42nd parallel may refer to:

• 42nd parallel north, a circle of latitude in the Northern Hemisphere
• 42nd parallel south, a circle of latitude in the Southern Hemisphere
• A novel "The 42nd Parallel" by John Dos Passos - see U.S.A. trilogy

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Conrad Scott-Forbes (11 September 1920 – 25 February 1997), popularly known as Scott Forbes, was a movie and television actor and screenwriter. In his later career as a screenwriter, he was credited as C. Scott Forbes.

Early years[link]

Forbes was born in High Wycombe, Buckinghamshire, England. He attended Repton, a public school near Derby, England, and then studied Philosophy, Politics, and Economics at Balliol College, Oxford. He worked for the Ministry of Defence before settling on a performing career.^[1]

Acting career[link]

In the 1940s Forbes used the name Julian Dallas, appearing in Night Boat to Dublin (1946), Mrs. Fitzherbert (1947), But Not in Vain (1948), This Was a Woman (1948) and The Reluctant Widow (1950). He also appeared on the stage as Julian Dallas, spending a year with the Liverpool Old Vic, and in London under the direction of John Gielgud in The Cradle Song, among other plays.^[1]

Following his few British productions, he moved to the U.S. and he quickly found film work. Consigned mainly to action roles in Warner Bros. films such as Rocky Mountain (1950) and Operation Pacific (1951), Forbes played more in-depth characters on TV. He was Maxim de Winter in "Rebecca" in a live performance for the Broadway Television Theatre in 1952.^[2] He also played the Duke of Cornwall in Peter Brook's 1953 television adaptation of King Lear with Orson Welles as Lear. One of his best known roles was on The Deep Six, which was a 1953 installment of NBC's Robert Montgomery Presents. In the 1955-1956 season, he guest starred in NBC's western anthology series Frontier.

On Broadway, Forbes appeared in two plays with Cedric Hardwicke, one of them directed by Hardwicke. Horses in Midstream had only four performances in 1953, while The Burning Glass played a slightly more successful 28 performances the following year.

In 1956 Forbes starred in the title role of The Adventures of Jim Bowie. This historically based series was an immediate hit with younger viewers, even though some adult reviewers criticized it for having too much violence. In preparation for the part Forbes trained with a former Miss Alabama, Jeanne Moody, to perfect a convincing Southern accent. He and Moody had married in 1954. The series rocketed Forbes to fame, but made it hard for him to find other parts.

After Jim Bowie ended in 1958, Forbes returned to England, where he became a frequent guest star in television dramas. In 1963 he played the lead in the world premier of Harold Pinter's play "The Lover" on the London stage.^[3]

Writing career[link]

Pinter encouraged him to pursue his interest in writing, and in 1964 Forbes's own play, "The Meter Man", was produced. It was later made into the movie called The Penthouse. ^[4]

Forbes remained active as a screenwriter and television actor into the 1970s. In his later years, he shunned public life, pursuing his interests in writing and classical music.

He died in 1997 in Swindon, England, at the age of 76.

Selected filmography[link]

Actor[link]

• Night Boat to Dublin (1946)
• Mrs. Fitzherbert (1947)
• But Not in Vain (1948)
• The Reluctant Widow (1950)
• Rocky Mountain (1950)
• Operation Pacific (1951)
• Charade (1953)
• Subterfuge (1968)

Screenwriter[link]

• Perfect Friday (1970)

References[link]

External links[link]

• Scott Forbes at the Internet Movie Database

Howard Hoagland "Hoagy" Carmichael (November 22, 1899 – December 27, 1981) was an American composer, pianist, singer, actor, and bandleader. He is best known for composing the music for "Stardust", "Georgia On My Mind", "The Nearness of You", and "Heart and Soul", four of the most-recorded American songs of all time.^[2]

Alec Wilder, in his study of the American popular song, concluded that Hoagy Carmichael was the "most talented, inventive, sophisticated and jazz-oriented" of the hundreds of writers composing pop songs in the first half of the 20th century.^[3]

Early life[link]

