.

There is also an active collector market for Greek coins. Several auction houses in Europe and the United States specialize in ancient coins (including Greek) and there is also a large on-line market for such coins.

Hoards of Greek coins are still being found in Europe, Middle East, and North Africa, and some of the coins in these hoards find their way onto the market. Coins are the only art form from the Ancient world which is common enough and durable enough to be within the reach of ordinary collectors.

See also[link]

Numismatics portal

• Art of Ancient Greece
• Seleucid coinage
• Indian coinage

Citations[link]

Further reading[link]

• Grierson, Philip (1975), Numismatics, Oxford, Oxford University Press ISBN 0-19-885098-0
• Head, Barclay V. (1911), Historia Numorum; A Manual of Greek Numismatics, Oxford: Clarendon Press.
• Hill, George Francis (1906), Historical Greek Coins, London : Archibald Constable and Co.
• Jenkins, H.K. (1990), Ancient Greek Coins, Seaby, ISBN 1-85264-014-6
• Kayhan, Muharram & Konuk, Koray (2003), From Kroisos to Karia; Early Anatolian Coins from the Muharrem Kayhan Collection, ISBN 975-8070-61-4
• Kraay, Colin M. (1976), Archaic and Classical Greek Coins, New York: Sanford J. Durst, ISBN 0-915262-75-4.
• Melville Jones, John R., 'A Dictionary of Ancient Greek Coins', London, Seaby 1986, reprinted Spink 2004.
• Melville Jones, John R., Testimonia Numaria. Greek and Latin texts concerning Ancient Greek Coinage, 2 vols (1993 and 2007), London, Spink, 0-907-05-40-0 and 978-1-902040-81-3.
• Ramage, Andrew and Craddock, Paul (2000), King Croesus' Gold; Excavations at Sardis and the History of Gold Refining, Trustees of the British Museum, ISBN 0-7141-0888-X.
• Rutter N. K, Burnett A. M., Crawford M. H., Johnston A. E.M., Jessop Price M (2001), Historia Numorum Italy, London: The British Museum Press, ISBN 0-7141-1801-X.
• Sayles, Wayne G., Ancient Coin Collecting, Iola, Wisconsin : Krause Publications, 2003.
• Sayles, Wayne G., Ancient Coin Collecting II: Numismatic Art of the Greek World", Iola, Wisconsin : Krause Publications, 2007.
• Sear, David, "Greek Coins and Their Values: Volume 1", London: Spink.
• Sear, David, "Greek Coins and Their Values: Volume 2" London: Spink.
• Seltman, Charles (1933), Greek Coins, London: Methuen & Co., Ltd.
• Seltman, Charles, Masterpieces of Greek Coinage, Bruno Cassirer - Oxford, 1949.
• Thompson M., Mørkholm O., Kraay C. M. (eds): An Inventory of Greek Coin Hoards, (IGCH). New York, 1973 ISBN 978-0-89722-068-2
• Sylloge Nummorum Graecorum:
  • American Numismatic Society: The Collection of the American Numismatic Society, New York
• Ward, John, Greek Coins and their Parent Cities, London : John Murray, 1902. (accompanied by a catalogue of the author’s collection by Sir George Francis Hill)

External links[link]

Wikimedia Commons has media related to: Ancient Greek coinage

• International Numismatic Commission
• The British Academy
• Sylloge Nummorum Graecorum in UK
• American Numismatic Society
• Perseus Project at Tuft University
• Wildwinds: a database for Greek and Roman coins - includes images
• CoinArchives.com: A large database of coins previously sold at auction - includes images and prices
• National Numismatic Museum, Athens
• Historia Numorum: A Manual of Greek Numismatics
• Hellenic Numismatic Society
• History of the Greek coins And presentation of the Greek modern coins
• Online numismatic exhibit: "This round gold is but the image of the rounder globe" (H.Melville). The charm of gold in ancient coinage
• Digital Library Numis (DLN) Online books and articles on Greek coins
• Asia Minor Coins History and index/photo gallery of ancient Greek and Roman coins from Asia Minor (Anatolia/Turkey)

Ancient Greek
Ἑλληνική Hellēnikḗ
Spoken in	eastern Mediterranean
Era	developed into Koiné Greek by the 4th century BC
Language family	Indo-European Hellenic Ancient Greek
Writing system	Greek alphabet
Language codes
ISO 639-2	grc
ISO 639-3	grc
Map of Homeric Greece
This page contains IPA phonetic symbols in Unicode. Without proper rendering support, you may see question marks, boxes, or other symbols instead of Unicode characters.

