3:23
Using 5 Flute End Mills with No-Coolant
SGS Tools V-Carb™ Five Flute Finishing End Mills Produce exceptional results in semi...
published: 19 Nov 2008
Using 5 Flute End Mills with No-Coolant
SGS Tools V-Carb™ Five Flute Finishing End Mills Produce exceptional results in semi-finish and finish milling applications; and tackle heavy milling tasks, including roughing and slotting...with V-Carb. Website: www.sgstool.com Why not check out httpwebsite as is not just another online directory, it is a B2B site run by experienced tooling engineers for engineers and designed to be a true tooling guide crammed full with blue chip companies, high technical content and useful links.
published: 19 Nov 2008
1:23
Pocketing Steel with a Toroid End Mill - .100 DOC - DAPRA
A 2-flute Toroid end mill is shown pocketing steel in an application utilizing DAPRA's...
published: 19 Feb 2010
Pocketing Steel with a Toroid End Mill - .100 DOC - DAPRA
A 2-flute Toroid end mill is shown pocketing steel in an application utilizing DAPRA's CNC-pressed RHINO-CARB™ round/button inserts. The specs of this application are as follows: • 1" Toroid End Mill (2 Flute); • H13 Material; 700 SFM (2700 RPM); .020" IPT (108 IPM); .100" DOC; 60% WOC; 40 Taper VMC Visit www.dapra.com for information on our line of Toroid end mills, shell mills and inserts.
published: 19 Feb 2010
author: dapracorp
6:05
Wolds First Carbide Indexable End Mill, That Can Mill Any Angle!
Invented By: Paul William Mueller(INVENTOR3), Mfg By: RPM Tool & Mfg(was formerly RM T...
published: 11 May 2011
Wolds First Carbide Indexable End Mill, That Can Mill Any Angle!
Invented By: Paul William Mueller(INVENTOR3), Mfg By: RPM Tool & Mfg(was formerly RM Tool & Mfg). NOW FOR SALE TO THE GENERAL PUBLIC!! This tool has been tested and aproved by many major distributors and tool manufactures around the world. It replaces a dozen tools! No need to tilt head of milling machine, or use a sinebar, or angle the vise! Millanyangle(trade marked) 2000 cutter. I now have new improved Millanyangle 3000 cutter, self locating at each 1 degree. Tool comes with 1"(25.4mm) shank or a reduced 3/4"(19.05mm) shank. Also comes with instruction booklet & Allen wrenches. It takes SPMT-43.007 inserts with TiN & Alum Oxide TiN coating. Our inserts had .007 corner radius. At this time we are out of stock of these inserts. We will be selling them again soon. SPMT-431 or SPMT-432 can be commonly found, they have .015 or .032 radius(dimensions in the instruction booklet are for insert with .007 corner radius, but easy to adjust dimensions for .015 or .032 corner radius, for more commonly found inserts). Tool also takes a CPMT-431 only when using the tool at ZERO degrees, for square shoulder milling(only needed if NOT cutting an angle), these inserts are NOT commonly found and we are out of stock of them at this time, but we will manufactutre more in the near future. RPM Tool & Mfg, Co. www.millanyangle.com More details and video coming soon :-) To place an order call: Paul, RPM Tool, 847-888-0433 only take check at this time. We will set-up paypal & store very soon <b>...</b>
published: 11 May 2011
author: INVENTOR3
5:46
Great Aluminum Surface Finish with 4-flute endmill & 3M Scotchbrite
Using my TAIG CNC Mill, a 4-flute HSS endmill, 7445 and 7447+ 3M Scotchbrite. The "fe...
published: 23 Apr 2008
Great Aluminum Surface Finish with 4-flute endmill & 3M Scotchbrite
Using my TAIG CNC Mill, a 4-flute HSS endmill, 7445 and 7447+ 3M Scotchbrite. The "feeds & speeds" on the milling were 5000 RPM, 7 IPM, and a 0.030" DOC. After the milling, I used 7447+ and then 7445 3M Scotchbrite handpads to polish the finish! The end result is silky smooth!
