"Mercury and Herse", scene from The Loves of the Gods by Gian Giacomo Caraglio, showing Mercury, Herse, and Aglaulos

Voyeurism is the sexual interest in or practice of spying on people engaged in intimate behaviors, such as undressing, sexual activity, or other actions usually considered to be of a private nature.^[1]

The principal characteristic of voyeurism is that the voyeur does not normally relate directly with the subject of his/her interest, who is often unaware of being observed. Voyeurism may involve the making of a secret photograph or video of the subject during an intimate activity. When the interest in a particular subject is obsessive, the behavior may be described as stalking.

However, in today's society the concept of voyeurism has evolved, especially in popular culture. Non-pornographic reality television programs such as Survivor and The Real World, are prime examples of voyeurism, where viewers (the voyeur) are granted an intimate interaction with a subject group or individual. Although not necessarily "voyeurism" in its original definition, as individuals in these given situations are aware of their audience, the concept behind "reality TV" is to allow unscripted social interaction with limited outside interference or influence. As such, the term still maintains its sexual connotations.

The term comes from the French voyeur, "one who looks". A male voyeur is commonly labeled "Peeping Tom", a term which originates from the Lady Godiva legend. However, that term is usually applied to a male who observes somebody through their window, and not in a public place.

History[link]

This section requires expansion.

Candaules, King of Lydia, Shews his Wife by Stealth to Gyges, One of his Ministers, As She Goes to Bed by William Etty. This image illustrates Herodotus's version of the tale of Gyges.

Voyeurism is not a new phenomenon, and, according to one study, instances of it can be found in the Bible.^[2]

Technique[link]

A voyeur may observe others without them being aware of it by a number of strategies. The voyeur may observe the subject from a distance, or use stealth to observe the subject with the use of peep-holes, two-way mirrors, hidden cameras, secret photography and other devices and strategies. Secret photography may involve the use of normal cameras, but with the photographer being concealed. Sometimes the camera itself is disguised or concealed. The use of telephoto lens enables the distance from the subject to provide concealment.

Although spy cameras small enough to fit inside a pocket-watch had existed since the 1880s,^[3] advances in miniaturization and electronics since the 1950s have greatly aided the ability to conceal miniature cameras, and the quality and affordability of tiny cameras (often called "spy cameras" or subminiature cameras) has now greatly increased. Some consumer digital cameras are now so small that in previous decades they would have qualified as "spy cameras", and digital cameras of eight megapixels or more are now being embedded in some mobile camera phones. The majority of mobile phones in use are camera phones.

Certain image capturing devices are capable of producing images through materials that are opaque to visible light, including clothing. These devices form images by using electromagnetic radiation outside the visible range. Infrared and terahertz-wave cameras are capable of creating images through clothing, though these images differ from what would be created with visible light.^[4][5]

In medicine[link]

The American Psychiatric Association has classified certain voyeuristic fantasies, urges and behavior patterns as a paraphilia in the Diagnostic and Statistical Manual (DSM-IV) if the person has acted on these urges, or the sexual urges or fantasies cause marked distress or interpersonal difficulty.^[6] It is described as a disorder of sexual preference in the ICD-10.^[7] The diagnosis would not be given to people who experience typical sexual arousal simply by seeing nudity or sexual activity.

Criminology[link]

The United States FBI assert that some individuals who engage in "nuisance" offenses (such as voyeurism) may also have a propensity for violence based on behaviors of serious sex offenders.^[8] An FBI researcher has suggested that voyeurs are likely to demonstrate some characteristics that are common, but not universal, among serious sexual offenders who invest considerable time and effort in the capturing of a victim (or image of a victim); careful, methodical planning devoted to the selection and preparation of equipment; and often meticulous attention to detail.^[9]

Legal status[link]

Voyeurism is not a crime in common law. In common law countries it is only a crime if made so by legislation. In Canada, for example, voyeurism was not a crime when the case Frey v. Fedoruk et al. arose in 1947. In that case, in 1950, the Supreme Court of Canada held that courts could not criminalize voyeurism by classifying it as a breach of the peace and that Parliament would have to specifically outlaw it. On November 1, 2005, this was done when section 162 was added to the Canadian Criminal Code, declaring voyeurism to be a sexual offense.^[10]

In some cultures, voyeurism is considered to be a sex crime.^{[citation needed]} In the United Kingdom, non-consensual voyeurism became a criminal offense on May 1, 2004.^[11] Little to no research has been done into the demographics of voyeurs.

In the English case of R v Turner (2006),^[12] the manager of a sports centre filmed four women taking showers. There was no indication that the footage had been shown to anyone else or distributed in any way. The defendant pleaded guilty. The Court of Appeal confirmed a sentence of nine months' imprisonment to reflect the seriousness of the abuse of trust and the traumatic effect on the victims.

Another English case in 2009, R v Wilkins (2010),^[13][14] resulted in a man who filmed his intercourse with five of his lovers for his own private viewing, being sentenced to imprisonment for eight months and ordered to sign the Sex Offenders Register, where his name would remain for ten years.

