Black Hawk Down is a 2001 American drama war film depicting the Battle of Mogadishu, a raid integral to the United States' effort to capture Somali warlord Mohamed Farrah Aidid. The film is based on the book of the same name by Mark Bowden, which chronicles the events of the battle. It was co-produced and directed by Ridley Scott, the director of Gladiator (2000). The film features a large ensemble cast, including Josh Hartnett, Eric Bana, Ewan McGregor, Tom Sizemore, William Fichtner and Sam Shepard. The film won two Oscars for Best Film Editing and Best Sound at the 74th Academy Awards.^[2] The film was received positively by mainstream critics but was not as warmly received by Somali nationals.^[3]

Plot[link]

In Somalia, famine and civil war have gripped the country, resulting in over 300,000 civilian deaths and a huge United Nations peacekeeping operation. With the bulk of the peacekeepers withdrawn, the Somali militia have declared war on the remaining UN personnel. In response, United States Army Rangers, Delta Force, and 160th SOAR are deployed to Somalia to capture Mohammed Farrah Aidid, self-proclaimed president of the country. Outside Mogadishu, Rangers and Delta Force operatives capture Osman Ali Atto, a warlord selling arms to the militia of Aidid. Shortly thereafter, a mission is planned to capture Omar Salad Elmi and Abdi Hassan Awale Qeybdiid, two of Aidid's top advisers. The US forces include experienced men as well as new recruits, including PFC Todd Blackburn and a desk clerk going on his first mission. When his Lieutenant is removed from duty as the result of a seizure, Staff Sergeant Matthew Eversmann is placed in command of Ranger Chalk Four, his first command.

The operation is launched and Delta Force successfully captures Aidid's advisers inside the target building, but the Rangers and helicopters escorting the ground-extraction convoy take heavy fire, while SGT Eversmann's Chalk Four is dropped a block away by mistake. When Blackburn is severely injured after falling from one of the Black Hawk helicopters, three Humvees led by SGT Jeff Struecker are detached from the convoy to return Blackburn to the UN-held Mogadishu Airport. SGT Dominick Pilla is shot and killed just as Struecker's column gets underway, and shortly thereafter Black Hawk Super-Six One, piloted by CWO Clifton "Elvis" Wolcott, is shot down by a rocket-propelled grenade (RPG) and crashes deep within the city. Both pilots are killed, the two crew chiefs are wounded, and one Delta sniper on board escapes in another helo that makes it back to base. The ground forces are rerouted to converge on the crash site, but the Somali militia throw up roadblocks, causing LTC Danny McKnight's Humvee column to lose its way, while sustaining heavy casualties. Meanwhile, two Ranger Chalks, including Eversmann's unit, reach Super-Six One's crash site, setting up a defensive perimeter to await evacuation with the two wounded men and the fallen pilots. In the interim, Super-Six Four, piloted by CWO Michael Durant is also shot down by an RPG, crashing several blocks away.

With CPT Mike Steele's Rangers pinned down and sustaining heavy casualties, no ground forces can reach Super Six Four's crash site, nor reinforce the Rangers defending Super Six One. Two Delta snipers, SFC Randy Shughart and MSG Gary Gordon are inserted by helicopter to Super Six Four's crash site, where they find Durant still alive. The crash site is eventually overrun, Gordon and Shughart are killed, and Durant is captured and taken to Aidid. McKnight's column gives up the attempt to reach Six-One's crash site, and returns to base with their prisoners and the casualties. The men prepare to go back to extract the pinned down Rangers and the fallen pilots and MG Garrison orders the 10th Mountain Division, including Malaysian and Pakistani forces, to mobilize as a relief column.

As night falls the Somali militia launch a sustained assault on the trapped Americans at Super Six One's crash site. The militia is held off throughout the night by strafing runs and rocket attacks from AH-6J Little Bird helicopter gunships of the Nightstalkers, until the 10th Mountain Division's relief column is able to reach the site. The wounded and casualties are evacuated in the vehicles, but a handful of remaining Army Rangers and Delta Force operatives are forced to run from the crash site back to the stadium, in the UN Safe Zone.

