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Vera Volkova. Третий этап
published: 07 Jun 2020
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na4 otbor 74 vera volkova
published: 20 Apr 2015
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Olga Preobrajenska – Filmed Walking Near the monument to Empress Catherine in St Petersburg
This tiny snippet of film footage gives the only sense we have of Olga Preobrajenska (1871-1962) as a social being -- as opposed to the famed Mariinsky ballerina and later dearly beloved teacher.
We see her here, accompanied by two men, walking near the monument to Empress Catherine in St Petersburg, in the park in front of the Alexandrinsky Theatre. My guess would be that this is in the early to mid 1920s, as the ballerina left Russia in 1922.
Of course, I am wondering who the two men could be. You can see face of the man on the right of Preobrajenska as he gets closer to the camera, his boater tilted rakishly back -- the sign of a dancer? Has anyone any ideas?
Tiny and not a great beauty in a traditional sense, Preobrajenska was extremely well-liked by her colleagues and beloved of th...
published: 04 Sep 2013
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Дуэт "Рябинушка" (А. Мазурина, В.Волкова), ст. Вышестеблиевская. "Як наварю мэду".
published: 16 Aug 2023
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рисую бумажную косметику.
делаю бумажную косметику.
published: 23 Jan 2023
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Танец Снегурочки
published: 09 Jan 2018
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Tom Pazik Interview on "El Toro de Płata" (November 21, 1980)
Members of the Atlanta Ballet perform on stage. The camera transitions to show the Atlanta Ballet performing scenes from El Toro de Plata, a new ballet choreographed by Tom Pazik, to premiere at the Fox Theatre. Interview with choreographer Tom Pazik about his creation.
Reporter: Anzur, Terry
Tom Pazik (1940-1993) began his dance training in Detroit, Michigan where he studied under Sandra Severo. He continued his training with Leon Danelian, Yurek Lazowski, Michael Maule, Richard Thomas, and Vera Volkova.
Pazik joined the Atlanta Ballet as a principal dancer in 1970. He later became the Atlanta Ballet's associate director and resident choreographer. In 1983, he was appointed artistic director for the Baltimore Ballet. In June 1985, Robert Barnett appointed Pazik to the position of direct...
published: 11 Feb 2023
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обзор
published: 26 Jan 2023
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боксы
published: 26 Jan 2023
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Dancing Bournonville
published: 26 May 2021
0:40
Olga Preobrajenska – Filmed Walking Near the monument to Empress Catherine in St Petersburg
This tiny snippet of film footage gives the only sense we have of Olga Preobrajenska (1871-1962) as a social being -- as opposed to the famed Mariinsky ballerin...
This tiny snippet of film footage gives the only sense we have of Olga Preobrajenska (1871-1962) as a social being -- as opposed to the famed Mariinsky ballerina and later dearly beloved teacher.
We see her here, accompanied by two men, walking near the monument to Empress Catherine in St Petersburg, in the park in front of the Alexandrinsky Theatre. My guess would be that this is in the early to mid 1920s, as the ballerina left Russia in 1922.
Of course, I am wondering who the two men could be. You can see face of the man on the right of Preobrajenska as he gets closer to the camera, his boater tilted rakishly back -- the sign of a dancer? Has anyone any ideas?
Tiny and not a great beauty in a traditional sense, Preobrajenska was extremely well-liked by her colleagues and beloved of the gallery members of the audience, being known as 'Queen of the Variations'.
The ballerina had joined the Imperial Ballet School in 1879, where her teachers were Ekaterina Vazem, Nicholas Legat, Enrico Cecchetti, and Christian Johansson. After graduating, she began taking lessons from the Italian teacher, Enrico Cecchetti. She danced Mariinsky Theatre for quarter a century, being given the title prima ballerina in 1900 at the age of twenty-nine.
Preobrajenska began teaching at the Imperial Ballet Theatrical School in 1914, with Agrippina Vaganova, Vera Volkova, Tatjana Gsovsky being among her pupils.
