This article Dhar, the Indian city. For the Kashmiri caste, see Dhar (surname).

Dhar
—  city  —
Dhar Location of Dhar in Madhya Pradesh and India
Coordinates	22°36′N 75°18′E / 22.6°N 75.3°E / 22.6; 75.3Coordinates: 22°36′N 75°18′E / 22.6°N 75.3°E / 22.6; 75.3
Country	India
State	Madhya Pradesh
District(s)	Dhar
Population	75,472 (2001[update])
Time zone	IST (UTC+05:30)
Area • Elevation	• 559 metres (1,834 ft)

A street in Dhar

Dhār (Hindi/Marathi: धार) is located in the Malwa region of western Madhya Pradesh state in central India. It is the administrative headquarters of Dhar District. The town is located 33 miles (53 km) west of Mhow, 908 ft (277 m) above sea level. It is picturesquely situated among lakes and trees surrounded by barren hills, and possesses, besides its old ramparts, many interesting buildings, both Hindu and Muslim, some of them containing records of cultural and historical importance.

Amusement and Festivals[link]

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Dhar district has been on the cultural map of India since time immemorial. People used to engage themselves in fine arts such as painting, sculpture, music, dancing, etc. Many of the Bagh cave paintings of the Gupta period have now been destroyed but whatever remain tell us about the high attainment during that period. There is a beautiful painting regarding music and dance, which is an example of the oriental Hallisak dance. The depiction of nature in its affluent forms, together with male and female figures in various emotional poses is the treasure of these caves. The construction of magnificent buildings, forts, temples, mosques, etc., during the medieval period at Dhar, Mandu and the surroundings indicate the engagements and amusements of the people of those days.

Young people even today draw inspiration from the famous love story of Baaz-Bahadur and Roopmati. In literature, music, dance, painting and sculpture Dhar has a very rich heritage.

During the middle of the 16th century, the science of music had attained considerable perfection in Malwa and it is said that Baaz Bahadur devoted himself to its cultivation and encouragement. His attachment to Rani Roopmati at that time become famous and the "Loves of Baaz Bahadur and Roopmati " have been handed down to posterity in song.

In rural areas, community bhajan singing at the village chaupals in the night with the accompaniment of harmonium (peti) mridang, tabala, dholak-manjire, mandal, zanch, kundi, thali, payli and dhak is the most common amusement. Vasant Pnchmi, Maha Shivaratri, Holi, Ramnavmi, Raksha-Bandhan, Nag-Panchmi, Janmashtami, Ganesh Chaturthi, Anant Chaturdashi, Sarva Pitri Amavsya, dusshera, Deepawali, Dol Gyaras, Hanuman Jayanti, etc., are celebrated with great religious zeal and enthusiasm by the Hindus Shradha Paksha (fortnight) is celebrated from poornima of Bhadra to amavasya Kunwar.

Popular festivals of Muslims include muharram, Id, Miladunabi, etc., which they celebrate with their traditional gaiety.

Christians celebrate Christmas and Good Friday and Jains, Mahavir Jayanti and Paryooshan etc. In some castes, Radeoji and Tejaji are worshipped once in a year on their jayantis and their respective kathas are performed. The dates of celebration are different in the various tahsils.

Pilgrim Centres and Jatras[link]

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There are many religious places scattered throughout the district where people congregate at annual fairs arranged on auspicious occasions.

Dhar district has 5 tahsils inclucing Dhar itself, namely Badnawar, Sardarpur, Dhar, Dharampuri and Manawar.

Koteshwar, Khakrol and Badnawar are located in Badnawar tahsil; Bhopawar, Sagwal and Amjhera are located in Sardarpur tahsil; Mandu, Kesur Dhar and Sagor are located in Dhar tahsil; Lingwa and Kotda in Kukshi tahsil, Dhamnod in Dharampuri tahsil, Manawar, Bakaner and Singhana in Manawar tahsil, are a few out of a total about 40 such pilgrim centres.