The closing credits detail the results of the raid: 19 American soldiers were killed, with over 1,000 Somalis dead. Durant was released after 11 days of captivity. Delta snipers Gordon and Shughart were the first soldiers to be posthumously awarded the Medal of Honor since the Vietnam War. On August 2, 1996, Aidid was killed in a battle with a rival clan. General Garrison retired the following day.

Cast[link]

75th Rangers[link]

• Josh Hartnett as SSG Matt Eversmann, the leader of Chalk 4
• Ewan McGregor as SPC John "Grimesey" Grimes, a desk clerk
• Tom Sizemore as LTC Danny McKnight, the commander of the 3rd Ranger Battalion
• Ewen Bremner as SPC Shawn Nelson, a squad gunner
• Gabriel Casseus as SPC Mike Kurth, the ground radio and telephone communications operator
• Hugh Dancy as SFC Airborne Ranger Kurt "Doc" Schmid (portrayed as a Ranger in the movie, was Delta Force in real life)
• Ioan Gruffudd as LT John Beales
• Tom Guiry as SSG Ed Yurek
• Charlie Hofheimer as CPL Jamie Smith
• Danny Hoch as SGT Dominick Pilla
• Jason Isaacs as CPT Mike Steele, commander, Bravo Company, 3rd Ranger Battalion
• Brendan Sexton III as PVT Richard "Alphabet" Kowalewski
• Brian Van Holt as SSG Jeff Struecker
• Ian Virgo as PVT John Waddell
• Tom Hardy as SPC Lance Twombly
• Gregory Sporleder as SGT Scott Galentine
• Carmine Giovinazzo as SGT Mike Goodale
• Chris Beetem as SGT Casey Joyce
• Matthew Marsden as SPC Dale Sizemore
• Orlando Bloom as PFC Todd Blackburn
• Enrique Murciano as SGT Lorenzo Ruiz
• Michael Roof as PVT John Maddox

Delta Force[link]

• Eric Bana as SFC Norm "Hoot" Gibson (based on SFC John Macejunas, SFC Norm Hooten and SFC Matthew Rierson)
• William Fichtner as SFC Jeff Sanderson (based on SFC Paul Howe)^[4]
• Kim Coates as MSG Tim "Griz" Martin
• Steven Ford as LTC Joe Cribbs
• Željko Ivanek as LTC Gary Harrell, the misson commander
• Johnny Strong as SFC Randy Shughart, a sniper flying on Black Hawk Super Six-Two
• Nikolaj Coster-Waldau as MSG Gary Gordon, a sniper flying on Black Hawk Super Six-Two
• Richard Tyson as SSG Daniel Busch, a sniper flying on Black Hawk Super Six-One

160th SOAR – Night Stalkers[link]

• Ron Eldard as CW4 Michael Durant, pilot of Super Six-Four
• Glenn Morshower as LTC Tom Matthews, the commander of 1st Battalion
• Jeremy Piven as CWO Clifton Wolcott, the pilot of Super Six-One

Miscellaneous[link]

• Sam Shepard as MG William F. Garrison, commander of Task Force Ranger
• George Harris as Osman Atto
• Razaaq Adoti as Yousuf Dahir Mo'alim, the Somali militia leader
• Treva Etienne as Firimbi, Somali war chief and Michael Durant's captor
• Ty Burrell as United States Air Force Pararescue Timothy A. Wilkinson

Background and production[link]

Black Hawk Down was originally the idea of director Simon West who suggested to Jerry Bruckheimer that he should buy the film rights to the book Black Hawk Down: a Story of Modern War by Mark Bowden and let him (West) direct; but West moved on to direct Lara Croft: Tomb Raider (2001) instead.^[5]

Despite Ken Nolan being credited as screenwriter, others contributed to it uncredited; Steven Zaillian re-wrote the majority of the script; Sam Shepard (MGen. Garrison) wrote most of his dialogue; Eric Roth wrote Josh Hartnett and Eric Bana's concluding speeches. Composed mostly of participant accounts, SPC John Stebbins became the fictional "John Grimes", because Stebbins was convicted by court martial, in 1999, for sexually assaulting his daughter.^[6] Reporter Bowden said the Pentagon requested the change.^[7] He wrote early screenplay drafts, before Bruckheimer gave it to a screenwriter; the PoW-Captor conversation, between pilot Mike Durant and militiaman Firimbi, is from a Bowden script draft.