The ballerina left Russia in 1922, setting up a school Paris in 1923, with her students there including Irina Baronova, Tamara Toumanova, Igor Youskevitch, Margot Fonteyn, Alberto Alonso, Nadia Nerina, Maurice Béjart, Nicholas Orloff, Nina Vyroubova, Maina Gielgud, Vera Zorina, Alexandra Danilova, Serge Golovine, Milorad Miskovitch, Ludmila Tcherina, Igor Youskevitch, Nina Youskevitch, Yury Zoritch, Georges Skibine, André Eglevsky. Hélène Kirsova and Belinda Wright. Not a bad group I must say!
She retired in 1960.
Again, if anyone could help identify Preobrajenska's companions that would be great!
Enjoy!
https://wn.com/Olga_Preobrajenska_–_Filmed_Walking_Near_The_Monument_To_Empress_Catherine_In_St_Petersburg
This tiny snippet of film footage gives the only sense we have of Olga Preobrajenska (1871-1962) as a social being -- as opposed to the famed Mariinsky ballerina and later dearly beloved teacher.
We see her here, accompanied by two men, walking near the monument to Empress Catherine in St Petersburg, in the park in front of the Alexandrinsky Theatre. My guess would be that this is in the early to mid 1920s, as the ballerina left Russia in 1922.
Of course, I am wondering who the two men could be. You can see face of the man on the right of Preobrajenska as he gets closer to the camera, his boater tilted rakishly back -- the sign of a dancer? Has anyone any ideas?
Tiny and not a great beauty in a traditional sense, Preobrajenska was extremely well-liked by her colleagues and beloved of the gallery members of the audience, being known as 'Queen of the Variations'.
The ballerina had joined the Imperial Ballet School in 1879, where her teachers were Ekaterina Vazem, Nicholas Legat, Enrico Cecchetti, and Christian Johansson. After graduating, she began taking lessons from the Italian teacher, Enrico Cecchetti. She danced Mariinsky Theatre for quarter a century, being given the title prima ballerina in 1900 at the age of twenty-nine.
Preobrajenska began teaching at the Imperial Ballet Theatrical School in 1914, with Agrippina Vaganova, Vera Volkova, Tatjana Gsovsky being among her pupils.
The ballerina left Russia in 1922, setting up a school Paris in 1923, with her students there including Irina Baronova, Tamara Toumanova, Igor Youskevitch, Margot Fonteyn, Alberto Alonso, Nadia Nerina, Maurice Béjart, Nicholas Orloff, Nina Vyroubova, Maina Gielgud, Vera Zorina, Alexandra Danilova, Serge Golovine, Milorad Miskovitch, Ludmila Tcherina, Igor Youskevitch, Nina Youskevitch, Yury Zoritch, Georges Skibine, André Eglevsky. Hélène Kirsova and Belinda Wright. Not a bad group I must say!
She retired in 1960.
Again, if anyone could help identify Preobrajenska's companions that would be great!
Enjoy!
- published: 04 Sep 2013
- views: 975
1:05
Tom Pazik Interview on "El Toro de Płata" (November 21, 1980)
Members of the Atlanta Ballet perform on stage. The camera transitions to show the Atlanta Ballet performing scenes from El Toro de Plata, a new ballet choreogr...
Members of the Atlanta Ballet perform on stage. The camera transitions to show the Atlanta Ballet performing scenes from El Toro de Plata, a new ballet choreographed by Tom Pazik, to premiere at the Fox Theatre. Interview with choreographer Tom Pazik about his creation.
Reporter: Anzur, Terry
Tom Pazik (1940-1993) began his dance training in Detroit, Michigan where he studied under Sandra Severo. He continued his training with Leon Danelian, Yurek Lazowski, Michael Maule, Richard Thomas, and Vera Volkova.
