A 13-digit ISBN, 978-3-16-148410-0, as represented by an EAN-13 bar code.

The International Standard Book Number (ISBN) is a unique^[1][2] numeric commercial book identifier based upon the 9-digit Standard Book Numbering (SBN) code created by Gordon Foster, Emeritus Professor of Statistics at Trinity College, Dublin,^[3] for the booksellers and stationers W. H. Smith and others in 1966.^[4]

The 10-digit ISBN format was developed by the International Organization for Standardization (ISO) and was published in 1970 as international standard ISO 2108.^[4] (However, the 9-digit SBN code was used in the United Kingdom until 1974.) An SBN may be converted to an ISBN by prepending the digit '0'. Currently, the ISO's TC 46/SC 9 is responsible for the ISBN. The ISO on-line facility only refers back to 1978.^[5]

Since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland EAN-13s.^[6]

Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure; however, this can be rectified later.^[7]

A similar numeric identifier, the International Standard Serial Number (ISSN), identifies periodical publications such as magazines.

Overview[link]

An ISBN is assigned to each edition and variation (except reprintings) of a book.^[8] The ISBN is 13 digits long if assigned after January 1, 2007, and 10 digits long if assigned before 2007. An International Standard Book Number consists of 4 or 5 parts:

The parts of a 10-digit ISBN and the corresponding EAN‑13 and barcode. Note the different check digits in each. The part of the EAN‑13 labeled "EAN" is the Bookland country code.

1. for a 13-digit ISBN, a GS1 prefix: 978 or 979 (indicating the industry; in this case, 978 denotes book publishing)^[9]
2. the group identifier, (language-sharing country group)^[10]
3. the publisher code,^[11]
4. the item number (title of the book),^[11] and
5. a checksum character or check digit.^[11]

The ISBN separates its parts (group, publisher, title and check digit) with either a hyphen or a space. Other than the check digit, no part of the ISBN will have a fixed number of digits.^[12]

ISBN issuance[link]

International Standard Book Numbers issuance is country specific, and is tailored for each country's national goals. In Canada the stated purpose of issuing International Standard Book Numbers for no cost was to encourage Canadian culture. In the United Kingdom and United States apparently the issuing of International Standard Book Numbers has become a profit center for the companies involved. Whether or not any of the profits accrue to the taxpayers is not known.

Australia: In Australia ISBNs are issued by the commercial library services agency Thorpe-Bowker, and prices range from $A40 for a single ISBN (plus a $A55 registration fee for new publishers) through to $2,750 for a block of 1,000 ISBNs.^[13]

Canada: In Canada Library and Archives Canada, a government agency, is the responsible entity, and there is no cost.

United Kingdom and Ireland: In the United Kingdom and Ireland the privately held company, Nielsen Book Services, part of Nielsen Holdings N.V., is the responsible entity, and there is a charge. ISBNs are sold in lots of ten or more.

United States: In the United States the privately held company R. R. Bowker is the responsible entity, and there is a charge, which varies depending upon the number of ISBNs purchased, with prices ranging from $125.00 for a single number.^[14]

Publishers and authors in other countries need to obtain ISBNs from their local ISBN Agency. A directory of ISBN Agencies is available on the International ISBN Agency website.

Group identifier[link]

The group identifier is a 1 to 5 digit number. The single digit group identifiers are: 0 or 1 for English-speaking countries; 2 for French-speaking countries; 3 for German-speaking countries; 4 for Japan; 5 for Russian-speaking countries, 7 for People's Republic of China. An example 5 digit group identifier is 99936, for Bhutan. The allocated group IDs are: 0–5, 600–617, 7, 80–94, 950–989, 9927–9989, and 99901–99967.^[15] Some catalogs include books that were published with no ISBN but add a non-standard number with an as-yet unallocated 5-digit group such as 99985; this practice is not part of the standard. Books published in rare languages typically have longer group identifiers.^[9]

The original standard book number (SBN) had no group identifier, but affixing a zero (0) as prefix to a 9-digit SBN creates a valid 10-digit ISBN. Group identifiers form a prefix code; compare with country calling codes.

Publisher code[link]

The national ISBN agency assigns the publisher number (cf. the category:ISBN agencies); the publisher selects the item number. Generally, a book publisher is not required to assign an ISBN, nor is it necessary for a book to display its number (except in China; see below). However, most book stores only handle ISBN-bearing merchandise.

A listing of all the 628,000 assigned publisher codes is published, and can be ordered in book form (€558, US$915.46). The web site of the ISBN agency does not offer any free method of looking up publisher codes.^[16] Partial lists have been compiled (from library catalogs) for the English-language groups: identifier 0 and identifier 1.

Publishers receive blocks of ISBNs, with larger blocks allotted to publishers expecting to need them; a small publisher may receive ISBNs of one or more digits for the group identifier code, several digits for the publisher, and a single digit for the individual items. Once that block of ISBNs is used, the publisher may receive another block of ISBNs, with a different publisher number. Consequently, a publisher may have different allotted publisher numbers. There also may be more than one group identifier used in a country. This might occur if a popular identifier has used up all of its numbers. The cited list of identifiers shows this has happened in China and in more than a dozen other countries.

By using variable block lengths, a large publisher will have few digits allocated for the publisher number and many digits allocated for titles; likewise countries publishing much will have few allocated digits for the group identifier, and many for the publishers and titles.^[17] Here are some sample ISBN-10 codes, illustrating block length variations.

ISBN	Country or area	Publisher
99921-58-10-7	Qatar	NCCAH, Doha
9971-5-0210-0	Singapore	World Scientific
960-425-059-0	Greece	Sigma Publications
80-902734-1-6	Czech Republic; Slovakia	Taita Publishers
85-359-0277-5	Brazil	Companhia das Letras
1-84356-028-3	English-speaking area	Simon Wallenberg Press
0-684-84328-5	English-speaking area	Scribner
0-8044-2957-X	English-speaking area	Frederick Ungar
0-85131-041-9	English-speaking area	J. A. Allen & Co.
0-943396-04-2	English-speaking area	Willmann–Bell
0-9752298-0-X	English-speaking area	KT Publishing

Pattern[link]

English-language publisher codes follow a systematic pattern, which allows their length to be easily determined, as follows:^[18]

Check digits[link]

A check digit is a form of redundancy check used for error detection, the decimal equivalent of a binary checksum. It consists of a single digit computed from the other digits in the message.

ISBN-10[link]

The 2001 edition of the official manual of the International ISBN Agency says that the ISBN-10 check digit^[19] – which is the last digit of the ten-digit ISBN – must range from 0 to 10 (the symbol X is used instead of 10) and must be such that the sum of all the ten digits, each multiplied by the integer weight, descending from 10 to 1, is a multiple of the number 11. Modular arithmetic is convenient for calculating the check digit using modulus 11. Each of the first nine digits of the ten-digit ISBN – excluding the check digit, itself – is multiplied by a number in a sequence from 10 to 2, and the remainder of the sum, with respect to 11, is computed. The resulting remainder, plus the check digit, must equal 11; therefore, the check digit is 11 minus the remainder of the sum of the products.