Beginning of Homer's Odyssey

Ancient Greek is the stage of the Greek language in the periods spanning the times c. 9th – 6th centuries BC, (known as Archaic), c. 5th – 4th centuries BC (Classical), and the c. 3rd century BC – 6th century AD (Hellenistic) of ancient Greece and the ancient world; being predated in the 2nd millennium BC by Mycenaean Greek. The language of the Hellenistic phase is known as Koine (common) or Biblical Greek, the language from the late period onward has no considerable difference from Medieval Greek. Koine is regarded as a separate historical stage of its own, although in its earlier form it closely resembles the Classical. Prior to the Koine period, Greek of the classic and earlier periods included several regional dialects.

Ancient Greek was the language of Homer and of classical Athenian historians, playwrights, and philosophers. It has contributed many words to English vocabulary and has been a standard subject of study in educational institutions of the West, since the Renaissance. This article's primary concern is the Epic and Classical phases of the language.

Dialects[link]

The origins, early forms, and early development of the Hellenic language family are not well understood because of the lack of contemporaneous evidence. There are several theories about what Hellenic dialect groups may have existed between the divergence of early Greek-like speech from the common Proto-Indo-European language. They have the same general outline but differ in some of the detail. The only attested dialect from this period^[1] is Mycenaean, but its relationship to the historical dialects and the historical circumstances of the times imply that the overall groups already existed in some form.

History of the Greek language (see also: Greek alphabet)

Proto-Greek (c. 3000–1600 BC)

Mycenaean (c. 1600–1100 BC)

Ancient Greek (c. 800–330 BC) Dialects: Aeolic, Arcadocypriot, Attic-Ionic, Doric, Locrian, Pamphylian, Homeric Greek, Macedonian

Koine Greek (c. 330 BC–330)

Medieval Greek (330–1453)

Modern Greek (from 1453) Dialects: Calabrian, Cappadocian, Cheimarriotika, Cretan, Cypriot, Demotic, Griko, Katharevousa, Pontic, Tsakonian, Maniot, Yevanic This box: view talk edit *Dates (beginning with Ancient Greek) from Wallace, D. B. (1996). Greek Grammar Beyond the Basics: An Exegetical Syntax of the New Testament. Grand Rapids: Zondervan. p. 12. ISBN 0310218950.

The major dialect groups of the Ancient Greek period can be assumed to have developed not later than 1120 BC, at the time of the Dorian invasion(s), and their first appearances as precise alphabetic writing began in the 8th century BC. The invasion would not be "Dorian" unless the invaders had some cultural relationship to the historical Dorians; moreover, the invasion is known to have displaced population to the later Attic-Ionic regions, who regarded themselves as descendants of the population displaced by or contending with the Dorians.

The Greeks themselves at this period considered there to be three major divisions of all the Greek people—Dorians, Aeolians and Ionians (including Athenians), each with their own defining and distinctive dialects. Allowing for their oversight of Arcadian, an obscure mountain dialect, and Cyprian, far from the center of Greek scholarship, this division of people and language is quite similar to the results of modern archaeological-linguistic investigation.

One standard formulation for the dialects is:^[2]

Distribution of Greek dialects in the classical period.[3] Western group:   Doric proper   Northwest Doric Central group:   Aeolic   Arcado-Cypriot Eastern group:   Attic   Ionic   Achaean Doric

West Group Northwest Greek Doric Aeolic Group Aegean/Asiatic Aeolic Thessalian Boeotian Ionic-Attic Group Attica Euboea and colonies in Italy Cyclades Asiatic Ionia Arcadocypriot Greek Arcadian Cypriot

West vs. non-west Greek is the strongest marked and earliest division, with non-west in subsets of Ionic-Attic (or Attic-Ionic) and Aeolic vs. Arcado-Cyprian, or Aeolic and Arcado-Cyprian vs. Ionic-Attic. Often non-west is called East Greek.

The Arcado-Cyprian group apparently descended more closely from the Mycenaean Greek of the Bronze Age.

Boeotian had come under a strong Northwest Greek influence, and can in some respects be considered a transitional dialect. Thessalian likewise had come under Northwest Greek influence, though to a lesser degree.