Hanuman jayanti and Shivratri respectively attract thousands of pilgrims from the interiors of the District and outside, to the places of worship where special worship is offered to the concerned deities.

Gal and Hazrat Biyabani Yatra, Shantinathji ka Mela, Tejaji ka Mela, Ambikaji ka Mela, Urs Kamal-ud-din and Gular Shah Urs attract thousands of followers.

Mother goddess in various forms is worshipped with special reverence. Ambika Devi (Dhar and Dhammod) Mangala Devi (Manawar) Shitalamata Devi (Bakaner) Harsiddhi Mata (Singhana) and Jagni Mata (Jhiriya pura), are a few examples.

Mandu is the place where Jehangir came and stayed with Nur Jehan. He was accompanied by Sir Thomas Roe, the English ambassador. Jehangir wrote "I know of no place so pleasant in climate and so pretty in scenery as Manu in the rainy season. Shah Jahan too spent the rainy season of the year 1622 in Mandu. The famous Ram Navami fair is organised here by the mahant of the temple on Chaitra Sudi (March/April), in which thousands of people participate.

Historic Places and Monuments[link]

One of few remaining portions of the Paramāra-period ramparts at Dhār

Plan of the historic parts of Dhār showing disposition of the ramparts and moat

Ramparts and Circular City. The most ancient parts of Dhār presently visible are the massive earthen ramparts which are best preserved on the western and southern sides of the town. These were probably built beginning in the ninth century and show that the city was circular in plan and surrounded by a series of tanks and moats. The layout is similar to the circular city of Warangal in the Deccan. The circular ramparts of Dhār, unique in north India and an important legacy of the Paramāras, is presently being destroyed by brick-makers and others using the material for construction purposes. On the north-east side of the town, the rampart and moat have disappeared beneath modern homes and other buildings.

Fort. The historic parts of the town are dominated by an impressive sandstone fortress on a small hill. It is thought to have been built by Muhammad bin Tughluq, the Sultan of Delhi, probably on the site of the ancient Dhārāgiri mentioned in early sources.^[1] One of the gateways, added at a later time, dates to 1684-85 in the time of 'Ālamgīr.^[2] Inside the fort is a deep rock-cut cistern, of great age, and a later palace of the Mahārāja of Dhār incorporating an elegant pillared porch of the Mughal period that probably belongs to the mid-seventeenth century. In the palace area is an outdoor museum with a small collection of temple fragments and images dating to medieval times.

Tomb of Shaykh Changāl. On the over-grown ramparts of the medieval city, overlooking the old moat, is the tomb of Shaykh ‘Abdullah Shāh Changāl, a warrior saint. He perhaps hailed from Changal in central Asia. The tomb has been rebuilt, but the inscription, now incorporated into the compound gate, is written in Persian and dated 1455. A record of historical interest, it recounts the Shaykh's arrival in Dhār in the 13th century and his conversion of Bhoja to Islām after the local people had committed an atrocity against the small community of Muslims who had settled in the city.^[3] The story probably refers to Bhoja II, the last Paramāra king who ruled around 1285.

Lāṭ Masjid. The Lāṭ Masjid or 'Pillar Mosque', to the south of the town like the tomb of Shaykh Changāl, was built as the Jami' Mosque by Dilāwar Khān in 1405.^[4] It derives its name from a pillar (lāṭ) made of iron which is supposed to have been set up in the 11th century.^[5] The pillar, which was nearly 13.2 m high according to the most recent assessment, is fallen and broken; the three surviving parts are displayed on a small platform outside the mosque. It carries a later inscription recording a visit of the Mughal emperor Akbar in 1598 while on campaign towards the Deccan. The pillar's original stone footing is also displayed nearby.