For example, the check digit for an ISBN-10 of 0-306-40615-? is calculated as follows:

Failed to parse (Missing texvc executable; please see math/README to configure.): \begin{align} s &= (0\times 10) + (3\times 9) + (0\times 8) + (6\times 7) + (4\times 6) + (0\times 5) + (6\times 4) + (1\times 3) + (5\times 2) \\ &= 0 + 27 + 0 + 42 + 24 + 0 + 24 + 3 + 10 \\ &= 130 = 11\times 11 + 9 \end{align}

Thus the remainder is 9, the check digit is 2, and the complete sequence is ISBN 0-306-40615-2.

Formally, the check digit calculation is:

Failed to parse (Missing texvc executable; please see math/README to configure.): (10x_1 + 9x_2 + 8x_3 + 7x_4 + 6x_5 + 5x_6 + 4x_7 + 3x_8 + 2x_9 + x_{10})\mod{11} \equiv 0.

The value Failed to parse (Missing texvc executable; please see math/README to configure.): x_{10}

required to satisfy this condition might be 10; if so, an 'X' should be used.

The two most common errors in handling an ISBN (e.g., typing or writing it) are an altered digit or the transposition of adjacent digits. The ISBN check digit method ensures that these two errors will always be detected. However, if the error occurs in the publishing house and goes undetected, the book will be issued with an invalid ISBN.^[20]

Alternative calculation[link]

The simplest way to verify an ISBN is to compute a sum of the digits of the ISBN: <source lang="cpp"> // C++ bool is_isbn_valid(char digits[10]) {

   int i, a = 0, b = 0;
   for (i = 0; i < 10; i++) {
       a += digits[i];  // Assumed already converted from ASCII to 0..9
       b += a;
   }
   return b % 11 == 0;

} </source>

The ISBN-10 check-digit can also be calculated in a slightly easier way:

Failed to parse (Missing texvc executable; please see math/README to configure.): x_{10} = ( 1x_1 + 2x_2 + 3x_3 + 4x_4 + 5x_5 + 6x_6 + 7x_7 +8x_8 + 9x_9 )\, \bmod\;11.

This is simply replacing 11 with 0, and each subtraction with its complement: Failed to parse (Missing texvc executable; please see math/README to configure.): -10 \equiv 1 \mod 11,

etc.

For example, the check digit for an ISBN-10 of 0-306-40615-? is calculated as follows:

Failed to parse (Missing texvc executable; please see math/README to configure.): (1 \times 0 + 2 \times 3 + 3 \times 0 + 4 \times 6 + 5 \times 4 + 6 \times 0 + 7 \times 6 + 8 \times 1 + 9 \times 5) \, \bmod\; 11 = 145 \, \bmod\; 11 = 2

ISBN-13[link]

The 2005 edition of the International ISBN Agency's official manual^[21] covering some ISBNs issued from January 2007, describes how the 13-digit ISBN check digit is calculated.

The calculation of an ISBN-13 check digit begins with the first 12 digits of the thirteen-digit ISBN (thus excluding the check digit itself). Each digit, from left to right, is alternately multiplied by 1 or 3, then those products are summed modulo 10 to give a value ranging from 0 to 9. Subtracted from 10, that leaves a result from 1 to 10. A zero (0) replaces a ten (10), so, in all cases, a single check digit results.

For example, the ISBN-13 check digit of 978-0-306-40615-? is calculated as follows:

s = 9×1 + 7×3 + 8×1 + 0×3 + 3×1 + 0×3 + 6×1 + 4×3 + 0×1 + 6×3 + 1×1 + 5×3
  =   9 +  21 +   8 +   0 +   3 +   0 +   6 +  12 +   0 +  18 +   1 +  15
  = 93
93 / 10 = 9 remainder 3
10 –  3 = 7

Thus, the check digit is 7, and the complete sequence is ISBN 978-0-306-40615-7.

Formally, the ISBN-13 check digit calculation is:

Failed to parse (Missing texvc executable; please see math/README to configure.): x_{13} = \big(10 - \big(x_1 + 3x_2 + x_3 + 3x_4 + \cdots + x_{11} + 3x_{12}\big) \,\bmod\, 10\big) \,\bmod\, 10.

This check system – similar to the UPC check digit formula – does not catch all errors of adjacent digit transposition. Specifically, if the difference between two adjacent digits is 5, the check digit will not catch their transposition. For instance, the above example allows this situation with the 6 followed by a 1. The correct order contributes 3×6+1×1 = 19 to the sum; while, if the digits are transposed (1 followed by a 6), the contribution of those two digits will be 3×1+1×6 = 9. However, 19 and 9 are congruent modulo 10, and so produce the same, final result: both ISBNs will have a check digit of 7. The ISBN-10 formula uses the prime modulus 11 which avoids this blind spot, but requires more than the digits 0-9 to express the check digit.

Additionally, If you triple the sum of the 2nd, 4th, 6th, 8th, 10th, and 12th digits and then add them to the remaining digits (1st, 3rd, 5th, 7th, 9th, 11th, and 13th), the total will always be divisible by 10 (i.e., end in 0).

<source lang="java"> // Java public static boolean isISBN13Valid(String isbn) {

   int check = 0;
   for (int i = 0; i < 12; i += 2) {
       check += Integer.valueOf(isbn.substring(i, i + 1));
   }
   for (int i = 1; i < 12; i += 2) {
       check += Integer.valueOf(isbn.substring(i, i + 1)) * 3;
   }
   check += Integer.valueOf(isbn.substring(12));
   return check % 10 == 0;

} </source>

<source lang="php"> //PHP function is_isbn_13_valid($n){

   $check = 0;
   for ($i = 0; $i < 13; $i+=2) $check += substr($n, $i, 1);
   for ($i = 1; $i < 12; $i+=2) $check += 3 * substr($n, $i, 1);
   return $check % 10 == 0;

}</source> <source lang="ruby">

1. Ruby

def is_valid_isbn13?(isbn13)

 sum = 0
 13.times { |i| sum += i.modulo(2)==0 ? isbn13[i].to_i : isbn13[i].to_i*3 }
 0 == sum.modulo(10)

end

def isbn13_checksum(isbn12)

 sum = 0
 12.times { |i| sum += i.modulo(2)==0 ? isbn12[i].to_i : isbn12[i].to_i*3 }
 10 - sum.modulo(10)

end</source>

<source lang="python">

1. Python

def is_valid_isbn13(isbn13):

   total = sum([int(num)*weight for num, weight in zip(isbn13, (1,3)*6)])
   ck = 10-(total%10)
   return ck == int(isbn13[-1])

</source>

<source lang="cpp">

1. C/C++

bool is_valid_isbn13(char digits[13]) { int i, check=0; for (i=0; i<13; i+=2) check += digits[i]; for (i=1; i<12; i+=2) check += 3*digits[i]; return check%10==0; } </source>

Errors in usage[link]

Publishers and libraries have varied policies about the use of the ISBN check digit. Publishers sometimes fail to check the correspondence of a book title and its ISBN before publishing it; that failure causes book identification problems for libraries, booksellers, and readers.^[22]

Most libraries and booksellers display the book record for an invalid ISBN issued by the publisher. The Library of Congress catalogue contains books published with invalid ISBNs, which it usually tags with the phrase "Cancelled ISBN".^[23] However, book-ordering systems such as Amazon.com will not search for a book if an invalid ISBN is entered to its search engine.^{[citation needed]}

EAN format used in barcodes, and upgrading[link]

Currently the barcodes on a book's back cover (or inside a mass-market paperback book's front cover) are EAN-13; they may have a separate barcode encoding five digits for the currency and the recommended retail price.^[24] The number "978", the Bookland "country code", is prefixed to the ISBN in the barcode data, and the check digit is recalculated according to the EAN13 formula (modulo 10, 1x and 3x weighting on alternate digits).

