- published: 04 Nov 2009
- views: 113353
- author: irmachannel1
3:51
MAX SEDGLEY - Slowly (single)
[AVAILABLE] MAX SEDGLEY "Slowly" [2007] cd Single www.musicshoponline.com Questa canzone, ...
published: 04 Nov 2009
author: irmachannel1
MAX SEDGLEY - Slowly (single)
[AVAILABLE] MAX SEDGLEY "Slowly" [2007] cd Single www.musicshoponline.com Questa canzone, ormai un classico nel genere chill-out, è ora disponibile in CD single con in più 3 remix (Hot Chip - Misterlong - Metronomy ) perfetti per esaltare la voce di Z-Star e la produzione di Max Sedgley. "Slowly" is taken from the album "Chill Out Cafe' Volume dieci" (IRM 841 CD - 2007) available on www.msol.biz ENG From an early age Max was surrounded by the sounds of big band jazz and funk/soul as his father was a music producer for the BBC. These early influences, coupled with time spent in Jamaica as a child (where Max's mother's family was from) inevitably shaped Max's musical tastes. He started learning the piano from age of six, but early experiences of drumming along to his dad's records with two spoons and an array of small to large cushions on the floor left their mark and once he started percussion lessons he never looked back. He was lucky enough to be taught the basic techniques and rudiments by James Blades, a world renowned percussionist who had performed for over sixty years with the best orchestras in the world. After this grounding, Max's kit drumming has been largely self-taught. At school Max was involved with all forms of music from classical to contemporary and he went on to gain a degree in classical music from Edinburgh University. Since graduating, he has returned to his original influences which, along with the experiences of a healthy dance music scene in ...
- published: 04 Nov 2009
- views: 113353
- author: irmachannel1
4:26
Syleena Johnson - Slowly
Syleena Sexy song "Slowly" from her third album Chapter 3...
published: 23 Jul 2008
author: jammasterjayfan
Syleena Johnson - Slowly
Syleena Sexy song "Slowly" from her third album Chapter 3
- published: 23 Jul 2008
- views: 249600
- author: jammasterjayfan
4:50
Falling Slowly - Glen Hansard and Marketa Irglova (Once)
I don't know you But I want you All the more for that Words fall through me And always foo...
published: 29 Feb 2008
author: SaintJinkuu
Falling Slowly - Glen Hansard and Marketa Irglova (Once)
I don't know you But I want you All the more for that Words fall through me And always fool me And I can't react And games that never amount To more than they're meant Will play themselves out Take this sinking boat and point it home We've still got time Raise your hopeful voice you have a choice You've made it now Falling slowly, eyes that know me And I can't go back Moods that take me and erase me And I'm painted black You have suffered enough And warred with yourself It's time that you won Take this sinking boat and point it home We've still got time Raise your hopeful voice you had a choice You've made it now Take this sinking boat and point it home We've still got time Raise your hopeful voice you had a choice You've made it now Falling slowly sing your melody I'll sing along
- published: 29 Feb 2008
- views: 3669565
- author: SaintJinkuu
4:06
"Falling Slowly"- Once
Here's the Oscar winning song "Falling Slowly" from the movie "Once." Written and performe...
published: 25 Apr 2008
author: clt1221
"Falling Slowly"- Once
Here's the Oscar winning song "Falling Slowly" from the movie "Once." Written and performed by Glen Hansard & Marketa Irglova. If you havn't seen this movie- you need to!
- published: 25 Apr 2008
- views: 2215621
- author: clt1221
6:08
Tank- Slowly
One of the sexiest songs ever in my opinion Lyrics: Set the mood light the candles and bri...
published: 17 May 2008
author: unprhodictable
Tank- Slowly
One of the sexiest songs ever in my opinion Lyrics: Set the mood light the candles and bring the wine I'm wantin you Been havin this feelin For sometime now Come on in Take off your coat And stay a while I Been waiting for this day Just so we could make love slow Slowly (I Know) We'll be (Making Love) Slowly (All Night Long) Slowly (I Know) We'll be (Making Love) Slowly (All Night Long) Slip it off yea show big daddy what he's been missing Tip it off tip it off Want you to feel right When I'm kissing when I'm kissing Really really wanna take my time With you pretty baby If you don't mind Love you all night long Slowly (I Know) We'll be (Making Love) Slowly (All Night Long) Slowly (I Know) We'll be (Making Love) Slowly (All Night Long) Slowly (I Know) We'll be (Making Love) Slowly (All Night Long) Slowly (I Know) We'll be (Making Love) Slowly (All Night Long) Come on in Close the door Take off your clothes Drink some more Holding you close Holding you tight Makin love through the night Come on in Close the door Take off your clothes Drink some more Holding you close Holding you tight Making love through the night Slowly (I Know) We'll be (Making Love) Slowly (All Night Long) Slowly (I Know) We'll be (Making Love) Slowly (All Night Long)
- published: 17 May 2008
- views: 1356940
- author: unprhodictable
3:59
Falling Slowly, Once Lyrics
Glen Hansard and Marketa Irglova sing Falling Slowly an Oscar Winning Song, from the movie...