Kamāl Maula Campus. The Kamāl Maula is a spacious enclosure containing four tombs, the most notable being that of Shaykh Kamāl Maulavi or Kamāl al-Dīn (circa 1238-1330). He was a follower of Farīd al-Dīn Gaṅj-i Shakar (circa 1173-1266, see Fariduddin Ganjshakar) and the famous Chishti saint Nizamuddin Auliya (1238–1325). Some details about Kamāl al-Dīn are recorded in Muḥammad Ghauthi's Azkar-i Abrar, a reliable hagiography of Sufi saints composed in 1613.^[6] The cloak presented to Kamāl al-Dīn by Nizam al-Dīn is still displayed inside the tomb. The custodians of Kamāl al-Dīn’s tomb have served in an unbroken lineage for 700 years and are still resident.

Bhoj Shala. The hypostyle hall immediately next the tomb of Kamāl Maula is made of re-cycled temple columns and other architectural parts except for the Mihrab and Minbar which were purpose-built for the monument. It is similar to the Lāṭ Masjid though earlier in date as an inscription of A.H. 795/C.E. 1392 found nearby records repairs by Dilāwar Khān.^[7] A Sanskrit and Prakrit inscription from the time of Arjunavarman (circa 1210-15) was found in the walls of the building in 1903 by K. K. Lele, Superintendent of Education in the Princely State of Dhār. The inscription, which is engraved with exceptional beauty, is displayed inside the entrance. The text includes part of a drama called Vijayaśrīnāṭikā composed by Madana, the king's preceptor who also bore the title 'Bālasarasvatī'.^[8] The other inscribed tablets recovered by Lele, among them a serpentine inscription giving grammatical rules of the Sanskrit language. The finds, particularly of the grammatical inscription, prompted Lele to describe the building as the Bhoj Shala or 'Hall of Bhoja', because King Bhoja (circa 1000-55) was the author of a number of works on poetics and grammar, among them the Sarasvatīkaṇṭhābharaṇa or 'Necklace of Sarasvatī'.^[9] The term 'Bhoj Shala' was first published by Luard in 1908.^[10] The subsequent controversy surrounding the building and its identity is discussed under Bhoj Shala.

Cenotaphs and Old City Palace. The old city palace of the Pawar Rājputs at Dhār, now used as a school, is a modest building put up in the late 19th century. A marble statue of the Jain goddess Ambikā, found in 1875 on the site of the city palace is now in the British Museum.^[11] Of the same period as the palace are a collection of domed cenotaphs of the Pawar rulers on the edge of the large tank known as Muñj Talab. The name of the tank probably derives from Vākpati Muñja (circa 895-920), the Paramāra king who first entered Mālwa and made Ujjain his main seat.^[12]

Museum. A number of sculptures and antiquities from Dhār and its neighborhood are kept in the local museum, a utilitarian stone building in the British style of the late 19th century. The most important pieces from the collection have been moved to Mandu where the Department of Archaeology, Museums and Archives has created a new museum with a wide range of displays.

Jheera Bagh Palace

Jheera Bagh. Outside the town, off the road to Māṇḍū, the Pawars built a palace at Hazīra Bāgh from the 1860s. Known as the Jheera Bāgh Palace and presently run as a heritage hotel, the complex was renovated by Mahārāja Anand Rao Pawar IV in the 1940s. Graciously designed in an unpretentious art deco style, it is one of the most elegant and forward-looking examples of early modern architecture in north India.

Political History[link]