Partly because of an expected shortage in certain ISBN categories, the International Organization for Standardization (ISO) decided to migrate to a thirteen-digit ISBN (ISBN-13). The process began January 1, 2005 and was planned to conclude January 1, 2007.^[25] As of 2011, all the 13-digit ISBNs begin with 978. As the 978 ISBN supply is exhausted, the 979 prefix will be introduced. This is expected to occur more rapidly outside the United States. Originally, 979 was the Musicland code for musical scores with an ISMN. However, ISMN codes will differ visually as they begin with an "M" letter; the bar code represents the "M" as a zero (0), and for checksum purposes it will count as a 3.

Publisher identification code numbers are unlikely to be the same in the 978 and 979 ISBNs, likewise, there is no guarantee that language area code numbers will be the same. Moreover, the ten-digit ISBN check digit generally is not the same as the thirteen-digit ISBN check digit. Because the EAN/UCC-13 is part of the Global Trade Item Number (GTIN) system (that includes the EAN/UCC-14, the UPC-12, and the EAN-8), it is expected that ISBN-generating software should accommodate fourteen-digit ISBNs.^[26]

Barcode format compatibility is maintained, because (aside from the group breaks) the ISBN-13 barcode format is identical to the EAN barcode format of existing ISBN-10s. So, migration to an EAN-based system allows booksellers the use of a single numbering system for both books and non-book products that is compatible with existing ISBN-based data, with only minimal changes to information technology systems. Hence, many booksellers (e.g., Barnes & Noble) migrated to EAN barcodes as early as March 2005. Although many American and Canadian booksellers were able to read EAN-13 barcodes before 2005, most general retailers could not read them. The upgrading of the UPC barcode system to full EAN-13, in 2005, eased migration to the ISBN-13 in North America. Moreover, by January 2007, most large book publishers added ISBN-13 barcodes alongside the ten-digit ISBN barcodes of books published before January 2007.^[27]

See also[link]

• ASIN (Amazon Standard Identification Number)
• CODEN (serial publication identifier currently used by libraries; replaced by the ISSN for new works)
• DOI (Digital Object Identifier)
• ESTC (English Short Title Catalogue)
• ETTN (Electronic Textbook Track Number)
• ISAN (International Standard Audiovisual Number)
• ISMN (International Standard Music Number)
• ISWC (International Standard Musical Work Code)
• ISRC (International Standard Recording Code)
• ISSN (International Standard Serial Number)
• ISWN (International Standard Wine Number)
• LCCN (Library of Congress Control Number)
• List of group-0 ISBN publisher codes
• List of group-1 ISBN publisher codes
• OCLC number (Online Computer Library Center number [1])
• Registration authority
• SICI (Serial Item and Contribution Identifier)
• Special:Booksources, Wikipedia's ISBN search page
• VD 16 (Verzeichnis der im deutschen Sprachbereich erschienenen Drucke des 16. Jahrhunderts)(in English: Bibliography of Books Printed in the German Speaking Countries of the Sixteenth Century)
• VD 17 (Verzeichnis der im deutschen Sprachraum erschienenen Drucke des 17. Jahrhunderts)(in English: Bibliography of Books Printed in the German Speaking Countries of the Seventeenth Century)

Notes[link]

External links[link]

• ISO 2108:2005 at www.iso.org
• ISBN to EAN EAS^{[disambiguation needed ]} EBS^{[disambiguation needed ]} transition at isbn.org
• Description of the ISBN to EAN upgrade process at bookweb.org
• International ISBN Agency—coordinates and supervises the worldwide use of the ISBN system.
• Numerical List of Group Identifiers List of language/region prefixes
• Free conversion tool: ISBN-10 to ISBN-13 & ISBN-13 to ISBN-10 from the ISBN agency. Also shows correct hyphenation & verifies if ISBNs are valid or not.
• RFC 3187 Using International Standard Book Numbers as Uniform Resource Names (URN)
• Implementation guidelinesPDF (51.0 KB) for the 13-digit ISBN code.

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (July 2008)

International standards are standards developed by international standards organizations. International standards are available for consideration and use, worldwide. A prominent organisation is the International Organization for Standardization.

International standards may be used either by direct application or by a process of modifying an international standard to suit local conditions. The adoption of international standards results in the creation of equivalent, national standards that are substantially the same as international standards in technical content, but may have (i) editorial differences as to appearance, use of symbols and measurement units, substitution of a point for a comma as the decimal marker, and (ii) differences resulting from conflicts in governmental regulations or industry-specific requirements caused by fundamental climatic, geographical, technological, or infrastructural factors, or the stringency of safety requirements that a given standard authority considers appropriate.

International standards are one way of overcoming technical barriers in international commerce caused by differences among technical regulations and standards developed independently and separately by each nation, national standards organisation, or company. Technical barriers arise when different groups come together, each with a large user base, doing some well established thing that between them is mutually incompatible. Establishing international standards is one way of preventing or overcoming this problem.

See also[link]

• List of technical standard organisations

References[link]

John Cleese
Cleese in 2008
Born	John Marwood Cleese (1939-10-27) 27 October 1939 (age 72) Weston-super-Mare, Somerset, England, UK
Residence	Los Angeles, California
Nationality	British
Alma mater	Downing College, Cambridge, Clifton College
Occupation	Actor, comedian
Years active	1961–present
Influenced by	Spike Milligan, the Goons, Dick Emery, William Shakespeare
Home town	London, England
Height	6'5" (1.96 m)
Political party	Liberal Democrat
Spouse	Connie Booth (m. 1968–1978) «start: (1968-02-20)–end+1: (1978-09)»"Marriage: Connie Booth to John Cleese" Location: (linkback:http://en-wiki.pop.wn.com/index.php/John_Cleese) (divorced) Barbara Trentham (m. 1981–1990) «start: (1981-02-15)–end+1: (1990-10-11)»"Marriage: Barbara Trentham to John Cleese" Location: (linkback:http://en-wiki.pop.wn.com/index.php/John_Cleese) (divorced) Alyce Eichelberger (m. 1992–2008) «start: (1992-12-28)–end+1: (2008-02)»"Marriage: Alyce Eichelberger to John Cleese" Location: (linkback:http://en-wiki.pop.wn.com/index.php/John_Cleese) (divorced)
Partner	Barbie Orr (2008–2009) Jennifer Wade (2010–present)
Children	Cynthia Cleese (b. 1971) with Connie Booth Camilla Cleese (b. 1984) with Barbara Trentham
Website
TheJohnCleese.com

John Marwood Cleese (/ˈkliːz/; born 27 October 1939) is an English actor, comedian, writer and film producer. He achieved success at the Edinburgh Festival Fringe and as a scriptwriter and performer on The Frost Report. In the late 1960s he became a member of Monty Python, the comedy troupe responsible for the sketch show Monty Python's Flying Circus and the four Monty Python films: And Now for Something Completely Different, The Holy Grail, Life of Brian and The Meaning of Life.