published: 18 May 2008
author: Zoecster1994
Falling Slowly, Once Lyrics
Glen Hansard and Marketa Irglova sing Falling Slowly an Oscar Winning Song, from the movie; Once.
- published: 18 May 2008
- views: 2525172
- author: Zoecster1994
4:15
ONCE: Falling Slowly
Video clips from ONCE set to the song "Falling Slowly."...
published: 10 May 2007
author: FoxSearchlight
ONCE: Falling Slowly
Video clips from ONCE set to the song "Falling Slowly."
- published: 10 May 2007
- views: 11918122
- author: FoxSearchlight
3:17
Matt Cardle - Slowly (Acoustic Performance)
Buy Matt's debut album 'Letters' here: www.smarturl.it Music video by Matt Cardle performi...
published: 20 Oct 2011
author: MattCardleVEVO
Matt Cardle - Slowly (Acoustic Performance)
Buy Matt's debut album 'Letters' here: www.smarturl.it Music video by Matt Cardle performing Slowly. (C) 2011 Simco Limited under exclusive license to Sony Music Entertainment UK Limited
- published: 20 Oct 2011
- views: 139527
- author: MattCardleVEVO
4:13
Parachute - Kiss Me Slowly (w/ Lady Antebellum Intro)
Music video by Parachute performing Kiss Me Slowly. (C) 2011 The Island Def Jam Music Grou...
published: 15 Apr 2011
author: ParachuteVEVO
Parachute - Kiss Me Slowly (w/ Lady Antebellum Intro)
Music video by Parachute performing Kiss Me Slowly. (C) 2011 The Island Def Jam Music Group
- published: 15 Apr 2011
- views: 4535991
- author: ParachuteVEVO
5:30
LUIS EDUARDO AUTE -SLOWLY
muy buena cancion....
published: 24 Jul 2008
author: Eduardo Cobian
LUIS EDUARDO AUTE -SLOWLY
muy buena cancion.
- published: 24 Jul 2008
- views: 312346
- author: Eduardo Cobian
3:57
Parachute - Kiss Me Slowly (lyrics)
Just a video that I made for Parachute's single Kiss Me Slowly. The lyrics are correct and...
published: 30 Jun 2011
author: mackensiep
Parachute - Kiss Me Slowly (lyrics)
Just a video that I made for Parachute's single Kiss Me Slowly. The lyrics are correct and the pictures are from weheartit.com. I hope you enjoy!!! :) I do not own any of these pictures or this song/lyrics. Twitter: @Ms_MacKensie www.facebook.com ^^^Like my facebook page and listen to my music! mackensietaylor.tumblr.com ^^^follow me on Tumblr, I'll follow back! :)
- published: 30 Jun 2011
- views: 7385894
- author: mackensiep
3:43
(Movie Once Theme) Falling Slowly - Sungha Jung
www.sunghajung.com Sungha's 1st CD'Perfect Blue' is now available. Sungha plays 'Falling S...
published: 09 Jan 2009
author: jwcfree
(Movie Once Theme) Falling Slowly - Sungha Jung
www.sunghajung.com Sungha's 1st CD'Perfect Blue' is now available. Sungha plays 'Falling Slowly' by Glen Hansard. "Falling Slowly" is a song written and performed by Glen Hansard and Markéta Irglová, as well as by Hansard's band, The Frames. It appeared in their 2007 film Once, from which it won the Academy Award for Best Original Song at the 80th Oscars. The song was written while Once was in production. John Carney developed the script around songs provided by Hansard and Irglová.[1] In the movie, the duo play the song in Walton's music shop in Dublin, with Hansard on guitar and Irglová on piano. The couple performed it at gigs in various European venues over the next two years.[2] Versions appeared in 2006 on two albums The Cost by Hansard's band The Frames, and The Swell Season, an album by Hansard and Irglová[3] of songs used in the 2006 Czech movie Beauty in Trouble.
