Llama
A llama lying down
Conservation status
Domesticated
Scientific classification
Kingdom:	Animalia
Phylum:	Chordata
Class:	Mammalia
Order:	Artiodactyla
Family:	Camelidae
Genus:	Lama
Species:	L. glama
Binomial name
Lama glama (Linnaeus, 1758)
Domestic llama range[dubious – discuss]

The llama (Lama glama) is a domesticated South American camelid, widely used as a meat and pack animal by Andean cultures since pre-Hispanic times.

The height of a full-grown, full-size llama is 1.7 to 1.8 m (5.5 to 6.0 ft) tall at the top of the head, and can weigh between 130 to 200 kilograms (280 to 450 lb). At birth, a baby llama (called a cria) can weigh between 9 and 14 kilograms (20 and 30 lb). Llamas can live for a period of about 20–30 years depending on how well they are taken care of.^{[citation needed]} Llamas are very social animals and live with other llamas as a herd. The wool produced by a llama is very soft and lanolin-free. Llamas are intelligent and can learn simple tasks after a few repetitions. When using a pack, llamas can carry about 25% to 30% of their body weight for 5-8 miles.^[1]

The name llama (in the past also spelled 'lama' or 'glama') was adopted by European settlers from native Peruvians.^[2]

Llamas appear to have originated from the central plains of North America about 40 million years ago. They migrated to South America about 3 million years ago. By the end of the last ice age (10,000–12,000 years ago), camelids were extinct in North America.^[1] As of 2007, there were over 7 million llamas and alpacas in South America and, due to importation from South America in the late 20th century, there are now over 158,000 llamas and 100,000 alpacas in the US and Canada.^[3]

Classification[link]

A traditionally dressed Quechua girl with a llama in Cuzco, Peru

Although early writers compared llamas to sheep, their similarity to the camel was soon recognized. They were included in the genus Camelus along with alpaca in the Systema Naturae (1758) of Linnaeus.^[4] They were, however, separated by Cuvier in 1800 under the name of llama along with the guanaco.^{[citation needed]} Alpacas and vicuñas are in genus Vicugna. The genera Lama and Vicugna are, with the two species of true camels, the sole existing representatives of a very distinct section of the Artiodactyla or even-toed ungulates, called Tylopoda, or "bump-footed", from the peculiar bumps on the soles of their feet. The Tylopoda consists of a single family, the Camelidae, and shares the order Artiodactyla with the Suina (pigs), the Tragulina (chevrotains), the Pecora (ruminants), and the Cetancodonta (hippos and cetaceans, which belong to Artiodactyla from a cladistic, if not traditional, standpoint). The Tylopoda have more or less affinity to each of the sister taxa, standing in some respects in a middle position between them, sharing some characteristics from each, but in others showing special modifications not found in any of the other taxa.^{[citation needed]}

A domestic llama

The 19th century discoveries of a vast and previously unexpected extinct Tertiary fauna of North America, as interpreted by paleontologists Leidy, Cope, and Marsh, aided understanding of the early history of this family.^{[citation needed]} Llamas were not always confined to South America; abundant llama-like remains were found in Pleistocene deposits in the Rocky Mountains and in Central America. Some of the fossil llamas were much larger than current forms. Some species remained in North America during the last ice ages. North American llamas are categorized as a single extinct genus, Hemiauchenia. Llama-like animals would have been a common sight 25,000 years ago, in modern-day California, Texas, New Mexico, Utah, Missouri, and Florida.^{[citation needed]}

The camelid lineage has a good fossil record. Camel-like animals have been traced from the thoroughly differentiated, modern species back through early Miocene forms. Their characteristics became more general, and they lost those that distinguished them as camelids; hence, they were classified as ancestral artiodactyls.^{[citation needed]} No fossils of these earlier forms have been found in the Old World, indicating that North America was the original home of camelids, and that Old World camels crossed over via the Bering Land Bridge. The formation of the Isthmus of Panama three million years ago allowed camelids to spread to South America as part of the Great American Interchange, where they evolved further. Meanwhile, North American camelids died out at the end of the Pleistocene.^[5]