In the mid 1970s, Cleese and his first wife, Connie Booth, co-wrote and starred in the British sitcom Fawlty Towers. Later, he co-starred with Kevin Kline, Jamie Lee Curtis and former Python colleague Michael Palin in A Fish Called Wanda and Fierce Creatures. He also starred in Clockwise, and has appeared in many other films, including two James Bond films as R/Q, two Harry Potter films and three Shrek films.

With Yes Minister writer Antony Jay he co-founded Video Arts, a production company making entertaining training films.

Early life[link]

Cleese was born in Weston-super-Mare, Somerset, the only child of Muriel Evelyn (née Cross) (b.1899), and Reginald Francis Cleese (b. 1893), who worked in insurance sales.^[1] His family's surname was previously "Cheese", but his father changed it to "Cleese" in 1915 upon joining the Army.

Cleese was educated at St Peter's Preparatory School, where he was a star pupil, receiving a prize for English studies and doing well at sports, including cricket and boxing. At 13 he received an exhibition to Clifton College, an English public school in Bristol. He was tall as a child and was well over 6 ft when he arrived there. While at the school he is said to have defaced the school grounds for a prank by painting footprints to suggest that the school's statue of Field Marshal Earl Haig had got down from his plinth and gone to the toilet.^[2] Cleese played cricket for the first team, and after initial indifference he did well academically, passing 8 O-Levels and 3 A-Levels in mathematics, physics and chemistry.^[3][4]

After leaving school, he went back to his prep school to teach science, English, geography, history and Latin^[5] (he drew on his Latin teaching experience later for a scene in Life of Brian in which he corrects Brian's badly written Latin graffiti^[6]) before taking up a place he had won at Downing College, Cambridge, where he studied Law and joined the Cambridge Footlights. There he met his future writing partner Graham Chapman. Cleese wrote extra material for the 1961 Footlights Revue I Thought I Saw It Move,^[7][8] and was Registrar for the Footlights Club during 1962, as well as being one of the cast members for the 1962 Footlights Revue Double Take!^[7][8] He graduated from Cambridge in 1963 with a 2:1. Despite his successes on The Frost Report, his father would send him cuttings from the Daily Telegraph offering management jobs in places like Marks and Spencer.^[9]

Career[link]

Pre-Python[link]

Cleese was one of the script writers, as well as being a member of the cast, for the 1963 Footlights Revue A Clump of Plinths,^[7][8] which was so successful during the Edinburgh Festival Fringe that it was renamed Cambridge Circus and taken to the West End in London and then on a tour of New Zealand and Broadway, with the cast also appearing in some of the revue's sketches on The Ed Sullivan Show in September 1964.^[8]

After Cambridge Circus, Cleese briefly stayed in America, performing on and Off-Broadway. While performing in the musical Half a Sixpence,^[8] Cleese met future Python Terry Gilliam, as well as American actress Connie Booth, whom he married on 20 February 1968.^[8]

He was soon offered work as a writer with BBC Radio, where he worked on several programmes, most notably as a sketch writer for The Dick Emery Show. The success of the Footlights Revue led to the recording of a short series of half-hour radio programmes, called I'm Sorry, I'll Read That Again, that were so popular that the BBC commissioned a regular series with the same title that ran from 1965 to 1974. Cleese returned to Britain and joined the cast.^[8] In many episodes, he is credited as "John Otto Cleese".

Also in 1965, Cleese and Chapman began writing on The Frost Report. The writing staff chosen for The Frost Report consisted of a number of writers and performers who would go on to make names for themselves in comedy. They included co-performers from I'm Sorry, I'll Read That Again and future Goodies Bill Oddie and Tim Brooke-Taylor, and also Frank Muir, Barry Cryer, Marty Feldman, Ronnie Barker, Ronnie Corbett, Dick Vosburgh and future Python members Eric Idle, Terry Jones and Michael Palin. It was while working on The Frost Report, in fact, that the future Pythons developed the writing styles that would make their collaboration significant. Cleese and Chapman's sketches often involved authority figures, some of which were performed by Cleese, while Jones and Palin were both infatuated with filmed scenes that open with idyllic countryside panoramas. Idle was one of those charged with writing David Frost's monologue. It was during this period that Cleese met and befriended influential British comedian Peter Cook.

It was as an actual performer on the Frost Report that Cleese achieved his breakthrough on British television as a comedy actor, appearing as the tall, patrician figure on the classic class sketch, contrasting comically in a line-up with the shorter, middle class Ronnie Barker and the even-shorter, working class Ronnie Corbett. Such was the popularity of the series that in 1966 Cleese and Chapman were invited to work as writers and performers with Brooke-Taylor and Feldman on At Last the 1948 Show,^[8] during which time the Four Yorkshiremen sketch was written by all four writers/performers (the Four Yorkshiremen sketch is now better known as a Monty Python sketch).^[10] Cleese and Chapman also wrote episodes for the first series of Doctor in the House (and later Cleese wrote six episodes of Doctor at Large on his own in 1971). These series were successful, and in 1969 Cleese and Chapman were offered their very own series. However, owing to Chapman's alcoholism, Cleese found himself bearing an increasing workload in the partnership and was therefore unenthusiastic about doing a series with just the two of them. He had found working with Palin on The Frost Report an enjoyable experience and invited him to join the series. Palin had previously been working on Do Not Adjust Your Set with Idle and Jones, with Terry Gilliam creating the animations. The four of them had, on the back of the success of Do Not Adjust Your Set, been offered a series for Thames Television, which they were waiting to begin when Cleese's offer arrived. Palin agreed to work with Cleese and Chapman in the meantime, bringing with him Gilliam, Jones, and Idle.

Monty Python[link]

Monty Python's Flying Circus ran for four seasons from October 1969 to December 1974 on BBC Television, though with only limited participation of Cleese in the last six shows. Cleese's two primary characterisations were as a sophisticate and a stressed-out loony. He portrayed the former as a series of announcers, TV show hosts, and government officials (for example, "The Ministry of Silly Walks"). The latter is perhaps best represented in the "Cheese Shop" and by Cleese's Mr Praline character, the man with a dead Norwegian Blue parrot and a menagerie of other animals all named "Eric". He was also known for his working class "Sergeant Major" character, who worked as a Police Sergeant, Roman Centurion, etc. He is also seen as the opening announcer with the now famous line "And now for something completely different", although in its premiere in the sketch "Man with Three Buttocks", the phrase was spoken by Eric Idle.

Partnership with Graham Chapman[link]

	The Dead Parrot sketch performed on Monty Python's Flying Circus in 1969 noicon listen to a clip from the sketch.
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Along with Gilliam's animations, Cleese's work with Graham Chapman provided Python with its darkest and angriest moments, and many of his characters display the seething suppressed rage that later characterised his portrayal of Basil Fawlty.

Unlike Palin and Jones, Cleese and Chapman actually wrote together—in the same room; Cleese claims that their writing partnership involved his sitting with pen and paper, doing most of the work, while Chapman sat back, not speaking for long periods, then suddenly coming out with an idea that often elevated the sketch to a different level. A classic example of this is the "Dead Parrot" sketch, envisaged by Cleese as a satire on poor customer service, which was originally to have involved a broken toaster and later a broken car (this version was actually performed and broadcast on the pre-Python special How To Irritate People). It was Chapman's suggestion to change the faulty item into a dead parrot, and he also suggested that the parrot be specifically a Norwegian Blue, giving the sketch a surreal air which made it far more memorable.

