Metatron 'as God’s mediator with men' may have been the angel who prevented Abraham from sacrificing Isaac in the bible story.^{[citation needed][1]}

Metatron (Hebrew מטטרון) or Mattatron (a differentiation of Metatron)^[2] is the name of an angel in Judaism and some branches^{[citation needed]} of Christian mythology. There are no references to him in the Jewish Tanakh or Christian Scriptures (New and Old Testament). Although he is mentioned in a few brief passages in the Talmud, Metatron appears primarily in medieval Jewish mystical texts and other post-scriptural esoteric and occult sources. In Rabbinic tradition, he is the highest of the angels and serves as the celestial scribe.^[3]

Origins[link]

The Talmud relates that Elisha ben Abuyah (a rabbi and Jewish religious authority born in Jerusalem sometime before 70 CE), also called Acher, (אחר, "other", as he became an apostate), entered Paradise and saw Metatron sitting down (an action that is not done in the presence of God). Elishah ben Abuyah therefore looked to Metatron as a deity and said heretically, "There are indeed two powers in heaven!"^[4] The rabbis explain that Metatron was allowed to sit because of his function as the Heavenly Scribe, writing down the deeds of Israel (Babylonian Talmud, Hagiga 15a).^[5]

... the Talmud states, it was proved to Elisha that Metatron could not be a second deity by the fact that Metatron received 60 'strokes with fiery rods' to demonstrate that Metatron was not a god, but an angel, and could be punished.^{[citation needed]}

In opposition to this apology, Metatron is identified with the term "lesser YHVH", which is the Lesser Tetragrammaton, in a Talmudic version as cited by the Karaite scholar Kirkisani. The word Metatron is numerically equivalent to El Shaddai (God) in Hebrew gematria; therefore, he is said to have a "Name like his Master." However, Kirkisani may have misrepresented the Talmud in order to embarrass his Rabbanite opponents with evidence of dualism. On the other hand, extra-talmudic mystical texts (see below regarding Sefer Hekhalot) do speak of a "lesser YHVH," apparently deriving the concept from Exodus 23:21, which mentions an angel of whom God says "my name [understood as YHVH, the usual divine Proper Name] is in him."

The Babylonian Talmud mentions Metatron in two other places: Sanhedrin 38b and Avodah Zarah 3b. Yevamot 16b describes in the Amoraic period the duties of "prince of the world" being transferred from Michael to Metatron.

Metatron is also mentioned in the Pseudepigrapha, most prominently in the Hebrew Merkabah Book of Enoch, also called 3 Enoch or Sefer Hekhalot (Book of [the Heavenly] Palaces). The book describes the link between Enoch, son of Jared (great grandfather of Noah) and his transformation into the angel Metatron. His grand title "the lesser YHVH" resurfaces here. Metatron says, "He [the Holy One]... called me, 'The lesser YHVH' in the presence of his whole household in the height, as it is written, 'my name is in him.'" (12:5, Alexander's translation). The narrator of this book, supposedly Rabbi Ishmael, tells how Metatron guided him through Heaven and explained its wonders. Here Metatron is described in two ways: as a primordial angel (9:2–13:2) and as the transformation of Enoch after he was assumed into Heaven.^[6][7]

Enoch walked with God; then he was no more, because God took him away. [Genesis 5:24 NIV.]

This Enoch, whose flesh was turned to flame, his veins to fire, his eye-lashes to flashes of lightning, his eye-balls to flaming torches, and whom God placed on a throne next to the throne of glory, received after this heavenly transformation the name Metatron.^[8]

While this identification of Metatron with Enoch is not to be found in the Talmud itself, the connection is assumed by some of the earliest kabbalists. There also seem to be two Metatrons, one spelled with six letters (מטטרון), and one spelled with seven (מיטטרון). The former may be the transformed Enoch, Prince of the Countenance within the divine palace; the latter, the Primordial Metatron, an emanation of the "Cause of Causes," specifically the tenth and last emanation, identified with the earthly Divine Presence.^[9]

The Zohar calls Metatron "the Youth", a title previously used in 3 Enoch, where it appears to mean "servant".^[7] It identifies him as the angel that led the people of Israel through the wilderness after their exodus from Egypt (again referring to Exodus 23:21, see above), and describes him as a heavenly priest.