Characteristics[link]

The following characteristics apply especially to llamas. Dentition of adults:-incisors 1/3 canines 1/1, premolars 2/2, molars 3/2; total 32. In the upper jaw, a compressed, sharp, pointed laniariform incisor near the hinder edge of the premaxilla is followed in the male at least by a moderate-sized, pointed, curved true canine in the anterior part of the maxilla.^[6] The isolated canine-like premolar which follows in the camels is not present. The teeth of the molar series which are in contact with each other consist of two very small premolars (the first almost rudimentary) and three broad molars, constructed generally like those of Camelus. In the lower jaw, the three incisors are long, spatulate, and procumbent; the outer ones are the smallest. Next to these is a curved, suberect canine, followed after an interval by an isolated minute and often deciduous simple conical premolar; then a contiguous series of one premolar and three molars, which differ from those of Camelus in having a small accessory column at the anterior outer edge.

Names of llama body parts: 1 ears – 2 poll – 3 withers – 4 back – 5 hip – 6 croup – 7 base of tail – 8 tail – 9 buttock – 10 hock – 11 metatarsal gland – 12 heel – 13 cannon bone – 14 gaskin – 15 stifle joint – 16 flank – 17 barrel – 18 elbow – 19 pastern – 20 fetlock – 21 Knee – 22 Chest – 23 point of shoulder – 24 shoulder – 25 throat – 26 cheek or jowl – 27 muzzle

The skull generally resembles that of Camelus, the larger brain-cavity and orbits and less-developed cranial ridges being due to its smaller size. The nasal bones are shorter and broader, and are joined by the premaxilla.

Vertebrae:

• cervical 7,
• dorsal 12,
• lumbar 7,
• sacral 4,
• caudal 15 to 20.

The ears are rather long and slightly curved inward, characteristically known as "banana" shaped. There is no dorsal hump. The feet are narrow, the toes being more separated than in the camels, each having a distinct plantar pad. The tail is short, and fibre is long, woolly and soft.

In essential structural characteristics, as well as in general appearance and habits, all the animals of this genus very closely resemble each other, so whether they should be considered as belonging to one, two, or more species is a matter of controversy among naturalists.

The question is complicated by the circumstance of the great majority of individuals which have come under observation being either in a completely or partially domesticated state. Many are also descended from ancestors which have previously been domesticated, a state which tends to produce a certain amount of variation from the original type. The four forms commonly distinguished by the inhabitants of South America are recognized as distinct species, though with difficulties in defining their distinctive characteristics.

These are:

• the llama, Lama glama (Linnaeus);
• the alpaca, Vicugna pacos (Linnaeus);
• the guanaco (from the Quechua huanaco), Lama guanicoe (Müller); and
• the vicuña, Vicugna vicugna (Molina)

The llama and alpaca are only known in the domestic state, and are variable in size and of many colors, being often white, brown, or piebald. Some are grey or black. The guanaco and vicuña are wild, the former being endangered, and of a nearly uniform light-brown color, passing into white below. They certainly differ from each other, the vicuña being smaller, more slender in its proportions, and having a shorter head than the guanaco. The vicuña lives in herds on the bleak and elevated parts of the mountain range bordering the region of perpetual snow, amidst rocks and precipices, occurring in various suitable localities throughout Peru, in the southern part of Ecuador, and as far south as the middle of Bolivia. Its manners very much resemble those of the chamois of the European Alps; it is as vigilant, wild, and timid. The fiber is extremely delicate and soft, and highly valued for the purposes of weaving, but the quantity which each animal produces is minimal. Alpacas are descended from wild vicuna ancestors, while domesticated llamas are descended from wild guanaco ancestors, though a considerable amount of hybridization between the two species has occurred.

Differential characteristics between llamas and alpacas include the llama's larger size, longer head, and curved ears. Alpaca fiber is generally more expensive, but not always more valuable. Alpacas tend to have a more consistent color throughout the body. The most apparent visual difference between llamas and camels is that camels have a hump or humps and llamas do not.

