Taxco de Alarcón Taxco
—  Town & Municipality  —
View of the town from the Christ Monument
Taxco de Alarcón Location in Mexico
Coordinates: 18°33′23″N 99°36′18″W / 18.55639°N 99.605°W / 18.55639; -99.605
Country	Mexico
State	Guerrero
Founded	1529
Municipal Status	1850
Government
• Municipal President	Alvaro Burgos Barrera (2007–2010)
Area
• Municipality	347 km2 (134 sq mi)
Elevationof seat	1,778 m (5,833 ft)
Population (2005)Municipality
• Municipality	39,587
• Seat	98,854
Time zone	CST (UTC-6)
Postal code (of seat)	40200
Area code(s)	762
Demonym
Website	www.taxco.gob.mx (Spanish)

Taxco de Alarcón (usually referred to as simply “Taxco”) is a small city and municipality located in the Mexican state of Guerrero. The name Taxco is most likely derived from the Nahuatl word tlacheco, which means “place of the ballgame.” However, one interpretation has the name coming from the word tatzco which means “where the father of the water is,” due to the high waterfall near the town center on Atatzin Mountain. “De Alarcón” is in honor of writer Juan Ruiz de Alarcón who was a native of the town. Like many municipalities in central Mexico, the municipality’s coat-of-arms is an Aztec glyph. This glyph is in the shape of a Mesoamerican ballcourt with rings, players and skulls, derived from the most likely source of Taxco’s name.^[1]

The city is heavily associated with silver, both with the mining of it and other metals and for the crafting of it into jewelry, silverware and other items. This reputation, along with the city’s picturesque homes and surrounding landscapes have made tourism the main economic activity as the only large-scale mining operation here is coming to a close.^[2][3]

Taxco is located in the north-central part of the state, 36 km from the city of Iguala, 135 km from the state capital of Chilpancingo and 170 km southwest of Mexico City. The city was named one of Mexico’s “Pueblos Mágicos” (Magical Towns) due to the quality of the silverwork, the colonial constructions and the surrounding scenery.^[2][4]

History[link]

Before the arrival of the Spanish in Mexico, the indigenous community known as “Taxco” was not located where the modern city is now. The name referred to a village about ten kilometers to the south, which is now referred to as Taxco El Viejo (Old Taxco). In pre-Hispanic times, this village was the most important in the area as it was the seat of the Aztec governor who presided over tribute collection in the surrounding seven districts.^[1] The modern Spanish town of Taxco was founded by Hernán Cortés in an area previously known as Tetelcingo, because of the abundance of silver here.^[1][5]

Mining here began in the pre-Hispanic period with natives extracting a number of stones for decorative and ritual purposes.^[1] Mining operations in the area during the early colonial period was carried out mostly by mining haciendas such as the Hacienda El Chorillo and the Hacienda San Juan Bautista, established by Cortés or soldiers of Cortés.^[6] In the mid 18th century, José de la Borda arrived to Taxco and started more modern operations in mines called Pedregal, El Coyote, San Ignacio and Cerro Perdido.^[1]

For most of the colonial period, the area was sparsely populated, including the town of Taxco itself. For this reason, it was governed as a dependency of Mexico City. When the modern state of Guerrero was created in 1850, Taxco was chosen to be the seat of the municipality of the same name. Since it was the only town of any size in the area, the town was taken a number of times during a number of different conflicts. During the Mexican War of Independence, it was taken by Hermenegildo Galeana in 1815. During the Reform Wars, it was taken by Porfirio Diaz in 1865. During the Mexican Revolution, it was taken by Jesus Moran and Margarito Giles in 1911, and occupied by Carranza’s forces in 1916.^[1]

The city[link]

Narrow street near the main plaza

The city of Taxco, with over 50,000 people,^[7] lies on very rugged terrain. At the center of the town is the Parish of Santa Prisca y San Sebastián, which is surrounded by a sea of Spanish-style, red-tile roofs. The streets are very irregular, ascending and descending quickly. They are also narrow, with most lacking sidewalks. This makes the streets picturesque but dangerous at the same time. Adding to the charm is that most streets are paved with dark stones, adorned with lines, pictures and even murals of white stone. Some of the pictures in the street are from the Zodiac and meant to indicate certain commercial activities in times past. One example of this is the sign of Taurus near the Church of Santa Prisca, which used to indicate the area of butcher shops.^[8]