Etymology[link]

There are numerous possible etymologies for the name Metatron.^[10][11] However, some scholars such as Philip Alexander believe that if the name Metatron originated in Hekhalot-Merkabah texts (such as 3 Enoch), then it may be a made up word like the magic words Adiriron and Dapdapiron.^[12]

Hugo Odeberg,^[13] Adolf Jellinek^[14] and Marcus Jastrow^[15] suggest the name may originate from either Mattara (מטרא) "keeper of the watch" or the verb MMTR (ממטר) "to guard, to protect". An early derivation of this can be seen in Shimmusha Rabbah, where Enoch is clothed in light and is the guardian of the souls ascending to heaven. Odeberg also suggests that the name Metatron might be taken from the Persian name Mithras.^[13] He lays out a number of parallels between Mithras and Metatron based on their positions in heaven and duties.

Metatron seems to be made up of two Greek words, after and throne, μετὰ θρóνος (meta thronos), taken together as "one who serves behind the throne" or "one who occupies the throne next to the throne of glory".^[16] The two words do not appear separately in any text known to Gershom Scholem, who thusly dismisses the idea^[17] with the words "this widely repeated etymology.... has no merit.".^[18]

The word σύνθρονος (synthronos) is used as "co-occupant of the divine throne";^[19] however, like the above etymology, it is not found in any source materials.^[13] It is supported by Saul Lieberman and Peter Schäfer, who give further reasons why this might be a viable etymology.^[20] The Latin word Metator (messenger, guide, leader, measurer) had been suggested by Eleazar ben Judah of Worms (c. 1165 - c. 1230), Rabbi Moshe ben Nachman, and brought to light again by Hugo Odeberg.^[13] When transliterated into the Hebrew language, we get מטיטור or מיטטור. Gershom Scholem argues that there is no data to justify the conversion of metator to metatron.^[18] Philip Alexander also suggests this as a possible origin of Metatron, stating that the word Metator also occurs in Greek as mitator–a word for an officer in the Roman army who acted as a forerunner. Using this etymology, Alexander suggests the name may have come about as a description of "the angel of the Lord who led the Israelites through the wilderness: acting like a Roman army metator guiding the Israelites on their way".^[21][22] Another possible interpretation is that of Enoch as a metator showing them "how they could escape from the wilderness of this world into the promised land of heaven". Because we see this as a word in Hebrew, Jewish Aramaic, and Greek, Alexander believes this gives even more strength to this etymology.

Other ideas include μέτρον (metron, "a measure").^[23] Charles Mopsik believes that the name Metatron may be related to the sentence from Genesis 5:24 "Enoch walked with God, then he was no more, because God took him."^[24] The Greek version of the Hebrew word "to take" is μετετέθη (it was transferred).^[23] רון, meaning RON, is a standard addition to מטטרון, metatron, and other angelic names in the Jewish faith. So Mopsik believes if we concentrate on מטט, MTT, he believes it appears to be a transliteration from the Greek μετετέθη.

In the entry entitled "Paradigmata" in his study, "'The Written' as the Vocation of Conceiving Jewishly", John W McGinley gives an accounting of how this name functions in the Bavli's version of "four entered pardes."^[25] This account maintains that "Ishmael ben Elisha" is a Rabbinically sanctioned cognomen for Elisha ben Abbuyah (the "Akher" of the Bavli's account). This hypothesis explains why the generators of the "chambers" portion of the Heikhalot literature make "Ishmael ben Elisha" the major protagonist of their writings even though this Rabbi Ishmael was not directly mentioned in the Bavli's account (in the Gemara to tractate Khaggigah) of "The Work of the Chariot."

Solomon Judah Leib Rapport in Igrot Shir suggests that Metatron is a combination of two Greek words which mean to "change" and "pass away" referring to Chanoch (Enoch) who "changed" into an angel and "passed away" from the world.