For military verisimilitude, the Ranger actors took a crash, one-week Ranger familiarization course at Fort Benning, Ga.; the Delta Force actors took a two-week commando course, from the 1st Special Warfare Training Group, at Ft. Bragg, N.C.; Ron Eldard and the actors playing 160th SOAR helicopter pilots were lectured by captured aviator Michael Durant at Fort Campbell, Ky. The U.S. Army supplied the matériel and the helicopters from the 160th Special Operations Aviation Regiment; most pilots (e.g., Keith Jones, who speaks some dialogue) participated in the battle on October 3–4, 1993. On the last day of their week long Army Ranger orientation at Fort Benning, the actors who portrayed the Rangers received a letter which had been anonymously slipped under their door. The letter thanked them for all their hard work, and asked them to "tell our story true", signed with the names of the men who died in the Mogadishu firefight.^[8] Moreover, a platoon of Rangers from B-3/75 did the fast-roping scenes and were extras; John Collette, a Ranger Specialist during the actual battle served as a stunt performer.^[9] Many of the actors bonded with the soldiers who trained them for their roles. Actor Tom Sizemore said,"What really got me at training camp was the Ranger Creed. I don't think most of us can understand that kind of mutual devotion. It's like having 200 best friends and every single one of them would die for you".^[8]

Although the filmmakers originally considered filming in Jordan, they found the city of Amman too built up and landlocked. Scott and production designer Arthur Max turned instead to Morocco, where they had previously worked on Gladiator. Scott preferred the urban look for authenticity.^[8] Most of the film was photographed in the cities of Rabat and Salé in Morocco; the Task Force Ranger base sequences were filmed at Kénitra.^[10]

In order to keep the film at a manageable length, 100 key characters in the book were condensed down to 39. The movie also uses no Somali actors.^[11]

The film features soldiers wearing helmets with their last names on them. Although this was an inaccuracy, Ridley Scott felt it was necessary to have the helmets to help the audience to distinguish between the characters because "they all look the same once the uniforms are on".^[12]

Release[link]

Box-office performance[link]

Black Hawk Down had a limited release in four theaters on December 28, 2001, in order to be eligible for the 2001 Oscars. It earned $179,823 in its first weekend, averaging $44,956 per theater. On January 11, 2002, the release expanded to 16 theaters and continued to do well with a weekly gross of $1,118,003 and an average daily per theater gross of $9,982. On January 18, 2002, the film had its wide release, opening at 3,101 theaters and earning $28,611,736 in its first wide release weekend to finish first at the box office for the weekend. Opening on the Martin Luther King holiday, the film grossed $5,014,475 on the holiday of Monday, January 21, 2002, for a 4-day weekend total of $33,628,211. Only Titanic (1997 film) had previously grossed more money over the Martin Luther King holiday weekend. Black Hawk Down went on to finish first at the box office during its first three weeks of wide release. When the film was pulled from theatres on April 14, 2002, after its 15th week, it had grossed $108,638,745 domestically and $64,350,906 overseas for a worldwide total of $172,989,651.^[1]

Critical response[link]

The film received many positive reviews from mainstream critics. Empire magazine gave it a verdict of "ambitious, sumptuously framed, and frenetic, Black Hawk Down is nonetheless a rare find of a war movie which dares to turn genre convention on its head".^[13] Film Critic Mike Clark of USA Today wrote that the film "extols the sheer professionalism of America's elite Delta Force – even in the unforeseen disaster that was 1993's Battle of Mogadishu." and praised Scott's direction "in relating the conflict, in which 18 Americans died and 70-plus were injured, the standard getting-to-know-you war-film characterizations are downplayed. While some may regard this as a shortcoming, it is, in fact, a virtue".^[14] It has a 76% "Fresh" rating on Rotten Tomatoes,^[15] and a rating of 74 on Metacritic.^[16]