Reproduction[link]

A dam and her cria

Llamas have an unusual reproductive cycle for a large animal. Female llamas are induced ovulators. Through the act of mating, the female releases an egg and is often fertilized on the first attempt. Female llamas do not go into estrus ("heat").^[7]

Like humans, llama males and females mature sexually at different rates. Females reach puberty at approximately 12 months old; males do not become sexually mature until approximately three years of age.^[8]

Mating[link]

Llamas mate with the female in a kush (lying down) position, which is fairly unusual in a large animal. They mate for an extended period of time (20–45 minutes), also unusual in a large animal.

Gestation[link]

The gestation period of a llama is 11½ months (350 days). Dams (female llamas) do not lick off their babies, as they have an attached tongue which does not reach outside of the mouth more than half an inch (1.3 cm). Rather, they will nuzzle and hum to their newborns.^[9]

Crias[link]

A cria (from Spanish for "baby") is the name for a baby llama, alpaca, vicuña, or guanaco. Crias are typically born with all the females of the herd gathering around, in an attempt to protect against the male llamas and potential predators. Llamas give birth standing. Birth is usually quick and problem-free, over in less than 30 minutes. Most births take place between 8 a.m. and noon, during the warmer daylight hours. This may increase cria survival by reducing fatalities due to hypothermia during cold Andean nights. This birthing pattern is speculated to be a continuation of the birthing patterns observed in the wild. Crias are up and standing, walking and attempting to suckle within the first hour after birth.^[10][11][12] Crias are partially fed with llama milk that is lower in fat and salt and higher in phosphorus and calcium than cow or goat milk. A female llama will only produce about 60 ml (2.1 imp fl oz) of milk at a time when she gives milk, so the cria must suckle frequently to receive the nutrients it requires.^[13]

Breeding situations[link]

In harem breeding, the male is left with females most of the year.

For field breeding, a female is turned out into a field with a male llama and left there for some period of time. This is the easiest method in terms of labor, but the least useful in terms of prediction of a likely birth date. An ultrasound test can be performed, and together with the exposure dates, a better idea of when the cria is expected can be determined.

Hand breeding is the most efficient method, but requires the most work on the part of the human involved. A male and female llama are put into the same pen and breeding is monitored. They are then separated and rebred every other day until one or the other refuses the breeding. Usually, one can get in two breedings using this method, though some studs have routinely refused to breed a female more than once. The separation presumably helps to keep the sperm count high for each breeding and also helps to keep the condition of the female llama's reproductive tract more sound. If the breeding is not successful within two to three weeks, the female is bred once again.

Pregnancy[link]

Llamas at San Pedro de Atacama, Chile

Llamas should be tested for pregnancy after breeding at two to three, six and at least 12 weeks.

1. For "spit" testing, bring the potentially pregnant dam to an intact male. If the stud attempts to mate with her and she lies down for him within a fairly short period of time, she is not pregnant. If she remains on her feet, spits, attacks him, or otherwise prevents his being able to mate, it is assumed she is probably pregnant. This test gets its name due to the dam spitting at the male if she is pregnant.
2. For progesterone testing, a veterinarian can test a blood sample for progesterone. A high level can indicate a pregnancy.
3. With palpation, the veterinarian or breeder manually feels inside the llama to detect a pregnancy. There are some risks to the llama, but it can be an accurate method for pregnancy detection.
4. Ultrasound is the most accurate method for an experienced veterinarian, who can do an exterior examination and detect a fetus as early as 45 days.

Spit testing with an intact male is generally free and is usually accurate. However, some hormonal conditions in females can make them reject a male when they are in fact not pregnant, and, more rarely, accept a male when they are pregnant. Progesterone tests can give a high reading in some females with a hormonal problem which are in fact not pregnant. Neither of the previous methods, nor palpation, can give a reasonably accurate idea of the age of the fetus, while an ultrasound procedure can. In addition, an ultrasound procedure can distinguish between pregnancy and misleading physical conditions, or between a live and dead fetus. The disadvantages of an ultrasound procedure are cost, some training in the use of ultrasound equipment is required, and not all veterinarians have the equipment needed to perform the examination.