Born in Bloomington, Indiana, Carmichael was the only son of Howard Clyde Carmichael, of Scottish ancestry,^{[citation needed]} and Lida Mary (Robison). He was named Hoagland after a circus troupe "The Hoaglands" who stayed at the Carmichael house during his mother's pregnancy.^[4] Howard was a horse-drawn taxi driver and electrician, and Lida a versatile pianist who played accompaniment at silent movies and for parties. The family moved frequently, as Howard sought better employment for his growing family. At six, Carmichael started to sing and play the piano, absorbing easily his mother's keyboard skills. By high school, the piano was the focus of his after-school life, and for inspiration he would listen to ragtime pianists Hank Wells and Hube Hanna. At eighteen, the small, wiry, pale Carmichael was living in Indianapolis, trying to help his family’s income working in manual jobs in construction, a bicycle chain factory, and a slaughterhouse. The bleak time was partly spelled by four-handed piano duets with his mother and by his strong friendship with Reg DuValle, black bandleader and pianist known as "the elder statesman of Indiana jazz" and "the Rhythm King", who taught him piano jazz improvization.^[5] The death of his three-year-old sister in 1918 affected him deeply, and he wrote "My sister Joanne—the victim of poverty. We couldn’t afford a good doctor or good attention, and that’s when I vowed I would never be broke again in my lifetime." She may have died from influenza, which had swept the world that year.^[6] Carmichael earned his first money ($5.00) as a musician playing at a fraternity dance that year and began his musical career.^[7]

Carmichael attended Indiana University and the Indiana University School of Law, where he received his Bachelor's degree in 1925 and a law degree in 1926. He was a member of the Kappa Sigma fraternity and played the piano all around the state with his "Collegians" to support his studies. He met, befriended, and played with Bix Beiderbecke, the great cornetist (and sometime pianist) and fellow Mid-westerner. Under Beiderbecke’s spell, Carmichael started to play the cornet as well, but found that he didn't have the lips for it, and only played it for a short while. He was also influenced by Beiderbecke's impressionistic and classical musical ideas. On a visit to Chicago, Carmichael was introduced by Beiderbecke to Louis Armstrong, who was then playing with King Oliver’s Creole Jazz Band, and with whom he would collaborate later.

He began to compose songs, "Washboard Blues" and "Boneyard Shuffle" for Curtis Hitch, and also "Riverboat Shuffle", recorded by Beiderbecke, which became a staple of jazz and Carmichael’s first recorded song. After graduating in 1926, he moved to Miami to join a local law firm but, failing the bar exam, returned to Indiana in 1927. He joined an Indiana law firm and passed the state bar, but devoted most of his energies to music, arranging band dates, and "writing tunes".^[8] He had discovered his method of songwriting, which he described later: "You don't write melodies, you find them…If you find the beginning of a good song, and if your fingers do not stray, the melody should come out of hiding in a short time."^[9]

Early career[link]

"Stardust" recalled in the trailer for To Have and Have Not

Later in 1927, Carmichael’s career started off well. Carmichael finished and recorded one of his most famous songs, "Star Dust" (later renamed "Stardust", with Mitchell Parish's lyrics added in 1929), at the Gennett Records studio in Richmond, Indiana, with Carmichael doing the piano solo. The song, an idiosyncratic melody in medium tempo, actually a song about a song, later became an American standard, recorded by hundreds of artists. Shortly thereafter, Carmichael got more recognition when Paul Whiteman recorded "Washboard Blues", with Carmichael playing and singing, and the Dorsey brothers and Bix Beiderbecke in the orchestra. Despite his growing fame, at this stage Carmichael was still held back by his inability to sight-read and notate music properly, though innovative for the time. With coaching, he became more proficient at arranging his own music.