The film has had a small cultural legacy which has been studied academically by media analysts dissecting how media reflects American perceptions of war. Newsweek writer Evan Thomas considered the movie one of the most culturally significant films of the George W. Bush presidency, writing that the film "may have been antiwar on the surface, but I believe it was fundamentally prowar. Though it depicted a shameful defeat, the soldiers were heroes willing to die for their brothers in arms. The movie showed brutal scenes of killing, but also courage, stoicism and honor. The overall effect was stirring, if slightly pornographic, and it seemed to enhance the desire of Americans for a thumping war to avenge 9/11."^[17] Another article by Stephen J. Klein written for a professional journal argued that the film's emphasis on "a hyperreal spectacle of war that both encourages audiences to empathize with the dominant ‘pro-soldier’ message" would lead audiences to "conflate personal support of American soldiers with support of American military policy" and discourage "critical public discourse concerning justification for and execution of military interventions policy."^[18]

Accolades[link]

Won[link]

• 2002 – Academy Award for Best Editing (Pietro Scalia)
• 2002 – Academy Award for Best Sound (Michael Minkler, Myron Nettinga and Chris Munro)
• 2002 – Golden Reel Award from the Motion Picture Sound Editors, USA for Best Sound Editing – Effects and Foley, Domestic Feature Film

Nominated[link]

• 2002 – Academy Award for Best Director (Ridley Scott)
• 2002 – Academy Award for Best Cinematography (Slawomir Idziak)
• 2002 – AFI Film Award for AFI Cinematographer of the Year (Slawomir Idziak)
• 2002 – AFI Film Award for AFI Director of the Year (Ridley Scott)
• 2002 – AFI Film Award for AFI Editor of the Year (Pietro Scalia)
• 2002 – AFI Film Award for AFI Movie of the Year (Jerry Bruckheimer and Ridley Scott)
• 2002 – AFI Film Award for AFI Production Designer of the Year (Arthur Max)
• 2002 – MTV Movie Award for Best Action Sequence (First helicopter crash)
• 2002 – MTV Movie Award for Best Movie
• 2002 – WGA Award (Screen) for Best Screenplay Based on Material Previously Produced or Published (Ken Nolan)
• 2002 – Teen Choice Award for Choice Movie Actor – Drama/Action Adventure (Josh Hartnett)
• 2002 – Teen Choice Award for Choice Movie – Drama/Action Adventure
• 2002 – Golden Reel Award from the Motion Picture Sound Editors, USA for Best Sound Editing – Dialogue and A.D.R., Domestic Feature Film
• 2002 – Golden Trailer Award for Best Drama
• 2002 – Directors Guild of America Award for Best Director – Motion Picture (Ridley Scott)

Criticisms[link]

Soon after Black Hawk Down's release, the Somali Justice Advocacy Center in California denounced what they felt was its brutal and dehumanizing depiction of Somalis and called for its boycott.^[19]

In a radio interview, Brendan Sexton, an actor who briefly appeared in the movie, said that the version of the film which made it onto theater screens was significantly different from the one recounted in the original script. According to him, many scenes asking hard questions of the U.S. troops with regard to the violent realities of war, the true purpose of their mission in Somalia, etc., were cut out.^[20]

In a review featured in The New York Times, film critic Elvis Mitchell expressed dissatisfaction at the film's "lack of characterization", and noted the film "reeks of glumly staged racism".^[21] Owen Gliberman and Sean Burns, the film critics for the mainstream magazine Entertainment Weekly and the alternative newspaper Philadelphia Weekly, respectively, echoed the sentiment that the depiction was racist.^[22] Jerry Bruckheimer, the film's producer, rejected such claims on The O'Reilly Factor, putting them down to political correctness in part due to Hollywood's liberal leanings.^[23]

Somali nationals charge that the African actors chosen to play the Somalis in the film do not in the least bit resemble the racially unique peoples of the Horn of Africa nor does the language they communicate in sound like the Afro-Asiatic tongue spoken by the Somali people. The abrasive manner in which lines are delivered and the film's inauthentic vision of Somali culture, they add, fails to capture the tone, mannerisms and spirit of actual life in Somalia. When shown to crowds of Somalis in Somalia, young men cheered whenever an American soldier's character was shot on screen.^[11]

