- published: 19 Feb 2020
- views: 139
Peter Benton Bart (born July 24, 1932) is an American journalist and film producer. He is perhaps best known for his lengthy tenure (from 1989–2009) as the editor in chief of Variety, an entertainment-trade magazine.
Bart was also a co-host, with film producer Peter Guber, of the weekly television series, Shootout (formerly Sunday Morning Shootout), carried on the AMC television channel from 2003 to 2008 and subsequently seen in syndication and in 53 countries around the world.
Bart was born in New York City, the son of Clara and M.S. Bart.
Bart was educated at Friends Seminary in New York City; Swarthmore College, near Philadelphia, Pennsylvania; and The London School of Economics and Political Science in London, United Kingdom.
He served as a reporter and columnist for The New York Times and as a reporter for The Wall Street Journal and the Chicago Sun-Times prior to entering the film business.
Starting in 1967, Bart worked as an executive at Paramount Pictures, rising to vice president in charge of production; his relationship with Robert Evans was documented in Evans' autobiography The Kid Stays in the Picture. He played a key role in such films as Rosemary's Baby (1968), True Grit (1969), Harold and Maude (1971), The Godfather (1972) and Paper Moon (1973). After eight years at Paramount he become senior vice president for production at Metro-Goldwyn-Mayer and president of Lorimar Productions, where he was involved in such films as Being There (1979) and The Postman Always Rings Twice (1981). Bart also served as a co-producer on such films as Fun with Dick and Jane (1977) and Islands in the Stream (1977). He also wrote the screenplay for the 1971 film Making It .
Please join legendary actor and producer Michael Douglas as he celebrates 50 years in theater, film and television. Douglas has shown an uncanny knack for projects that reflect changing trends and public concerns. He has been involved in controversial and politically influential movies such as One Flew Over the Cuckoo’s Nest, The China Syndrome, Wall Street and Traffic, as well as popular films such as Romancing the Stone, Fatal Attraction and Marvel’s Ant Man and Ant Man and the Wasp. He has received numerous accolades, including two Academy Awards, five Golden Globes (including last year’s best actor in a comedy television series for The Kominsky Method), an Emmy and the AFI Life Achievement Award. Variety’s Peter Bart sits down with Douglas to talk about his extraordinary life, from gro...
Peter Bart
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Video honoring Peter Bart, editor-in-chief of Variety, who received the inaugural Lifetime Achievement Award from the Newhouse School at the 2007 Mirror Awards ceremony in New York City. More at http://mirrorawards.com.
Olá Galera beleza? Se vocês querem mais videos como esse de dinossauros inscreva se no canal e ativem as notificações! e não se esqueça de deixarem o like ! #Godzilla O BART DEU Á VIDA PARA SALVAR O PETER - PRIMOS BEBÊ GODZILLA O BART DEU Á VIDA PARA SALVAR O PETER - PRIMOS BEBÊ GODZILLA O BART DEU Á VIDA PARA SALVAR O PETER - PRIMOS BEBÊ GODZILLA
Host Mark Joseph Interviews Peter Bart
Olá Galera beleza? Se vocês querem mais videos como esse de dinossauros e godzillas, inscreva se no canal e ativem as notificações! e não se esqueça de deixarem o like ! #Godzilla
Exclusive interview with former Hollywood studio executive Peter Bart. He held senior positions at Paramount, MGM and was senior editor of Variety Magazine for twenty years. He tells the story of how he and Robert Evans changed the culture of Hollywood in the 1960's. He tells of fights with directors like Roman Polanski, Francis Ford Coppola and Blake Edwards. He also talks about being physically threatened by Frank Sinatra. Finally he addresses the question of why he is hated by many in the Hollywood community. The interview was conducted at his Variety office in Los Angeles just before the publication of his new book, "Infamous Players."
Peter Bart and Peter Guber Discuss Daily Variety's Lawsuit Vs. The Vandals" is an honorary Official Selection of the Daily Variety Vs. The Vandals International Film Festival. This film explains the weakness of The Daily Variety and parent company Reed Elsevier's pathetic Federal Case against the Vandals. To see how you can enter your film of one minute in length or more go to http://www.vandals.com. Entrants receive a glamorous gift bag and help the Vandals get the word out about the frivolous and abusive lawsuit they've been fighting against The Daily Variety and their parent company Reed Elsevier inc. since 2004. Why are they suing the Vandals? Read all about it at http://www.vandals.com and make your own answer using xtranorml.com or any kind of medium. Thanks for your help.
Peter Benton Bart (born July 24, 1932) is an American journalist and film producer. He is perhaps best known for his lengthy tenure (from 1989–2009) as the editor in chief of Variety, an entertainment-trade magazine.
Bart was also a co-host, with film producer Peter Guber, of the weekly television series, Shootout (formerly Sunday Morning Shootout), carried on the AMC television channel from 2003 to 2008 and subsequently seen in syndication and in 53 countries around the world.
Bart was born in New York City, the son of Clara and M.S. Bart.
Bart was educated at Friends Seminary in New York City; Swarthmore College, near Philadelphia, Pennsylvania; and The London School of Economics and Political Science in London, United Kingdom.
He served as a reporter and columnist for The New York Times and as a reporter for The Wall Street Journal and the Chicago Sun-Times prior to entering the film business.
Starting in 1967, Bart worked as an executive at Paramount Pictures, rising to vice president in charge of production; his relationship with Robert Evans was documented in Evans' autobiography The Kid Stays in the Picture. He played a key role in such films as Rosemary's Baby (1968), True Grit (1969), Harold and Maude (1971), The Godfather (1972) and Paper Moon (1973). After eight years at Paramount he become senior vice president for production at Metro-Goldwyn-Mayer and president of Lorimar Productions, where he was involved in such films as Being There (1979) and The Postman Always Rings Twice (1981). Bart also served as a co-producer on such films as Fun with Dick and Jane (1977) and Islands in the Stream (1977). He also wrote the screenplay for the 1971 film Making It .
Noddin' Out, white light
Shadowy figures approach with the night
Strange hands carry me away
I resist in a catatonic way
You were sweet, no doubt
I fell asleep, you melted in my mouth
No point tryin' to hide the stain
I woke up, went back to sleep again
Woke up sticky
Must have been dreamin' of you
Woke up sticky
Don't know where I've been or who I've been through
They went and put the light on me
They examined every part of me
They put the light on me
They examined every part of me
More speed, less haste
I repeat myself 'til I'm blue in the face
I came down in a meteoric shower
The speed of sound turns decades into hours
Out of place, out of time
I return interior re-designed
They got me up against the wall
Maybe it's best not to wake up at all
Woke up sticky
Must have been dreamin' of you
Woke up sticky
Don't know where I've been or who I've been through
They went and put the light on me
They examined every part of me
They put the light on me