8:21
Max Bruch - Violin Concerto No 1 in G Minor, Op. 26 - Adagio
Max Bruch - Violin Concerto No 1 in G Minor, Op. 26 - Adagio
Title :Max Bruch , Violin Concerto No. 1 in G Minor, Op. 26 - Adagio
9:59
Max Bruch - Ave Maria
Max Bruch - Ave Maria
Max Bruch (1838-1920) - Ave Maria (nach einem Motiv aus der dramatischen Kantate "Das Feuerkreuz" op. 52) für Violoncello und Orchester op. 61 Julius Berger - Violoncello Nationales Rundfunk-Sinfonieorchester Polen Antoni Wit - Dirigent
11:45
Max Bruch - Double concerto for violin (clarinet) and viola. Alena Baeva, Yuri Bashmet
Max Bruch - Double concerto for violin (clarinet) and viola. Alena Baeva, Yuri Bashmet
Alena BAEVA (violin) Yuri BASHMET (viola) 2009
25:48
MAX BRUCH - "Scottish Fantasy" - Violin Concerto No.1, Op. 46 - Heifetz/Sargent/New London Symphony
MAX BRUCH - "Scottish Fantasy" - Violin Concerto No.1, Op. 46 - Heifetz/Sargent/New London Symphony
Max Bruch was born in Cologne into a musical family. His mother, a famous singer, taught him in his early years. He studied in Bonn and composed over 70 pieces of music between his nineth and fourteenth years, and he climaxed this achievement by winning a four-year scholarship to the Mozart Foundation in Frankfurt. He taught and played music as concertmaster in an orchestra for some years and then settled down to a life of composing, conducting, and occasional teaching. He spent ten years working on his G-minor violin concerto, and even after its première he made further revisions to it with much help from the famous violinist Joseph Joachim. When it was played in Liverpool, England, its success was overwhelming. Bruch was invited to conduct the Liverpool Philharmonic Orchestra for three years (1880 -- 1883). However, the orchestra members disliked the foreigner with the heavy German accent and the little oval spectacles; Bruch turned out to be a martinet, and they were relieved to see him leave. While in Liverpool, he met and married the singer Clara Tuczek. He returned to Germany and spent the rest of his working life composing and accepting invitations as guest conductor. After 1910 he lived in retirement in Friedenau, near Berlin, until his death. Max Bruch is often referred to as a "one-work composer" because his G-minor violin concerto is extremely popular and his other works are seldom played. However, he wrote a great deal of other music in many fields - three <b>...</b>
10:24
Kol Nidre / Max Bruch
Kol Nidre / Max Bruch
Kol Nidre (All Vows) is the traditional music played on the eve of the holiest Jewish holiday, Yom Kippur. This piece features Jacqueline du Pré (cello), Gerald Moore (piano), Ray Jesson (organ),Osian Ellis (harp), and John Williams (guitar). The writings, visual arts, and photography in this presentation are the creations of Matthew Schwartz.
24:53
Max Bruch: Violin Concerto n. 1 op. 26 - Akiko Suwanai (諏訪内晶子)
Max Bruch: Violin Concerto n. 1 op. 26 - Akiko Suwanai (諏訪内晶子)
Akiko Suwanai (諏訪内晶子) plays the Bruch's Violin Concerto op.26 Eliahu Inbal conducts the Orchestra Sinfonica Nazionale della Rai Turin, 1998
8:14
Bruch violin concerto 1.1
Bruch violin concerto 1.1
JJ playz da Bruch. (^_^) + ME/HO .Vorspiel-Allegro moderato.
8:15
József Lendvay: Max Bruch, Violin concerto g minor op 26. 1st movement
József Lendvay: Max Bruch, Violin concerto g minor op 26. 1st movement
Violin concerto No 1 g minor op. 26 by Max Bruch. First movement: Prelude Allegro moderato. Played by Hungarian violinist József Lendvay, Saarbrücken Broadcast Orchestra (Germany) conducted by Günther Herbig.