Nutrition[link]

Options for feeding llamas are quite wide; a wide variety of commercial and farm-based feeds are available. The major determining factors include feed cost, availability, nutrient balance and energy density required. Young, actively growing llamas require a greater concentration of nutrients than mature animals because of their smaller digestive tract capacities.^[14]

Behavior[link]

A pack llama in the Rocky Mountain National Park

Llamas which are well-socialized and trained to halter and lead after weaning are very friendly and pleasant to be around. They are extremely curious and most will approach people easily. However, llamas that are bottle-fed or over-socialized and over-handled as youngsters will become extremely difficult to handle when mature, when they will begin to treat humans as they treat each other, which is characterized by bouts of spitting, kicking and neck wrestling. Anyone having to bottle-feed a cria should keep contact to a minimum and stop as soon as possible.

When correctly reared, llamas spitting at a human is a rare thing. Llamas are very social herd animals, however, and do sometimes spit at each other as a way of disciplining lower-ranked llamas in the herd. A llama's social rank in a herd is never static. They can always move up or down in the social ladder by picking small fights. This is usually done between males to see which will become dominant. Their fights are visually dramatic, with spitting, ramming each other with their chests, neck wrestling and kicking, mainly to knock the other off balance. The females are usually only seen spitting as a means of controlling other herd members.

While the social structure might always be changing, they live as a family and they do take care of each other. If one notices a strange noise or feels threatened, a warning bray is sent out and all others come to alert. They will often hum to each other as a form of communication.

The sound of the llama making groaning noises or going "mwa" is often a sign of fear or anger. If a llama is agitated, it will lay its ears back. One may determine how agitated the llama is by the materials in the spit. The more irritated the llama is, the further back into each of the three stomach compartments it will try to draw materials from for its spit.

An "orgle" is the mating sound of a llama or alpaca, made by the sexually aroused male. The sound is reminiscent of gargling, but with a more forceful, buzzing edge. Males begin the sound when they become aroused and continue throughout the act of procreation—from 15 minutes to more than an hour.^[16][17]

Guard behavior[link]

Llama guarding sheep on the South Downs in West Sussex

Using llamas as livestock guards in North America began in the early 1980s, and some sheep producers have used llamas successfully since then.^[18][19] They are used most commonly in the in western regions of the United States, where larger predators, such as the coyote, are prevalent. Typically, a single gelding (castrated male) is used.

Research suggests the use of multiple guard llamas is not as effective as one. Multiple males tend to bond with one another, rather than with the livestock, and may ignore the flock. A gelded male of two years of age bonds closely with its new charges and is instinctively very effective in preventing predation. Some llamas appear to bond more quickly to sheep or goats if they are introduced just prior to lambing. Many sheep and goat producers indicate a special bond quickly develops between lambs and their guard llama and the llama is particularly protective of the lambs.

Using llamas as guards has eliminated the losses to predators for many producers. The value of the livestock saved each year more than exceeds the purchase cost and annual maintenance of a llama. Although not every llama is suited to the job, most are a viable, nonlethal alternative for reducing predation, requiring no training and little care.^[20]

History[link]

Moche 100–300 AD at Lombards Museum

Pre-Incan cultures[link]

The Moche people frequently placed llamas and llama parts in the burials of important people, as offerings or provisions for the afterlife.^[21] The Moche culture of pre-Columbian Peru depicted llamas quite realistically in their ceramics.