His first major song with his own lyrics was "Rockin' Chair", recorded by Armstrong and Mildred Bailey, and eventually with his own hand-picked studio band (featuring Bix, Bubber Miley, Benny Goodman, Tommy Dorsey, Bud Freeman, Eddie Lang, Joe Venuti, and Gene Krupa) on May 15, 1930. In the future, however, most of his successful songs would have lyrics provided by collaborators. After Carmichael realized he missed making music and was not cut out to be a lawyer, he left his law practice forever and started working with musicals in Hollywood. He stayed with Paul Whiteman’s orchestra for a while but no work came of it and he moved to New York City in the summer of 1929.

1930s[link]

In New York, Carmichael met Duke Ellington's agent and publisher Irving Mills and hired him to set up recording dates. In October 1929 the stock market crashed and Carmichael's hard-earned savings declined substantially. Fortunately, Louis Armstrong then recorded "Rockin' Chair" at Okeh studios, giving a badly needed boost to Carmichael. Carmichael had begun to work at an investment house and was considering a switch in career when he composed "Georgia on My Mind" (lyrics by Stuart Gorrell), perhaps most famous in the Ray Charles rendition recorded many years later.^[10]

Carmichael composed and recorded "Up a Lazy River" in 1930 (lyrics by Sidney Arodin) and the first recorded version of "Stardust" with lyrics (by Mitchell Parish) was recorded by Bing Crosby in 1931. He joined ASCAP in 1931 and began working for Ralph Peer’s Southern Music Company in 1932 as a songwriter, the first music firm to occupy the new Brill Building, famous as a New York songwriting mecca. It was a low paying but steady job at a time when the Depression was having a harsh effect on live jazz performance and many musicians were out of work. Bix Beiderbecke’s early death also darkened Carmichael’s mood. Of that time, he wrote later: "I was tiring of jazz and I could see that other musicians were tiring as well. The boys were losing their enthusiasm for the hot stuff…No more hot licks, no more thrills."^[11]

The elegy for hot jazz was premature, but Swing was just around the corner and jazz would soon turn in another direction, with new bandleaders like the Dorseys and Benny Goodman, and new singers like Frank Sinatra leading the way. Carmichael’s output soon would be heading in that direction. In 1933 Carmichael began his collaboration with newly arrived lyricist Johnny Mercer on "Thanksgiving", "Moon Country", and "Lazybones", which was a smash hit selling over 350,000 copies in three months.^[12] Carmichael's financial condition improved dramatically as royalties started to pour in. Now he was hobnobbing with George Gershwin, Fred Astaire, Duke Ellington, and other music giants in the New York scene. His success improved his social life considerably and now he could afford a comfortable apartment and dapper clothes.

Carmichael started to emerge as a solo singer-performer, first at parties, then professionally. He described his unique, laconic voice as being "the way a shaggy dog looks…I have Wabash fog and sycamore twigs in my throat".^[13] Some fans were dismayed as he steadily veered away from hot jazz, but recordings by Louis Armstrong continued to "jazz up" Carmichael’s popular songs. In 1935 he left Ralph Peer’s Southern Music Company and started composing songs for a division of Warner Brothers, establishing his connection with Hollywood. His song "Moonburn", his first movie song, appeared in the film version of Anything Goes.

In 1935 Carmichael married preacher’s daughter Ruth Menardi. He moved to California and accepted a contract with Paramount for $1,000 a week, joining other famous songwriters working for the Hollywood studios, including Harry Warren (Warners), E. Y. Harburg (MGM), Ralph Rainger and Leo Robin at Paramount.^[14] Soon, the Carmichaels were accepted members of the Hollywood community, attending parties and hanging out in palatial homes. In 1937 Carmichael appeared in the movie Topper, serenading Cary Grant and Constance Bennett with his song "Old Man Moon".

In 1937 he wrote the song "Chimes of Indiana" which was presented to Indiana University as a gift by the class of 1935. It was made the school's official co-alma mater in 1978. (Carmichael also holds the distinction of being awarded an honorary doctorate in music by the university in 1972.)^[15]

With Paramount lyricist Frank Loesser, he wrote "Two Sleepy People" in 1938. Around the same time Carmichael composed "Heart and Soul", "Small Fry", and "I Get Along Without You Very Well (Except Sometimes)" (premiered by Dick Powell in a radio broadcast). However, countering these successes, Carmichael's and Mercer's Broadway score for Walk With Music was unsuccessful. In 1939, Hoagy Bix, the Carmichaels' first child, was born.