28:27
Max Bruch - String Quartet No. 2 in E Major Op. 10 (1861)
Max Bruch - String Quartet No. 2 in E Major Op. 10 (1861)
String Quartet No. 2 by Max Bruch. Performed by the Quartetto Academica. I. Allegro Maestoso - Un Poco Piu Vivo - 00:00 II. Andante Quasi Adagio - 9:40 III. Vivace Ma Non Troppo - 16:18 IV. Finale - Vivace - 22:20 Writing in Cobbett's Cyclopedic Survey of Chamber Music, Wilhelm Altmann, the respected chamber music critic notes that all of Bruch's chamber music is distinguished by its beauty of tone. The Second Quartet is particularly effective. The themes to the opening movement, Allegro maestoso, is full of vigor and sport a Mendelssohnian aura. The breadth of the movement approaches the orchestral. A slow movement, Andante quasi adagio, follows. It begins as a simple song, but Bruch exhibits a mastery of form in the wealth of elaboration with which he treats it. The middle section provides a particularly fine contrast. The main theme of the scherzo-like third movement, Vivace ma non troppo, has a very powerful and original rhythm which carries all before it. There are two fine trios, the first smooth and flowing, the second also with an unusual rhythm. The lively finale, Vivace, moves forward with great élan to conclude what is a first rate work, particularly so for a young man of 23.
7:20
Max Bruch. Violin concerto in g minor (3rd movement)
Max Bruch. Violin concerto in g minor (3rd movement)
Yang,Xi Violin Raleigh Symphony Orchestra
7:45
Max Bruch Violin Concerto No.1 in G minor, Op 26 Ⅰ.Prelude Allegro moderato
Max Bruch Violin Concerto No.1 in G minor, Op 26 Ⅰ.Prelude Allegro moderato
Wolfgang Schneiderhan(Violin) Bamberg Symphony Orchestra / Ferdinand Leitner
8:04
Max Bruch Violin Concerto G minor op. 26 , I mov - Werner von Schnitzler
Max Bruch Violin Concerto G minor op. 26 , I mov - Werner von Schnitzler
Max Bruch Violin Concerto g moll, g minor op. 26 , I mov - Werner von Schnitzler - violin ; Radio Sinfonie Orchester Hilversum ; Jan Stulen - dirigent
26:01
MAX BRUCH - Violin Concerto No, 1 in G Minor. Op. 26. - SHLOMO MINTZ/Claudio Abbado/Chicago Symphony
MAX BRUCH - Violin Concerto No, 1 in G Minor. Op. 26. - SHLOMO MINTZ/Claudio Abbado/Chicago Symphony
For more information on violinis, Shlomo Mintz, please go to his official website at: www.shlomo-mintz.com Shlomo Mintz (born October 30, 1957) is an Israeli violin virtuoso, violist and conductor. He regularly appears with orchestras and conductors on the international scene and is heard in recitals and chamber music concerts around the world Biography. Shlomo Mintz was born in Moscow. In 1959, at the age of two, his family immigrated to Israel, where he studied with Ilona Feher, one of the last representatives of the Central European Violin School. Feher introduced Shlomo Mintz to Isaac Stern, who became his mentor. He was also a student of Dorothy Delay in New York. Conducting career. At the age of eighteen, Shlomo Mintz added the role of conductor to his artistic endeavours and has since conducted acclaimed orchestras worldwide, such as the Royal Philharmonic Orchestra (United Kingdom), the NHK Symphony Orchestra (Japan) and the Israel Philharmonic Orchestra. He was Music Advisor of the Israel Chamber Orchestra from 1989 to 1993 and in March 1994 he was named Artistic Advisor and Principal Guest Conductor of the Maastricht Symphony Orchestra (The Netherlands). He led the orchestra in weeks of concerts during four seasons, including some as both conductor and violin soloist. In 2008 Shlomo Mintz was named Principal Guest Conductor of the Zagreb Philharmonic Orchestra. Teaching career Mintz is one of the founders of the Keshet Eilon International Violin Mastercourse in <b>...</b>
8:46
Max Bruch. violin concerto in g minor (1st movement)
Max Bruch. violin concerto in g minor (1st movement)
Yang Xi violin Raleigh Symphony Orchestra Alan Neilson conductor
6:35
Max Bruch - Violin Concerto No. 1 Op. 26 (part 1) Allegro moderato
Max Bruch - Violin Concerto No. 1 Op. 26 (part 1) Allegro moderato
Max Bruch - Violin Concerto No. 1 Op. 26 (part 1) Allegro moderato. Violin - Stepan Grytsay (13 years). Director, camera : Roman Grytsay. Salta, Argentina - 18/04/2010.