Their humour often involved ordinary people in ordinary situations behaving absurdly for no obvious reason. Like Chapman, Cleese's poker face, clipped middle class accent, and imposing height allowed him to appear convincingly as a variety of authority figures, such as policemen, detectives, Nazi officers or government officials—which he would then proceed to undermine. Most famously, in the "Ministry of Silly Walks" sketch (actually written by Palin and Jones), Cleese exploits his stature as the crane-legged civil servant performing a grotesquely elaborate walk to his office.

Chapman and Cleese also specialised in sketches where two characters would conduct highly articulate arguments over completely arbitrary subjects, such as in the "cheese shop", the "dead parrot" sketch and "The Argument Sketch", where Cleese plays a stone-faced bureaucrat employed to sit behind a desk and engage people in pointless, trivial bickering. All of these roles were opposite Palin (who Cleese often claims is his favourite Python to work with)—the comic contrast between the towering Cleese's crazed aggression and the shorter Palin's shuffling inoffensiveness is a common feature in the series. Occasionally, the typical Cleese-Palin dynamic is reversed, as in "Fish Licence", wherein Palin plays the bureaucrat with whom Cleese is trying to work.

Though the programme lasted four series, by the start of series 3, Cleese was growing tired of dealing with Chapman's alcoholism. He felt, too, that the show's scripts had declined in quality. For these reasons, he became restless and decided to move on. Though he stayed for the third series, he officially left the group before the fourth season. Despite this, he remained friendly with the group, and all six began writing Monty Python and the Holy Grail; Cleese received a credit on episodes of the fourth series which used material from these sessions, and even makes a brief appearance in one episode as the voice of a cartoon in the "Hamlet" episode, though he was officially unconnected with the fourth series. Cleese returned to the troupe to co-write and co-star in the Monty Python films Monty Python and the Holy Grail, Monty Python's Life of Brian and Monty Python's The Meaning of Life, and participated in various live performances over the years.

Post-Python[link]

From 1970 to 1973, Cleese served as rector of the University of St Andrews.^[11] His election proved a milestone for the university, revolutionising and modernising the post. For instance, the rector was traditionally entitled to appoint an "Assessor", a deputy to sit in his place at important meetings in his absence. Cleese changed this into a position for a student, elected across campus by the student body, resulting in direct access and representation for the student body.^[12]

Around this time, Cleese worked with comedian Les Dawson on his sketch/stand-up show Sez Les. The differences between the two physically (the tall, lean Cleese and the short, stout Dawson) and socially (the public school, and then Cambridge-educated Cleese and the working class, self-educated Mancunian Dawson) were marked, but both worked well together from series 8 onwards until the series ended in 1976.^[13][14]

Cleese achieved greater prominence in the United Kingdom as the neurotic hotel manager Basil Fawlty in Fawlty Towers, which he co-wrote with his wife Connie Booth. The series won three BAFTA awards when produced and in 2000, it topped the British Film Institute's list of the 100 Greatest British Television Programmes. The series also featured Prunella Scales as Basil's acerbic wife Sybil, Andrew Sachs as the much abused Spanish waiter Manuel ("...he's from Barcelona"), and Booth as waitress Polly, the series' voice of sanity. Cleese based Basil Fawlty on a real person, Donald Sinclair, whom he had encountered in 1970 while the Monty Python team were staying at the Gleneagles Hotel in Torquay while filming inserts for their television series. Reportedly, Cleese was inspired by Sinclair's mantra, "I could run this hotel just fine, if it weren't for the guests." He later described Sinclair as "the most wonderfully rude man I have ever met," although Sinclair's widow has said her husband was totally misrepresented in the series. During the Pythons' stay, Sinclair allegedly threw Idle's briefcase out of the hotel "in case it contained a bomb," complained about Gilliam's "American" table manners, and threw a bus timetable at another guest after they dared to ask the time of the next bus to town.

The first series was screened from 19 September 1975 on BBC 2, initially to poor reviews,^[15] but gained momentum when repeated on BBC 1 the following year. Despite this, a second series did not air until 1979, by which time Cleese's marriage to Booth had ended, but they revived their collaboration for the second series. Fawlty Towers consisted of only twelve episodes; Cleese and Booth both maintain that this was to avoid compromising the quality of the series.

Muppet Show[link]

In December 1977, Cleese appeared as a guest star on The Muppet Show. Cleese was a fan of the show, and co-wrote much of the episode. He appears in a "Pigs in Space" segment as a pirate trying to hijack the spaceship Swinetrek, and also helps Gonzo restore his arms to "normal" size after Gonzo's cannonball catching act goes wrong. During the show's closing number, Cleese refuses to sing the famous show tune from Man of La Mancha, "The Impossible Dream". Kermit the Frog apologises and the curtain re-opens with Cleese now costumed as a Viking trying some Wagnerian opera as part of a duet with Sweetums. Once again, Cleese protests to Kermit, and gives the frog one more chance. This time, he is costumed as a Mexican maraca soloist. He has finally had enough and protests that he is leaving the show, saying "You were supposed to be my host. How can you do this to me? Kermit – I am your guest!". The cast joins in with their parody of "The Impossible Dream", singing "This is your guest, to follow that star...". During the crowd's applause that follows the song, he pretends to strangle Kermit until he realises the crowd loves him and accepts the accolades. During the show's finale, as Kermit thanks him, he shows up with a fictional album, his own new vocal record John Cleese: A Man & His Music, and encourages everyone to buy a copy.^[16]

This would not be Cleese's final appearance with the Muppets. In their 1981 film The Great Muppet Caper, Cleese does a cameo appearance as Neville, a local homeowner. As part of the appearance, Miss Piggy borrows his house as a way to impress Kermit the Frog.

Awards[link]

Cleese won the TV Times award for Funniest Man On TV – 1978-79.^[17]

1980s and 1990s[link]

During the 1980s and 1990s, Cleese focused on film, though he did work with Peter Cook in his one-off TV special Peter Cook and Co. in 1980. In the same year Cleese played Petruchio, in Shakespeare's The Taming of the Shrew in the BBC Television Shakespeare series. In 1981 he starred with Sean Connery and Michael Palin in the Terry Gilliam-directed Time Bandits as Robin Hood. He also participated in Monty Python Live at the Hollywood Bowl (1982), and starred in The Secret Policeman's Ball for Amnesty International. In 1985, Cleese had a small dramatic role as a sheriff in Silverado, which had an all-star cast that included Kevin Kline, with whom he would star with in A Fish Called Wanda three years later. In 1986, he starred in Clockwise as an uptight school headmaster obsessed with punctuality and constantly getting in to trouble during a journey to a headmasters' conference.

Cleese at the 1989 Academy Awards

Timed with the 1987 UK elections, he appeared in a video promoting proportional representation.^[18]

In 1988, he wrote and starred in A Fish Called Wanda, as the lead, Archie Leach, along with Jamie Lee Curtis, Kevin Kline and Michael Palin. Wanda was a commercial and critical success, and Cleese was nominated for an Academy Award for his script. Cynthia Cleese starred as Leach's daughter.