Pamphylian, spoken in a small area on the south-western coast of Asia Minor and little preserved in inscriptions, may be either a fifth major dialect group, or it is Mycenaean Greek overlaid by Doric, with a non-Greek native influence.

Ancient Macedonian was an Indo-European language closely related to Greek, but its exact relationship is unclear because of insufficient data: possibly a dialect of Greek; a sibling language to Greek; or a close cousin to Greek, and perhaps related to some extent, to Thracian and Phrygian languages. The Pella curse tablet is one of the many clear finds which support the idea that the Ancient Macedonian language is closely related to the Doric Greek dialect.

Most of the dialect sub-groups listed above had further subdivisions, generally equivalent to a city-state and its surrounding territory, or to an island. Doric notably had several intermediate divisions as well, into Island Doric (including Cretan Doric), Southern Peloponnesus Doric (including Laconian, the dialect of Sparta), and Northern Peloponnesus Doric (including Corinthian).

The Lesbian dialect was a member of the Aegean/Asiatic Aeolic sub-group.

All the groups were represented by colonies beyond Greece proper as well, and these colonies generally developed local characteristics, often under the influence of settlers or neighbors speaking different Greek dialects.

The dialects outside the Ionic group are known mainly from inscriptions, notable exceptions being fragments of the works of the poetess Sappho from the island of Lesbos and the poems of the Boeotian poet, Pindar.

After the conquests of Alexander the Great in the late 300's BC, a new international dialect known as Koine or Common Greek developed, largely based on Attic Greek, but with influence from other dialects. This dialect slowly replaced most of the older dialects, although Doric dialect has survived to the present in the form of the Tsakonian dialect of Modern Greek, spoken in the region of modern Sparta. Doric has also passed down its aorist terminations into most verbs of Demotic Greek. By about the 500's AD, the Koine had slowly metamorphosized into Medieval Greek.

Sound changes[link]

Greek alphabet
Αα	Alpha	Νν	Nu
Ββ	Beta	Ξξ	Xi
Γγ	Gamma	Οο	Omicron
Δδ	Delta	Ππ	Pi
Εε	Epsilon	Ρρ	Rho
Ζζ	Zeta	Σσς	Sigma
Ηη	Eta	Ττ	Tau
Θθ	Theta	Υυ	Upsilon
Ιι	Iota	Φφ	Phi
Κκ	Kappa	Χχ	Chi
Λλ	Lambda	Ψψ	Psi
Μμ	Mu	Ωω	Omega
History
Archaic local variants
Ligatures (ϛ, ȣ, ϗ) Diacritics
Numerals (6) (90) (900)
In other languages
Bactrian Coptic Albanian
Scientific symbols
Book Category Commons view talk edit

See Proto-Greek for a description of sound changes from Proto-Indo-European up through attested Ancient Greek.

Phonology[link]

The pronunciation of Post-Classic Greek changed considerably from Ancient Greek, although the orthography still reflects features of the older language (see W. Sidney Allen, Vox Graeca – a guide to the pronunciation of Classical Greek). For a detailed description on the phonology changes from Ancient to Hellenistic periods of the Greek language, see the article on Koine Greek.

The examples below are intended to represent Attic Greek in the 5th century BC. Although ancient pronunciation can never be reconstructed with certainty, Greek in particular is very well documented from this period, and there is little disagreement among linguists as to the general nature of the sounds that the letters represented.

Phonemic inventory[link]

Consonants[link]

[ŋ] occurred as an allophone of /n/ used before velars and as an allophone of /ɡ/ before nasals. /r/ was probably voiceless when word-initial (written ῥ)

Vowels[link]

/oː/ raised to [uː], probably by the 4th century BC.

Sound changes[link]

Assimilation[link]

In verb conjugation, one consonant often comes up against the other. Various sandhi rules apply.

Rules:

• Most basic rule: When two sounds appear next to each other, the first assimilates in voicing and aspiration to the second.
  • This applies fully to stops. Fricatives assimilate only in voicing, sonorants do not assimilate.
• Before an /s/ (future, aorist stem), velars become [k], labials become [p], and dentals disappear.
• Before a /tʰ/ (aorist passive stem), velars become [kʰ], labials become [pʰ], and dentals become [s].
• Before an /m/ (perfect middle first-singular, first-plural, participle), velars become [ɡ], nasal+velar becomes [ɡ], labials become [m], dentals become [s], other sonorants remain the same.