The town of Dhār, the name of which is usually derived from Dhārā Nagara ('city of sword blades'), is of considerable antiquity, the first reference to it appearing from Jaunpur of the Maukhari dynasty.^[13] Despite this sixth century reference, Dhār only rose to historical prominence when it was made the seat of the Paramara chiefs of Malwa by Vairisiṃha (circa 920-45 CE). He appears to have transferred his headquarters hither from Ujjain. During the rule of the Paramāras, Dhār became famous throughout India as a centre of culture and learning, especially under king Bhoja (circa 1000-1055). The wealth and splendor of Dhār drew the attention of competing dynasties during the 11th century. The Cāḷukyas of Kalyāṇa under Someśvara I (circa CE 1042-68) captured and burnt the city, occupying also Māṇḍū (ancient Māṇḍava).^[14] Slightly later Dhār was sacked by the Cāḷukyas of Gujarāt under Siddharāja.^[15] The devastation and political fragmentation caused by these wars meant that no significant opposition was offered when Sultān of Delhi, Ala ud din Khilji dispatched an army to Mālwa in the early 14th century. The region was annexed to Delhi and Dhār made the capital of the province under 'Ayn al-Mulk Mūltānī. He served as governor until 1313.^[16] Events during the following seventy years are unclear, but some time in A.H. 793/C.E. 1390-91 Dilawar Khan was appointed muqṭi' of Dhār (and so governor of Mālwa) by Sulṭān Muḥammad Shāh.^[17] Dilāwar Khān took the title 'Amīd Shāh Dā'ūd and caused the khutba to be read in his name in A.H. 804/C.E. 1401-02, thereby establishing himself as an independent sulṭān.^[18] On his death in 1406, his son Hoshang Shah became king with his capital at Māṇḍū. Subsequently, in the time of Akbar, Dhār fell under the dominion of the Mughals, in whose hands it remained till 1730, when it was conquered by the Marathas.

In late 1723, Bajirao at the head of a large army and accompanied by his trusted lieutenants, Malharrao Holkar, Ranoji Shinde (Scindia) and Udaji Rao Pawar, swept through Malwa. A few years earlier the Mughal Emperor had been forced to give the Marathas the right to collect chauth taxes in Malwa and Gujarat. This levy added much value to the Marathas, as both the king Shahu and his Peshwa, Bajirao, were ear-deep in debt. The revenues they collected from their own lands were not sufficient to run the administration of the state and finance their large military expenditure. The Marathas lived by the sword and trade was alien to them. Agriculture in the Deccan depended heavily on the timeliness and sufficiency of the monsoons. The most important source of money were therefore the chauth (a 25% tax on produce) and sardeshmukhi (a ten percent surcharge) exacted by the Marathas. The Maratha armies defeated the Mughal governor and attacked the capital Ujjain. Bajirao established military outposts in the country as far north as Bundelkhand.

Towards the close of the 18th and in the early part of the 19th century, the state was subject to a series of spoliations by Scindia of Gwalior and Holkar of Indore, (descendants of Ranoji Scindia and Malharao Holkar). It was only preserved from annihilation by the talents and courage of the adoptive mother of the fifth raja.

British rule[link]

After the third Anglo-Maratha war, of 1818, Dhar passed under British rule. Dhar became a princely state of British India, in the Bhopawar Agency of the Central India Agency. It included many Rajput and Bhil feudatories, and had an area of 1,775 square miles (4,600 km²). The state was confiscated by the British in the Revolt of 1857, but in 1860 was restored to Raja Anand Rao III Pawar, then a minor, with the exception of the detached district of Bairusia, which was granted to the Begum of Bhopal. Anand Rao, who received the personal title Maharaja and the KCSI in 1877, died in 1898; he was succeeded by Udaji Rao II Pawar.

Demographics[link]

As of 2001 India census,^[19] Dhar had a population of 75,472. Males constitute 52% of the population and females 48%. Dhar has an average literacy rate of 70%, higher than the national average of 59.5%: male literacy is 76% and, female literacy is 63%. In Dhar, 14% of the population is under 6 years of age. Hindi is the main language today, but having been a Maratha state, Marathi is spoken and understood widely. Malvi is the regional language.