published: 23 Apr 2008
author: John NYCCNC
2:50
End Mill Grinder PP-25
Grinding capacity: Dia.6mm ~ Dia.25mm. Specially designed machine structure permits the se...
published: 10 Jul 2008
End Mill Grinder PP-25
Grinding capacity: Dia.6mm ~ Dia.25mm. Specially designed machine structure permits the set up of cutting lips and edges last sharpened at the same time. websitea: www.pei-ping.com
published: 10 Jul 2008
author: peipingchang
6:24
E-90 End Mill Sharpener - Detailed Demonstrations
Quickly sharpen a wide range of end mills. Renew endmills up to 1" in diameter and 6&...
published: 25 Jul 2008
E-90 End Mill Sharpener - Detailed Demonstrations
Quickly sharpen a wide range of end mills. Renew endmills up to 1" in diameter and 6" flute length. Easily sharpen long flute end mills.
published: 25 Jul 2008
author: ScarabClients
10:00
End Mill Sharpening pt.1
A demonstration of sharpening end mills with the Darex End Mill Sharpener. Part 1...
published: 02 Nov 2007
End Mill Sharpening pt.1
A demonstration of sharpening end mills with the Darex End Mill Sharpener. Part 1
published: 02 Nov 2007
author: ICStools
1:17
Power-Feed+ End Mill 1DG1H-1202781R01 - 4340 Steel
Material: 4340 Steel Tool: 1DG1H-1202781R01 End Mill Insert: UNEU1205R, Grade: IN2030 DOC:...
published: 18 Aug 2011
Power-Feed+ End Mill 1DG1H-1202781R01 - 4340 Steel
Material: 4340 Steel Tool: 1DG1H-1202781R01 End Mill Insert: UNEU1205R, Grade: IN2030 DOC: .030", WOC: 1.25 " RPM: 3056, SFM: 1000, IPM: 458 Spindle Load: 35%
published: 18 Aug 2011
author: IngersollCuttingTool
2:09
end mill grinding re-sharping in minutes CNC router
New model 2010 end mill grinding machine allow quick re-sharping end mill in rapid time. E...
published: 04 Aug 2010
end mill grinding re-sharping in minutes CNC router
New model 2010 end mill grinding machine allow quick re-sharping end mill in rapid time. Even heavy chipped mill front can be re-sharp by few pass to grind down the damage area. Safe a lot of money by regrinding your tools. machine ONLY grind 2,3,4 fluke end mill, both matric and imperial size 2-12mm
published: 04 Aug 2010
author: josephla430
4:25
Milling 1018 Steel Plate with End Mills - w/o Audio
Tormach on the web @ www.tormach.com Overview A 3/4" steel plate is cut to size and f...
published: 28 May 2007
Milling 1018 Steel Plate with End Mills - w/o Audio
Tormach on the web @ www.tormach.com Overview A 3/4" steel plate is cut to size and finished with two different end mills in the process of making an 8" chuck adaptor plate. This video reviews a standard milling operation on low carbon steel. The task involves creating an 8" diameter circular plate from an 8.5" x 8.5" x 0.750" square plate. Material: 1018 Steel Cutter: Cobalt HSS rougher 1/2" 4 flute end mill 1/4" HSS 2 flute Speed: 700 -1200 RPM Feed: 1-4 IPM Machine: Tormach PCNC 1100 Background: Mild steel was used to make chuck adaptor plates. The process involved 3 operations using 1/2" roughing end mill. These were 1) cutting the circular shape from a rectangle, 2) squaring off a chamfer left behind by a face mill, and 3) finishing the outer diameter. Finally, we switch to a 1/4" end mill and put a precision cut on the pilot. Climb milling was used throughout. Read more: www.tormach.com Key words: Tormach, CNC, 1018, steel, mild steel, cobalt, HSS, high speed steel, edge milling, finishing operations, rotary table, pilot, end mill, rougher
published: 28 May 2007
author: tormachllc
1:16
Solid Carbide Variable Pitch End Mill Trochoidal:Channel Milling 4140 Steel
Tool - Stedi-Round Variable-Pitch End Mill Operation #1 -- Trochoidal Milling Material - 4...
