This article does not cite any references or sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (December 2007)

This section requires expansion.

This article contains Chinese text. Without proper rendering support, you may see question marks, boxes, or other symbols instead of Chinese characters.

Great Shun 大順
← 1644 →
Capital	Xi'an (1644) Beijing (1644-June 5, 1644)
Language(s)	Chinese
Religion	Buddhism, Taoism, Confucianism, Chinese folk religion
Government	Monarchy
Emperor
- 1644-1646	Li Zicheng
History
- Established in Xi'an	8 February 1644
- Captured Beijing	1644
- Fall of Beijing	June 5, 1644
- Emperor Li Zicheng was killed	1645
Currency	Chinese coin, Chinese cash

The Shun Dynasty (simplified Chinese: 顺朝; traditional Chinese: 順朝; pinyin: Shùn cháo) was an imperial dynasty created in the brief lapse from Ming to Qing rule in China. The dynasty was founded in Xi'an on 8 February 1644, the first day of the lunar year, by Li Zicheng, the leader of a large peasant rebellion. Li, however, only went by the title of King (王), not Emperor (皇帝). The capture of Beijing by the Shun forces in April 1644 marked the end of the Ming dynasty, but Li Zicheng failed to solidify his mandate: in late May 1644, he was defeated at the Battle of Shanhai Pass by the joint forces of Ming general Wu Sangui and Manchu prince Dorgon. When he fled back to Beijing in early June, Li finally proclaimed himself Emperor of China and left the capital in a hurry. The Shun dynasty ended with Li's death in 1645.

After the Shun Dynasty was created, Li Zicheng ordered the soldiers to kill the Ming remnants still existing in Beijing. This resulted in strong rebellions from the forces of Southern Ming. In addition with the Shun ministers constantly fighting for power, the dynasty effectively lasted less than a year.

Generals and Ministers[link]

• Niu Jinxing (牛金星) Prime Minister
• Gu Jun'en (顧君恩) staff
• Li Yan (李岩) staff
• Song Xiance (宋獻策) staff
• Liu Zongmin (劉宗敏) general
• Yuan Zongti
• Tian Jianxiu
• Hao Yaoqi (郝搖旗) general
• Li Guo (李過) general
• Gao Jie (高傑) general
• Lady Gao (Gao Guiying) (李妻高氏) Li Zicheng's wife; general

Cao Cao
Ming Dynasty block print portrait of Cao Cao from Sancai Tuhui
King of Wei
Born	155 Bozhou, Anhui, China
Died	March 15, 220 (aged 64–65) Luoyang, Henan, China
Successor	Cao Pi
Names
Simplified Chinese	曹操
Traditional Chinese	曹操
Pinyin	Cáo Cāo
Wade-Giles	Ts'ao2 Ts'ao1
Style name	Mengde (孟德)
Posthumous name	King Wu (武王) Emperor Wu (武帝)
Temple name	Taizu (太祖)
Other names	Infant names A'man (阿瞞) Jili (吉利)

Cao Cao (Mandarin pronunciation: [tsʰɑ̌ʊ tsʰɑ́ʊ]; 155 – March 15, 220)^[1] was a warlord and the penultimate chancellor of the Eastern Han Dynasty who rose to great power during the dynasty's final years. As one of the central figures of the Three Kingdoms period, he laid the foundations for what was to become the state of Cao Wei and was posthumously titled Emperor Wu of Wei. Although often portrayed as a cruel and merciless tyrant, Cao Cao has also been praised as a brilliant ruler and military genius who treated his subordinates like his family. He was also skilled in poetry and martial arts and wrote many war journals.

Biography[link]

Early life[link]

Cao was born in the county of Qiao (present day Bozhou, Anhui) in 155. His father Cao Song was a foster son of Cao Teng, who in turn was one of the favorite eunuchs of Emperor Huan. Some historical records, including the Biography of Cao Man, claim that Cao Song's original family name was Xiahou.

Cao was known for his craftiness as an adolescent. According to the Biography of Cao Man, Cao's uncle complained to Cao Song about Cao Cao's indulgence in hunting and music with Yuan Shao. In retaliation, Cao Cao feigned a fit before his uncle, who immediately rushed to inform Cao Song. When Cao Song went to see his son, Cao Cao behaved normally. When asked, Cao Cao replied, "I have never had a fit, but I lost the love of my uncle, and therefore he deceived you." Afterwards, Cao Song ceased to believe his brother regarding Cao Cao, and thus Cao Cao became even more blatant and perseverant in his wayward pursuits.

At that time, a man living in Runan named Xu Shao was famed for his ability to evaluate one's potentials and talents. Cao paid him a visit in hopes of receiving an evaluation that would help him politically. At first, Xu refused to make a statement; however, under persistent questioning, he finally said, "You would be a capable minister in peaceful times and an unscrupulous hero in chaotic times."^[2] Cao laughed and left. It is worth noting that there are two other versions of the comment in other unofficial historical records: "capable minister in peaceful times, unrighteous hero in chaotic times" and "sinister foe in peaceful times, great hero in chaotic times."^{[citation needed]}

Statue of Cao Cao

At the age of 20, Cao was appointed district captain of Luoyang. Upon taking up the post, Cao placed rows of multicolored stakes outside his office and ordered his deputies to flog those who violated the law, regardless of their status. An uncle of Jian Shuo, one of the most powerful and influential eunuchs under Emperor Ling, was caught walking in the city after the evening curfew by Cao's men and was flogged. This prompted Jian Shuo and other higher authorities to ostensibly promote Cao to the post of governor of Dunqiu County while actually moving him out of the imperial capital. Cao remained in this position for little more than a year, being dismissed from office in 178 for his distant family ties with the disgraced Empress Song.^[3] Around 180, Cao Cao returned to court as a Consultant (議郎) and presented two memoranda against the eunuchs' influence in court and government corruption during his tenure, to limited effect.^[4]