Graham Chapman was diagnosed with throat cancer in 1989; Cleese, Michael Palin, Peter Cook and Chapman's partner David Sherlock, witnessed Chapman's death. Chapman's death occurred a day before the 20th anniversary of the first broadcast of Flying Circus, with Jones commenting, "the worst case of party-pooping in all history." Cleese's eulogy at Chapman's memorial service—in which he "became the first person ever at a British memorial service to say 'fuck'"—has since become legendary.^[19]

Cleese would later play a supporting role in Kenneth Branagh's adaptation of Mary Shelley's Frankenstein alongside Branagh himself and Robert De Niro. He also produced and acted in a number of successful business training films, including Meetings, Bloody Meetings and More Bloody Meetings. These were produced by his company Video Arts.

With Robin Skynner, the group analyst and family therapist, Cleese wrote two books on relationships: Families and How to Survive Them, and Life and How to Survive It. The books are presented as a dialogue between Skynner and Cleese.

In 1996, Cleese declined the British honour of Commander of the Order of the British Empire (CBE). The follow-up to A Fish Called Wanda, Fierce Creatures—which again starred Cleese alongside Kevin Kline, Jamie Lee Curtis and Michael Palin—was also released that year, but was greeted with mixed reception by critics and audiences. Cleese has since often stated that making the second film had been a mistake. When asked by his friend, director and restaurant critic Michael Winner, what he would do differently if he could live his life again, Cleese responded, "I wouldn’t have married Alyce Faye Eichelberger and I wouldn’t have made Fierce Creatures."^[20]

In 1999, Cleese appeared in the James Bond film, The World Is Not Enough as Q's assistant, referred to by Bond as "R". In 2002, when Cleese reprised his role in Die Another Day, the character was promoted, making Cleese the new quartermaster (Q) of MI6. In 2004, Cleese was featured as Q in the video game James Bond 007: Everything or Nothing, featuring his likeness and voice. Cleese did not appear in the subsequent Bond films, Casino Royale and Quantum of Solace.

2000 to present[link]

Cleese is Provost's Visiting Professor at Cornell University, after having been Andrew D. White Professor-at-Large from 1999–2006. He makes occasional, well-received appearances on the Cornell campus. He sold his home in the town of Montecito, California in 2008^[21][22] and planned on moving to Bath in the UK where he has a home on the Royal Crescent. In 2011 Cleese was quoted as saying that for tax purposes he might have to live in Switzerland or Monaco.^[23][24][25]

In 2001, Cleese was cast in the comedy Rat Race as the eccentric hotel owner Donald P. Sinclair, the name of the Torquay hotel owner on who he had based the character of Basil Fawlty.^[26] In 2002, Cleese made a cameo appearance in the film The Adventures of Pluto Nash in which he played "James", a computerised chauffeur of a hover car stolen by the title character (played by Eddie Murphy). The vehicle is subsequently destroyed in a chase, leaving the chauffeur stranded in a remote place on the moon. In 2003, Cleese appeared as Lyle Finster on the US sitcom Will & Grace. His character's daughter, Lorraine, was played by Minnie Driver. In the series, Lyle Finster briefly marries Karen Walker (Megan Mullally). In 2004, Cleese was credited as co-writer of a DC Comics graphic novel titled Superman: True Brit.^[27] Part of DC's "Elseworlds" line of imaginary stories, True Brit, mostly written by Kim Howard Johnson, suggests what might have happened had Superman's rocket ship landed in Britain, not America.

From 10 November to 9 December 2005, Cleese toured New Zealand with his stage show, John Cleese—His Life, Times and Current Medical Problems. Cleese described it as "a one-man show with several people in it, which pushes the envelope of acceptable behaviour in new and disgusting ways." The show was developed in New York with William Goldman and includes Cleese's daughter Camilla as a writer and actor (the shows were directed by Australian Bille Brown). His assistant of many years, Garry Scott-Irvine, also appeared, and was listed as a co-producer. It then played in universities in California and Arizona from 10 January to 25 March 2006 under the title "Seven Ways to Skin an Ocelot".^[28] His voice can be downloaded for directional guidance purposes as a downloadable option on some personal GPS-navigation device models by company TomTom.

In a 2005 poll of comedians and comedy insiders, The Comedians' Comedian, Cleese was voted second only to Peter Cook. Also in 2005, a long-standing piece of Internet humour, "The Revocation of Independence of the United States", was wrongly attributed to Cleese. In 2006, Cleese hosted a television special of football’s greatest kicks, goals, saves, bloopers, plays and penalties, as well as football’s influence on culture (including the famous Monty Python sketch “Philosophy Football”), featuring interviews with pop culture icons Dave Stewart, Dennis Hopper and Henry Kissinger, as well as football greats including Pelé, Mia Hamm and Thierry Henry. The Art of Soccer with John Cleese^[29] was released in North America on DVD in January 2009 by BFS Entertainment & Multimedia.

Cleese lent his voice to the BioWare video game Jade Empire. His role was that of an "outlander" named Sir Roderick Ponce von Fontlebottom the Magnificent Bastard, stranded in the Imperial City of the Jade Empire. His character is essentially a British colonialist stereotype who refers to the people of the Jade Empire as "savages in need of enlightenment". His armour has the design of a fork stuck in a piece of cheese. He also had a cameo appearance in the computer game Starship Titanic as "The Bomb" (credited as "Kim Bread"), designed by Douglas Adams.^[30]

In 2007, Cleese appeared in ads for Titleist as a golf course designer named "Ian MacCallister", who represents "Golf Designers Against Distance". Also in 2007, he started filming the sequel to The Pink Panther, titled The Pink Panther 2, with Steve Martin and Aishwarya Rai. On 27 September 2007, The Podcast Network announced it had signed a deal with Cleese to produce a series of video podcasts called HEADCAST to be published on TPN's website. Cleese released the first episode of this series in April 2008 on his own website, headcast.co.uk.

Cleese collaborated with Los Angeles Guitar Quartet member William Kanengiser in 2008, on the text to the performance piece "The Ingenious Gentleman of La Mancha". Cleese, as narrator, and the LAGQ premiered the work in Santa Barbara. 2008 also saw reports of Cleese working on a musical version of A Fish Called Wanda with his daughter Camilla. He also said that he is working on a new film screenplay for the first time since 1996's Fierce Creatures. Cleese collaborates on it with writer Lisa Hogan, under the current working title "A Taxing Time". According to him, it is "about the lengths to which people will go to avoid tax. [...] It's based on what happened to me when I cashed in my UK pension and moved to Santa Barbara."^[31]

At the end of March 2009, Cleese published his first article as 'Contributing Editor' to The Spectator: "The real reason I had to join The Spectator".^[32] Cleese has also hosted comedy galas at the Montreal Just for Laughs comedy festival in 2006, and again in 2009. He had to cancel the 2009 appearance due to prostatitis, but hosted it a few days later.^[33] Towards the end of 2009 and into 2010, Cleese appeared in a series of television adverts for the Norwegian electric goods shop chain, Elkjøp.^[34] In March 2010 it was announced that Cleese would be playing Jasper in the video game "Fable III".^[35]

In 2009 and 2010, Cleese toured Scandinavia and the US with his Alimony Tour Year One and Year Two. In May 2010, it was announced that this tour would extend to the UK (his first tour in UK), set for May 2011 – The show is dubbed the "Alimony Tour" in reference to the financial implications of Cleese's divorce. The UK tour started in Cambridge on 3 May, visiting Birmingham, Salford, Liverpool, Oxford, Leeds, Edinburgh and finishing in Palmerston North, New Zealand.^[36]

In October 2010, Cleese was featured in the launch of an advertising campaign by The Automobile Association for a new home emergency response product.^[37] He appeared as a man who believed the AA could not help him during a series of disasters, including water pouring through his ceiling, with the line "The AA? For faulty showers?" During 2010, Cleese appeared in a series of radio advertisements for the Canadian insurance company Pacific Blue Cross, in which he plays a character called "Dr. Nigel Bilkington, Chief of Medicine for American General Hospital".^[38][39]

In 2012, Cleese was cast in Hunting Elephants, an upcoming heist comedy by Israeli filmmaker Reshef Levi.^[40][41]

Admiration for black humour[link]

In his Alimony Tour Cleese explained the origin of his fondness for black humour, the only thing that he inherited from his mother. Examples of it are the Dead Parrot sketch, his clip for the 1992 BBC2 mockumentary "A Question of Taste", the Undertakers sketch, the Vomit episode in The Meaning of Life and his eulogy at Graham Chapman's memorial service.