In the United States, video voyeurism is an offense in nine states and may require the convicted person to register as a sex offender.^[15] The original case that led to the criminalization of voyeurism has been made into a television movie called Video Voyeur and documents the criminalization of secret photography. Criminal voyeurism statutes are related to invasion of privacy laws^[16] but are specific to unlawful surreptitious surveillance without consent and unlawful recordings including the broadcast, dissemination, publication, or selling of recordings involving places and times when a person has a reasonable expectation of privacy and a reasonable supposition they are not being photographed or filmed by "any mechanical, digital or electronic viewing device, camera or any other instrument capable of recording, storing or transmitting visual images that can be utilized to observe a person."^[17]

In the Louise Ogborn strip search incident, the perpetrator was said to be engaged in a form of virtual voyeurism.^[18]

Saudi Arabia banned the sale of camera phones nationwide in April 2004, but reversed the ban in December 2004. Some countries, such as South Korea and Japan, require all camera phones sold in their country to make a clearly audible sound whenever a picture is being taken. Secret photography by law enforcement authorities is called surveillance and is not considered to be voyeurism, though it may be unlawful or regulated in some countries.

Voyeurism of a sadistic nature

In popular culture[link]

Photography

Some fine art photographers such as Richard Kern have displayed a fascination with the forms of secret voyeuristic photography.

Films

Voyeurism is a common plot device in both serious (e.g. Rear Window, Klute, Blue Velvet, Disturbia) and humorous (e.g. Porky's, Animal House, Semi-Pro, Gregory's Girl, American Pie) films. Voyeuristic photography has been a central element of the mis-en-scene of films such as Michael Powell's Peeping Tom, and Michelangelo Antonioni's Blowup. The 2002 television movie Video Voyeur: The Susan Wilson Story is based on a true story about a woman who was secretly videotaped, and subsequently helped to get laws against voyeurism passed in parts of the United States.^{[citation needed]}

Anime

The anime Colorful is devoted almost entirely to voyeurism. Also, in the anime Baka to Test to Shōkanjū, Kōta Tsuchiya is subject to voyeurism, explaining why he is referred to as "Voyeur".

See also[link]

• Clothed female, naked male
• Clothed male, naked female
• Courtship disorder
• Exhibitionism
• Invasion of privacy
• Scopophobia, the fear of being stared at

References[link]

Notes

External links[link]

Wikimedia Commons has media related to: Voyeurism

• UK law on voyeurism
• Proposed US Video Voyeurism Prevention Act of 2003
• Video Voyeurism Laws
• Expert: Technology fosters voyeurism

Geoffrey Zanelli or Geoff Zanelli (born September 28, 1974) is a composer working primarily in the medium of film music. His early career was notable for scoring additional music on roughly 30 film scores written by Hans Zimmer, Harry Gregson-Williams, John Powell, Klaus Badelt and Steve Jablonsky including several blockbuster films. He has since moved on to more solo work.

Aside from film and television scores, Zanelli has also worked with recording artists, writing string arrangements for the bands Mest, Story of the Year, and for Robbie Williams. He has also been credited as a guitarist/bassist/synthsist on the song "I'm Not Dead" from recording artist Pink.

Life and work[link]

Zanelli is from Westminster, California, and is a graduate of Berklee College of Music. Zanelli began his musical career as a guitar player and songwriter for numerous local acts in Southern California. While attending the prestigious Berklee College of Music on scholarship, Zanelli dual majored in Film Scoring and Music Production/Engineering. He was the recipient of both the Doug Timm Award in recognition of his film scoring work and the Music Production and Engineering Scholar Award.

In 1994, Hans Zimmer recognized Zanelli as a promising young talent and invited him to Los Angeles to join his group of film music talent. Zanelli quickly earned his reputation as a workhorse, becoming versed in many facets of music while working as an engineer on the début album from Goldfinger as well as Zimmer's Oscar Award-nominated score for The Preacher's Wife.

Zanelli's experience and desire to collaborate led him to work with British composer John Powell on his first Hollywood feature, Face/Off. Throughout the following years he built the foundation for his scoring career, composing with Powell, Hans Zimmer, Klaus Badelt, Harry Gregson-Williams and Steve Jablonsky on many feature films, including: Pirates Of The Caribbean 1, 2 and 3, the Golden Globe-nominated scores for The Last Samurai and Pearl Harbor.

The composing experience had Zanelli accrued prepared him for a kinetic start to his solo career. One of his earliest solo works, Steven Spielberg's miniseries Into The West, earned him an Emmy. Showcasing his versatility, in just over one year Zanelli scored the films Disturbia, Hitman, Outlander, Delgo, Ghost Town and Gamer, each with a unique approach. Harking back to his earlier days as a songwriter, he co-wrote the song "Don't Make Me Wait" for Disturbia. He currently writes at Hans Zimmer's Remote Control Productions.

Filmography (as principal composer)[link]

2012

• The Odd Life Of Timothy Green

2011

• Pirates Of The Caribbean: On Stranger Tides (composer: Spain theme)
• Rango (composer: Rattlesnake Jake theme, Mayor's theme, Holy Spigot theme)
• Beneath The Darkness
• Should've Been Romeo

2010

• The Pacific (miniseries) -- Emmy Award nominated score
• You May Not Kiss The Bride

2009

• Gamer

2008

• Ghost Town
• Outlander
• Delgo

2007

• Hitman
• Disturbia

2005

• Into the West (miniseries) -- Emmy Award winning score

2004

• House of D
• Secret Window

2001

• Feast

External links[link]

Wikiquote has a collection of quotations related to: Geoff Zanelli

• Geoff Zanelli's imdb.com entry
• Article about Zanelli's Emmy win for Into The West
• Soundtrack.net's coverage of the recording of Zanelli's score for Disturbia