When the Yellow Turban Rebellion broke out in 184, Cao was recalled to Luoyang and appointed "Captain of the Cavalry" (騎都尉) and sent to Yingchuan to suppress the rebels. He was successful and was sent to Ji'nan (濟南) as Chancellor (相) to prevent the spread of Yellow Turban influence there. In Ji'nan, Cao Cao aggressively enforced the ban on unorthodox cults, destroyed shrines, and supported state Confucianism. He offended the local leading families in the process, and resigned on grounds of poor health around 187, fearing that he had put his family in danger.^[5] He was offered the post of Administrator of Dong Commandery (東郡), but he declined and returned to his home in Pei county. Around that time, Wang Fen (王芬) tried to recruit Cao Cao to join his coup to replace Emperor Ling with the Marquis of Hefei, but Cao Cao refused. The plot came to nothing, and Wang Fen killed himself.^[6]

Alliance against Dong Zhuo[link]

After eighteen months in retirement, Cao Cao returned to the imperial capital in 188. That year, he was appointed Colonel Who Arranges the Army (典軍校尉), fourth of eight heads of a newly established imperial army, the corps of the Western Garden (西園軍). The effectiveness of this new force never became known, since it was disbanded the next year.^[7]

In 189, Emperor Ling died and was succeeded by his eldest son (Emperor Shao), although state power was mainly in the hands of Empress Dowager He and others. The empress dowager's brother, General-in-Chief He Jin, plotted with Yuan Shao to eliminate the Ten Attendants (a group of influential eunuchs in the imperial court). He Jin summoned Dong Zhuo, a seasoned general of Liang Province, to lead his army into Luoyang to pressure the empress dowager to surrender power, despite accusations of Dong's "infamy". Before Dong arrived, He Jin was assassinated by the eunuchs and Luoyang was thrown into chaos as Yuan Shao's supporters fought the eunuchs. Dong's army easily rid the palace grounds of opposition. After he deposed Emperor Shao, Dong placed the puppet Emperor Xian on the throne, as he deemed that Emperor Xian was more capable than the original puppet Emperor Shao.

After rejecting Dong Zhuo's appointment, Cao left Luoyang for Chenliu (southeast of present day Kaifeng, Henan, Cao's hometown), where he built his army. The next year, regional warlords formed a military alliance under Yuan Shao against Dong. Cao joined them, becoming one of the few actively fighting members of the coalition. The coalition fell apart after months of inactivity, and China fell into civil war while Dong was killed in 192 by Lü Bu.

Securing the emperor[link]

Through short-term and regional-scale wars, Cao continued to expand his power. In 193, Cao massacred thousands of civilians in Xu Province to avenge his father's death.

In 196, Cao joined Emperor Xian and convinced him to move the capital to Xuchang as suggested by Xun Yu and other advisors, as Luoyang was ruined by war and Chang'an was not under Cao's military control, and he was appointed chancellor. Cao became commander-in-chief (大將軍) and Marquis of Wuping (武平侯), though both titles had little practical implication. While some viewed the emperor as a puppet under Cao's control, Cao adhered to a strict personal rule to his death that he would not usurp the throne. Later, when he was approached by his advisors to overthrow the Han Dynasty and start his own dynasty, he replied, "If heaven bestows such a fate upon me, let me be King Wen of Zhou."^[8]

To maintain a good relationship with Yuan Shao, who had become the most powerful warlord in China when he united the northern four provinces, Cao lobbied to have Yuan appointed Minister of Works. However, this had the opposite effect, as Yuan believed that Cao was trying to humiliate him, since Minister of Works technically ranked lower than Commander-in-chief, and thus refused to accept the title. To pacify Yuan, Cao offered his own position to him, while becoming Minister of Works himself. While this temporarily resolved the conflict, it was the catalyst for the Battle of Guandu later.

Uniting the North[link]

In 200, Yuan Shao amassed more than 100,000 troops and marched southwards on Xuchang in the name of rescuing the emperor. Cao gathered 20,000 men in Guandu, a strategic point on the Yellow River. The two armies came to a standstill as neither side was able to make much progress. Cao's lack of men did not allow him to make significant attacks, and Yuan's pride forced him to meet Cao's force head-on. Despite his overwhelming advantage in terms of manpower, Yuan was unable to make full use of his resources because of his indecisive leadership and Cao's position.

Besides the middle battleground of Guandu, two lines of battle were present. The eastern line with Yuan Tan of Yuan Shao's army against Zang Ba of Cao's army was a one-sided battle in favor of Cao, as Yuan Tan's poor leadership was no match for Zang's local knowledge of the landscape and his hit-and-run tactics. On the western front, Yuan Shao's nephew, Gao Gan, performed better against Cao's army and forced several reinforcements from Cao's main camp to maintain the western battle. Liu Bei, then a guest in Yuan Shao's army, suggested that he instigate rebellion in Cao's territories as many followers of Yuan were in Cao's lands. The tactic was initially successful but Man Chong's diplomatic skills helped to resolve the conflict almost immediately. Man had been placed as an official there for this specific reason, as Cao had foreseen the possibility of insurrection prior to the battle.

Finally, a defector from Yuan Shao's army, Xu You, informed Cao of the location of Yuan's supply depot. Cao broke the stalemate by sending a special group of soldiers to burn all the supplies of Yuan's army, thus winning a decisive and seemingly impossible victory. Yuan Shao fell ill and died shortly after the defeat, leaving two sons – the eldest son, Yuan Tan and the youngest son, Yuan Shang. As he had designated the youngest son, Yuan Shang, as his successor, rather than the eldest as tradition dictated, the two brothers fought each other, as they fought Cao. Cao used the internal conflict within the Yuan clan to his advantage and defeated the Yuans easily. Cao assumed effective rule over all of northern China. He sent armies further out and expanded his control across the Great Wall into present-day Korea, and southward to the Han River.

The Three Kingdoms[link]

Traditional site of the Red Cliffs, north of Wulin

However, Cao's attempt to extend his domination south of the Yangtze River was unsuccessful. He received an initial success when Liu Biao, Governor of Jing Province, died, and his successor, Liu Cong surrendered to Cao without resistance. Delighted by this, he pressed on despite objections from his military advisors and hoped the same would happen again. His forces were defeated by a coalition of his arch-rivals Liu Bei and Sun Quan (who later founded the states of Shu Han and Eastern Wu respectively) at the Battle of Red Cliffs in 208.