Silverwork and tourism related to Taxco’s status as a silver town is the mainstay of the economy.^[2] There is one major mining operation on the outskirts of town, Industrial Minera México S.A.,^[1] but this enterprise announced in 2007 that it will phase out operations here due to the depletion of reserves and labor problems-^[3] Most commercial activity related to silver is the production and sale of silver jewelry, silverware and other goods.^[2][8] Silversmithing was reinvigorated here by American William Spratling, who moved to Taxco in the 1920s, creating silver design workshops and exported items, mostly to the United States.^[9] With its fame for silversmithing, tourism became a major economic force for the town. Commerce in silver here is both regional and international. Just under half of the municipality’s population is involved in the tourism trade.^[1] Streets in the town are filled with silvershops selling jewelry, silverware and other goods.^[8]

Parish of Santa Prisca y San Sebastián[link]

Facade of the Santa Prisca Church

Main altar of the Santa Prisca Church

The Parish of Santa Prisca y San Sebastían, commonly referred to as the Santa Prisca Church, is located on the east side of the main plaza of Taxco, and is one of the few Baroque buildings in the state of Guerrero.^[2] It was built between 1751 and 1758 by José de la Borda (ca. 1700–1778), who had made a great fortune in the silver mines surrounding the town. Despite his wealth, however, the opulence of the church nearly bankrupted him.^[5] The church is narrower than most due to the lack of flat land on which to build in the area.^[8] It is built with pink stone, flanked by two towers which are plain in the lower half but highly decorated in the upper bell portions. The crown overlooking the main portal has a representation of the Assumption of Mary.^[2] The cupola is covered in colored tile.^[8] Inside, there are a number of floor-to-ceiling altarpieces, all covered in gold. The main altarpiece is dedicated to the church’s two patron saints.^[2] Vibrations from blasts in nearby mining operations, earthquakes, and automobile traffic caused cracks in Santa Prisca’s vaults, and a restoration project began in 1997. To help the restoration project be carried to completion, the World Monuments Fund listed the church in the 2000 World Monuments Watch and provided funding from American Express and the Robert W. Wilson Challenge to Conserve Our Heritage for the conservation of walls, vaults, and the sacristy of the church.^[10]

Legend of Santa Prisca[link]

There is a legend associated with the Santa Prisca Church. While it was in construction, José de la Borda left Taxco on business to Guanajuato, leaving construction work to the builders. Soon after Borda left, the sky filled with black clouds and cold winds struck the streets, whistling through the towers of the unfinished church. The dark and cold terrified the workmen as the large storm approached. Suddenly a large bolt of lightning struck showing an undefined black silhouette that was swooping down on the church. Then it struck the cupola of the church, lighting it brilliantly. All of the tile covering the cupola began to shine with strange lights, allowing the inscription “Gloria a Dios en las alturas y paz en la tierra a los hombres de buena voluntad” (Glory to God in the Highest and peace on earth for men with good will) to be seen clearly. The whole town got down on their knees to pray, fearing that angry demons would destroy the church. Floating around the church were flashes of light and above the church appeared a beautiful woman who, smiling and with a peaceful face, caught the following lightning bolts in her hands.^[1]

Other attractions[link]

Back of the Casa Borda

They say that “everything Borda comes first in Taxco.” The main plaza of the town has the official name of “Plaza Borda” but it is commonly referred to as the Zócalo. On the north side of this plaza is the Casa Borda (Borda House) and is the most important non-religious construction in the city. The front facing the Zócalo has two stories, but the back, facing the Plaza de Bernal, has five. This is due to the uneven ground on which the house was built. Much of the house is now dedicated to the Casa de Cultura (Cultural Center) where classes in languages, fine arts and sports such as judo are taught. The rest of the main plaza is surrounded by silver shops, restaurants and bars.^[8]

Near the main plaza are two museums, the William Spratling Museum and the Museum of Viceregal Art. The Spratling Museum contains 293 archeological pieces that were part of William Spratling’s personal collection.^[8] There are bone and shell pieces, objects made with semi-precious stones, as well as jars and figurines, all from various parts of Mesoamerica.^[2] The most outstanding pieces are a skull covered in jade and a stele. There is a collection of counterfeit artifacts as well.^[8] Another area is devoted to the silverwork designs and the workshops that Spratling created in Taxco and Taxco el Viejo. The Museum of Viceregal Art is located in the “Humboldt House,” named so because German writer Alexander Von Humboldt spent a night here in 1803. This house was restored in 1991 to become the Museum of Viceregal Art and contains colonial period art and artifacts, some of which belonged to José de la Borda.^[2][8]