published: 04 Jan 2012
Solid Carbide Variable Pitch End Mill Trochoidal:Channel Milling 4140 Steel
Tool - Stedi-Round Variable-Pitch End Mill Operation #1 -- Trochoidal Milling Material - 4140 Diameter -- 0.500 SFM -- 600 Y Step Over - 010 RPM - 4584 IPM - 110 APT -- 0.006 WOC -- 1.500 Operation #2 -- Channeling Material - 4140 Diameter -- 0.500 SFM -- 250 RPM - 1910 IPM - 16 APT -- 0.002 WOC -- 0.500 DOC -- 0.750
published: 04 Jan 2012
author: IngersollCuttingTool
2:36
Mitsubishi Materials SRM2 Series Ball Nose End-Mill For Roughing of Die Mold
Milling product brochures are available for download at www.mitsubishicarbide.com Mitsubis...
published: 21 Jul 2010
Mitsubishi Materials SRM2 Series Ball Nose End-Mill For Roughing of Die Mold
Milling product brochures are available for download at www.mitsubishicarbide.com Mitsubishi SRM2 Indexable Ball Nose cutters are designed to efficiently perform rough to semi-finish copy and profile machining operations common to the Die and Mold Industry. The SRM2 is manufactured from a High Heat-Resistant alloy for long life. The heat resistant body in combination with our key-type insert clamp design insures cutter repeatability index after index under the most demanding applications. SRM2 shanks are shrink fit ready, feature a heel cut body relief and tool diameters less than 1+1/2 have Coolant/Air thru capabilities standard. The SRM2 is available in standard ball, long edge and screw on head designs. To economically accommodate a wide variety of applications with one tool, Mitsubishi SRM2 inserts have two cutting edges and are available in three chip breakers and three Miracle Coated grades -VP15TF, VP20RT and VP30RT-. To see all Mitsubishi Cutting Tool product channels on YouTube, follow link: www.youtube.com Or Visit one of our product specific channels below: The Cutting Edge: www.youtube.com Turning & Boring Channel: www.youtube.com Milling Channel: www.youtube.com Drilling Channel: www.youtube.com Grooving Channel: www.youtube.com Swiss Tooling Channel: www.youtube.com CBN Channel: www.youtube.com Solid Carbide End Mill Channel: www.youtube.com Mitsubishi Materials USA - Cutting Tools, Social Media Sites: Facebook: www.facebook.com Twitter: twitter.com YouTube <b>...</b>
published: 21 Jul 2010
author: mitsubishicarbide
4:36
End Mill Sharpener EY-32C
End Mill Sharpener is mainly applied to 1. CNC lathe 2. CNC Machining Center 3 Die Making....
published: 24 Jun 2009
End Mill Sharpener EY-32C
End Mill Sharpener is mainly applied to 1. CNC lathe 2. CNC Machining Center 3 Die Making. For any further information, please go to website:www.hsssaw.com Break Through Agaon in Technology of Drill Sharpener Quick and Precise 1.Cam device machine comes with four cams ranging from no.1 to no.4.Simply change the cam when grinding to grind drill,end mill cutter,chamfering cutter,tap,center drill and etc. 2.Drill positioning device:Grind drill of different diameters by adjusting the graduation according to the desired diameter and placing any cutting edge of the drill parallel to the positioning device.This method appllies to all other. 3.The firest one created that moves in up-down vibration to sharpen drills.Use a chuck to clamp drill that can up and down vibration,and automatically change angles to sharpen front edge angles,debris angle,slice drills and still center point can be clamp together and can be sharpened together in one process.It display a hogh effciency and high precision sharpening drills. 4.Adjusting button for rake angle of drill:The adjusting button controls the size of rake angle of the drill.When sharper edge is desired,turn more of the number-controlled button to get a greater graduation reading so as to have a sharper edge ground.
published: 24 Jun 2009
author: chiandavid
Vimeo results:
6:22
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yea...
published: 09 Jun 2011
Author: PostPanic
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this year’s prestigious opening titles 'Year Zero' for OFFF Festival 2011 in Barcelona http://offf.ws/bcn2011/
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
DIRECTOR'S NOTES (By Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the
9:46
the end
A short film by Cam McHarg.
www.facebook.com/theendmovie
(Best viewed with earphones so ...
published: 28 Jun 2012
Author: Cam McHarg
the end
A short film by Cam McHarg.
www.facebook.com/theendmovie
(Best viewed with earphones so the stereo sound intended for a theatrical screening will not be missed.)