In an interview with the BBC, the faction leader Osman Ali Atto indicated that many aspects of the film are factually incorrect. He took exception to the ostentatious character chosen to portray him, who neither looks like him in real life nor does he smoke cigars or wear earrings. Atto also stated that he was not consulted about the project or approached for permission, and that the film sequence re-enacting his arrest contained several inaccuracies:^[24]

First of all when I was caught on 21 September, I was only travelling with one Fiat 124, not three vehicles as it shows in the film[...] And when the helicopter attacked, people were hurt, people were killed[...] The car we were travelling in, (and) I have got proof, it was hit at least 50 times. And my colleague Ahmed Ali was injured on both legs[...] I think it was not right, the way they portrayed both the individual and the action. It was not right.^[24]

Malaysian military officials whose troops were involved in the fighting have likewise raised complaints regarding the film's accuracy. Retired Brigadier-General Abdul Latif-Ahmed, who at the time commanded Malaysian forces in Mogadishu, told the AFP news agency that Malaysian moviegoers would be under the wrong impression that the real battle was fought by the Americans alone, while Malaysian troops were "mere bus drivers to ferry them out".^[25]

General Pervez Musharraf, who later became President of Pakistan after a coup, similarly accused the filmmakers of not crediting the work done by the Pakistani soldiers. In his autobiography In the Line of Fire: A Memoir, Musharraf wrote:

The outstanding performance of the Pakistani troops under adverse conditions is very well known at the UN. Regrettably, the film Black Hawk Down ignores the role of Pakistan in Somalia. When U.S. troops were trapped in the thickly populated Madina Bazaar area of Mogadishu, it was the Seventh Frontier Force Regiment of the Pakistan Army that reached out and extricated them. The bravery of the U.S. troops notwithstanding, we deserved equal, if not more, credit; but the filmmakers depicted the incident as involving only Americans.^[26]

Soundtrack[link]

References[link]

External links[link]

Film portal

• Official website
• Black Hawk Down at the Internet Movie Database
• Black Hawk Down at the TCM Movie Database
• Black Hawk Down at AllRovi
• Black Hawk Down at Rotten Tomatoes
• Black Hawk Down at Metacritic
• Black Hawk Down at Box Office Mojo

Black Hawk Down is the name of several media recounts all based on the 1993 Battle of Mogadishu. The term may therefore refer to:

• Black Hawk Down (book), a 1999 book by Mark Bowden
• Black Hawk Down (film), a 2001 film adaptation of Bowden's book, directed by Ridley Scott
• Delta Force: Black Hawk Down, a 2003 action game based on the events in Somalia
• "Blackhawk Down", a song on the 2000 album Rancid by the band of the same name

See also[link]

• UH-60 Black Hawk, the type of United States military helicopter used in the 1993 Battle of Mogadishu
• 1994 Black Hawk shootdown incident
• Black Hawk (disambiguation)

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Hans Zimmer
Hans Zimmer receiving his star at the Hollywood Walk of Fame (2010)
Background information
Birth name	Hans Florian Zimmer
Born	(1957-09-12) 12 September 1957 (age 54) Frankfurt am Main, Germany
Genres	Film score, Video game score
Occupations	Film composer, Video game composer, Music producer
Instruments	Piano, Keyboard, MIDI Master Keyboard, Synthesizer, Guitar
Years active	1977–present
Labels	Remote Control Productions
Website	hanszimmer.com

Hans Florian Zimmer, German pronunciation: [hans ˈfloːʁi̯aːn ˈtsɪmɐ]; (born 12 September 1957) is a German film composer and music producer. He has composed music for over 100 films, including award winning film scores for The Lion King (1994), Crimson Tide (1995), Gladiator (2000), The Last Samurai (2003),The Dark Knight (2008), and Inception (2010).