Back of the San Bernardino Church

Two other churches of note are the Church of the Ex-monastery of San Bernardino de Siena and the Church of Veracruz. The Church of the Ex-monastery of San Bernardino de Siena is the oldest in the area, constructed at the end of the16th century and restored in the 19th after a fire. This convent’s orchard is now the garden of the Posada San Javier Hotel.^[8] The Church of Veracruz is located on the Plazuela de la Veracruz on Juan Ruiz de Alarcón. Its principal attraction is an image of Christ which is nicknamed “The General.” This plaza is one of three that house monuments to the playwright Juan Ruiz de Alarcón, who was born in a house near here.^[2]

Aqueduct of the Hacienda Chorrillo

On the northside of town is one of the major colonial period silver haciendas, called Hacienda de El Chorrillo. The hacienda was constructed by soldiers of Hernán Cortés and is one of the oldest in the region. It was built to take advantage of the area’s abundant water supply to extract silver from ore. The aqueduct built in 1534, and part is still preserved. During the colonial period, this hacienda passed through a number of hands, including those of the Almeida-Carbajal and Ruiz de Alarcón families. In the early 20th century, it was bought by American William Spratling. In the 1980s it was acquired by the State of Guerrero, who converted it in to the Center of Fine Arts of the Institute of Culture of Guerrero. In 1992, the state leased the property to UNAM to create the Centro de Estudios para Extranjeros (Learning Center for Foreigners) and a campus of the Fine Arts School of UNAM. In exchange for use of the grounds, UNAM pays for its maintenance. The main building houses studios and classroom for painting, sculpture, languages and more. In addition to this building, there are a number of gardens, a swimming pool and a volleyball court for students. It is also the base for the cable car that runs up to the top of Taxco Mountain (Monte de Taxco).^[2][6]

Another colonial silver mining hacienda lies nearby in Taxco El Viejo and is called the Ex hacienda de San Juan Bautista. The first thing that makes it notable is that the main structure is built in the style of a medieval castle. This structure was built in 1543 and was ordered by Hernán Cortés, but he never saw it built as he returned to Spain for good in 1540. His son, Martín Cortés, 2nd Marqués del Valle de Oaxaca, inherited it but he probably never set foot in it as he arrived to Mexico in 1563 and was practically deported back to Spain in 1566. Like the El Chorrillo, it used large quantities of water and mercury to extract silver from mined ore, but this method eventually contaminated the large reserves of groundwater in this part of Guerrero. The estate is now the home of the Regional School of Earth Sciences on the Universidad Autónoma de Guerrero.^[11] This facility has a small museum with fossils and geological specimens.^[8]

Holy Week in Taxco[link]

In Taxco, the processions and ceremonies of Holy Week are elaborate and have gained international fame. Between Palm Sunday and Easter Sunday, there are ten major processions, six during the evening and four during the day. Most processions are about two and a half kilometers long and take about two hours to complete. These commemorations date back to at least 1622 when they were begun in the atrium of the Church of the Ex monastery of San Bernadino de Siena.^[12] Now these processions and ceremonies center of the Santa Prisca Church.^[5]

They begin on Palm Sunday, when vendors, mostly from the small outlying village of Tlamacazapa, crowd around the church to sell palm leaves woven into intricate designs. Most designs are variations of a crucified Christ but there are others, like floral designs, as well. A wooden carving of Christ on a donkey leaves another outlying village, Tehuilotepec, and marches into Taxco to arrive to the Santa Prisca Church with much fanfare. The first sign of the procession is a large number of children on bicycles, each with palm leaves attached to the front. Next come drummers and people dressed as the Twelve Apostles, walking barefoot. Last comes the sculpture of Christ, with a canopy of flowers and palms, which is surrounded by a crowd of people waving palms to be sprinkled by holy water by the priests.^[5]

An “Animas penitente”