Read a bit about this short film here:
http://www.onepointfour.co/2012/07/23/the-end-is-the-start/
avec les sous-titres français (with french subtitles):
http://www.dailymotion.com/video/xsnt94_the-end-avec-les-sous-titres-francais-with-french-subtitles_shortfilms?start=3
Written and Directed by Cameron McHarg
Producers - Roger Mason, Cris D'Annunzio, and Cameron McHarg
Executive Producers - Jeremy Mazzilli, Shon Brown, Mark McHarg, Nicole Hendrix, and Mike Moffett
Associate Producers - Caroline Guivarch, Joe Ollom, Robin Sateriale, Kelly McCormick, and Stephen Mickelsen
Director of Photography - Justin Gurnari
Editor - Dan Bartolucci
VFX Artists - Marc-André Gray, Chris Hunt, and Alessandro Schiassi
VFX Supervisor - Alessandro Schiassi
Original Music - Aaron Jaffe
Production Design - Ying-Te Julie Chen
Colorist - Faust Pierfederici
Sound Design - Ben Freer/eleven sound Santa Monica, CA.
Sound Recording - Elliot Barker
1st AD - Nicole Hendrix
Credits - Ben Martin and Roswell
Makeup/Hair - Ren Rohling
Storyboards - Adam Bolt
Cast:
Cris D'Annunzio
Rob Salovich
In association with Sherpa Pictures.
Special Thanks to Don Turley, DJ Fox, Daniel Freedman, Debbie Overholt, Janet Johnston and Barb Hofeditz.
Thank you to:
Hannah Gansen
Seli Marset
Jasmin Mieles
Patricia Mario
Ben VanderVeen
Curtis Nelson
Tony Tambi
Leila T. Mahi
Christiane K. Johnson
Becky Karzok
Adriano Gaza
David Dang
Sara Mills
Laurent Ripoli
Gina Cerrito
G. Pavolka
Nancy Lineman Henry
Aaron Burt
Sachiko Tanaka
Travis Johnson
Tyler Hymanson
Martin Amiri
Homer Mason
This literally could not have been done without each of you.
the end©
Copyright - Cam McHarg
Running time - 9:45
2012
1:59
CAROLINE - A film by Mani Nasry
http://www.imdb.com/name/nm1421199/
Director/Producer/Writer -MANI NASRY
http://twitter...
published: 03 Dec 2009
Author: MANI NASRY
CAROLINE - A film by Mani Nasry
http://www.imdb.com/name/nm1421199/
Director/Producer/Writer -MANI NASRY
http://twitter.com/#!/ManiNasry
Mani Nasry an exceptionally talented filmmaker, actor and artist with a sophisticated breadth of education, skills, experience, and professional accomplishments. He trained as an actor and director in New York with Salem Ludwig and with Donna DeMatteo for playwriting. For Mani, the decision to work in the film industry guided his academic decisions from an early age. He attended a Toronto high school renowned for excellence in the arts, and was accepted into one of the highly competitive film program at Ryerson university. It is notable that he went to Ryerson with an already well-established career in theatre, film, television and commercial work, and a range of multi-faceted achievements including producing, cinematography, casting, writing, directing, acting, and editing. On his own he added stints in New York and Los Angeles with leading acting teachers, as well as learning the grace and style of many forms of dance and athletics. With courses perceptively, he has also recognized the importance of acquiring an understanding of the business side of the industry, and the varied aspects of technology and production. There are some people clearly born to follow the path they have chosen from the start. Mani Nasry has the passion to succeed, the curiosity and ingenuity required to lead and collaborate in an industry known for its impact and appeal, and the strength of character and work ethic to immerse himself in finding and telling an unforgettable story.