1940s[link]

Hoagy Carmichael at piano; Lauren Bacall singing

The growing Carmichael family was thriving in Los Angeles in the former mansion of chewing-gum heir William P. Wrigley, Jr., when World War II broke out. Hoagy Carmichael maintained a strong personal and professional relationship with Johnny Mercer. That continuing collaboration led to "Skylark" in 1942, recorded almost immediately by Glenn Miller, Dinah Shore, and Helen Forrest (with Harry James). In 1943, Carmichael returned to the movies and played "Cricket" in the screen adaptation of Ernest Hemingway's To Have and Have Not, opposite Humphrey Bogart and Lauren Bacall, where he sang "Hong Kong Blues" and "The Rhumba Jumps", and played piano as Bacall sang "How Little We Know".^[16] He also contributed to the 1941 Max Fleischer animated film, Mister Bug Goes to Town (later reissued as Hoppity Goes To Town).

Carmichael appeared as an actor in a total of 14 motion pictures, always performing at least one of his songs, including Young Man with a Horn (based on friend Bix Beiderbecke's life) with Bacall and Kirk Douglas, and multi-Academy Award winner The Best Years of Our Lives with Myrna Loy and Fredric March), in which he teaches a disabled veteran with metal prostheses to play "Chop Sticks". He described his screen persona as the "hound-dog-faced old musical philosopher noodling on the honky-tonk piano, saying to a tart with a heart of gold: "He'll be back, honey. He's all man"."^[17]

When composing, Carmichael was incessant. According to his son Randy, he worked over a song for days or even weeks until it was perfect. His perfectionism extended to his clothes, grooming, and eating as well. Once the work was done, however, Carmichael would cut loose—relax, play golf, drink, and indulge in the Hollywood high life.^[18]

Carmichael was a Republican supporter and anti-FDR, voting for Wendell Wilkie for president in 1940, and was often aghast at the left-leaning political views of his friends in Hollywood. His contribution to the war effort was similar to other patriotic efforts by Irving Berlin ("This Is the Army, Mr. Jones"), Johnny Mercer ("G.I. Jive"), and Frank Loesser ("Praise the Lord and Pass the Ammunition"). Carmichael's war time songs (most with lyrics by Paul Francis Webster) included "My Christmas Song for You", "Don't Forget to Say 'No' Baby", "Billy-a-Dick", "The Army of Hippocrates", "Cranky Old Yank", "Eager Beaver", "No More Toujours l'Amour", "Morning Glory", and the never completed "Hitler Blues".^[19] He regularly performed on USO shows.

Carmichael's 1943 song "I'm a Cranky Old Yank in a Clanky Old Tank on the Streets of Yokohama with my Honolulu Mama Doin' Those Beat-o, Beat-o Flat-On-My-Seat-o, Hirohito Blues" is listed in the Guinness Book of Records as the song with the longest title. However Carmichael admitted it was a joke; the title was intended to end with the word 'Yank'.^{[citation needed]}

Between 1944 and 1948, Carmichael was the host of three musical variety radio programs. In 1944–45, the 30-minute Tonight at Hoagy's aired on Mutual Sunday nights at 8:30 pm (Pacific time), sponsored by Safeway supermarkets. Produced by Walter Snow, the show featured Carmichael as host and vocalist. The musicians included Pee Wee Hunt and Joe Venuti. Fans were rather blunt about his singing, with comments like "you can't sing for sour owl" and "your singing is so delightfully awful that it is really funny".^[20] NBC carried the 30-minute Something New at 6 pm (Pacific time) on Mondays in 1945–46. All of the musicians in this show's band, called the "Teenagers", were between the ages of 16 and 19. Carol Stewart and Gale Robbins were the vocalists and comedy was supplied by Pinky Lee and the team of Bob Sweeney and Hal March, later of quiz show fame. The Hoagy Carmichael Show was broadcast by CBS from October 26, 1946 until June 26, 1948. Luden's Cough Drops sponsored the 15-minute program until June 1947.