Processions occur each day of the week and grow more solemn as Good Friday approaches. The conquistadors brought the old medieval practice of painful and bloody self-penitence to Mexico from Spain about 500 years ago. Since this concept was very similar to Aztec blood rituals, this practice was easily adopted. Despite efforts by authorities in most parts of Mexico to suppress this tradition, it still reappears. However, in Taxco, this practice is not only not suppressed; it has evolved into forms unique to the city. Monday, Tuesday and Wednesday of Holy Week is dedicated to processions made by three major religious cofradias, or brotherhoods, who spend this week doing penance, and thus called “penitentes.” There are three main cofradias in Taxco, Animas, Encruzados and Flagelentes. All penitentes wear long black robes cinched at the waist with a horsehair belt, and a black fabric hood with only eyeholes. These penitentes are never seen in public without the hood as to remain anonymous.^[5]

Animas penitentes have chains attached to their ankles that rattle as they walk. These walk bent at the waist 90 degrees carrying small crosses or lighted candles. Because of this, members of this cofradia are referred to as the “bent ones.” If the procession stops, they are allowed to rest only by going down on hands and knees. This is the only cofradia that permits women as members, who drag individual chains in the procession. The men are chained together in groups of twenty. Since they must always face the ground, these penitentes have attendants which guide them during the procession.^[5][12]

An “Encruzado penitente”

The Encruzados walk in procession, not nailed to a cross but rather with a bundle of thorned blackberry canes tied across their bare back and outstretched arms. The bundles typically weigh between 40 and 50 kilos. In each hand, the penitente carries a lighted candle. The weight and position of the bundle forces the penitente to stoop slightly. The only rest is through attendees who help with the weight for the periods when the procession does not move.^[5][12]

A “Flagelante penitente”

The Flagelantes walk the entire procession shirtless and carry a large wooden cross, which can weigh over 100 pounds in the crook of their arms. In their hands they carry a rosary and a whip with metal points on the end. At certain times and places, they hand the crosses to attendees, kneel and swing the whips over and onto their backs. This is done on alternating sides, creating two bloody areas. This is repeated every night during Holy Week, reopening the wounds from the night before.^[5][12]

Another type of “penitente” are those who carry the large wooden statues of the major figures of Holy Week. In other parts of Mexico, these personages are played by townspeople, but in Taxco, they are represented by large wooden statues that are kept in various neighborhoods and villages in and around Taxco. These statues are carried in processions on Palm Sunday, Maundy Thursday and Good Friday.^[5]

The morning is Maundy Thursday is dedicated to a recreation of the Garden of Gethsemane in the front atrium of the Church of Santa Prisca, done with laurel branches, flowers, caged birds and a statue of Jesus. In the afternoon, the quiet is broken by men dressed as Roman soldiers looking for Jesus, as he has been sentenced to death. A townsperson playing Judas Iscariot also roams the streets, with greasy hair, a yellow tunic and rattling thirty pieces of silver. The Jesus statue in the Garden is replaced by one depicted blindfolded and with hands bound behind its back. This statue is taken to a “jail.” Penitentes and the Roman soldiers watch over this Christ statue all night rattling chains. The “Procession of the Christs” also happens this night with over 40 representations of the crucified Christ wandering the streets until morning.^[5]

On Good Friday, the Christ statue is taken from the “jail” and brought to the Santa Prisca Church for a reenactment of the Crucifixion. Inside and outside the church, the penitentes continue the penance they started earlier in the week. After the crucifixion, the statue is taken for its “sacred interment” which is a very solemn procession through the streets. That night, hundreds move through the streets carrying candles.^[5] Saturday is quiet until the mass of the resurrection late in the evening at the Santa Prisca Church. The church overflows with people. Outside in the main plaza are the Roman soldiers. When they receive word from the Church that the Christ has risen, they fall to the ground en masse, becoming believers.^[5] Most of Easter Sunday is a day of recovery from the events of the past week. Some youths will sing and walk through the streets accompanied by the “Savior Shepherd” However, most people spend the day at home.^[5]

The municipality[link]

The city of Taxco de Alarcón is the seat and the governing authority for 141 other communities, the largest of which are Tlamacazapa, Acamixtla, Acuitlalpan, Atzala and Taxco el Viejo.^[1] The total population of the municipality is 98,854,^[7] and the territory measures 347km2. Less than 3% of the population of the municipality is of pure indigenous ethnicity according to the Census. The two indigenous languages spoken here are Nahuatl and Zapotec. It borders with the municipalities of Tetipac, Iguala, Teloloapan, Buena Vista de Cuellar, Pedro Ascencio Alquisiras and Ixcateopan as well at the state of Puebla.^[1]