MANI NASRY FILM AND TELEVISION RESUME Performer Profile Gender: Male Height: 5 feet 7 in Weight: 140 Age Range: 21 - 29 Physique: Athletic Hair Color: Brown Eyes: Brown Film Family Curse (2003 TV movie) Cast-Apr 01, 2003 SHADOW WALKERS PRODUCTIONS LTD Dawn of the Dead (2004) Cast-May 25, 2003/Jul 20, 2003 CORPUS VIVOS PRODUCTIONS INC Beautiful Girl (2003 TV movie) Cast-Aug 31, 2003 NEVER TIME PRODUCTIONS LTD New York Minute (2004/I) Cast-Sep 07, 2003 NY MINUTE FILMS INC Prom Queen: The Marc Hall Story (2004 TV movie) Cast-Oct 18, 2003 ADJUSTMENT BULLOCH Childstar (2004) Cast-Nov 23, 2003/Dec 07, 2003 RHOMBUS MEDIA The Coven (2004 TV movie) Cast-Dec 07, 2003 COVEN PRODUCTIONS CORP Man of the Year (2006) Cast-Feb 14, 2006 AXIUM ENTERTAINMENT SERVICES CANADA HOOKED ON SPEEDMAN Cast-Mar 08, 2006 PLAYING ARMY PRODUCTIONS INC "WHAT DO YOU SEE 1" Cast-Mar 14, 2006 ARNOLD WORLDWIDE CANADA Road to Christmas (2006 TV movie) Cast-Apr 02, 2006/ Apr 23, 2006 LET IT SNOW PRODUCTIONS INC. Mr. Magorium's Wonder Emporium (2007) Cast-May 14, 2006 STUPID ZEBRA PRODUCTIONS INC Camille (2007) Cast-Jun 25, 2006 CAMILLE PRODUCTIONS INC LOVE BITES Cast-Jun 25, 2006 LOVE BUGS PRODUCTIONS INC Talk to Me (2007) Cast-Jul 02, 2006/Jul 09, 2006 TALK TO ME PRODUCTIONS INC LIPSTICK Cast-Jul 23, 2006 LIPSTICK FILMS INC Late Fragment (2008) Cast-Oct 22, 2006 KATMADHU INC Diary of the Dead (2007) Cast-Nov 05, 2006 DEAD DIARY PRODUCTIONS INC Trapped (2007 TV series documentary) Cast-Feb 28, 2007 NF (TRAPPED) INC Céline (2008 TV movie) Cast-Apr 09, 2007 CHART TOPPING PRODUCTIONS INC Saw IV (2007) Cast-Apr 16, 2007 SAW IV PRODUCTIONS INC The Incredible Hulk (2008) Cast-Jul 09, 2007 MVL INCREDIBLE PRODUCTIONS CANADA, INC. The Echo (2008) Cast-Aug 13, 2007 DCP ECHO PRODUCTIONS INC The Love Guru (2008) Cast-Sep 07, 2007 LOVE GURU PRODUCTIONS INC Traitor (2008) Cast-Sep 10, 2007 CINEBRIDGE PRODUCTIONS INC Murder on Her Mind (2008 TV movie) Cast-Oct 01, 2007 YELLOW NOTEBOOK PROD. INC. Anne of Green Gables: A New Beginning (2008 TV movie) Cast-Oct 10, 2007 ANNE PREQUEL PRODUCTIONS INC Repossession Mambo (2009) Cast-Oct 15, 2007 MAMBO FILM PRODUCTIONS INC Toronto Stories (2008) Cast-Oct 15, 2007 TORONTO STORIES Wisegal (2008 TV movie) Cast-Oct 26, 2007 WISEGIRL FILMS INC SMACK Cast SLAVA KOSTYACHENKO THE CURSE OF CHARLIE MARCEL Cast 9 TH LIFE PRODUCTIONS INC THE POCKET WATCH Cast REBECCA ROSE TURN TO NOWHERE Cast ARTMILL CREATIVE GROUP MODERN ART Cast YEUNG ART PRODUCTIONS BLIND ENCOUNTER Cast TOBESCENE PRODUCTION/GUY EARLE OFFICE IMPLOSION Cast JONATHAN WORMAN/NICOLE DORSEY PRODUCT THE BLACK DON Cast TRIPOD PRODUCTION/ EFRAIN GARCIA BEEF Cast THOMAS LIEU/KEVIN C.W.WONG/PROJECT NORI ALBERT LOVES YOU Cast TAD MICHALAK-BEN LICHTY-FRASER BROWN BURDEN Cast Sean Bodden SWITCH Cast Ian Schaiwer GROWING UP A MARCIANO Cast JENNIFER KASSABIAN/ E S B E PRODUCITON THE PLAYERS Cast CRAWLEY PRODUCT