In 213, Cao was titled "Duke of Wei" (魏公), given the nine bestowments, and given a fief of ten cities under his domain, known as Wei. In 216, Cao was promoted to "King of Wei" (魏王). Over the years, Cao, as well as Liu Bei and Sun Quan, continued to consolidate their power in their respective regions. Through many wars, China became divided into three powers – Wei, Shu and Wu, which fought sporadic battles without the balance tipping significantly in anyone's favor.

In 220, Cao died in Luoyang at the age of 65, having failed to unify China under his rule. His will instructed that he be buried near Ximen Bao's tomb in Ye without gold and jade treasures, and that his subjects on duty at the frontier were to stay in their posts and not attend the funeral as, in his own words, "the country is still unstable".

Cao's eldest surviving son Cao Pi succeeded him. Within a year, Cao Pi forced Emperor Xian to abdicate and proclaimed himself the first emperor of Cao Wei. Cao Cao was then posthumously titled "Grand Ancestor Emperor Wu of Wei" (魏太祖武皇帝)

Cultural legacy[link]

A mask of Cao Cao in Chinese opera.

While historical records indicate Cao as a brilliant ruler, he was represented as a cunning and deceitful man in Chinese opera, where the character of Cao is given a white facial makeup to reflect his treacherous personality. When writing the Romance of the Three Kingdoms, Luo Guanzhong took much of his inspiration from the opera.

As a result, unscrupulous depictions of Cao have become much more popular among the common people than his real image. There have been attempts to revise this depiction.^[9][10]

As the Romance of the Three Kingdoms has been adapted to modern forms of entertainment, so has its portrayal of Cao. Given the source material upon which these adaptations are founded, Cao continues to be characterised as a prominent villain.

Through to modern times, the Chinese equivalent of the English idiom "speak of the Devil" is "Speak of Cao Cao and Cao Cao arrives." (Chinese: 說曹操，曹操到; pinyin: Shuō Cáo Cāo, Cáo Cāo dào).

After the Communists won the Chinese Civil War in 1949, many people in China began to believe that there were many similarities between Cao Cao and the Chairman of the Chinese Communist Party, Mao Zedong. Because of this perceived similarity, Party propagandists began a long-term, sustained effort to improve the image of Cao Cao in Chinese popular culture. In 1959, Marshal Peng Dehuai wrote a letter to Mao in which he compared himself to Zhang Fei: because of Mao's popular association with Cao, Peng's comparison implied that he had an intuitively confrontational relationship with Mao. Mao had the letter widely circulated in order to make Peng's attitude clear to other Party members, and proceeded to purge Peng, eventually ending Peng's career.^[11]

Agriculture and education[link]

While waging military campaigns against his enemies, Cao did not forget the bases of society – agriculture and education.

In 194, a locust plague caused a major famine across China. According to the Records of the Three Kingdoms, the people ate each other out of desperation. Without food, many armies were defeated without fighting. From this experience, Cao saw the importance of an ample food supply in building a strong military. He began a series of agricultural programs in cities such as Xuchang and Chenliu. Refugees were recruited and given wasteland to cultivate. Later, encampments not faced with imminent danger of war were also made to farm. This system was continued and spread to all regions under Cao as his realm expanded. Although Cao's primary intention was to build a powerful army, the agricultural program also improved the living standards of the people, especially war refugees.

By 203, Cao had eliminated most of Yuan Shao's force. This afforded him more attention on construction within his realm. In autumn of that year, Cao passed an order decreeing the promotion of education throughout the counties and cities within his jurisdiction. An official in charge of education was assigned to each county with at least 500 households. Youngsters with potential and talents were selected for schooling. This prevented a lapse in the output of intellectuals in those warring years and, in Cao's words, would benefit the people.

Poetry[link]

Cao Cao was an accomplished poet, as were his sons Cao Pi and Cao Zhi. Cao Cao was also a patron of poets such as Xu Gan.^[12] Of Cao's works only a remnant remain today. His verses, unpretentious yet profound, helped to reshape the poetic style of his time and beyond, eventually contributing to the poetry styles associated with Tang Dynasty poetry. Cao Cao and his sons Cao Pi and Cao Zhi are collectively known as the "Three Caos". Together with certain other poets, their poetry formed the backbone of what is known as the Jian'an style. Jian'an is the era name for the period from 196 to 220, the final era of the Han Dynasty; however, poets, such as of the Cao family continued to write and develop poetry in this style after the end of the Han and after the founding of the Cao Wei dynasty: these are the "Jian'an" poets. Poetry was affected by civil strife towards the end of the Eastern Han Dynasty, contributing to the Jian'an poems' often solemn yet heart-stirring tone, frequently lamenting the ephemeral nature of life. From the early folk songs characteristic of Han poetry, the Jian'an poetry represents a transition towards a more scholarly poetry characteristic of Six Dynasties poetry. Cao Cao and other Jian'an poets were specifically noted for developments to the characteristic Han fu (or yuefu), while keeping some features, the uneven line lengths derived from the folksong or ballad tradition were eliminated, or changed into a regular five-character line-length style—very similar and inspirational to the regular five-character line shi poetry of the Tang Dynasty. Cao Cao himself also was noted for his ballad style verse, which he apparently set to music.^[13]

Cao Cao also wrote verse in the older four-character per line style characteristic of the Shijing "Classic Odes". Burton Watson describes Cao Cao as: "the only writer of the period who succeeded in infusing the old four-character meter with any vitality, mainly because he discarded the archaic diction associated with it and employed the ordinary poetic language of his time."^[14] One of Cao's most celebrated poems is in the old four-character line style: written during the Battle of White Wolf Mountain against the northern Wuhuan in 207, it is titled Though the Tortoise Lives Long (龜雖壽).