Compensatory lengthening[link]

Certain vowels historically underwent compensatory lengthening in certain contexts. /a/ sometimes lengthened to [aː] or [ɛː], and /e/ and /o/ become the closed values [eː] and [oː] and the open ones [ɛː] and [ɔː] depending on time period.

Vowel shift[link]

The Proto-Greek long vowel /aː/ was shifted to [ɛː] in the Attic dialect, except after /e i r/. In the Ionic dialect, it shifted in all environments, but in Doric and Aeolic, it did not shift at all.

Morphology[link]

Greek, like all of the older Indo-European languages, is highly inflected. It is highly archaic in its preservation of Proto-Indo-European forms. In Ancient Greek nouns (including proper nouns) have five cases (nominative, genitive, dative, accusative and vocative), three genders (masculine, feminine and neuter), and three numbers (singular, dual and plural). Verbs have four moods (indicative, imperative, subjunctive, and optative), three voices (active, middle and passive), as well as three persons (first, second and third) and various other forms. Verbs are conjugated through seven combinations of tenses and aspect (generally simply called "tenses"): the present, future and imperfect are imperfective in aspect; the aorist (perfective aspect); a present perfect, pluperfect and future perfect. Most tenses display all four moods and three voices, although there is no future subjunctive or imperative. Also, there is no imperfect subjunctive, optative or imperative. There are infinitives and participles corresponding to the finite combinations of tense, aspect and voice.

Augment[link]

The indicative of past tenses adds (conceptually, at least) a prefix /e-/, called the augment. This was probably originally a separate word, meaning something like "then," added because tenses in PIE had primarily aspectual meaning. The augment is added to the indicative of the aorist, imperfect and pluperfect, but not to any of the other forms of the aorist (no other forms of the imperfect and pluperfect exist).

There are two kinds of augment in Greek, syllabic and quantitative. The syllabic augment is added to stems beginning with consonants, and simply prefixes e (stems beginning with r, however, add er). The quantitative augment is added to stems beginning with vowels, and involves lengthening the vowel:

• a, ā, e, ē → ē
• i, ī → ī
• o, ō → ō
• u, ū → ū
• ai → ēi
• ei → ēi or ei
• oi → ōi
• au → ēu or au
• eu → ēu or eu
• ou → ou

Some verbs augment irregularly; the most common variation is e → ei. The irregularity can be explained diachronically by the loss of s between vowels. In verbs with a prefix, the augment is placed not at the start of the word, but between the prefix and the original verb. For example, προσ(-)βάλλω (I attack) goes to προσέβαλoν in the aorist.

Following Homer's practice, the augment is sometimes not made in poetry, especially epic poetry.

The augment sometimes substitutes for reduplication; see below.

Reduplication[link]

Almost all forms of the perfect, pluperfect and future perfect reduplicate the initial syllable of the verb stem. (Note that a few irregular forms of perfect do not reduplicate, whereas a handful of irregular aorists reduplicate.) There are three types of reduplication:

• Syllabic reduplication: Most verbs beginning with a single consonant, or a cluster of a stop with a sonorant, add a syllable consisting of the initial consonant followed by e. An aspirated consonant, however, reduplicates in its unaspirated equivalent: Grassmann's law.
• Augment: Verbs beginning with a vowel, as well as those beginning with a cluster other than those indicated previously (and occasionally for a few other verbs) reduplicate in the same fashion as the augment. This remains in all forms of the perfect, not just the indicative.
• Attic reduplication: Some verbs beginning with an a, e or o, followed by a sonorant (or occasionally d or g), reduplicate by adding a syllable consisting of the initial vowel and following consonant, and lengthening the following vowel. Hence er → erēr, an → anēn, ol → olōl, ed → edēd. This is not actually specific to Attic Greek, despite its name; but it was generalized in Attic. This originally involved reduplicating a cluster consisting of a laryngeal and sonorant; hence h₃l → h₃leh₃l → olōl with normal Greek development of laryngeals. (Forms with a stop were analogous.)

Irregular duplication can be understood diachronically. For example, lambanō (root lab) has the perfect stem eilēpha (not *lelēpha) because it was originally slambanō, with perfect seslēpha, becoming eilēpha through compensatory lengthening.