GONE FOREVER Cast 14 FILM WORLD APPARTS Cast PAUL MUZZIN THE GLOW Cast GLOW PRODUCTIONS/CRAIG R. BAXLEY Flashback Cast 14 FILM When Bad Things Happen To Good People Cast 14 FILM Television The Call (2004 TV series documentary) Cast-Oct 23, 2003/Nov 13, 2003 Life Network -1536901 ONTARIO INC VIOLENT CRIME Cast-Mar 16, 2003 VC PRODUCTIONS INC UNTITLED HOLLAND FULLER Cast-Mar 23, 2003 MILLENNIUM CANADIAN PRODUCTIONS EAST SHAKESPEARVILLE Cast-May 11, 2003 681417 ONTARIO LIMITED Platinum (2003 TV series) C
1:00
Norton - Stuff Anthem
We like our stuff. Do you like your stuff? Protect your stuff.
Here's our latest for Nort...
published: 08 Sep 2011
Author: Psyop
Norton - Stuff Anthem
We like our stuff. Do you like your stuff? Protect your stuff.
Here's our latest for Norton via Leo Burnett Chicago.
Information on Norton “Stuff Anthem” from Psyop’s Fletcher Moules, who was creative director on the spot along with Laurent Ledru.
Stuff. Stuff. Stuff.
No, not just "stuff" with a small "s," but Stuff. Your Stuff. The Stuff that lives on your hard drive, your devices, and on the web. Your Stuff is more than just data. It's your life. The Stuff that connects you with the people you love. The Stuff that puts you on the grid as a contributing member of society. It's who you are Stuff, where you've been and where you're going Stuff.
For “Stuff Anthem” we took this idea of Stuff and embodied it in a character and follow him through the world as he grows up, adding more stuff to his life and trying to hold onto and keep track of all the stuff he has.
Visually, we gave the character a cute likeable look and personality and the world around him a handmade ink and watercolor feel. We didn’t want anything to feel overly slick or techy. It’s all imbued with a bit of whimsy and fun. As the spot moves along, the visuals build and get more complex as our main character gets more stuff and tries harder and harder not to lose it. The color palette we used was also very important in the narrative journey. We developed a base palette from the Norton’s brand and this set the tone for beginning and end. However, we wanted the viewer to feel like they went on the journey with Mr. Stuff. When things got tough for him, so did the palette.
We really wanted the animation and the story to unfold as simplistic as possible. The aim was to create a handcrafted world for a software company. Though the characters are all 3D, our intention for the campaign was to have a traditional 2D feel. In order to achieve this, in the timeline we were given, we relied heavily on new techniques in digital production – all the characters are 3D, the backgrounds are projected in Nuke and AE, and much of the character lighting is done with Nuke’s Relighting tools using Normals passes. At the same time, we used some pretty old school animation techniques, like when the taxi takes off and heads to the town.