Inca empire[link]

In the Inca empire, llamas were the only beasts of burden, and many of the peoples dominated by the Inca had long traditions of llama herding. For the Inca nobility, the llama was of symbolic significance, and llama figures were often buried with the dead.^[22] In South America, llamas are still used as beasts of burden, as well as for the production of fiber and meat.^[23]

The Inca deity Urcuchillay was depicted in the form of a multicolored llama.^[24]

Scholar Alex Chepstow-Lusty has argued that the switch from a hunter-gatherer lifestyle to widespread agriculture was only possible because of the use of llama dung as fertilizer.^[25]

Spanish empire[link]

The first image of llamas in Europa, 1553

One of the main uses for llamas at the time of the Spanish conquest was to bring down ore from the mines in the mountains.^[26] Gregory de Bolivar estimated that in his day, as many as 300 thousand were employed in the transport of produce from the Potosí mines alone, but since the introduction of horses, mules, and donkeys, the importance of the llama as a beast of burden has greatly diminished.^[27]

According to Juan Ignacio Molina, the Dutch captain Joris van Spilbergen observed the use of chiliquenes (a llama type) by native Mapuches of Mocha Island as plow animals in 1614.^[28]

Fiber[link]

Llamas have a fine undercoat which can be used for handicrafts and garments. The coarser outer guard hair is used for rugs, wall-hangings and lead ropes. The fiber comes in many different colors ranging from white or grey to reddish-brown, brown, dark brown and black.

Handspun llama yarn from Patagonia

See also[link]

• Alpaca
• Cama, a crossbreed between a llama and a camel
• Grass Mud Horse, a parody originating from Mainland China of 2009 that features the alpaca and llama
• Guard llama, llamas used as livestock guardians
• Lamoid
• Llama hiking

References[link]

External links[link]

Wikispecies has information related to: Lama glama

Wikimedia Commons has media related to: Llama

• "Llamapaedia Orgle Sound" (AIFF). http://www.llamapaedia.com/gifs/orgle.aiff. 
• Llamas Close Up – slideshow by Life magazine

v t e Fibers Natural Animal Alpaca Angora Byssus Camel hair Cashmere Catgut Chiengora Guanaco Llama Mohair Pashmina Qiviut Rabbit Silk Sinew Spider silk Wool Vicuña Yak Vegetable Abacá Bagasse Bamboo Coir Cotton Flax Linen Hemp Jute Kapok Kenaf Piña Raffia Ramie Sisal Wood Mineral Asbestos Synthetic Cellulose Acetate Triacetate Art silk Bamboo Lyocell Rayon Modal Rayon Rayon Mineral Glass Carbon Tenax Basalt Metallic Polymer Acrylic Aramid Twaron Kevlar Technora Nomex Microfiber Modacrylic Nylon Olefin Polyester Polyethylene Dyneema Spectra Spandex Vinylon Vinyon Zylon

Daddy Yankee
Background information
Birth name	Ramón Ayala
Also known as	Winchester 30-30 El Cangri El Jefe The Big Boss DY El Máximo Lider
Born	(1977-02-03) February 3, 1977 (age 35)
Origin	San Juan, Puerto Rico
Genres	Reggaeton, Latin rap, hip-hop
Years active	1992–present
Labels	El Cartel, Interscope, Sony Music Latin
Website	daddyyankee.com

Ramón Luis Ayala Rodríguez (born February 3, 1977), known artistically as Daddy Yankee, is a Latin Grammy Award-winning Puerto Rican reggaeton recording artist. Ayala was born in Río Piedras, the largest district of San Juan, where he became interested in music at a young age. In his youth he was interested in baseball, and aspired to become a Major League Baseball player. He was unable to continue this sport when he received an injury to one of his legs, leaving him unable to walk correctly. He then became involved in the underground rap movement that was in its early stages in Puerto Rico, later to be called reggaeton. After receiving lessons from several artists within the genre, he developed an independent career, first recording in a production titled Playero 37. After this he began to produce independent albums. His first solo album was No Mercy. He subsequently formed a duo with Nicky Jam, and then continued his solo career with the releases of El Cartel and El Cartel II. This led him be one of many pioneers of the reggaeton genre earning him the nickname "El Cangri".

In 2002 El Cangri.com became Ayala's first album with international success, receiving coverage in the markets of New York and Miami. Barrio Fino was released in 2004, and the album received numerous awards, including Lo Nuestro Awards and a Latin Billboard, as well as receiving nominations for the Latin Grammy and MTV Video Music Awards. Barrio Fino performed well in the sales charts of the United States, Latin America, Europe, and Japan. On June 5, 2007, El Cartel Records released El Cartel: The Big Boss, which was ranked as the top-selling album in Latin music genres in 2007. He promoted the album with an international tour which began in the United States and continued through Latin America, breaking attendance records in Ecuador and Bolivia.