Personal life[link]

1960s to 1980s[link]

Cleese met Connie Booth in the US during the late 1960s and the couple married in 1968.^[15] In 1971, Booth gave birth to Cynthia Cleese, their only child. With Booth, Cleese wrote the scripts for and co-starred in both series of the TV series Fawlty Towers, even though the two were actually divorced before the second series was finished and aired. Cleese and Booth are said to have remained close friends since.^[42]

Cleese married American actress Barbara Trentham in 1981.^[43] Their daughter Camilla, Cleese's second child, was born in 1984. He and Trentham divorced in 1990. During this time, Cleese moved from the United Kingdom to Los Angeles.^[44]

1990s on[link]

On 28 December 1992 he married American psychotherapist Alyce Faye Eichelberger. In January 2008 the couple announced they had split. The divorce was settled in December 2008. The divorce settlement left Eichelberger with £12 million in finance and assets, including £600,000 a year for seven years. Cleese stated that "What I find so unfair is that if we both died today, her children would get much more than mine".^[45]

In April 2010, Cleese revealed on The Graham Norton Show on BBC One that he had started a new relationship with a woman 31 years his junior, Jennifer Wade.^[46][47][48]

Cleese has a passion for lemurs.^[49][50] Following the 1997 comedy film Fierce Creatures, in which the ring-tailed lemur played a key role, he hosted the 1998 BBC documentary In the Wild: Operation Lemur with John Cleese, which tracked the progress of a reintroduction of Black-and-white Ruffed Lemurs back into the Betampona Reserve in Madagascar. The project had been partly funded by Cleese's donation of the proceeds from the London premier of Fierce Creatures.^[50][51] Cleese is quoted as saying, "I adore lemurs. They're extremely gentle, well-mannered, pretty and yet great fun... I should have married one."^[49]

Political views[link]

Currently a member of the Liberal Democrats after previously being a Labour party voter, Cleese switched to the SDP after their formation in 1981, and during the 1987 general election, Cleese recorded a nine minute party political broadcast for the SDP-Liberal Alliance, which spoke about the similarities and failures of the other two parties in a more humorous tone than standard political broadcasts. Cleese has since appeared in broadcasts for the Liberal Democrats, in the 1997 general election and narrating a radio election broadcast for the party during the 2001 general election.^[52] In April 2010, Cleese tweeted his support for the Lib Dems after Nick Clegg performed strongly in the first leaders' debate on ITV1, stating: "Well, well, well. First leaders debate, and LibDems do so well. Good luck to them."^[53]

In 2011, Cleese declared his admiration for Britain's coalition government between the Conservatives and Liberal Democrats, saying: "I think what’s happening at the moment is rather interesting. The Coalition has made everything a little more courteous and a little more flexible. I think it was quite good that the Liberal Democrats had to compromise a bit with the Tories." He also criticised the previous Labour government, commenting: "Although my inclinations are slightly left-of-centre, I was terribly disappointed with the last Labour government. Gordon Brown lacked emotional intelligence and was never a leader." Cleese also declared his support for proportional representation.^[54]

In April 2011, Cleese revealed that he had declined a life peerage for political services in 1999. Outgoing leader of the Liberal Democrats, Paddy Ashdown, had put forward the suggestion shortly before he stepped down, with the idea that Cleese would take the party whip and sit as a working peer, but the actor quipped that he "realised this involved being in England in the winter and I thought that was too much of a price to pay."^[55]

Cleese expressed support for Barack Obama's presidential candidacy, donating US$2,300 to his campaign and offering his services as a speech writer.^[56] He also criticised Republican Vice-Presidential candidate Sarah Palin—saying that "Michael Palin is no longer the funniest Palin"^[57]— and wrote a satirical poem about Fox News commentator Sean Hannity for Countdown with Keith Olbermann.^[58]

Radio credits[link]

• I'm Sorry, I'll Read That Again
• I'm Sorry I Haven't a Clue (1972–73)

Television credits[link]

Major roles[link]

• The Frost Report (1966)
• Frost on Sunday
• At Last the 1948 Show
• How to Irritate People (1968) with Michael Palin, Graham Chapman, Connie Booth and Tim Brooke-Taylor
• Monty Python's Flying Circus (1969–74)
• Sez Les (1971, 1974)
• Fawlty Towers (1975, 1979)
• Cheers (episode "Simon Says") (1987), he won an Emmy Award for best actor in a guest starring role
• The Taming of the Shrew (1980) as Petruchio
• True Stories: Peace in our Time? as Neville Chamberlain

As host[link]

• The Human Face
• Wine for the Confused
• We Are Most Amused: Master of Ceremonies for a stand-up comedy show celebrating Prince Charles's 60th birthday.

Guest appearances[link]

• The Avengers (1968), guest appearance as Marcus Rugman (egg clown-face collector) in the episode Look (Stop Me if You've Heard this One)...
• The Goodies (1973), guest cameo appearance as a Genie in the episode The Goodies and the Beanstalk
• Ripping Yarns (1979), guest cameo appearance as "Passer-by" in the episode Golden Gordon^[59]
• Doctor Who (1979), guest cameo appearance as an Art Lover in the episode City of Death as a favour to writer/script editor Douglas Adams
• The Muppet Show (1977)
• Cheers (Season 5, Episode 21, Simon Says) as Dr. Simon Finch-Royce, an acquaintance of Kelsey Grammer's character Frasier Crane and fellow psychiatrist, who offers pre-marriage advice to Sam and Diane, much to his later chagrin.
• Last of the Summer Wine (1993), guest cameo appearance in the episode Welcome to Earth.
• 25 Years of Last of the Summer Wine (1997).
• 3rd Rock from the Sun (1998–2001) as recurring character Dr. Liam Neesam.
• Casper & Mandrilaftalen (1999) both as the repairman of the purple Gunrack, and as the Danish soccer coach Bosse Bo Johansson.
• Wednesday 9:30 (8:30 Central) (2002) as Red
• Will & Grace (2003–2004) as recurring character Lyle Finster.
• Numerous commercials, including for supermarket chain Sainsbury's, snack firm Planters and a British government Stop Smoking campaign.
• Party political broadcasts for the Liberal Democrats and predecessor, the SDP-Liberal Alliance.
• In November 2009 commercials, in which he appears for Swedish electrical appliance chain "Elgiganten", began broadcasting in Sweden, as well as broadcasting in Denmark in late 2010.
• Song "Don't Mention The World Cup" animated video played on ITV, BBC and Channel 4 News, June 2006.
• Batteries Not Included—gadget show on UKTV channel Dave (2008).
• Entourage as himself, season 7 finale (2010).
• Ronnie Corbett's Comedy Britain as Himself.