Another of Cao Cao's most well known poems, written right before the Battle of Red Cliffs in the winter of 208 AD, is Short Song Style. (短歌行)

Purported discovery of Cao Cao's tomb[link]

The discovery of Cao's tomb in Xigaoxue Village (西高穴村) in Anyang County, Henan was reported by archaeologists in December 2009. Legends tell that the tomb was protected by 72 decoys to keep its location secret, though the recent discovery casts doubt on that legend.^[15] The tomb was unearthed by workers of a nearby kiln when they were digging mud for making bricks, but the discovery was not initially reported to the authorities. Tomb raiding had been carried on since the tomb's initial discovery, until local authorities seized stone tablets carrying inscriptions of "King Wu of Wei" (魏武王) — Cao's posthumous reference — from tomb raiders and brought the tomb to light. Archaeologists began excavating the tomb in December 2008.^[16]

The 740-square-meter tomb, a size appropriate for a king, was determined to have been built at the time of Wei and to be that of Cao. Within the tomb were stone tablets identifying Cao as the owner of the tomb, 250 artifacts including weapons, armour, and pottery,^[17] the remains of a man in his 60s, and the bones of two women in their 50s and 20s.^[15] No luxury items were found in the tomb, which is in accordance to Cao's will that he should be buried simply.^[17] The bodies are believed to be Cao and his wife, along with her female servant.^[15]

Since its discovery, there have been many skeptics and experts who pointed out problems with the discovery and doubt about the tomb's authenticity. For instance, Professor Yuan Jixi of Renmin University's Faculty of Ancient Chinese Study suggests that because this tomb had been greatly disturbed by tomb raiders, the items found in the tomb cannot be guaranteed as original, and the most important evidence carrying inscriptions of "King Wu of Wei" may have been created by modern antique traders.^[18] A total of 23 experts and scholars from across China presented evidence at the National High-Level Forum on Culture of the Three Kingdoms Period held in Suzhou, Jiangsu Province in August 2010 to argue that the findings and the artifacts of the tomb were faked.^[19]

In fiction[link]

Romance of the Three Kingdoms, a historical novel by Luo Guanzhong, was a romanticization of the events that occurred during the Three Kingdoms period. While adhering to historical facts most of the time, the novel inevitably re-shaped Cao dramatically to some extent, so as to portray him as a cruel and suspicious villain. In some chapters, Luo created fictional or semi-fictional events involving Cao. They include:

Planned assassination of Dong Zhuo[link]

While in reality Cao did leave Dong Zhuo, the tyrannical warlord who held Emperor Xian hostage in 190 to consolidate power, Luo Guanzhong took a step further in describing Cao's attempted assassination on Dong:

Dong deposed Emperor Shao, the successor of the late Emperor Ling, and placed Emperor Xian on the throne. His autocratic behavior and acts of brutality against his political opponents and the common people incurred the anger of various court officials. One of them, Wang Yun, called for a secret meeting of the officials under the pretext of his birthday celebration. During the feast, Wang cried upon recalling the cruel deeds of Dong. His colleagues felt the same anguish and joined him in tears.

Cao, however, laughed and said, "All the officials of the court – crying from dusk till dawn and from dawn till dusk – can you make Dong Zhuo die by crying?" Wang met him in private later and lent him the Seven Gems Sword (七星劍) after Cao promised to assassinate Dong Zhuo personally.

The next day, Cao brought the precious sword to see Dong. Having much trust in Cao, Dong received the guest in his bedroom. Lü Bu, Dong's foster son, left the room for the stable to select a better horse for Cao, who complained about his slow ride. When Dong turned away, Cao prepared to unsheathe the sword. However, Dong saw Cao's action through a reflection in the mirror and hastily turned to question Cao's intention. Coincidentally, Lü Bu returned at that moment as well. In desperation, Cao knelt down and claimed that he wanted to present the sword to Dong. Cao seized the opportunity to escape from Luoyang under the pretext of trying a ride on the new horse. Dong realized later that Cao had intended to assassinate him and sent his men to summon Cao back to see him. However, Cao had already escaped and Dong issued an order for Cao's arrest.

Murder of Lü Boshe[link]

Following the escape from Dong Zhuo is a legendary episode aimed at illustrating Cao's near-Machiavellian tendencies for later characterizations of him as a villain. Though never exactly proven, it is said that Cao escaped with Chen Gong, a county magistrate who arrested him earlier and released him out of admiration for Cao's sense of righteousness later. They sought shelter at the home of Lü Boshe, a close friend of Cao's father. Lü promised to protect him and left to purchase some materials in preparation for a feast. Cao and Chen overheard a conversation between Lü's servants about a murder plot. Cao's suspicious nature caused him to jump to the conclusion that Lü Boshe had deceived him and intended to kill him and hand over his corpse to Dong Zhuo for a reward. Cao and Chen burst in and killed everyone in the house, including Lü's wife and children. They discovered later that the servants were actually discussing how to "murder" (slaughter) a pig for the feast.

Cao and Chen fled immediately and ran into Lü Boshe, who had just returned from his errand. When questioned, Cao provided an excuse, saying that he was afraid of being followed, as the reason for his abrupt departure. Cao then asked Lü, "Who's that behind you?" When Lü turned around, Cao stabbed and killed him from behind. Chen was shocked and asked him why he committed that atrocity. Cao explained that it was for their safety, because if Lü went home and saw the ghastly sight, he would report the murder to the authorities and hence create serious trouble for them. Cao then raised his sword and famously said, "I'd rather let the world down than to allow the world to let me down." (寧教我負天下人，休教天下人負我). According to Cao's biography in Records of the Three Kingdoms, Cao said "I'd rather let others down than to allow others to let me down." (寧我負人，毋人負我) with a sense of regret and remorse.^[20] The exact quote was altered in Luo Guanzhong's Romance of the Three Kingdoms, with "world" (天下人; literally: people under Heaven) replacing "others" (人; literally: people). Historian Yi Zhongtian speculated that Cao was probably trying to console himself after mistakenly killing Lü Boshe, by speaking with a sense of remorse. Yi believed that Luo had changed the quote to reflect that Cao had no sense of remorse (because "world" carries greater weight than "others"), so as to enhance Cao's image as a villain in his novel.^[21]

Portrait of Cao Cao from a Qing Dynasty edition of the Romance of the Three Kingdoms, the hunched figure clearly portraying him as a villain

Strict disciplinarian[link]

Du Mu's account of Cao's life states that he was such a strict disciplinarian. He cited the example of an incident, in which Cao condemned himself to death for having allowed his horse to stray into a field of grain, violating a military law that dictates any soldier who damages commoners' crops would be executed. However, in lieu of losing his head, he was persuaded to satisfy his sense of justice by cutting off a lock of his hair. "When you pass a law, see that it is not disobeyed; if it is disobeyed, the offender must be punished."^{[citation needed]}

Death of Cao Cao and Hua Tuo[link]

In 220, Cao died in Luoyang due to an unknown illness. Legends contain explanations for the cause of his death. Romance of the Three Kingdoms included some of these legends, as well as Luo Guanzhong's own story about the involvement of Hua Tuo, a renowned Chinese physician.