Notable natives[link]

Baji Rao II the last of the Peshwas was born in Dhar.^[20]

See also[link]

• Mohankheda

External links[link]

Wikimedia Commons has media related to: Dhar

• Dhar District governmental website
• Dhar at the Islamic Monuments of India Photographic Database
• Genealogy of the Ponwar ruling family of Dhar
• More Information about Mandu near Dhar

References[link]

1. ^ K. K. Lele, in Dikshit, Pārijātamañjarī, p. xxi, n. 1,
2. ^ Annual Report on Indian Epigraphy (1971-72): 81, no. D. 72.
3. ^ G. H. Yazdani, ‘The Inscription on the Tomb of ‘Abdullah Shāh Changāl at Dhār’ Epigraphica Indo-Moslemica (1909-10): 1-5.
4. ^ Annual Report on Indian Epigraphy (1971-72): 81, no. D. 73
5. ^ V. A. Smith, 'The Iron Pillar of Dhār', Journal of the Royal Asiatic Society (1898): 143-46; Amitava Ray, S. K. Dhua, R. R. Prasad, S. Jha, S. Banerjee, 'The ancient 11th century iron pillar at Dhar, India: a microstructural insight into material characteristics', Journal of Materials Science, Letters 16 (1997): 371–375.
6. ^ Muḥammad Ghauthi Mandawi, Azkar-i abrar, Urdu Tarjuma-i Gulzar-i Abrar, trans. Fazl Ahmad Jewari [Urdu lithograph] (Agra: Matba`-i Mufid-i `Amm, 1326/1908, reprint ed., Lahore: Islamic Book Foundation, 1395/1975): 581. The key modern works in Rām Sevak Garg, Hazrat maulānā kamāluddīn ciśtī rah. aur unkā yug (Bhopāl, 2005).
7. ^ Luard, Dhar and Mandu (Bombay, 1916): 9; U. N. Day, Medieval Malwa (Delhi, 1969): 15, n. 2.
8. ^ S. K. Dikshit, ed., Pārijātamañjarī alias Vijayaśrī by Rāja-Guru Madana alias Bāla-Sarasvatī (Bhopal, 1968).
9. ^ R. Birwé, ‘Nārāyaṇa Daṇḍanātha's Commentary on Rules III.2, 106-121 of Bhoja's Sarasvatīkaṇṭhābharaṇa’, Journal of the American Oriental Society 84 (1964): 150-62.
10. ^ C. E. Luard, Western States (Mālwā). Gazetteer, 2 parts. The Central India State Gazetteer Series, vol. 5 (Bombay, 1908): part A, pp. 494-500; also Luard, Dhar and Mandu, p. 9
11. ^ Kirit Mankodi, ‘A Paramāra Sculpture in the British Museum: Vāgdevī or Yakshī Ambikā?’, Sambodhi 9 (1980-81): 96-103.
12. ^ H. V. Trivedi, Inscriptions of the Paramāras, Chandellas, Kachchhapaghātas and Two Minor Dynasties, Corpus Inscriptionum Indicarum, volume 7 (New Delhi, 1978-91): 9.
13. ^ J. F. Fleet, Inscriptions of the Early Gupta Kings and their Successors, Corpus Inscriptionum Indicarum, vol. 3 (Calcutta, 1888): 228 (line 6). Hans T. Bakker, 'The So-Called Jaunpur Inscription of Īśvaravarman', Indo-Iran Journal 50 (2009): 207-16 shows that inscription belongs not to Īśvaravarman but to Īśānavarman or one of his successors.
14. ^ G. Yazdani, ed., The Early History of the Deccan, 2 vols. (London, 1960) 1: 331 according to the Nander inscription (dated CE 1047) and Nāgai inscription (dated CE 1058).
15. ^ A. K. Majumdar, Chalukyas of Gujarat (Bombay, 1956): 72-3.
16. ^ Iqtidar Husain Siddiqui, Authority and Kingship under the Sultans of Delhi (Delhi, 2006): 283-84.
17. ^ Day, Medieval Malwa, p. 13.
18. ^ Day, Medieval Malwa, p. 21.
19. ^ "Census of India 2001: Data from the 2001 Census, including cities, villages and towns (Provisional)". Census Commission of India. Archived from the original on 2004-06-16. http://web.archive.org/web/20040616075334/http://www.censusindia.net/results/town.php?stad=A&state5=999. Retrieved 2008-11-01. 
20. ^ Columbia-Lippincott Gazeteer p. 510

 This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press. 