His performances have appeared on more than 70 albums, including compilations such as Mas Flow 2 and Blin Blin Vol. 1. Outside of his work as a musician, Ayala has also worked as an actor and producer. Throughout his career, he has been generally reluctant to discuss his personal life, but has publicly expressed the importance of his wife and children to him.

Following the incident, he became interested in the underground movement, which at the time was in an early organizational stage.^[1] He also took more interest in the events that took place in the neighborhood in which he was raised, a public housing project named Villa Kennedy.^[2] Early in his career he attempted to imitate the style of Vico C. He went on to emulate other artists in the genre, including DJ Playero, DJ Nelson, and DJ Goldy, taking elements from their styles in order to develop an original style.^[1] In doing so, he eventually abandoned the traditional model of rap and became one of the first artists to perform reggaeton.^[1] Ayala first recorded with DJ Playero as a featured artist in a production titled Playero 37, which was released in 1992.^[2]

Musical career[link]

Independent productions[link]

His first album, titled No Mercy, was produced in 1995 when Ayala was eighteen years old.^[2] The production did not sell well, and he continued his work within the genre for the rest of the decade, eventually forming a duo with Nicky Jam. One of the duo's songs, "Posición", was included in the soundtrack of One Tough Cop, a movie directed by Bruno Barreto, that was released in 1998. Beginning in 2000, Ayala began concentrating more on his solo career, releasing albums produced outside studios. The first production he released was titled El Cartel, featuring elements of the mixtape style.^[2] In 2001 El Cartel II was released, a direct sequel to the previous production, and influenced by similar genres.

In 2005 El Cangri.com was released, and became the first album in Ayala's career to sell well outside Puerto Rico, mostly in the United States.^[2] The album was produced by VI Music, an independent recording studio in Puerto Rico, and was not supported by a major label.^[2] The most successful single from the album was "Latigazo", which received significant play on radio stations in New York and Miami.^[2] The album reached #43 on Billboard's Top Latin Albums chart.^[2] Following the release of this disc, Ayala performed at the Roberto Clemente Coliseum before 12,000 fans.^[3] The following year VI Music produced Los Homerun-es.^[2] The album became the leader in sales in Puerto Rico during a year in which several other reggaeton artists released significant productions, including Luny Tune's Mas Flow, Don Omar's The Last Don, and Tego Calderón's El Abayarde.^[2] The album's success helped Ayala receive the publicity required for a crossover to the United States market, and marked the last album he released with VI music before signing a contract with Universal

2004–2005[link]

Ayala's next album, Barrio Fino, was produced by Luny Tunes and released in July 2004 by El Cartel Records and VI Music. It was the most highly anticipated album in the reggaeton community.^[4] Ayala had enjoyed Salsa music since he was young, and this led him to include music of genres besides reggaeton in the album.^[4] The most prominent of these cross-genre singles was "Melao", in which he performed with Andy Montañez.^[4] The album was described as his most complete, and with it he intended to introduce combinations of reggaeton and other genres to the English-speaking market.^[4] Barrio Fino was followed up by an international tour with performances in numerous countries including the Dominican Republic, Ecuador, Mexico, Panama, Peru, Honduras, Spain, Colombia, Argentina, Venezuela, and the United States.^[4] The album has sold over 500,000 copies in the United States alone and has sold well throughout Latin America and worldwide.^[5]