Filmography[link]

Video game credits[link]

• Monty Python's Complete Waste of Time (1994) 7th Level
• Monty Python & the Quest for the Holy Grail (1996) 7th Level
• Monty Python's The Meaning of Life (1997) Panasonic
• Starship Titanic (1998) Simon & Schuster Interactive (voice of the Bomb) — (Credited as Kim Bread)
• 007 Racing (2000) Electronic Arts
• The World Is Not Enough (2000) Electronic Arts
• James Bond 007: Everything or Nothing (2004) Electronic Arts
• Trivial Pursuit: Unhinged (2004) Atari
• Jade Empire (2005) BioWare (as Sir Roderick Ponce von Fontlebottom the Magnificent Bastard)
• Shrek the Third (2007) King Harold, Narrator
• Fable III (2010) Jasper

Awards[link]

• Academy Awards
  • (1988) Nominated—Academy Award for Best Original Screenplay / A Fish Called Wanda (shared with Charles Crichton)
• Golden Globe Awards
  • (1988) Nominated—Golden Globe Award for Best Actor - Motion Picture Musical or Comedy / A Fish Called Wanda
• BAFTA Awards
  • (1970) Nominated—BAFTA Television Award for "Best Light Entertainment Performance" / Monty Python's Flying Circus
  • (1971) Nominated—BAFTA Television Award for "Best Light Entertainment Performance" / Monty Python's Flying Circus
  • (1976) Nominated—BAFTA Television Award for "Best Light Entertainment Performance" / Fawlty Towers
  • (1980) Won—BAFTA Television Award for "Best Light Entertainment Performance" / Fawlty Towers
  • (1989) Nominated—BAFTA Award for Best Original Screenplay / A Fish Called Wanda
  • (also 1989) Won—BAFTA Award for Best Actor in a Leading Role
• Primetime Emmy Awards
  • (1987) Won—Primetime Emmy Award for Outstanding Guest Actor - Comedy Series / Cheers (as Dr. Simon Finch-Royce)
  • (1998) Nominated—Primetime Emmy Award for Outstanding Guest Actor – Comedy Series / 3rd Rock from the Sun (as Dr. Liam Neesam)
  • (2002) Nominated—Primetime Emmy Award for "Outstanding Nonfiction Special" / The Human Face
  • (2004) Nominated—Primetime Emmy Award for Outstanding Guest Actor – Comedy Series / Will & Grace (as Lyle Finster)
• Writers Guild of America
  • (1989) Nominated—Writers Guild of America Award for Best Original Screenplay / A Fish Called Wanda (shared with Charles Crichton)

Other credits[link]

• In 2003, John Cleese took part in Mike Oldfield's re-recording of the 1973 hit Tubular Bells, Tubular Bells 2003. He took over the "Master of Ceremonies" duties in the ‘Finale’ part, in which he announced the various instruments eccentrically, from the late Vivian Stanshall.^[60]
• Cleese recorded the voice of God for Spamalot, the musical based on Monty Python and the Holy Grail.
• Cleese narrated the audio version of C.S. Lewis's The Screwtape Letters.
• In the mid 1980s, Cleese starred in British advertisements for Compaq computers and Schweppes beverages.
• In the late-1990s, Cleese appeared in a set of poorly-received commercials for the UK supermarket chain Sainsbury's. Around the same time, his Fawlty Towers co-star, Prunella Scales, appeared in more well-received commercials for rival chain Tesco.
• He has enunciated a set of directions for the TomTom in-car navigation system. This allows itself humorous notes at non-critical moments, for instance when asking for a U-turn and when signing off: "I'm not going to carry your baggage—from now on, you're on your own" and "Bear right..Beaver left."
• He plays the voice of Samuel the Sheep in the 2006 adaptation of Charlotte's Web. Samuel repeatedly tells the other sheep to be individuals, not sheep. This is a reference to Monty Python's Life of Brian.
• He has a speaking part at the end of the Alan Parsons song "Chomolungma" from the album A Valid Path.
• In 2008, John Cleese appeared in a humorous TV commercial in Poland advertising a bank loan.
• From 2006 to 2008 John Cleese has appeared in humorous TV commercials in Iceland advertising Kaupþing.

Honours and tributes[link]

• A species of lemur, the Bemaraha woolly lemur (Avahi cleesei), has been named in his honour. John Cleese has mentioned this in television interviews. Also there is mention of this honour in "New Scientist"^[61]—and John Cleese's response to the honour.^[62]
• An asteroid, 9618 Johncleese, is named in his honour.
• Cleese declined a CBE (Commander of the British Empire) in 1996.
• There is a municipal rubbish heap of 45 metres (148 ft) in altitude that has been named Mt Cleese at the Awapuni landfill just outside Palmerston North after he dubbed the city "suicide capital of New Zealand".^[63]
• "The Universal Language" skit from All in the Timing, a collection of short plays by David Ives, centres around a fictional language (Unamunda) in which the word for the English language is "johncleese".
• The post-hardcore rock band I Set My Friends On Fire has a song on their You Can't Spell Slaughter Without Laughter album titled "Reese's Pieces, I Don't Know Who John Cleese Is?".

Bibliography[link]

• The Rectorial Address of John Cleese, Epam, 1971, 8 pages
• Foreword for Time and the Soul, Jacob Needleman, 2003  ISBN 1-57675-251-8 (paperback)
• The Human Face (with Brian Bates) (DK Publishing Inc., 2001, ISBN 978-0-7894-7836-8)
• Cleese Encounters: The Unauthorized Biography of Monty Python Veteran John Cleese, Jonathan Margolis, St. Martin's Press, 1992, ISBN 0-312-08162-6

Scripts[link]

• The Strange Case of the End of Civilisation As We Know It, w/Jack Hobbs & Joseph McGrath, 1977  ISBN 0-352-30109-0
• Fawlty Towers, w/Connie Booth, 1977 (The Builders, The Hotel Inspectors, Gourmet Night)   ISBN 0-86007-598-2
• Fawlty Towers: Book 2, w/Connie Booth, 1979 (The Wedding Party, A Touch of Class, The Germans)
• The Golden Skits of Wing Commander Muriel Volestrangler FRHS & Bar, 1984  ISBN 0-413-41560-0
• The Complete Fawlty Towers, w/Connie Booth, 1988  ISBN 0-413-18390-4 (hardcover), ISBN 0-679-72127-4 (paperback)
• A Fish Called Wanda: The Screenplay, w/Charles Crichton, 1988  ISBN 1-55783-033-9
• Fawlty's Hotel: Sämtliche Stücke, w/Connie Booth, (The Complete Fawlty Towers in German), Haffmans Verlag AG Zürich, 1995

Dialogues[link]

• Families and How to Survive Them, w/A.Robin Skynner, 1983  ISBN 0-413-52640-2 (hardc.), ISBN 0-19-520466-2 (p/back)
• Life and How to Survive It, w/A.Robin Skynner 1993  ISBN 0-413-66030-3 (hardcover), ISBN 0-393-31472-3 (paperback)

See also[link]

• Declining a British honour

References[link]