Reduplication is also visible in the present tense stems of certain verbs. These stems add a syllable consisting of the root's initial consonant followed by i. A nasal stop appears after the reduplication in some verbs.^[4]

Writing system[link]

Ancient Greek was written in the Greek alphabet, with some variation among dialects. Early texts are written in boustrophedon style, but left-to-right became standard during the classic period. Modern editions of Ancient Greek texts are usually written with accents and breathing marks, interword spacing, modern punctuation, and sometimes mixed case, but these were all introduced later.

Example text[link]

The following polytonic Greek text is from the beginning of Apology by Plato:

Ὅτι μὲν ὑμεῖς, ὦ ἄνδρες Άθηναῖοι, πεπόνθατε ὑπὸ τῶν ἐμῶν κατηγόρων, οὐκ οἶδα: ἐγὼ δ' οὖν καὶ αὐτὸς ὑπ' αὐτῶν ὀλίγου ἐμαυτοῦ ἐπελαθόμην, οὕτω πιθανῶς ἔλεγον. Καίτοι ἀληθές γε ὡς ἔπος εἰπεῖν οὐδὲν εἰρήκασιν.

Transliterated into the Latin alphabet using a modern version of the Erasmian scheme:

Hóti mèn humeîs, ô ándres Athēnaîoi, pepónthate hupò tôn emôn katēgórōn, ouk oîda: egṑ d' oûn kaì autòs hup' autōn olígou emautoû epelathómēn, hoútō pithanôs élegon. Kaítoi alēthés ge hōs épos eipeîn oudèn eirḗkasin.

Using the IPA:

hóti mén hymêːs, ɔ̂ː ándres atʰɛːnáioi, pepóntʰate hypo tɔ̂ːn emɔ̂ːn katɛːgórɔːn, oːk óida; egɔ̌ː d’ ôːn kaí autós hyp’ autɔ̂ːn olígoː emautôː epelatʰómɛːn, hǒːtɔː pitʰanɔ̂ːs élegon. kaítoi alɛːtʰés ge hɔːs épos eːpêːn oːdén eːrɛ̌ːkasin.

Translated into English:

What you, men of Athens, have learned from my accusers, I do not know: but I, for my part, nearly forgot who I was thanks to them, since they spoke so persuasively. And yet, of the truth, they have spoken, one might say, nothing at all.

Another example, from the beginning of Homer's Iliad: <poem style="margin-left: 2em">Μῆνιν ἄειδε, θεά, Πηληϊάδεω Ἀχιλῆος οὐλομένην, ἣ μυρί’ Ἀχαιοῖς ἄλγε’ ἔθηκε, πολλὰς δ’ ἰφθίμους ψυχὰς Ἄϊδι προΐαψεν ἡρώων, αὐτοὺς δὲ ἑλώρια τεῦχε κύνεσσιν οἰωνοῖσί τε πᾶσι· Διὸς δ’ ἐτελείετο βουλή· ἐξ οὗ δὴ τὰ πρῶτα διαστήτην ἐρίσαντε Ἀτρεΐδης τε ἄναξ ἀνδρῶν καὶ δῖος Ἀχιλλεύς.</poem>

Modern use[link]

The study of Ancient Greek in European countries in addition to Latin occupied an important place in the syllabus from the Renaissance until the beginning of the 20th century. Ancient Greek is still taught as a compulsory or optional subject especially at traditional or elite schools throughout Europe, such as public schools and grammar schools in the United Kingdom. It is compulsory in the Liceo classico in Italy, in the gymnasium in the Netherlands, in some classes in Austria, in Croatia in klasicna gimnazija and it is optional in the Humanistisches Gymnasium in Germany (usually as a third language after Latin and English, from the age of 14 to 18). In 2006/07, 15,000 pupils studied Ancient Greek in Germany according to the Federal Statistical Office of Germany, and 280,000 pupils studied it in Italy.^[5] Ancient Greek is also taught at most major universities worldwide, often combined with Latin as part of Classics. It will also be taught in state primary schools in the UK, to boost children’s language skills.^[6][7][8] Ancient Greek is also taught as a compulsory subject in Gymnasia and Lycia in Greece.^[9][10]

Ancient Greek is often used in the coinage of modern technical terms in the European languages: see English words of Greek origin.