See also[link]

References[link]

External links[link]

• G. G. Stroumsa, Form(s) of God: Some Notes on Metatron and Christ, Harvard Theological Review 76 (1983), 269-288
• Excerpts about Metatron from books by Andrei A. Orlov:
  • The Etymology of the Name "Metatron"
  • Metatron as the Deity: Lesser YHWH
  • Metatron as the Mediator
  • Metatron as the Prince of the World
  • Metatron as God's Shiur Qomah
  • Metatron as the Youth
  • Metatron as the Expert in Secrets
  • Metatron as the Scribe

Alan Rickman
Alan Rickman at the premiere of Harry Potter and the Deathly Hallows – Part 2 in July 2011
Born	Alan Sidney Patrick Rickman (1946-02-21) 21 February 1946 (age 66) Hammersmith, London, England
Occupation	Actor (stage, screen)
Years active	1978–present
Partner	Rima Horton (1965–present)

Alan Sidney Patrick Rickman (born 21 February 1946) is an English actor of stage and screen. He is a renowned stage actor in modern and classical productions and a former member of the Royal Shakespeare Company. His breakout performance was as the Vicomte de Valmont in Les Liaisons Dangereuses, for which he was nominated for a Tony Award. Rickman is known for his film performances as Hans Gruber in Die Hard, Severus Snape in the Harry Potter film series, Éamon de Valera in Michael Collins, and Metatron in Dogma.

Rickman has also had a number of other notable film roles such as the Sheriff of Nottingham in Robin Hood: Prince of Thieves, Jamie in Truly, Madly, Deeply, P.L. O'Hara in An Awfully Big Adventure and Colonel Brandon in Ang Lee's 1995 film Sense and Sensibility. More recently, he played Judge Turpin in the film adaptation of Stephen Sondheim's musical of Sweeney Todd: The Demon Barber of Fleet Street.

Early life[link]

Rickman was born in South Hammersmith, London, to a working class family, the son of Margaret Doreen Rose (née Bartlett), a housewife, and Bernard Rickman, a factory worker.^[1] Rickman's mother was from Wales and a Methodist, and his father was of Irish Catholic background.^[2] He has one elder brother, David (b. 1944), a graphic designer, a younger brother, Michael (b. 1947), a tennis coach, and a younger sister, Sheila (b. 1949).^[2][3] Rickman attended Derwentwater Primary School, in Acton, a school that followed the Montessori method of education.^[4]

When he was eight, his father died, leaving his mother to bring up four children mostly alone. She married again, but divorced his stepfather after three years. "There was one love in her life," Rickman later said.^[2] Rickman excelled at calligraphy and watercolour painting, and from Derwentwater Junior School he won a scholarship to Latymer Upper School in London, where he started getting involved in drama. After leaving Latymer, Rickman attended Chelsea College of Art and Design and then the Royal College of Art. This education allowed him to work as a graphic designer for the radical newspaper the Notting Hill Herald,^[5] which he considered a more stable occupation than acting. "Drama school wasn't considered the sensible thing to do at 18," he said.

After graduation, Rickman and several friends opened a graphic design studio called Graphiti, but after three years of successful business, he decided that if he were to ever explore acting professionally, it was now or never. This led him to write a letter to the Royal Academy of Dramatic Art (RADA) requesting an audition^[6] and was awarded a place in RADA which he attended from 1972–74. While there, he studied Shakespeare's works and supported himself by working as a dresser for Sir Nigel Hawthorne and Sir Ralph Richardson,^[7] and left after winning several prizes, including the Emile Littler Prize, the Forbes Robertson Prize, and the Bancroft Gold Medal.

Rickman in December 2009

Career[link]

After graduating from RADA, Rickman worked extensively with various British repertory and experimental theatre groups on productions including The Seagull and Snoo Wilson's The Grass Widow at the Royal Court Theatre, and has appeared three times at the Edinburgh International Festival. In 1978, he played with the Court Drama Group, performing in several plays, most notably Romeo And Juliet and A View from the Bridge. While working with the Royal Shakespeare Company (RSC) he starred in, among other things, As You Like It.