8:19
Max Bruch, Violin Concerto in G Minor, Opus 26, 1st mvt
Max Bruch, Violin Concerto in G Minor, Opus 26, 1st mvt
Max Bruch, Violin Concerto in G Minor, Opus 26, 1st mvt May 16 ,2006 Caeli Smith; Olney Symphony Orchestra
10:32
Jacqueline du Pré - Kol nidrei Op. 47 - Max Bruch + ..Y Sevilla
Jacqueline du Pré - Kol nidrei Op. 47 - Max Bruch + ..Y Sevilla
Max Bruch Kol nidrei Op. 47 Jacqueline du Pré Gerald Moore (piano) Ray Jesson (organ) Osian Ellis (harp) and John Williams (guitar) Sevilla Images
12:52
MAX BRUCH KOL NIDREI ORIGINAL VERSION MISHA MAISKY cello SAN PETERSBURGH Philh.Orch.
MAX BRUCH KOL NIDREI ORIGINAL VERSION MISHA MAISKY cello SAN PETERSBURGH Philh.Orch.
Kol Nidrei, Op. 47 (also known as All Vows), is a composition for cello and orchestra written by Max Bruch. Bruch completed the composition in Liverpool, England, before it was first published in Berlin in 1881. It is styled as an Adagio on 2 Hebrew Melodies for Cello and Orchestra with Harp and consists of a series of variations on two main themes of Jewish origin. The first theme, which also lends the piece its title, comes from the Kol Nidre prayer which is recited during the evening service on Yom Kippur. In Bruch's setting of the melody, the cello imitates the rhapsodic voice of the hazzan who chants the liturgy in the synagogue. The second subject of the piece is quoted from the middle section of Isaac Nathan's arrangement of "O Weep for Those that Wept on Babel's Stream", a lyric which was penned by Lord Byron in a collection called Hebrew Melodies (which also included the famous poem "She Walks in Beauty"). Bruch was a Protestant and first became acquainted with the Kol Nidre melody when his teacher Ferdinand Hiller introduced him to the Lichtenstein family, the head of which served as the cantor-in-chief of Berlin. Cantor Abraham Jacob Lichtenstein was known to have cordial relations with many Christian musicians and supported Bruch's interest in Jewish folk music. While some commentators have criticized the dearth of Jewish sentiment in Bruch's concert-hall Kol Nidrei, Bruch never presumed to write Jewish music. He only wished to incorporate Jewish inspirations <b>...</b>
8:05
József Lendvay: Max Bruch, Violin concerto g minor op 26. 2nd movement
József Lendvay: Max Bruch, Violin concerto g minor op 26. 2nd movement
Violin concerto No 1 g minor op. 26 by Max Bruch. Second movement: Adagio. Played by Hungarian violinist József Lendvay, Saarbrücken Broadcast Orchestra (Germany) conducted by Günther Herbig.
10:39
Pierre Fournier "Kol Nidrei, op. 47" Max Bruch
Pierre Fournier "Kol Nidrei, op. 47" Max Bruch
Kol Nidrei, op. 47, Adagio on Hebrew Melodies for Violoncello and Orchestra by Max Bruch (1838-1920) Pierre Fournier, cello Orchestre Lamoureux, Paris Jean Martinon, conductor
6:49
Max Bruch: Double Concerto for Clarinet & Viola 1 mov.
Max Bruch: Double Concerto for Clarinet & Viola 1 mov.
Max Bruch: Double Concerto for Clarinet & Viola, Op.88 (1911) Mov.I: Andante con moto Clarinet: Yevgeny Yehudin Principal Clarinet of Israel Philharmonic Orchestra Viola: Yuri Bashmet-Orchestra: The Israel Philharmonic Orchestra live recording 2001 Conductor:Yoel Levi yevgenyyehudin.com