Zimmer spent the early part of his career in the United Kingdom before moving to the United States. He is the head of the film music division at DreamWorks studios, and works with other composers through the company which he founded, Remote Control Productions.^[1]

Zimmer's works are notable for integrating electronic music sounds with traditional orchestral arrangements. He has received four Grammy Awards, two Golden Globes, a Classical BRIT Award, and an Academy Award. He was also named on the list of Top 100 Living Geniuses, published by The Daily Telegraph.^[2]

Early life[link]

Zimmer was born in Frankfurt am Main, Germany. As a young child, he lived in Königstein-Falkenstein, where he played the piano at home, but had piano lessons only briefly as he disliked the discipline of formal lessons.^[3] He moved to London as a teenager, where he attended Hurtwood House school.^[4] In an interview with the German television station ZDF in 2006, he commented: "My father died when I was just a child, and I escaped somehow into the music and music has been my best friend."^[5]

Early career[link]

Zimmer began his career playing keyboards and synthesizers. He worked with The Buggles, a New Wave band formed in 1977 with Trevor Horn, Geoff Downes, and Bruce Woolley. Zimmer can be seen briefly in The Buggles' music video for the 1979 song "Video Killed the Radio Star".^[6] After working with The Buggles, he started to work for the Italian group Krisma, a New Wave band formed in 1976 with Maurizio Arcieri and Christina Moser. He was a featured synthesist for Krisma’s third album, Cathode Mamma. He has also worked with the band Helden (with Warren Cann from Ultravox).^[7] Both Zimmer (on keyboards) and Cann (on drums), were invited to be part of the Spanish group Mecano for a live performance in Segovia (Spain) in 1984. Two songs from this concert were included in the "Mecano: En Concierto" album released in 1985 only in Spain. In 1980 Zimmer co-produced a single, "The History Of The World Part 1," with, and for, UK Punk band The Damned, which was also included on their 1980 LP release, "The Black Album," and carried the description of his efforts as "Over-Produced by Hans Zimmer."

While living in London, Zimmer wrote advertising jingles for Air-Edel Associates.^[7] In the 1980s, Zimmer partnered with Stanley Myers, a prolific film composer who wrote the scores for over sixty films. Zimmer and Myers co–founded the London–based Lillie Yard recording studio. Together, Myers and Zimmer worked on fusing the traditional orchestral sound with electronic instruments.^[8] Some of the films on which Zimmer and Myers worked are Moonlighting (1982), Success is the Best Revenge (1984), Insignificance (1985), and My Beautiful Launderette (1985). Zimmer's first solo score was Terminal Exposure for director Nico Mastorakis in 1987, for which he also wrote the songs. Zimmer acted as score producer for the 1987 film The Last Emperor, which won the Academy Award for Best Original Score.^[7]

One of Zimmer's most durable works from his time in the United Kingdom is the theme song for the television game show Going for Gold, which he composed with Sandy McClelland in 1987. In an interview with the BBC, Zimmer said: "Going For Gold was a lot of fun. It's the sort of stuff you do when you don't have a career yet. God, I just felt so lucky because this thing paid my rent for the longest time."^[9]

Hollywood film scoring[link]

A turning point in Zimmer's career occurred with the 1988 film Rain Man.^[8] Hollywood director Barry Levinson was looking for someone to score Rain Man, and his wife heard the soundtrack CD of the anti-Apartheid drama A World Apart, for which Zimmer had composed the music. Levinson was impressed by Zimmer's work, and hired him to score Rain Man.^[10] In the score, Zimmer uses synthesizers (mostly a Fairlight CMI) mixed with steel drums. Zimmer explained that "It was a road movie, and road movies usually have jangly guitars or a bunch of strings. I kept thinking don't be bigger than the characters. Try to keep it contained. The Raymond character doesn't actually know where he is. The world is so different to him. He might as well be on Mars. So, why don't we just invent our own world music for a world that doesn't really exist?".^[11] Zimmer’s score for Rain Man was nominated for an Academy Award in 1989, and the film won four Academy Awards including Best Picture.^[12]

A year after Rain Man, Zimmer was asked to compose the score for Bruce Beresford's Driving Miss Daisy which, like Rain Man, won an Academy Award for Best Picture. Driving Miss Daisy’s instrumentation consisted entirely of synthesizers and samplers, played by Zimmer. According to an interview with Sound On Sound magazine in 2002, the piano sounds heard within the score come from the Roland MKS–20, a rackmount synthesizer. Zimmer joked: "It didn't sound anything like a piano, but it behaved like a piano."^[13]