The terrain has an average altitude of 1,752 meters, which ranges from 1,000 meters to 2,300 meters. Seventy five percent of its territory consists of rugged mountains, twenty percent is semi-flat and only five percent is flat. The flatter lands are in the lower elevations. The major rivers here are the Taxco and the Temixco, with a number of arroyos that feed into them during the rainy season. There is a lake that is filled only part of the year and a small dam called San Marcos. The climate ranges from hot and relatively moist in the flatlands to warm and relatively moist in the higher mountainous areas. Average temperatures for the year range between 18 and 20 C. Most of the municipality is covered in semi-tropical foliage which has a tendency to drop leaves during the dry season from October to May. In the highest elevations, pine and oak forests can be found.^[1]

Most of the municipality’s natural resources lie underground in the form of gold, silver, lead, copper, and zinc deposits. Above ground a number of species of timber trees exist as well as areas for agriculture and livestock. Principle crops grown in the municipality are corn, peanuts, luffa sponges, beans and tomatillos. Livestock consists of pigs, goats, horses and some fowl. Most of the industry here revolves around mining precious metals as well as the manufacture of drywall and masonry materials.^[1]

References[link]

External links[link]

Wikimedia Commons has media related to: Taxco de Alarcón

• El Portal de Taxco de Alarcón Taxcolandia.com (Official Portal of Taxco)
• Ayuntamiento de Taxco de Alarcón Official Government Website

Coordinates: 18°33′23″N 99°36′18″W / 18.55639°N 99.605°W / 18.55639; -99.605

v t e  State of Guerrero Chilpancingo (capital) Municipalities/ (seats) Acapulco (Acapulco) Acatepec (Acatepec) Ajuchitlán del Progreso (Ajuchitlán) Ahuacuotzingo (Ahuacuotzingo) Alcozauca de Guerrero (Alcozauca de Guerrero) Alpoyeca (Alpoyeca) Apaxtla (Apaxtla de Castrejón) Arcelia (Arcelia) Atenango del Río (Atenango del Río) Atlamajalcingo del Monte (Atlamajalcingo del Monte) Atlixtac (Atlixtac) Atoyac de Álvarez (Atoyac de Álvarez) Ayutla de los Libres (Ayutla de los Libres) Azoyú (Azoyú) Benito Juárez (San Jerónimo de Juárez) Buenavista de Cuéllar (Buenavista de Cuéllar) Chilapa de Álvarez (Chilapa de Álvarez) Chilpancingo de los Bravo (Chilpancingo de los Bravo) Coahuayutla de José María Izazaga (Coahuayutla de Guerrero) Cochoapa el Grande (Cochoapa el Grande) Cocula (Cocula) Copala (Copala) Copalillo (Copalillo) Copanatoyac (Copanatoyac) Coyuca de Benítez (Coyuca de Benítez) Coyuca de Catalán (Coyuca de Catalán) Cuajinicuilapa (Cuajinicuilapa) Cualac (Cualac) Cuautepec (Cuautepec) Cuetzala del Progreso (Cuetzala del Progreso) Cutzamala de Pinzón (Cutzamala de Pinzón) Eduardo Neri (Zumpango del Río) Florencio Villarreal (Cruz Grande) General Canuto A. Neri (Acapetlahuaya) General Heliodoro Castillo (Tlacotepec) Huamuxtitlán (Huamuxtitlán) Huitzuco de los Figueroa (Huitzuco) Huixtac Iguala de la Independencia (Iguala de la Independencia) Igualapa (Igualapa) Ixcateopan de Cuauhtémoc (Ixcateopan de Cuauhtémoc) Iliatenco (Iliatenco) José Joaquín de Herrera (Hueycantenango) Juan R. Escudero (Tierra Colorada) Juchitán (Juchitán) La Unión de Isidoro Montes de Oca (La Unión) Leonardo Bravo (Chichihualco) Malinaltepec (Malinaltepec) Marquelia (Marquelia) Mártir de Cuilapán (Apango) Metlatónoc (Metlatónoc) Mochitlán (Mochitlán) Olinalá (Olinalá) Ometepec (Ometepec) Pedro Ascencio Alquisiras (Ixcapuzalco) Petatlán (Petatlán) Pilcaya (Pilcaya) Pungarabato (Ciudad Altamirano) Quechultenango (Quechultenango) San Juan Union (San Juan) San Luis Acatlán (San Luis Acatlán) San Marcos (San Marcos) San Miguel Totolapan (San Miguel Totolapan) Taxco de Alarcón (Taxco de Alarcón) Tecoanapa (Tecoanapa) Tecpán de Galeana (Tecpán de Galeana) Teloloapan (Teloloapan) Tepecoacuilco de Trujano (Tepecoacuilco de Trujano) Tetipac (Tetipac) Tixtla de Guerrero (Tixtla de Guerrero) Tlacoachistlahuaca (Tlacoachistlahuaca) Tlacoapa (Tlacoapa) Tlalchapa (Tlalchapa) Tlalixtaquilla de Maldonado (Tlalixtaquilla) Tlapa de Comonfort (Tlapa de Comonfort) Tlapehuala (Tlapehuala) Xalpatlahuac (Xalpatlahuac) Xochihuehuetlan (Xochihuehuetlan) Xochistlahuaca (Xochistlahuaca) Zapotitlán Tablas Zapoapa (Zapotitlán Tablas) Zihuatanejo de Azueta (Zihuatanejo) Zirándaro (Zirándaro de los Chávez) Zitlala (Zitlala)