Modern authors rarely write in Ancient Greek, though Jan Křesadlo wrote some poetry and prose in the language, and some volumes of Asterix have been written in Attic Greek^[11] and Harry Potter and the Philosopher's Stone has been translated into Ancient Greek.^[12]

Ancient Greek is also used by organizations and individuals, mainly Greek, who wish to denote their respect, admiration or preference for the use of this language. This use is sometimes considered graphical, nationalistic or funny. In any case, the fact that modern Greeks can still wholly or partly understand texts written in non-archaic forms of ancient Greek shows the affinity of modern Greek language to its ancestral predecessor.^[13]

An isolated community near Trabzon, Turkey, an area where Pontic Greek is spoken, has been found to speak a variety of Greek that has parallels, both structurally and in its vocabulary, to Ancient Greek not present in other varieties.^[14] As few as 5,000 people speak the dialect but linguists believe that it is the closest living language to Ancient Greek.^[15][16]

Latinized forms of Ancient Greek roots are used in many of the scientific names of species and in scientific terminology.

See also[link]

• Exploring the Ancient Greek Language and Culture (competition)
• Greek alphabet
• Greek declension
• Greek diacritics
• Mycenaean Greek language
• Koine Greek
• Medieval Greek
• Modern Greek
• Greek language
• List of Greek phrases (mostly Ancient Greek)

References[link]

Further reading[link]

• P. Chantraine (1968), Dictionnaire étymologique de la langue grecque, Klincksieck, Paris.
• Athenaze A series of textbooks on Ancient Greek published for school use
• Hansen, Hardy and Quinn, Gerald M. (1992) Greek: An Intensive Course, Fordham University Press
• Easterling, P & Handley, C. Greek Scripts: An illustrated introduction. London: Society for the Promotion of Hellenic Studies, 2001. ISBN 0-902984-17-9

External links[link]

Wikibooks has a book on the topic of Ancient Greek

Ancient Greek test of Wikipedia at Wikimedia Incubator

Look up ancient greek in Wiktionary, the free dictionary.

Greek Wikisource has original text related to this article: Texts in Ancient Greek

• Ancient Greek Swadesh list of basic vocabulary words (from Wiktionary's Swadesh list appendix)

Grammar learning[link]

• A more extensive grammar of the Ancient Greek language written by J. Rietveld
• Recitation of classics books
• Ancient Greek Language Teaching Podcast
• Perseus Greek dictionaries
• Greek-Language.com Information on the history of the Greek language, application of modern Linguistics to the study of Greek, and tools for learning Greek
• Free Lessons in Ancient Greek, Bilingual Libraries, Forum
• Ancient Greek Tutorials Berkeley Language Center of the University of California
• New Testament Greek
• Acropolis World News A summary of the latest world news in Ancient Greek, Juan Coderch, University of St Andrews

Classical texts[link]

• Perseus Greek and Roman Materials
• Ancient Greek Texts

v t e Greek language · Eλληνική γλώσσα History Proto-Greek (c. 3000–1600 BC) Mycenaean (c. 1600–1000 BC) Ancient Greek (c. 1000–330 BC) Koine Greek (c. 330 BC–AD 330) Medieval Greek (330–1453) Modern Greek (from 1453) Alphabet Archaic alphabets Orthography Diacritics History Romanization Greeklish Numerals Linear B Cypriot syllabary Letters Alpha Beta Gamma Delta Epsilon Zeta Eta Theta Iota Kappa Lambda Mu Nu Xi Omicron Pi Rho Sigma Tau Upsilon Phi Chi Psi Omega Obsolete: Digamma Heta Koppa Stigma San Sampi Phonology Ancient Greek (accent) Koine Greek Modern Greek Grammar Ancient Greek (tables) Modern Greek Dialects Cappadocian Cretan Cypriot Chalkidiki Demotic Greek-Calabrian Griko Katharevousa Misthiotica Pontic Tsakonian Yevanic Literature Ancient Greek Byzantine Modern Greek Related topics Greek Wikipedia Exonyms Morphemes Terms of Endearment Place names Proverbs Greek language question Graeco-Armenian Graeco-Aryan Pre-Greek substrate Promotion and study Hellenic Foundation for Culture Center for the Greek language

The Greek is a fictional character on the HBO drama The Wire, played by actor Bill Raymond. The Greek is the head of an international criminal organization involved in narcotics and human trafficking.^[1] The Greek is a mysterious figure involved in numerous criminal activities. His given name is never mentioned on the show, and though he is known only as "The Greek", he has stated (in the episode Port in a Storm) that he is not actually Greek. A quiet and unassuming man, the Greek prefers to keep a low profile, operating all of his business through his lieutenant Spiros "Vondas" Vondopoulos. His smuggling organization operated from a small diner in Baltimore for years, and while Vondas would conduct business the Greek would listen in quietly at the counter. Nick Sobotka, upon seeing the Greek identify himself, was amazed that the shadowy figure had been in plain sight the entire time.