In 1982, British television audiences came to know Alan Rickman as the Reverend Obadiah Slope in the BBC's adaptation of Barchester Towers known as The Barchester Chronicles. In 1985, Rickman was given the male lead, the Vicomte de Valmont, in the Royal Shakespeare Company's production of Christopher Hampton's Les Liaisons Dangereuses, directed by Howard Davies.^[8] When the show went to Broadway in 1987, Rickman earned both a Tony Award nomination^[9] and a Drama Desk Award nomination for his performance.^[10] In 1992, he was the "master of ceremonies" on Mike Oldfield's album Tubular Bells II where he read off a list of instruments on the album.

Rickman's career has been filled with a wide variety of roles. He has played romantic leads like Colonel Brandon in Sense and Sensibility, and Jamie in Truly, Madly, Deeply, as well as numerous villains in Hollywood big budget films: German terrorist Hans Gruber in Die Hard (1988), the Sheriff of Nottingham in Robin Hood: Prince of Thieves (1991), and most recently Severus Snape, the potions master in the Harry Potter series (2001–2011). In 1995, Rickman turned down the role of Alec Trevelyan in the James Bond film GoldenEye.

His role in Die Hard earned him a spot on the AFI's 100 years...100 Heroes & Villains as the 46th best villain in film history. His performance as the Sheriff of Nottingham in Robin Hood: Prince of Thieves also made him known as one of the best actors to portray a villain in films.^[11][12] He has taken issue with being typecast as a "villain actor", citing the fact that he has not portrayed a stock villain character since the Sheriff of Nottingham in 1991.

During his long career Rickman has also played a number of comedic roles, sending up classically trained British actors who take on "lesser roles" as the character Sir Alexander Dane/Dr. Lazarus in the science fiction spoof Galaxy Quest, portraying the angel Metatron, the voice of God, in Dogma, appearing as Emma Thompson's foolish husband Harry in Love Actually, providing the voice of Marvin the Paranoid Android in The Hitchhiker's Guide to the Galaxy, and the egotistical, Nobel Prize-winning father in Nobel Son.

Rickman at the 2007 Tribeca Film Festival

Rickman has also received acclaim for two biographical pieces he did for HBO. He won a Golden Globe and an Emmy^[13] for his performance as Rasputin: Dark Servant of Destiny in 1996, and was also nominated for an Emmy for his work as Dr. Alfred Blalock in 2004's Something the Lord Made. He also starred in the independent film Snow Cake (with Sigourney Weaver and Carrie-Anne Moss) which had its debut at the Berlinale, and also Perfume: The Story of a Murderer (with Dustin Hoffman), directed by Tom Tykwer.

In 2007, Rickman appeared in the critically acclaimed Sweeney Todd: The Demon Barber of Fleet Street directed by Tim Burton, alongside Harry Potter co-stars Helena Bonham Carter and Timothy Spall; he played antagonist Judge Turpin. Rickman also appeared as Absolem the Caterpillar in Burton's 2010 film Alice in Wonderland.

Rickman has performed on stage in Noël Coward's romantic comedy Private Lives, which transferred to Broadway after its successful run in London at the Albery Theatre and ended in September 2002. Rickman had reunited with his Les Liaisons Dangereuses co-star Lindsay Duncan and director Howard Davies for this Tony Award-winning production.

His previous stage performance was as Mark Antony, opposite Helen Mirren as Cleopatra, in the Royal National Theatre's production of Antony and Cleopatra at the Olivier Theatre in London, which ran from 20 October to 3 December 1998. Before that, he performed in Yukio Ninagawa's Tango at the End of Winter in London's West End and the Riverside Studio production of Hamlet in 1991, directed by Robert Sturua.

Rickman had also directed The Winter Guest at London's Almeida Theatre in 1995 and the film version of the same play in 1996 starring Emma Thompson and her real life mother Phyllida Law. He also compiled (with Katharine Viner) and directed the play My Name Is Rachel Corrie in April 2005 at the Royal Court Theatre, London, and won the Theatre Goers' Choice Awards for Best Director. In May 2010, he finished directing Strindberg's play Creditors at the Brooklyn Academy of Music Harvey Theatre after its previous run at London's Donmar Warehouse in 2008.