Leo Kottke
Kottke at the Clearwater Festival, 2007
Background information
Birth name	Leo Kottke
Born	(1945-09-11) September 11, 1945 (age 66) Athens, Georgia
Genres	Folk
Occupations	Guitarist
Instruments	Guitar
Years active	1966–present
Labels	Capitol, Private Music, Oblivion Records
Associated acts	Mike Gordon, John Fahey
Website	Official website
Notable instruments
Gibson, Taylor, Bozo

Leo Kottke (born 11 September 1945, Athens, Georgia, U.S.) is an acoustic guitarist. He is widely known for his innovative fingerpicking style, which draws on influences from blues, jazz, and folk music, and his syncopated, polyphonic melodies. Kottke has overcome a series of personal obstacles including partial loss of hearing and a nearly career-ending bout with tendon damage in his right hand to emerge as a widely-recognized master of his instrument.

Focusing primarily on instrumental composition and playing, Kottke also sings sporadically, in an unconventional yet expressive baritone famously self-described as sounding like "geese farts on a muggy day".^[1] In concert, Kottke intersperses humorous and often bizarre monologues with vocal and instrumental selections from throughout his career, played solo on his signature 6- and 12-string guitars.

Biography[link]

Early life and career[link]

Born in Athens, Georgia, Kottke moved with his parents so frequently that he was raised in twelve different states.^[2] As a youth living in Muskogee, Oklahoma, Kottke was influenced by folk and delta blues music, notably that of Mississippi John Hurt.^[2] Kottke learned to play trombone and violin before trying the guitar and developing his own unconventional picking style. A mishap with a firecracker permanently damaged the hearing in his left ear,^[2] a condition that would be exacerbated due to exposure to loud noise during firing practice while serving in the United States Navy Reserve, when his other ear also was damaged.^[3]

After being discharged from the Naval Reserve due to his partial loss of hearing, Kottke attended St. Cloud State University in central Minnesota but left before completing his studies, choosing instead to hitchhike around the country, busking for a living, before finally settling in the Twin Cities, Minnesota. He arrived at the Scholar Coffeehouse in the Cedar-Riverside, Minneapolis area in the autumn of 1966 and soon was a regular performer. There, he recorded his debut album, 12-String Blues, which was released on the independent Oblivion record label in 1969. He recorded 6- and 12-String Guitar (also known as the "Armadillo album" after the animal pictured on its cover) for John Fahey's Takoma Records later the same year. It remains one of the works most associated with Kottke and has been re-released many times on various record labels.

Fahey's agent Denny Bruce signed Kottke to Capitol Records and in 1971, Capitol released Kottke's first major label record, Mudlark.^[2]

Pressured in the early 1970s to be a folk singer-songwriter rather than an instrumentalist, he recorded with vocals and backing musicians on albums during this period. In 1972 he released Greenhouse, and in 1973, the live My Feet Are Smiling and Ice Water. These albums showed Kottke moving toward an eclectic mixture of musical genres, including folk, rock, jazz and bluegrass.

Kottke closed out his contract with Capitol with his seventh album, Chewing Pine, in 1975. By then he had also gained an international cult following thanks to his performances at folk festivals. With his 1976 eponymous release, he moved to Chrysalis Records.