When Cao started complaining about splitting headaches in the last days of his life, his subjects recommended Hua Tuo, a physician with remarkable healing skills. Upon examination, Hua diagnosed Cao's illness to be a form of rheumatism in the skull. He suggested giving Cao a dose of hashish and then splitting open his skull with a sharp axe to extract the pus within.

Due to an earlier incident with another physician called Ji Ping, who attempted to poison him, Cao grew suspicious of any physician. Cao believed that Hua intended to kill him to avenge the death of Guan Yu. He had Hua imprisoned and Hua died a few days later. Without proper treatment, Cao died soon as well. In another account of Cao's cause of death, it was said that a curse befell him when he tried to cut down a sacred tree and use its wood to build a lavish villa.

Family[link]

• Foster grandfather: Cao Teng, eunuch official, descendant of Cao Shen

• Father: Cao Song, served as Grand Commandant during the reign of Emperor Ling

• Spouses:
  • Lady Bian, Cao Cao's official spouse, bore Cao Pi, Cao Zhang, Cao Zhi, Cao Xiong and Cao Jie
  • Lady Ding (丁夫人), Cao Cao's first wife, fell out with him after Cao Ang's death
  • Lady Liu (劉夫人), Lady Ding's servant, later became Cao Cao's concubine, died of illness at a young age, bore Cao Ang and Cao Shuo
  • Lady Huan (環夫人), bore Cao Chong, Cao Ju (曹據) and Cao Yu
  • Lady Du (杜夫人), bore Cao Lin, Cao Gun and Princess Jinxiang
  • Lady Qin (秦夫人), bore Cao Xuan and Cao Jun (曹峻)
  • Lady Yin (尹夫人), bore Cao Ju (曹矩)
  • Lady Wang (王昭儀), bore Cao Gan
  • Consort Sun (孫姬), bore Cao Shang, Cao Biao and Cao Qin
  • Consort Li (李姬), bore Cao Cheng, Cao Zheng and Cao Jing
  • Consort Zhou (周姬), bore Cao Jun (曹均)
  • Consort Liu (劉姬), bore Cao Ji
  • Consort Song (宋姬), bore Cao Hui
  • Consort Zhao (趙姬), bore Cao Mao
  • Laiying'er (來鶯兒), a prostitute from Luoyang, later fell in love with Cao Cao's bodyguard Wang Tu (王圖)
  • Consort Chen (陳妾)

• Children:
  • Sons:
    • Cao Ang, raised by Lady Ding, killed in action at the Battle of Wancheng
    • Cao Pi, became the first emperor of Cao Wei after forcing Emperor Xian of Han to abdicate. See Cao Pi#Family for details on Cao Pi's family.
    • Cao Zhang, instated as Prince of Rencheng in 223. Fathered Cao Kai (曹楷).
    • Cao Zhi, instated as Prince of Chen in 225. See Cao Zhi#Family for details on Cao Zhi's family.
    • Cao Xiong, died at a young age. Fathered Cao Bing (曹炳).
    • Cao Shuo (曹鑠), died at a young age, posthumously granted title of Prince of Shang by Cao Rui. Fathered Cao Qian (曹潛). Cao Qian fathered Cao Yan (曹偃).
    • Cao Chong, died at a young age
    • Cao Ju (曹據), instated as Prince of Pengcheng in 232. Fathered Cao Cong (曹琮), Cao Fan (曹范) and Cao Chan (曹闡).
    • Cao Yu (曹宇), instated as Prince of Yan in 232. Fathered Cao Huan.
    • Cao Lin (曹林), instated as Prince of Pei in 232. Fathered Cao Wei (曹緯).
    • Cao Gun (曹袞), instated as Prince of Zhongshan in 232. Fathered Cao Fu (曹孚).
    • Cao Xuan (曹玹), instated as Marquis of Xixiang in 211. Fathered Cao Heng (曹恒).
    • Cao Jun (曹峻), instated as Prince of Chenliu in 232. Fathered Cao Ao (曹澳).
    • Cao Ju (曹矩), died at a young age
    • Cao Gan (曹幹), instated as Prince of Zhao in 232
    • Cao Shang (曹上), died at a young age
    • Cao Biao (曹彪), instated as Prince of Chu in 232. Forced to commit suicide in 251 after staging a rebellion with Wang Ling. Fathered Cao Jia (曹嘉).
    • Cao Qin (曹勤), died at a young age
    • Cao Cheng (曹乘), died at a young age
    • Cao Zheng (曹整), instated as Marquis of Mei in 217
    • Cao Jing (曹京), died at a young age
    • Cao Jun (曹均), instated as Marquis of Fan in 217. Fathered Cao Wan (曹琬), Cao Min (曹敏) and Cao Kang (曹抗). Cao Wan fathered Cao Lian (曹廉); Cao Min fathered Cao Kun (曹焜); Cao Kang fathered Cao Chen (曹諶).
    • Cao Ji (曹棘), died at a young age
    • Cao Hui (曹徽), instated as Prince of Dongping in 232. Fathered Cao Xi (曹翕).
    • Cao Mao (曹茂), instated as Prince of Quyang in 232
    • Cao Ping (曹平), instated as Marquis of Wu in 232
  • Daughters:
    • Cao Jie (曹節), empress of Emperor Xian
    • Cao Hua (曹華), concubine of Emperor Xian
    • Princess Anyang (安陽公主), personal name unknown, married Xun Yu's son Xun Yun (荀惲)
    • Princess Jinxiang (金鄉公主), personal name unknown, married He Yan
    • Princess Qinghe (清河公主), personal name unknown, married Xiahou Mao
    • Princess Linfen (臨汾公主), personal name unknown
  • Foster children:
    • Cao Zhen, distant nephew
    • Cao Xian (曹憲), daughter of Lady Huan and her ex-husband Bian Rang (邊讓), concubine of Emperor Xian
    • Qin Lang, son of Lady Du and her ex-husband Qin Yilu (秦宜祿)
    • He Yan (何晏), son of Lady Yin and her ex-husband He Wei (何威)