In 2005 Ayala won several international awards, making him one of the most recognized reggaeton artists within the music industry.^[6] The first award of the year was Lo Nuestro Awards within the "Latin music" category, which he received for Barrio Fino.^[6] In this event he performed "Gasolina" in a performance that was described as "innovative".^[6] Barrio Fino also won the "Reggaeton Album of the Year" award in the Latin Billboard that took place on April 28, 2005,^[6] where he performed a mix of three of his songs in a duo with P. Diddy. The album was promoted throughout Latin America, the United States, and Europe, reaching certified gold in Japan. Due to the album's success, Ayala received promotional contracts with radio stations and soda companies, including Pepsi.^[7] His single "Gasolina" received the majority of votes cast for the second edition of Premios Juventud, in which it received eight nominations and won seven awards.^[6] Ayala also made a live presentation during the award ceremony. "Gasolina" received nominations in the Latin Grammy and MTV Video Music Awards.^[6]

The successful single, "Gasolina", was covered by artists from different music genres. This led to a controversy when Los Lagos, a Mexican banda group, did a cover with the original beat but changed the song's lyrics.^[8] The group's label had solicited the copyright permission to perform the single and translate it to a different music style, but did not receive consent to change the lyrics; legal action followed.^[8] Speaking for the artist, Ayala's lawyer stated that having his songs covered was an "honor, but it must be done the right way."^[8]

2006–present[link]

On April 30, 2006, Ayala was named one of the 100 most influential people by Time magazine, which cited the 2 million copies of Barrio Fino sold, Ayala's $20 million contract with Interscope Records, and his Pepsi endorsement.^[9] During this period, Ayala and William Omar Landrón (more commonly known by his artistic name Don Omar) were involved in a rivalry within the genre, dubbed "tiraera". The rivalry received significant press coverage despite being denied early on by both artists. It originated with a lyrical conflict between the artists begun by Ayala's comments in a remix single, where he criticized Landron's common usage of the nickname "King of Kings".^[10] Don Omar responded to this in a song titled "Ahora Son Mejor", part of his album Los Rompediscotecas.^[10]

El Cartel: The Big Boss was released by Interscope on June 5, 2007. Ayala stated that the album marked a return to his hip-hop roots as opposed to being considered a strictly reggaeton album.^[11] The album was produced in 2006, and included the participation of will.i.am, Scott Storch, Tainy Tunes, Neli, and personnel from Ayala's label. Singles were produced with Héctor Delgado, Fergie, Nicole Scherzinger and Akon.^[11] The first single from the album was titled "Impacto", and was released prior to the completion of the album. The album was promoted by a tour throughout the United States, which continued throughout Latin America.^[11] He performed in Mexico, first in Monterrey, where 10,000 attended the concert, and later at San Luis Potosí coliseum, where the concert sold out, leaving hundreds of fans outside the building.^[12] Ayala performed in Chile as well, and established a record for attendance in Ecuador.^[13] He also performed in Bolivia, setting another record when 50,000 fans attended his Santa Cruz de la Sierra concert.^[13] This show was later described as "the best show with the biggest attendance in history" and as "somehappy that his album had sold more than those of Juan Luis Guerra and Juanes, and that this was an "official proof that reggaeton's principal exponent defeated the rest of the genres".^[14] Ayala made a guest appearance in an album titled "Caribbean he loved the color reed|Inner Circle]], Bounty Killer, Elephant Man and Wayne Wonder.^[15] In July 2008, Ayala announced that as part of his work, he would produce a cover version of Thalía's song, Ten Paciencia.^[16] Prior to the album's release, Ayala scheduled several activities, including an in-store contract signing.^[17] On February 27, 2009, he performed at the Viña del Mar International Song Festival in Chile.^[18] In this event, the artists receive awards based on the public's reaction. After performing "Rompe", "Llamado de emergencia", "Tú me dejaste caer", "Gasolina", "Limpia parabrisas" and "Lo que pasó, pasó" over the course of two hours, Ayala received the "Silver Torch", "Gold Torch" and "Silver Seagull" recognitions.^[18] On April 24, 2009, he received the Spirit of Hope Award as part of the Latin Billboard Music Awards ceremony.^[19] The recognition is given to the artists that participate in community or social efforts throughout the year. The single "Grito Mundial" was released on October 8, 2009,^[20] in order to promote his ninth album, Mundial. Despite releasing "El Ritmo No Perdona (Prende)" more than a month before, that single was not considered the first official promotional single.