In 1948 Carmichael composed a piece called Brown County in Autumn, a nine-minute tone poem which was not well-received by critics.

1950s[link]

"In the Cool, Cool, Cool of the Evening", with lyrics by Johnny Mercer, won Carmichael his first Academy Award for Best Original Song, and Mercer his second of four. In 1952, he played his composition "My Resistance Is Low" in the movie The Las Vegas Story. The song did not catch fire in the U.S. but was a major hit in England, where it charted a second time in 1963 after being covered by Liverpool beat band Buddy Britten and the Regents,^[21] also appearing in instrumental form on The Shadows' debut LP.

Carmichael sharing the Saturday Night Revue duties with George Gobel.

In the early 1950s, television took off and variety shows were particularly popular. Carmichael hosted Saturday Night Review in June 1953, a summer replacement series for Your Show of Shows,^[22] but found the pressure too intense and did not return the following summer. About 1955, Carmichael reprised the Dooley Wilson role in a short-lived television adaptation of Casablanca on Warner Brothers Presents, playing Sam the piano player.

Among his numerous television roles, Carmichael guest starred with Keenan Wynn, Anthony George, and Olive Carey in the 1956 episode "Death in the Snow" of the NBC anthology series, The Joseph Cotten Show. He was thereafter a regular on NBC's Laramie western series (1959–1963) with John Smith and Robert Fuller, co-starred in The Helen Morgan Story on CBS's Playhouse 90 (1957) and provided the voice for a stone-age parody of himself, "Stoney Carmichael", in an episode of ABC's The Flintstones, which aired in September 1961. On June 15, 1961, he appeared in one of the final episodes of NBC's The Ford Show, Starring Tennessee Ernie Ford.

Carmichael composed seven songs for Gentlemen Prefer Blondes but only two made the final cut: "Ain't There Anyone Here for Love" and "When Love Goes Wrong (Nothing Goes Right)", with Jane Russell singing the former.

As rock and roll emerged in the mid-1950s, the youth audience was drifting away from standards like Carmichael's, and the music industry found less commercial appeal in his new songs, while jazz aficionados turned their attention to bebop. Carmichael's marriage also dissolved during this time. As his song writing career started to ebb, Carmichael still received the blessings of his substantial recordings. He also wrote some songs for children.

Later years[link]

In 1960, Ray Charles' version of "Georgia on My Mind" was a hit, receiving Grammys for Best Male Vocal and Best Popular Single. Carmichael's rediscovery, however, did little for his new material, which was all but ignored by the recording industry, including songs such as "The Ballad of Sam Older", "A Perfect Paris Night", "Behold, How Beautiful", "Bamboo Curtains", and "Close Beside You". For his September 15, 1961 animated guest appearance in "The Hit Songwriters" episode of The Flintstones, Hoagy wrote and performed a song created especially for the show, "Yabba-Dabba-Dabba-Dabba-Doo". Jerry Lee Lewis recorded "Hong Kong Blues" during his final Sun sessions in 1963, but it was never released.^[23] In 1964, while The Beatles were exploding on the scene, Carmichael lamented, "I'll betcha I have twenty-five songs lying in my trunk" and no one was calling to say "have you got a real good song for such-and such an artist".^[24] Nonetheless, royalties of his standards were still bringing in over $300,000 a year.^[25] George Harrison recorded two of Carmichael's songs ("Baltimore Oriole" and "Hong Kong Blues") for his 1981 LP Somewhere In England.

His attempt to compose movie scores failed when his score for Hatari! was replaced by that of Henry Mancini, although his song "Just for Tonight" (a re-working of "A Perfect Paris Night") is used in the film. With the Johnny Appleseed Suite, Carmichael once again tried his hand at a longer musical composition, but the episodic treatment lacked the compositional unity and momentum of works such as George Gershwin's Rhapsody in Blue. By 1967, Carmichael was spending time back in New York but was still unsuccessful with his new songs.