Pazik joined the Atlanta Ballet as a principal dancer in 1970. He later became the Atlanta Ballet's associate director and resident choreographer. In 1983, he was appointed artistic director for the Baltimore Ballet. In June 1985, Robert Barnett appointed Pazik to the position of director of the Atlanta School of Ballet and artistic director of the Atlanta Ballet II.
Since he began choreographing in 1974, Pazik created over eighty ballets, including four full length ballets, children's ballets and lecture demonstrations. In 1977, The Metropolitan Opera engaged Pazik to choreograph the ballet sequences for La Traviata and La Favorita for the Opera's 1977–1978 season. His works have been in the repertoire of the Atlanta Ballet, Augusta Ballet, Baltimore Ballet, Boston Ballet, Joffrey II, Washington Ballet, Giordano Dance Chicago, Dance Alive, Gainesville Ballet, Georgia Metropolitan Dance Theatre, Tampa Ballet, Gwinnett Ballet Theatre, Peninsula Ballet, Atlanta Dance Theatre, Ballet Hawaii, Augusta Dance Theatre, The Greenville Ballet, and The Philippine Ballet Theater.
Along with his choreographic credits, Pazik had extensive credits as a teacher and trained a number of dancers who are now enjoying successful professional careers. Other aspects of his career include a background in technical theatre and musical comedy as a performer, technician costume designer, choreographer, director and teacher.
In 1992, Pazik founded Capital City Ballet, a preprofessional company and an honor company with Regional Dance America SERBA until 1999. In October 1993, Pazik was honored by the Southeastern Regional Ballet Association with their lifetime achievement award.[citation needed]
https://wn.com/Tom_Pazik_Interview_On_El_Toro_De_Płata_(November_21,_1980)
Members of the Atlanta Ballet perform on stage. The camera transitions to show the Atlanta Ballet performing scenes from El Toro de Plata, a new ballet choreographed by Tom Pazik, to premiere at the Fox Theatre. Interview with choreographer Tom Pazik about his creation.
Reporter: Anzur, Terry
Tom Pazik (1940-1993) began his dance training in Detroit, Michigan where he studied under Sandra Severo. He continued his training with Leon Danelian, Yurek Lazowski, Michael Maule, Richard Thomas, and Vera Volkova.
Pazik joined the Atlanta Ballet as a principal dancer in 1970. He later became the Atlanta Ballet's associate director and resident choreographer. In 1983, he was appointed artistic director for the Baltimore Ballet. In June 1985, Robert Barnett appointed Pazik to the position of director of the Atlanta School of Ballet and artistic director of the Atlanta Ballet II.
Since he began choreographing in 1974, Pazik created over eighty ballets, including four full length ballets, children's ballets and lecture demonstrations. In 1977, The Metropolitan Opera engaged Pazik to choreograph the ballet sequences for La Traviata and La Favorita for the Opera's 1977–1978 season. His works have been in the repertoire of the Atlanta Ballet, Augusta Ballet, Baltimore Ballet, Boston Ballet, Joffrey II, Washington Ballet, Giordano Dance Chicago, Dance Alive, Gainesville Ballet, Georgia Metropolitan Dance Theatre, Tampa Ballet, Gwinnett Ballet Theatre, Peninsula Ballet, Atlanta Dance Theatre, Ballet Hawaii, Augusta Dance Theatre, The Greenville Ballet, and The Philippine Ballet Theater.
Along with his choreographic credits, Pazik had extensive credits as a teacher and trained a number of dancers who are now enjoying successful professional careers. Other aspects of his career include a background in technical theatre and musical comedy as a performer, technician costume designer, choreographer, director and teacher.
In 1992, Pazik founded Capital City Ballet, a preprofessional company and an honor company with Regional Dance America SERBA until 1999. In October 1993, Pazik was honored by the Southeastern Regional Ballet Association with their lifetime achievement award.[citation needed]
- published: 11 Feb 2023
- views: 7