Film and other career projects[link]

Ayala has negotiated promotional deals with several companies outside of the music industry, releasing merchandise under his name. In 2005, he became the first Latin artist to sign a deal with Reebok, in order to produce accessories,^[21] including the licensed clothing line "DY", which was released in 2006.^[22] He also teamed up with the company to have his own shoes and sporting goods made, which were first distributed on May 23, 2006.^[11] Reebok continued the partnership with the introduction of the Travel Trainer collection in July 2007. In August 2007, Pepsi began an advertising campaign titled "Puertas", in which Ayala is depicted returning to his youth by opening a series of doors.^[23]

In 2008, Ayala participated in a campaign to promote voting in the 2008 general elections in Puerto Rico. This initiative included a concert titled "Vota o quédate callao".^[24] On August 25, 2008, Ayala endorsed John McCain's candidacy for President of the United States, stating that McCain "has been a fighter for the Hispanic community".^[25] As part of this campaign, Ayala moderated a debate titled “Vota o quédate callao: los candidatos responden a los jóvenes”, which was aired on October 9, 2008.^[26]

Ayala has worked in the film industry as both an actor and producer. His acting debut was the lead role of Vampiros, a film directed by Eduardo Ortiz and filmed in Puerto Rico.^[27] The film premiered at the Festival of Latin American Cinema in New York, where it received a positive reaction. This led Image Entertainment to produce a DVD, internationally released in March 2005.^[27] Ayala played the main role "Edgar" in Talento de Barrio, which was filmed in Puerto Rico and directed by José Iván Santiago. Ayala produced the film, which is based on his experience of growing up in a poor city neighborhood.^[28] While the film is not directly a biography, Ayala has stated that it mirrors his early life.^[28] Talento de Barrio's debut was scheduled for July 23, 2008, in New York's Latino Film Festival.^[29] After the premier, Ayala expressed satisfaction, saying that he had been invited to audition for other producers.^[30] On release, Talento de Barrio broke the record held by Maldeamores for the most tickets to a Puerto Rican movie sold in a single day in Caribbean Cinemas.^[31]

Ayala has been involved in the administration of three organizations, the first being El Cartel Records which he co-owns with Andres Hernandez. He also created the Fundación Corazón Guerrero, a charitable organization in Puerto Rico which works with young incarcerated people.^[32] On April 26, 2008, he was presented with a "Latino of the Year Award" by the student organization Presencia Latina of Harvard College, receiving it for his work with Puerto Rican youth and creating Corazón Guerrero.^[33] On February 6, 2008, Ayala announced in a Baloncesto Superior Nacional press conference that he had bought part of the Criollos de Caguas' ownership.^[34]

Personal life[link]

Ayala has kept most of his personal life private, rarely speaking about it in interviews.^[35] He has said that he avoids doing so because such details are the only aspect of his life that are not public and that they are like a "little treasure".^[35] He made an exception in 2006 when he spoke about his relationship with his wife and children in an interview with María Celeste Arrarás in Al Rojo Vivo.^[35] He stated that his marriage is strong because he and his wife are "friends above anything", adding that he has tried to ignore other temptations because "weakness is the reason for the downfall of several artists."^[35] He also described his "very close" communication with his children, in which he tries to offer advice against drugs and negative influences.^[35] His first daughter was born when he was seventeen years old,^[35] which he has described as confusing at first, adding that raising a daughter at that age was a hard experience.^[36]

Studio albums[link]

• 1995: No Mercy
• 2002: El Cangri.com
• 2004: Barrio Fino
• 2007: El Cartel: The Big Boss
• 2010: Daddy Yankee Mundial
• 2012: Prestige

Filmography[link]

Film

Television

See also[link]

	Biography portal
	Puerto Rico portal
	Music portal

• Latin American music
• List of Caribbean music genres
• List of Puerto Ricans
• List of Puerto Rican songwriters
• Urban contemporary

References[link]

External links[link]

• Official site
• Daddy Yankee at the Internet Movie Database