Ḑ

Sandeepa Dhar
Born	Srinagar, Kashmir, India
Residence	Mumbai, Maharashtra, India
Ethnicity	Indian[1]
Occupation	Model, Actress
Years active	2010–present
Spouse	None

Sandeepa Dhar (Kashmiri: संदीपा धर (Devanagari), سندیپا دھر (Nastaleeq)) is an Indian actress.^[1] Sandeepa made her acting debut in the 2010 Hindi film Isi Life Mein.^[2][3] For her performance in the film, she was nominated for the Filmfare Award for Best Female Debut, Star Screen Award for Most Promising Newcomer and Stardust Award for Superstar of Tomorrow.

Early life and background[link]

This biographical section of an article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (January 2012)

Sandeepa was born in Srinagar, Kashmir, India. She did her schooling from National Public School in Bengaluru and completed her graduation in advertising from St. Xavier's College, Mumbai.

Career[link]

In 2010, Sandeepa Dhar made her cinematic debut in Rajshri Production's Hindi film Isi Life Mein opposite actor Akshay Oberoi. Her performance was well received, earning the actress a best newcomer nomination at the Star Screen, Filmfare and Stardust Awards. Taran Adarsh praised her performance in the film saying, "Sandeepa Dhar is another talent that catches your attention."^[4]

Awards and nominations[link]

• Nominated - Filmfare Best Female Debut Award
• Nominated - Star Screen Award for Most Promising Newcomer – Female^[5]
• Nominated - Stardust Award for Superstar of Tomorrow – Female^[6]

Filmography[link]

Advertisements - Conversations by Tanishq

References[link]

External links[link]

• Sandeepa Dhar at the Internet Movie Database

Akshay Kumar
Akshay Kumar in 2009
Born	Rajiv Hari Om Bhatia (1967-09-09) 9 September 1967 (age 44) Amritsar, Punjab, India
Occupation	actor, producer, presenter
Years active	1991–present
Spouse	Twinkle Khanna (2001–present)

Akshay Kumar (born Rajiv Hari Om Bhatia^[1] on 9 September 1967^[1]) is an Indian film actor, producer, comedian and martial artist who has appeared in over a hundred Hindi films. He has nominated for Filmfare Award several times and won two times. When he began his acting career in the 1990s, he primarily starred in action films and was particularly known for his appearances in feature films commonly called the "Khiladi series", which included Khiladi (1992), Main Khiladi Tu Anari (1994), Sabse Bada Khiladi (1995), Khiladiyon Ka Khiladi (1996), Mr. and Mrs. Khiladi (1997), International Khiladi (1999), and Khiladi 420 (2000), as well as other action films such as Waqt Hamara Hai (1993), Mohra (1994), Elaan (1994) and Suhaag (1994).^[2]

Later he also gained fame for his drama, romance and comic roles.^[3] He started becoming known for his performances in romance films like Yeh Dillagi (1994) and Dhadkan (2000) as well as drama films such as Ek Rishtaa (2001). His comic performances in comedy films such as Hera Pheri (2000), Mujhse Shaadi Karogi (2004), and Garam Masala (2005) met with acclaim. His success further rose in 2007, when he starred in four consecutive commercial hits. He has thus established himself as one of the leading actors in Hindi cinema.

Apart from acting, Kumar worked as a stunt actor; he often performed many dangerous stunts in his films,^[4] which earned him a reputation as the "Indian Jackie Chan".^[2] 2008 marked his television debut as the host of the show Fear Factor – Khatron Ke Khiladi. In 2009, Kumar founded the Hari Om Entertainment production company.^[5] In 2008, the University of Windsor conferred an Honorary Doctorate of Law on Kumar in recognition of his contribution to Indian cinema. The following year he was awarded the Padma Shri by the Government of India. In 2011 Asian Film Awards honored Kumar for his outstanding achievement in Cinema.^[3]