Appointments and titles held[link]

• Filial and Incorrupt (孝廉) - nominated candidate to be a Gentleman Cadet
• Gentleman Cadet (郎)
• Captain of the North District of Luoyang (洛陽北部尉)
• Prefect of Dunqiu (頓丘令)
• Consultant (議郎)
• Commandant of Cavalry (騎都尉)
• Chancellor of Jinan (濟南相)
• Colonel Who Arranges the Army (典軍校尉)
• Colonel of Valiant Cavalry (驍騎校尉)
• General Who Uplifts the Military (奮武將軍)
• Governor of Yan Province (兗州牧)
• General Who Builds Virtue (建德將軍)
• General Who Guards the East (鎮東將軍)
• Marquis of Fei Village (費亭侯)
• General-in-Chief (大將軍)
• Marquis of Wuping (武平侯)
• Excellency of Works (司空)
• General of Chariots and Cavalry (車騎將軍)
• Imperial Chancellor (丞相)
• Duke of Wei (魏公)
• King of Wei (魏王)

The following two titles were granted to Cao Cao posthumously

• King Wu (武王)
• Grand Ancestor Emperor Wu (太祖武皇帝) - sometimes shortened to "Emperor Wu"

Modern references[link]

Film and television[link]

The "Father of Hong Kong cinema", Lai Man-Wai, played Cao Cao in The Witty Sorcerer, a 1931 comedy film based on the story of Zuo Ci playing tricks on Cao Cao. In the Shaw Brothers film The Weird Man, Cao Cao was seen in the beginning of the film with Zuo Ci. Zuo Ci was playing tricks on him by giving him a tangerine with no fruit inside. This was later referenced in another film titled Five Element Ninjas. Other notable actors who have portrayed Cao Cao in film and television include Bao Guo'an (Romance of the Three Kingdoms), Damian Lau (Three Kingdoms: Resurrection of the Dragon), Zhang Fengyi (Red Cliff), Chen Jianbin (Three Kingdoms), Jiang Wen (The Lost Bladesman), and Chow Yun-fat (The Assassins).

Video games[link]

Cao Cao appears in all 11 installments of Koei's Romance of the Three Kingdoms video game series. He is also featured as a playable character in Koei's Dynasty Warriors and Warriors Orochi series. He also features in Koei's Kessen II as a playable main character.

Other appearances[link]

As with most of the other relevant generals of the period, Cao is portrayed as a young female character in the Koihime Musō franchise. He is also the central character in the Japanese manga series Sōten Kōro. Barry Hughart's novel The Story of the Stone mentions the Seven Sacrileges of Tsao Tsao, most of which involve family.^[22]

See also[link]

Poetry portal

• List of Dynasty Warriors characters
• List of people of the Three Kingdoms

Notes[link]

This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. Please help to improve this article by introducing more precise citations. (August 2010)

References[link]

• Chen Shou (2002). Records of Three Kingdoms. Yue Lu Shu She. ISBN 7-80665-198-5. 
• Domes, Jurgen. Peng Te-huai: The Man and the Image, London: C. Hurst & Company. 1985. ISBN 0-905838-99-8.
• A. R. (Albert Richard) Davis, Editor and Introduction (1970). The Penguin Book of Chinese Verse. Penguin Books. 
• de Crespigny, Rafe (2010). Imperial warlord : a biography of Cao Cao 155-220 AD. Leiden Boston: Brill. ISBN 978-90-04-18522-7. 
• Luo Guanzhong (1986). Romance of the Three Kingdoms. Yue Lu Shu She. ISBN 7-80520-013-0. 
• Lo Kuan-chung; tr. C.H. Brewitt-Taylor (2002). Romance of the Three Kingdoms. Tuttle Publishing. ISBN 0-8048-3467-9. 
• Sun Tzu (1983). The Art of War. Delta. ISBN 0-440-55005-X. 
• Burton Watson (1971). CHINESE LYRICISM: Shih Poetry from the Second to the Twelfth Century. Columbia University Press. ISBN 0-231-03464-4. 
• Yi Zhongtian (2006). Pin San Guo (品三國; Analysis of the Three Kingdoms). Joint Publishing (H.K.) Co., Ltd.. ISBN 978-962-04-2609-4. 

External links[link]

• Cao Cao and the Three Kingdoms: A George Ernest Morrison lecture in Ethnology

This article contains Chinese text. Without proper rendering support, you may see question marks, boxes, or other symbols instead of Chinese characters.

Wikimedia Commons has media related to: Cao Cao

Wikiquote has a collection of quotations related to: Cao Cao

This article may contain wording that merely promotes the subject without imparting verifiable information. Please remove or replace such wording, unless you can cite independent sources that support the characterization. (August 2011)

Donnie Yen
Yen at the 2007 Shanghai International Film Festival
Chinese name	甄子丹 (Traditional)
Chinese name	甄子丹 (Simplified)
Pinyin	Zhēn Zǐdān (Mandarin)
Jyutping	Jan1 Zi2daan1 (Cantonese)
Ancestry	Taishan, Guangdong, China
Origin	Hong Kong
Born	(1963-07-27) 27 July 1963 (age 48) Guangzhou, Guangdong, China
Occupation	Actor, martial artist, film director and producer, action choreographer
Years active	1983 – present
Spouse(s)	Zing-Ci Leung (1993–1995) Cecilia Cissy Wang (2003 – present)
Awards Hong Kong Film Awards Best Action Choreography 2003 The Twins Effect 2005 SPL: Sha Po Lang 2008 Flash Point Golden Bauhinia Awards Best Action Choreography 2006 Dragon Tiger Gate Golden Horse Awards Best Action Choreography 2003 The Twins Effect 2007 Flash Point 2011 Wu Xia Other awards Iron Elephant Awards Best Actor 2009 (Ip Man)

Donnie Yen Ji-Dan (born 27 July 1963) is a Hong Kong actor, martial artist, film director and producer, action choreographer, and world wushu tournament medalist.^[1] Apart from being a well-known film and television actor in Hong Kong, Yen has also gained international recognition for appearing in many films together with other prominent and internationally-known actors such as Jackie Chan, Jet Li and Michelle Yeoh.