1991's Thelma & Louise soundtrack by Zimmer featured the trademark slide guitar performance by Pete Haycock on the "Thunderbird" theme in the film. As a teenager, Zimmer was a fan of Haycock, and their collaboration on film scores includes K2 and Drop Zone.^[14]

For the 1992 film The Power of One, Zimmer traveled to Africa in order to use African choirs and drums in the recording of the score. On the strength of this work, Disney Animation Studios approached Zimmer to compose the score for the 1994 film The Lion King. This was to be his first score for an animated film. Zimmer said that he had wanted to go to South Africa to record parts of the soundtrack, but was unable to visit the country as he had a police record there "for doing 'subversive' movies" after his work on The Power of One. Disney studio bosses expressed fears that Zimmer would be killed if he went to South Africa, so the recording of the choirs was organized during a visit by Lebo M.^[15] Zimmer won numerous awards for his work on The Lion King, including an Academy Award for Best Original Score, a Golden Globe, and two Grammys. In 1997, the score was adapted into a Broadway musical version which won the Tony Award for Best Musical in 1998.^[16][17] As of April 2012^[update], the musical version of The Lion King is the highest grossing Broadway show of all time, having grossed $853.8 million.^[18]

	Crimson Tide - "Roll Tide" noicon A clip from the score of the 1995 film Crimson Tide.
Problems listening to this file? See media help.

Zimmer's score for Crimson Tide (1995) won a Grammy Award for the main theme, which makes heavy use of synthesizers in place of traditional orchestral instruments. For The Thin Red Line (1998), Zimmer said that the director Terrence Malick wanted the music before he started filming, so he recorded six and a half hours of music.^[11] Zimmer's next project was The Prince of Egypt (1998), which was produced by DreamWorks Animation. He introduced Ofra Haza, an Israeli Yemenite singer, to the directors, and they thought she was so beautiful that they designed one of the characters in the film to look like her.^[11]

Work: 2000–present[link]

	Gladiator - "Battle" noicon A clip from the score of the 2000 film Gladiator.
Problems listening to this file? See media help.

In the 2000s, Zimmer has composed scores for Hollywood blockbuster films including Gladiator (2000), Black Hawk Down and Hannibal (2001), The Last Samurai (2003), The Da Vinci Code (2006) The Simpsons Movie (2007), Angels and Demons (2009) and Sherlock Holmes (2009). While writing the score for The Last Samurai, Zimmer felt that his knowledge of Japanese music was extremely limited. He began doing extensive research, but the more he studied, the less he felt he knew. Finally, Zimmer took what he had written to Japan for feedback and was shocked when he was asked how he knew so much about Japanese music.^[11]

During the scoring of The Last Samurai in early 2003, Zimmer was approached by the producer Jerry Bruckheimer, with whom he had worked previously on Crimson Tide, The Rock and Pearl Harbor. Bruckheimer had finished shooting Pirates of the Caribbean: The Curse of the Black Pearl, but was unhappy with the music composed for the film by Alan Silvestri and wanted a replacement score.^[19] Bruckheimer wanted Zimmer to rescore the film, but due to his commitments on The Last Samurai, the task of composing and supervising music for Pirates of the Caribbean: The Curse of the Black Pearl was given to Klaus Badelt, one of Zimmer's colleagues at Media Ventures. Zimmer provided some themes that were used in the film, although he is not credited on screen.^[20][21] Zimmer was hired as the composer for the three subsequent films in the series, Pirates of the Caribbean: Dead Man's Chest (2006), Pirates of the Caribbean: At World's End (2007), and Pirates of the Caribbean: On Stranger Tides (2011), collaborating with Rodrigo y Gabriela.^[22]

For the 2009 film Sherlock Holmes, "The Daily Variety" reported that Zimmer purchased an out-of-tune piano for 200 dollars and used it throughout the scoring process because of its "quirkiness".^[23]