Carmichael was inducted into the USA's Songwriters Hall of Fame in 1971 along with Duke Ellington.^[26] The 1970s went by with little musical success and fewer people recognizing him in public. With the help and encouragement of his son Hoagy Bix, Carmichael participated in the PBS television show Hoagy Carmichael's Music Shop, which featured jazz-rock versions of his hits. He appeared on Fred Rogers PBS show Old Friends, New Friends. With time on his hands, he resumed painting.

In 1977 he married Dorothy Wanda McKay. On his 80th birthday, Carmichael said "I’m a bit disappointed in myself. I know I could have accomplished a hell of a lot more... I could write anything any time I wanted to. But I let other things get in the way... I’ve been floating around in the breeze."^[27] Shortly before his death, Carmichael appeared on a UK-recorded tribute album, In Hoagland (1981), together with Annie Ross and Georgie Fame.

Carmichael died of heart failure in Rancho Mirage, California, on December 27, 1981. He is buried in Rose Hill Cemetery in Bloomington.^[28]

Legacy[link]

• In 1986 the Carmichael family donated his archives, piano, and memorabilia to Indiana University, which established a Hoagy Carmichael Collection in its Archives of Traditional Music and the Hoagy Carmichael Room to permanently display selections from the collection.
• In 2007 Carmichael was inducted into the Gennett Records Walk of Fame in Richmond, Indiana. A bronze and ceramic plaque is placed near the location of the studio where he first recorded "Stardust."
• On July 5, 2008, a mural with his portrait was dedicated to him on the south wall of the Readmore building in Richmond, Indiana. His son Randy, 67, played a few songs in the Leland Residence after the ceremony.
• The Hoagy Carmichael Landmark Sculpture by artist Michael McAuley was dedicated at Indiana University on Sept. 18, 2008. The photo blog Hoagyland! captures the small, daily tributes left by fans at the statue.

Filmography[link]

Songs (selection)[link]

Biographies[link]

Carmichael wrote two autobiographies: The Stardust Road (1946) and Sometimes I Wonder (1965). These were combined into a single volume for a paperback published by Da Capo Press in 1999. Dick Sudhalter wrote the first full biography of Carmichael, Stardust Melody: The Life and Music of Hoagy Carmichael.^[31]

In popular culture[link]

This "In popular culture" section may contain minor or trivial references. Please reorganize this content to explain the subject's impact on popular culture rather than simply listing appearances, and remove trivial references. (April 2012)

• Author Ian Fleming wrote in his novels Casino Royale and Moonraker that British secret agent James Bond resembled Carmichael, but with a scar down one cheek. In the book Casino Royale, James Bond compares himself unfavorably with Carmichael. Carmichael and Fleming himself also looked similar.
• Former Beatles singer and songwriter John Lennon announced that Hoagy Carmichael was his favourite songwriter.^{[citation needed]} George Harrison was also an avid fan, having covered "Baltimore Oriole" and "Hong Kong Blues" in 1981.^[32] In addition, Harrison spoke of enjoying listening to "Barnacle Bill the Sailor." ^[33]

See also[link]

• Martha Carmichael Clayton

References[link]

Bibliography[link]

Carmichael, Hoagy and Longstreet, Stephen. The Stardust Road & Sometimes I Wonder: The Autobiogaphy of Hoagy Carmichael. Cambridge, Massachusetts: Da Capo Press, 1999, ISBN 0-306-80899-4

External links[link]

	Book: Hoagy Carmichael
Wikipedia books are collections of articles that can be downloaded or ordered in print.

Wikimedia Commons has media related to: Hoagy Carmichael

• Official website
• Hoagy Carmichael at the Internet Movie Database
• Hoagy Carmichael at the TCM Movie Database
• Hoagy Carmichael at the Internet Broadway Database
• Hoagy Carmichael on RedHotJazz.com
• The Hoagy Carmichael Collection
• The Hoagy Carmichael Room, Archives of Traditional Music, Indiana University