Yen is widely credited by many^[2][3][4] as the person responsible for popularizing the traditional martial arts style known as Wing Chun. He played the role of Wing Chun grandmaster Ip Man in the 2008 film Ip Man, which was a box office success. This has led to an increase in the number of people taking up Wing Chun, leading to hundreds of new Wing Chun schools to be opened up in mainland China and other parts of Asia.^[5] Ip Chun, the eldest son of Ip Man, even mentioned that he is grateful to Yen for making his family art popular and allowing his father's legacy to be remembered.^[6]

Yen is considered to be Hong Kong's top action star; director Peter Chan mentioned that he "is the 'it' action person right now" and "has built himself into a bona fide leading man, who happens to be an action star."^[7] Yen is widely credited for bringing mixed martial arts (MMA) into the mainstream of Chinese culture, by choreographing MMA in many of his recent films. Yen has displayed notable skills in MMA, being well-versed in boxing, kickboxing, taekwondo, Muay Thai, wrestling, karate, Brazilian Jiu-Jitsu, Judo, Wing Chun, and Wushu. Seen as one of the most popular film stars in Asia in recent years, Yen is currently one of the most highly paid actors in the whole of Asia.^[8]

Early life[link]

Yen's mother, Bow-sim Mark (麥寶嬋), is a Fu Style Wudangquan (internal martial arts) grandmaster, while his father, Klyster Yen (甄雲龍), is a newspaper editor.^[9] Yen was born in Taishan, Guangdong, China. When he was two years old, his family moved to Hong Kong, and then to Boston, Massachusetts, United States when he was 11.^[10] His younger sister, Chris Yen, is also a martial artist and actress, and appeared in the 2007 film Adventures of Johnny Tao: Rock Around the Dragon.

At a young age, under influence from his mother, Yen developed an interest in martial arts and began experimenting with various styles, including t'ai chi and other traditional Chinese martial arts. Yen focused on practicing wushu after dropping out of school. His parents were concerned that he was spending too much time in the Boston Combat Zone, so they sent him to Beijing on a two-year training program with the Beijing Wushu Team.^[10] When Yen decided to return to the United States, he made a side-trip to Hong Kong and met action choreographer Yuen Woo-ping there.

Yen also came from a family of musicians. His mother is a soprano, in addition to being a martial arts teacher in Boston, while his father is a violinist.^[11] From a young age, he was taught by his parents to play musical instruments, including the piano.^[12][13] He also knows hip-hop dancing and breakdancing.^[14][15][16]

Career[link]

Donnie Yen in Seoul in 2005

Yen was a stuntman in his earliest films, Shaolin Drunkard (1983) and Taoism Drunkard (1984). At the age of 20, he got his first acting role in the 1984 film Drunken Tai Chi'.'

After filming Drunken Tai Chi and Tiger Cage (1988), Yen made his breakthrough role as General Nap-lan in Once Upon a Time in China II (1992), which included a fight scene between his character and Wong Fei-hung (played by Jet Li). Yen had a starring role in the film Iron Monkey in 1993. Yen and Li appeared together again in the 2002 film Hero, where Yen played a spear (or qiang) fighter who fought with Li's character, an unnamed swordsman. The film was nominated for the Best Foreign Language Film Oscar at the 2003 Academy Awards.

In 1995, Yen starred as Chen Zhen (Cantonese: Chan Zan) in the television series Fist of Fury produced by ATV, which is adapted from the 1972 film of the same title that starred Bruce Lee as Chen Zhen. Yen reprised his role as Chen Zhen in the 2010 film Legend of the Fist: The Return of Chen Zhen.

In 1997, Yen started the production company Bullet Films, and made his directorial debut^[17] in Legend of the Wolf (1997) and Ballistic Kiss (1998), in which he played the lead character. Yen went on to choreograph fight scenes and appeared in minor roles in some Hollywood films, such as Highlander: Endgame (2000) and Blade II (2002).

In 2003, Yen played the antagonist against Jackie Chan in Shanghai Knights.

Yen choreographed most of the fight animation in the 2004 video game Onimusha 3, which featured actors Takeshi Kaneshiro and Jean Reno. Yen continued to be active in the Hong Kong cinema in the 2000s, starring as Chu Zhaonan in Tsui Hark's wuxia epic film Seven Swords, and as Ma Kwun in Wilson Yip's brutal crime drama film SPL: Sha Po Lang in 2005. Both films were featured at the 2005 Toronto International Film Festival. Later that year, Yen co-starred with Nicholas Tse and Shawn Yue in Wilson Yip's Dragon Tiger Gate, an adaptation of Wong Yuk-long's manhua series Oriental Heroes. Yen also worked as action choreographer in Stormbreaker, starring Alex Pettyfer. Yen's continued to work with Wilson Yip in Flash Point (2007) in which he starred as the lead character and served as producer and action choreographer for the film. He won the Best Action Choreography at the Golden Horse Film Awards and the Hong Kong Film Awards for his performance in Flash Point.

In 2008, Yen starred in Ip Man, a semi-biographical account of Yip Man, the Wing Chun master of Bruce Lee. Ip Man marked Yen's fourth collaboration with director Wilson Yip, reuniting him with his co-stars in SPL: Sha Po Lang, Sammo Hung and Simon Yam. Ip Man became the biggest box office hit to date which featured Yen in the leading role, grossing HK$25 million in Hong Kong and 100 million yuan in China.^[18][19] In July 2011 it was announced that Yen and Cecilia Cheung would be cast in a Hong Kong remake of Mr. & Mrs. Smith, titled Assassin Couple.^[20]

In August 2011, while Yen was on a vacation with his family in the United States, he reportedly received an invitation by producer Avi Lerner to star in The Expendables 2. It was stated that Yen is considering the offer, and has many films at hand, and will not decide until he sees if the script appeals to him or not.^[21]

In September 2011, Yen revealed that he took two comedy roles in a row, All's Well, Ends Well 2012 and Thunder Cop, and will be working with Sandra Ng in the first film.^[22]

Action choreography[link]

Apart from being an acclaimed martial artist and actor, Yen is also a world class action choreographer, and his on-screen choreography has been recognized through the numerous awards he has attained.