Hans Zimmer in 2008

Zimmer is also noted for his work on the scores of Christopher Nolan's Batman Begins (2005) and The Dark Knight (2008), on which he collaborated with James Newton Howard.^[9] The scores for these films were disqualified from receiving Academy Award nominations for Best Original Score due to too many composers being listed on the cue sheet.^[24] Zimmer succeeded in reversing the decision not to nominate The Dark Knight in December 2008, arguing that the process of creating a modern film score was collaborative, and that it was important to credit a range of people who had played a part in its production.^[25] Zimmer explained his approach to scoring with other musicians in an interview with Soundtrack.net in 2006:

	Hans Zimmer and Lisa Gerrard - "Now We Are Free" noicon A clip from the score of the 2000 film Gladiator.
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"Originally I had this idea that it should be possible to create some kind of community around this kind of work, and I think by muddying the titles - not having "you are the composer, you are the arranger, you are the orchestrator" - it just sort of helped us to work more collaboratively. It wasn't that important to me that I had "score by Hans Zimmer" and took sole credit on these things. It's like Gladiator: I gave Lisa Gerrard the co-credit because, even though she didn't write the main theme, her presence and contributions were very influential. She was more than just a soloist, and this is why I have such a problem with specific credits."^[26]

Zimmer is also composing the score for The Dark Knight Rises, the final installment of Christopher Nolan's Batman trilogy. The film is scheduled for release in July 2012.^[27]

Zimmer works with other composers through his company Remote Control Productions, formerly known as Media Ventures. His studio in Santa Monica, California has an extensive range of computer equipment and keyboards, allowing demo versions of film scores to be created quickly.^[28] His colleagues at the studio have included Harry Gregson-Williams, James Dooley, Geoff Zanelli, Henning Lohner, Steve Jablonsky, Mark Mancina, John Van Tongeren, John Powell and Thomas J. Bergersen.

In October 2000, Zimmer performed live in concert for the first time with an orchestra and choir at the 27th Annual Flanders International Film Festival in Ghent.^[29] He has received a range of honors and awards, including the Lifetime Achievement Award in film Composition from the National Board of Review, the Frederick Loewe Award in 2003 at the Palm Springs International Film Festival, ASCAP’s Henry Mancini Award for Lifetime Achievement, and BMI's Richard Kirk Award for lifetime achievement in 1996. Recent work includes the Spanish language film Casi Divas,^[30] Sherlock Holmes, The Burning Plain (2009), and Inception (2010). He composed the theme for the television boxing series The Contender, and worked with Lorne Balfe on the music for Call of Duty: Modern Warfare 2, which was his first video game project.^[31] Zimmer also collaborated with composers Borislav Slavov and Tilman Sillescu to create the score for the video game Crysis 2.^[32]

In December 2010, Zimmer received a star on the Hollywood Walk of Fame. He dedicated the award to his publicist and long term friend Ronni Chasen, who was shot dead in Beverly Hills the previous month.^[33]

Zimmer composed and produced the music for the 84th Academy Awards with Pharrell Williams of The Neptunes.^[34]

Zimmer lives in Los Angeles with his wife Suzanne, and has four children.^[35][36]

Discography and awards[link]

References[link]

External links[link]

	Book: Hans Zimmer
Wikipedia books are collections of articles that can be downloaded or ordered in print.

Wikimedia Commons has media related to: Hans Zimmer

• Official website
• Hans Zimmer at the Internet Movie Database
• Interview with Hans Zimmer in Film Score Monthly
• Interview with Hans Zimmer about Sherlock Holmes from C Music TV
• Focus.De

v t e Hans Zimmer Soundtracks Angels and Demons  · Driving Miss Daisy  · Batman Begins  · Beyond Rangoon  · Black Hawk Down  · The Da Vinci Code  · The Dark Knight  · Gladiator  · Inception · Kung Fu Panda  · Kung Fu Panda 2  · The Lion King  · Madagascar  · Mission: Impossible II  · Pearl Harbor  · Pirates of the Caribbean: At World's End  · Pirates of the Caribbean: The Curse of the Black Pearl  · Pirates of the Caribbean: Dead Man's Chest  · Pirates of the Caribbean: On Stranger Tides  · Pirates of the Caribbean: Soundtrack Treasures Collection · Rango  · Sherlock Holmes  · The Thin Red Line Songs "Hoist the Colours" Related articles Discography · Remote Control Productions Book:Hans Zimmer  · Category:Hans Zimmer