Advertising Agency: Leo Burnett, Chicago
Global Creative Director: Mark Tutssel
Executive Creative Director: Susan Credle
Creative Directors: Dave Loew, Jon Wyville
Art Director: Rainer Schmidt
Copywriter: Tohru Oyasu
Executive Producer: David Moore
Producers: Christopher Cochrane, Stephen Clark
Production Company: Psyop/Smuggler
Director: Psyop
Psyop Creative Directors: Fletch Moules, Laurent Ledru
Psyop Executive Producer: Neysa Horsburgh
Psyop Producer: Amanda Miller
Psyop Associate Producer: Hillary Thomas
Smuggler Executive Producer/Partner: Patrick Milling Smith
Smuggler Executive Producer/Partner: Brian Carmody
Smuggler Executive Producer/COO: Lisa Rich
Smuggler Executive Producers: Allison Kunzman, Laura Thoel
Models and Textures: Rie Ito, Brianne Meyers, George Longo, Matt Berenty
Riggers: Sean Kealey, Alon Gibli
Animation Lead: Dan Vislocky
Animators: Sam Ortiz, Minor Gaytan, Blake Guest, Kevin Koch, Jacob Frey, Chris Meek
Designer: Kenesha Sneed
Lighters: Hao Cui, Sarah Bockett, Stephen Delalla
2D animators: Taik Lee, Regis Carmago, Shervin Etaat, Jooyong Kim
Compositing: Fletch Moules, Michael Garrett, Miguel Bautista,
Flame: Kim Stevenson
Youtube results:
1:45
NX-NVD Fraisa end mill machining hardened H-11 at 54 HRC; Full Slots, last pass 2 x's D
Fraisa NX-NVD, H-11 at 54HRC first pass = 1 x's D second pass = 1.5 x's D third pa...
published: 09 Nov 2009
NX-NVD Fraisa end mill machining hardened H-11 at 54 HRC; Full Slots, last pass 2 x's D
Fraisa NX-NVD, H-11 at 54HRC first pass = 1 x's D second pass = 1.5 x's D third pass = 2 x's D Tool: Fraisa P15322.450 10mm Material H 11 at 54HRC 1st pass 1xD SFM= 197 ; Chip= .0019 ; RPM 1900, ADOC=10mm , RDOC= 10mm, Feed Rate= 14.5 in/min 2nd pass 1.5xD SFM= 197 ; Chip= .0012 ; RPM 1900, ADOC= 15mm ; RDOC= 10mm, Feed Rate= 9 in/min 3rd pass 2xD SFM= 197 ; Chip= .0008, RPM 1900, ADOC= 20mm ; RDOC= 10mm, Feed Rate= 6 in/min
published: 09 Nov 2009
author: fraisausa
4:59
4thAxis uses - Get creative! - sharpening end mills and other cutting tools.
Having a 4th axis around is worth its weight in gold . . or at least in High Speed Steel. ...
published: 04 Aug 2011
4thAxis uses - Get creative! - sharpening end mills and other cutting tools.
Having a 4th axis around is worth its weight in gold . . or at least in High Speed Steel. The indexing capability of a 4th axis and your existing CNC mill can do more than make aluminum or steel chips. It can also be easily put to work as a CNC grinder, tool sharpener and form tool maker. Expanding on an earlier 4th axis grinding video where the end of a hardened leadscrew was prepped, here we ressurrect the dead . . An large end mill worn out 25 years ago cutting tool steels, and sitting useless in a drawer ever since . . . until now.
published: 04 Aug 2011
author: Simpsons36
2:34
Solid Carbide End Mill Spiral Demo 4140 Steel
Tool - Stedi-Round Solid Carbide End Mill Operation - Helical Interpolate / Spiral / Shoul...
published: 04 Jan 2012
Solid Carbide End Mill Spiral Demo 4140 Steel
Tool - Stedi-Round Solid Carbide End Mill Operation - Helical Interpolate / Spiral / Shoulder / Channel Cutting Material - 4140 Initial spiral down -- 4584 RPM , 76 IPM, 0.625 DOC Spiral Channel Cutting -- 4584 RPM , 25 IPM, 0.625 DOC Trochoidal Milling -- 5042 RPM, 285 IPM, DOC 0.875
published: 04 Jan 2012
author: IngersollCuttingTool