Kodō Nomura (野村 胡堂, Nomura Kodō, 15 October 1882 - 14 April 1963) was the pen-name of Nomura Osakazu (野村長一), a novelist and music critic in Shōwa period Japan. He also used the pen-name Araebisu for his music criticism. He is famous for his creation of the fictional detective Zenigata Heiji.
Nomura was born in the rural district of Shiwa county, Iwate prefecture in northern Japan, the younger son of a farmer. As a youth, he loved to read, and one of his favorite works was the Chinese classic Outlaws of the Marsh. He was sent to boarding school in Morioka, where he met Kindaichi Kyosuke, later a noted linguist and Namura's lifelong friend. One year behind him in the same school was future poet Ishikawa Takuboku. He attended Tokyo Imperial University, but left to work as a journalist for the Hochi Shimbun, a newspaper based in Tokyo. He continued to work as a journalist for the paper until it merged with the Yomiuri Shimbun in 1942.
While working as a journalist, Nomura began to write popular fiction, notably historical novels, which appeared in serialized form in the literary journal Bungei Shunju. His most famous work was a series of detective stories set in the Edo period called Zenigata Heiji torimono hikae ("The Casebook of Detective Zenigata Heiji", 1931–1958). The first episode appeared in Bungei Shunju in 1931, and (with a hiatus during World War II, the story continued for 383 episodes over the next 26 years. The main characters in the story were modeled after Sir Arthur Conan Doyle's famous detective pair, Sherlock Holmes and Dr Watson. The popularity of the story led to a movie adaptation in the year the novel was first published. Between 1931 and 1967, a total of 30 movies and an extremely long-running and popular television series (1966–84), were made. The story won the Kikuchi Kan Prize in 1958.
( Pack - Puerta )
Well, it's beginning to take hold
That I'm gettin' too old to act the fuckin' fool that I feel Maybe I'm just too lazy
To stop actin' crazy and past the point of playin' for real
But oh, it's makin' me
Old man, it's sure takin' its toll
Can't put on the brakes yet
Got the pedal to the floor
But man you ain't a kid you ain't a kid, no more
Well now I'm pushin' thirty but my legs are sturdy
And ready to run like hell
But I'd rather be racin' 'round
While she's busy face down In my 450 S.E.L.
But whoa, little lady don't ask for my I.D.
Don't wanna know, no I don't
Gettin' all the lovin' now I never had before
But kid you ain't a kid you ain't a kid, no more
Yeah, when you feel this way
Well you get your kicks and lovin' nearly every day
Yeah, when he feels this way
Then he knows what he wants and he takes what he gets And he...
I need a shot like a trigger from a potion in a jigger
To keep my motor razor clean
I might start actin' funny but don't worry honey
Just lay back and service my machine
I may be older but the grape gets sweeter
The longer that it's on the vine
You got no right in what you're thinkin'
After doin' what you did
Kid you ain't a kid you ain't a kid, no more