In 2009 Rickman was given the James Joyce Award by University College Dublin’s Literary and Historical Society.^[14]

In October and November 2010, Rickman starred in the eponymous role in Henrik Ibsen's John Gabriel Borkman at the Abbey Theatre, Dublin alongside Lindsay Duncan and Fiona Shaw.^[15] The Irish Independent called Rickman's performance breathtaking.^[16] This production subsequently travelled to the Brooklyn Academy of Music for performances in January and February 2011.^[17]

In 2011, Rickman again appeared as Severus Snape in the final instalment in the Harry Potter series, Harry Potter and the Deathly Hallows – Part 2. Kenneth Turan of The Los Angeles Times said Rickman "as always, makes the most lasting impression,"^[18] while Peter Travers of Rolling Stone called Rickman "sublime at giving us a glimpse at last into the secret nurturing heart that [...] Snape masks with a sneer."^[19] Media coverage characterized Rickman's performance as worthy of an Academy Award for Best Supporting Actor nomination.^{[20][21][22][23][24][25]} He earned his first award nominations for his role as Snape at the 2011 Alliance of Women Film Journalists Awards, 2011 Saturn Awards, 2011 Scream Awards and 2011 St. Louis Gateway Film Critics Association Awards in the Best Supporting Actor category.^{[26][27][28][29]}

On 21 November 2011, Rickman opened in Seminar, a new play by Theresa Rebeck, at the John Golden Theatre on Broadway.^[30] Rickman, who left the production on April 1, won the Broadway.com Audience Choice Award for Favorite Actor in a Play^[31] and was nominated for a Drama League Award.^[32]

Rickman is to star with Colin Firth and Cameron Diaz in a remake of 1966's Gambit by the Coen brothers.^[33]

In the media[link]

Alan Rickman posing for a fan after a performance of John Gabriel Borkman in 2011

Rickman was chosen by Empire as one of the 100 Sexiest Stars in film history (No 34) in 1995 and ranked No 59 in Empire's "The Top 100 Movie Stars of All Time" list in October 1997. In 2009 and 2010 Rickman ranked once again as one of the 100 Sexiest Stars by Empire, both times Rickman was placed 8th out of the 50 actors chosen. Rickman became Vice-Chairman of the Royal Academy of Dramatic Art (RADA) in 2003. He was voted No 19 in Empire magazine's Greatest Living Movie Stars over the age of 50 and was twice nominated for Broadway's Tony Award as Best Actor (Play): in 1987 for Les Liaisons Dangereuses, and in 2002 for a revival of Noel Coward's Private Lives. The Guardian named Rickman as an "honourable mention" in a list of the best actors never to have received an Academy Award nomination.^[34]

Two researchers, a linguist and a sound engineer, found "the perfect [male] voice" to be a combination of Rickman's and Jeremy Irons's voices based on a sample of 50 voices.^[35] Coincidentally, the two actors played brothers in the Die Hard series of films.

Rickman has also been featured in several musical works – most notably in a song composed by the English songwriter Adam Leonard entitled "Not Alan Rickman".^[36] Moreover, the actor played a "Master of Ceremonies" part in announcing the various instruments in Mike Oldfield's Tubular Bells II on the track The Bell.^[37] Rickman was one of the many artists who recited Shakespearian sonnets on the 2002 album When Love Speaks,^[38] and is also featured prominently in a music video by the band Texas entitled "In Demand",^[39] which premiered on Europe MTV in August 2000. In the video, lead singer Sharleen Spiteri danced the tango with Rickman: the clip was nominated for Best British Video at the Brit Awards.

Personal life[link]

In 1965, at the age of 19, Rickman met his partner Rima Horton, a Labour party councillor on Kensington and Chelsea London Borough Council 1986-2006.^{[40][41][42][43]} They began living together in 1977.^[41]

Filmography[link]

References[link]