- published: 09 Jan 2009
- views: 668170
- author: jwcfree
Vimeo results:
3:28
Ljósið (previously known as Let Yourself Feel)
Please watch my new video for Ólafur Arnalds / Slowly, comes the Light! http://vimeo.com/1...
published: 11 Aug 2009
author: Esteban Diácono
Ljósið (previously known as Let Yourself Feel)
Please watch my new video for Ólafur Arnalds / Slowly, comes the Light! http://vimeo.com/11662772
Official Version: Ólafur Arnalds / Ljósið http://vimeo.com/6284199
You can listen to and buy the album at: http://foundsongs.erasedtapes.com/
The quotes are from many sources, including Brian Eno, Stefan Segmeister, Albert Einstein, Nitzche and a few more i got randomly and i'm not sure about the author.
In all cases, thank you for the inspiration.
I strongly encourage you to visit http://foundsongs.erasedtapes.com/ and order the vynil or cd special limited edition of the record and give support to a great artist and his wonderful music.
let yourself feel by esteban diácono has all rights reserved.
Ljósið composed by Ólafur Arnalds and edited through Erased Tapes Records All Rights Reserved.
Esteban Diácono
contact me (and hire me!) @:
hola@estebandiacono.tv
http://www.linkedin.com/in/estebandiacono
www.estebandiacono.tv
6:22
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
author: OFFF, let's feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
6:22
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yea...
published: 09 Jun 2011
author: PostPanic
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this year’s prestigious opening titles 'Year Zero' for OFFF Festival 2011 in Barcelona http://offf.ws/bcn2011/
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
DIRECTOR'S NOTES (By Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the
2:39
Tape Generations
Large groups of tape rolls go through a long process of development and degeneration. The ...
published: 09 Sep 2011
author: johan rijpma
Tape Generations
Large groups of tape rolls go through a long process of development and degeneration. The extremely slow paced life of these objects is being revealed within an isolated space where everything starts from a symmetric composition. From this orderly state deviations and differences in behaviour slowly become visible through the force of gravity. Resulting in unpredictable shapes and movements that somehow feel familiar.
More info: www.johanrijpma.nl
Youtube results:
4:42
The Swell Season - Falling Slowly (Live on KEXP)
The Swell Season perform "Falling Slowly" live at the Triple Door as part of KEXP's VIP Cl...
published: 20 Nov 2009
author: kexpradio
The Swell Season - Falling Slowly (Live on KEXP)
The Swell Season perform "Falling Slowly" live at the Triple Door as part of KEXP's VIP Club Concert series. Recorded 10/22/09. cameras: Jim Beckmann, Zeek Earl and Zach Gore editing: Jim Beckmann
- published: 20 Nov 2009
- views: 115936
- author: kexpradio
3:49
Radiohead - Go Slowly [In Rainbows Disc 2]
Download the second disc in this link rapidshare.com * * * * * * * * * * * * * Third track...
published: 06 Dec 2007
author: Zedetnik
Radiohead - Go Slowly [In Rainbows Disc 2]
Download the second disc in this link rapidshare.com * * * * * * * * * * * * * Third track from "IN RAINBOWS", disc 2, by Radiohead. The band had worked on In Rainbows for more than two years, beginning in early 2005. In between recording, the band toured Europe and North America for three months in mid-2006. The announcement of details about the album led to a flurry of media attention centered around the band's decision to first release the album online as a digital download for which fans could decide the price they paid. A special made-to-order "discbox", available for pre-order through inrainbows.com, was released on 3 December 2007. It contains the album on CD and two 12" heavyweight vinyl records with artwork and lyric booklets. The box includes a second enhanced CD which contains 8 additional tracks, as well as digital photos and artwork. The overall set is packaged in a hardcover book and slipcase. The discbox, priced at £40 (approx. US$80), also includes the MP3 download. Radiohead's managers, however, claimed that the Internet-only distribution was intended only to boost sales of the physical album.
- published: 06 Dec 2007
- views: 343688
- author: Zedetnik
4:43
The Frames - Falling Slowly
music video from Anti- records...
published: 11 Apr 2007
author: notintheira
The Frames - Falling Slowly
music video from Anti- records
- published: 11 Apr 2007
- views: 1811970
- author: notintheira