Despite his calm appearance, the Greek is cunning and ruthless, and only interested in facts that make him more money. Series creator David Simon has said that The Greek is an embodiment of raw unencumbered capitalism.^[2] Anyone interfering in this process is eliminated immediately, and he prefers to leave victims headless and handless to hinder identification.

The Greek's smuggling operation includes importing sex trade workers, illicit drugs, stolen goods and chemicals for drug processing. He bribes union stevedores to move containers through the Baltimore port for him and uses his muscle, Sergei "Serge" Malatov, to run containers back and forth from the port to his warehouse, a front managed by "Double G" Glekas. The Greek supplies the major drug dealers in East Baltimore with pure cocaine and heroin, using Eton Ben-Eleazer to move his drugs. His chief client is Proposition Joe, but he is also affiliated with smaller drug dealing organizations like those run by "White Mike" McArdle. His sex trade interests in Baltimore include a brothel run by a madam named Ilona Petrovitch, bringing in girls from eastern Europe. He manages to avoid prosecution for his crimes because an FBI counter-terrorism agent named Kristos Koutris tips him off if a criminal investigation gets too close. It is suggested he and Vondas may serve as federal informants.

Biography[link]

Season 2[link]

The Greek began to draw police attention in Baltimore when his contact at the docks, Frank Sobotka, became the target of an investigation. At the same time a container of thirteen dead young women intended for the sex trade was discovered at the docks, triggering a high-profile homicide investigation. The container belonged to the Greek and the girls were killed by a crewman onboard the vessel that had delivered them. The ship's crew had been paying the girls for sex and when one of the girls refused, she was killed. The crewman responsible dumped her overboard and collapsed the air pipe to kill the remaining women. The Greek had Sergei track the crewman down, interrogated him personally, and had Vondas kill him.

As the investigation continued the police were able to link Eton and Sergei to the drug smuggling operation. When police began tracking containers as they left the port, The Greek and Vondas began to close down the operation temporarily by dumping their cell phones and stealing "clean" containers. Persuading Sobotka to keep the smuggling operation going he bought further protection from Agent Koutris by betraying a load of Colombian cocaine, giving him time to destroy incriminating evidence in the warehouse and Glekas' store.

The Greek recognized that the investigation was too extensive to stop and made plans to leave, sending Vondas to assure Proposition Joe that supply of drugs would continue albeit with new faces. He attempted to buy Sobotka's silence with promised legal aid for his son, but when he learned from Koutris that Frank was planning to turn informant he had the union man killed. Although Frank's nephew Nick Sobotka was able to identify The Greek in a photo and Sergei was pressured to give up the location of his hotel suite, Vondas and the Greek had already boarded a flight to Chicago. Aware that the Greek and Vondas were gone, the police left the investigation behind and moved on to the drug dealers he supplied.

Seasons 4 & 5[link]

The Greek continued to supply "Proposition Joe" Stewart, who formed an organization with other drug dealers called the New Day Co-Op to provide The Greek's product to them in exchange for reduced violence and sharing of territory. When Omar Little steals an entire shipment of heroin from the Greek's men as it is being delivered to Stewart's people, Marlo Stanfield demands a meeting with Spiros "Vondas" Vondopoulos in order to allay his fears that Stewart was responsible.^[3][4] Once Stanfield is satisfied, he waits for the Major Crimes Unit's investigation into his activities to cease and then moves to establish a direct relationship with Vondas and the Greek. After getting in communication with Vondas through former soldier Sergei,^[5][6] Marlo eventually sells himself as Joe's replacement by convincing the Greek that he requires an insurance policy in the form of a replacement for Proposition Joe, in the event that anything should happen to him. Realizing that Stanfield will move against Stewart regardless of his approval, the Greek accepts Marlo's proposal to act as an "insurance policy," knowing that it will mean Joe's death.^[7][8]

After Stewart's murder, Stanfield meets with Vondas to initiate their new business relationship.^[9][10] Stanfield's tenure proves short lived when he is forced into retirement by an investigation, and the other Co-Op members purchase the connection from Stanfield. In the closing scenes of the series finale, Slim Charles and Fat-Face Rick take over meeting with Vondas while the Greek listens quietly in the background.^[11][12]

References[link]