Injury and new playing style[link]

In the early 1980s, Kottke began to suffer from painful tendonitis and related nerve damage caused by his vigorous and aggressive picking style (particularly on the 12-string guitar).^[3][4] As a result, he changed his picking style to a classical style, using the flesh of his fingertips and increasingly small amounts of fingernail rather than fingerpicks, and changing the positioning of the right hand to place less stress on the tendons. He also studied more classical and jazz-oriented compositional and playing techniques. He took a long break from recording and performing and simultaneously moved from his relationship with major labels to the smaller Private Music label. Private Music was considered a New Age music label in the Windham Hill style, and Kottke often found his music categorized as such during this period. After 1986's reflective A Shout Toward Noon, he took a brief break from recording before returning with Regards from Chuck Pink in 1988.

Later career[link]

Kottke released an album annually from 1989 to 1991, following My Father's Face with That's What and finally Great Big Boy, which featured a guest appearance from Lyle Lovett. Two years later, Kottke returned with Peculiaroso, which featured production by Rickie Lee Jones. The solo album One Guitar, No Vocals followed in 1999.

In 2002, Kottke and Mike Gordon (the bassist from the band Phish, which was on an extended hiatus) collaborated on Clone, an album featuring instrumental work and vocals from both musicians. A second album from the pair, Sixty Six Steps, followed in 2005. The duo has toured in support of both albums.^[5] In between these two duet albums, Kottke released a solo album, 2004's Try and Stop Me.

Leo Kottke received an honorary Doctorate in Music Performance from the University of Wisconsin–Milwaukee on May 18, 2008, where he gave the commencement address.^[6]

Tunings[link]

Kottke's guitars are often tuned unconventionally; early in his career he heavily used open tuning, while in recent years he has used more traditional settings but often tunes his guitars as many as two full steps below standard tuning.

Orchestral works, re-recordings and other collaborations[link]

In 1976, Kottke collaborated with arranger Jack Nitzsche on the release Leo Kottke which featured Kottke backed by a small orchestral section on a number of the tracks.

In the later part of his career Kottke has begun reworking and re-recording tunes he wrote and recorded in the early 1970s.^[3] For example, 1999's One Guitar No Vocals offered a new instrumental version of 1974's "Morning Is The Long Way Home", with the countermelody opened up from behind the vocal line, stripped of its original trippy lyrics.^[7] Kottke has also combined previously-recorded tunes into new compositions, notably the mini-suite "Bigger Situation", also released on One Guitar No Vocals.

In 1990 Kottke and composer Stephen Paulus created Ice Fields, a work for amplified acoustic guitar and orchestra in a concerto format. Ice Fields featured five movements, each based on an existing Kottke composition, with orchestral backing and interlude sections.^[8] It was premiered by Paulus' Atlanta Symphony Orchestra and has been performed occasionally since but has not been released on record, partly due to the high cost of producing a recording with a full orchestra.^[9]

Kottke has also collaborated on his records with his mentor John Fahey, as well as with Chet Atkins, Lyle Lovett, Margo Timmins, Mike Gordon, and Rickie Lee Jones. He has recorded tunes by Tom T. Hall, Johnny Cash, Carla Bley, Fleetwood Mac, The Byrds, Jorma Kaukonen, Kris Kristofferson, Randall Hylton, and many others.

He has toured with other guitarists playing both solo and ensemble pieces; notably he toured as part of the "Guitar Summit" with jazz guitarist Joe Pass, flamenco guitarist Paco Peña, and classical guitarist Pepe Romero. He is also a frequent guest on the radio variety program A Prairie Home Companion.

Discography[link]

Videography[link]

1. Home & Away (1988)
2. Home & Away Revisited (2006)

References[link]

External links[link]

• Official Leo Kottke website
• Unofficial Leo Kottke web site (fan site)
• All Music biography of Leo Kottke, by Jason Ankeny
• Latest Leo Kottke Concert Reviews and Photos on Concertology
• 1999 Leo Kottke interview by Anil Prasad
• "Kottke and Gordon: Calypso-Brushed Guitars" by David Dye, from NPR's World Cafe November 24, 2005
• The Leo Kottke/Procol Harum connection One of several Kottke mentions at www.procolharum.com
• Interview on Minnesota Public Radio November 9, 2007