Keith & Tex

Keith & Tex are the Jamaican rocksteady duo of Keith Rowe and Texas Dixon, best known for their 1967 hit "Stop That Train".

History

Keith Rowe (born Keith Barrington Rowe) grew up in the Washington Gardens area of Saint Andrew Parish, across the road from Lee "Scratch" Perry's home and future studio, on the outskirts of Kingston. Phillip Texas Dixon grew up in the Pembroke Hall area and they were introduced by a mutual friend. Starting out as a five man group singing on the corner, they were encouraged to try to get recorded. They soon began auditioning for local producers but were rejected by Prince Buster, Coxsone Dodd and Duke Reid, the group having lost confidence broke up leaving two. Keith and Tex were left and auditioned for Derrick Harriott where they eventyally found success. Working with Harriott, they recorded a series of singles in the late 1960s, including "Stop That Train" (a cover of The Spanishtonians' ska hit), "Tonight", "This Is My Song", "Don't Look Back" (a cover of The Temptations' song), and "Let Me Be the One". They ceased working together in 1970 with both emigrating with their families - Rowe to The United States and Dixon to Canada. Rowe joined the US Army in 1972, staying in for twenty years, but also found time for music, recording as a solo artist, working with producer Lee "Scratch" Perry, releasing tracks such as "Groovy Situation" and "Living My Life", and recording further singles in the US, including a few on his own KEBAR label.

Stop That Train

"Stop That Train" is the name of several songs:

Keith

Keith may refer to:

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Let Me

"Let Me" is a song written by Marc Beeson and Danny Orton, and recorded by American country music singer Pat Green. It was released in June 2008 as the lead-off single from his album What I'm For, which was released on January 27, 2009. The song peaked at #12 on the Billboard Hot Country Songs chart, becoming his second highest-charting single, behind 2003's "Wave on Wave", which peaked at #3.

Content

"Let Me" is a mid-tempo ballad in which the narrator promises to offer emotional support to the one that he loves.

Describing the song in a cut-by-cut synopsis of the album on Sony BMG Nashville's website, Green said that he liked the melody of the chorus (which contains multiple repetitions of the same note). He also said that the song drew his attention because it was a love song that did not explicitly use the word "love".

Reception

The song received a "thumbs down" review from the country music site Engine 145. Reviewer Brady Vercher criticized the song for being overproduced and trying to "garner radio success than pushing both [Green's and the producer's] boundaries to create something worthwhile." He also thought that vocally, Green got "lost" in the song and was unable to add any personality to the delivery.Washington Post critic Chris Richards said that Green's vocal delivery did not "sit right" in the "slow-burn" of the song, and Joey Guerra of the Houston Chronicle called it "stock country loverboy stuff."