In recent years, Yen was successful in including mixed martial arts (MMA) into his action choreography in various films, a feat most other action directors have been unsuccessful at accomplishing so far. Flash Point, a film fully choreographed by Yen using MMA was a huge success. Another notable MMA film involving Yen is SPL: Sha Po Lang.

In recent years, Yen's work as a choreographer won him "Best Action Choreography" awards at the 27th Hong Kong Film Awards and the 2008 and 2011 Golden Horse Film Awards.

Yen was the fight choreographer for the 2010 film Legend of the Fist: The Return of Chen Zhen. For this film, Yen mentioned that he included Jeet Kune Do elements as a tribute to Bruce Lee, who played Chen Zhen in the 1972 film Fist of Fury.^[21] Furthermore he incorporated many MMA elements in the film, coupled with the utilization of Wing Chun. Yen also stated that the concept behind Bruce Lee's Jeet Kune Do is similar to that of MMA, hence the incorporation of many forms of martial arts is a necessity in this film.^[23]

Due to his success in action choreography, he is invited to choreograph his upcoming films such as The Lost Bladesman, Wu Xia and The Monkey King.

Martial arts history, style and philosophy[link]

Yen describes himself as a mixed martial artist, and this is evident from his style.^[1] He learned wushu from a young age, under his mother's tutelage. He then wanted to learn taekwondo in his teenage years, but never did.^[25] When he was a teenager, he obtained a medal in a wushu competition held in the United States, known as Boston Combat Zone. At the time, the Beijing wushu team had a scout in the United States, and invited Yen over to Beijing, China, where he began training at the Beijing Sports Institute, the same facility where champion-turned actor Jet Li trained; this is where the two of them crossed paths for the first time.^[26]

Yen later went on to discover and to seek knowledge on other martial arts style, he would later obtain belts from judo and Brazilian Jiu-Jitsu, and went on to study the art of parkour, wrestling, Muay Thai, kickboxing and boxing under various trainers. His exposure of mixed martial arts (MMA) was heightened when he went back to the United States from 2000 to 2003, while making his Hollywood debut, he also took time off to learn the various martial arts form.^[27] The progress was evident when he returned back to Asia, where he implemented his new found knowledge of MMA showcased in films such as SPL: Sha Po Lang (2005) and Flash Point (2007).

Near the end of 2007, Yen added a new martial arts system to his arsenal. He was offered the role of Wing Chun grandmaster and Bruce Lee's mentor, Ip Man, in a 2008 film named after the grandmaster. He worked hard and studied Wing Chun under Ip Man's eldest son, Ip Chun for 9 months before tackling the role.^[28][29] Ip Chun has since praised Yen for his effort, and complimented that Yen is a great martial artist and a fast learner, and has managed to grasp the full concept of Wing Chun much faster than anyone he has taught.^[30]

Yen believes in practical combat, and in his opinion, MMA is the most authentic type of practical combat. He has particular interest in the art of Brazilian Jiu-Jitsu and has obtained a purple belt.^[31] He has mentioned that he would have entered the Octagon, joining the Ultimate Fighting Championship if he did not have a recurring shoulder injury.

Yen believes that combining many martial arts together will produce the most effective and harmonious style. Yen has said, "When you watch my films, you're feeling my heart."^[32]

Personal life[link]

Yen has stated that he is a big fan of the MMA organization Ultimate Fighting Championship, and has watched almost every UFC event available.^[33]

In 1993, Yen married Zing-Ci Leung. Their son, Man-Zeok Yen, was born in 1995. From 1995 to 2000, Yen was involved in a relationship with actress Yee Man "Joey" Meng. Yen married Cecilia Wang in Toronto in 2003.

About Cecilia Wang[link]

Cecilia Wang born April 21,1981 in Hong Kong was the winner of the 2000 Miss Chinese Toronto Pageant[34] , including the "Miss Vitality" and "Miss Perfect Figure" awards. She stands at 5'8" and was a model[35] . She is known in Asia as a socialite and appears in prestigious events throughout Asia. Wang supports Yen by accompanying in his red carpet events, film festivals, award shows, premieres around the world, including Cannes, Venice, Beijing, Shanghai, Los Angeles, New York, Hong Kong etc. They have a daughter, Jasmine, born in 2004, and a son, James, born in 2007.[36]Cecilia Wang has a younger sister, named Yuen Yuen Wang.

See also[link]

• Donnie Yen filmography
• Cinema of Hong Kong
• Cinema of China

References[link]

External links[link]

Wikimedia Commons has media related to: Donnie Yen

• Official website
• Donnie Yen at the Internet Movie Database
• Donnie Yen's Sina blog site
• "An Action Star Moves to the Lead," New York Times article
• Donnie Yen profile page at Hong Kong Cinemagic
• Stokes, Lisa; Michael Hoover (2000). "An Interview with Donnie Yen". Asian Cult Cinema 29 (4th quarter): pp.48–62. 

Louis Koo 古天樂
Chinese name	古天樂
Chinese name	古天樂 (Traditional)
Chinese name	古天乐 (Simplified)
Pinyin	Gǔ Tiānlè (Mandarin)
Jyutping	Gu2 Tin1-lok6 (Cantonese)
Birth name	古天樂
Born	(1970-10-21) 21 October 1970 (age 41) Hong Kong
Occupation	Actor
Years active	1994 - present
Awards TVB Anniversary Awards Best Actor 1999 Detective Investigation Files IV 2001 A Step into the Past My Favourite Television Character 2000 At the Threshold of an Era 2001 A Step into the Past

Louis Koo (born 21 October 1970) is a Hong Kong actor. He was once a notable local television series actor, winning TVB's Best Actor award in 1999 for Detective Investigation Files IV. In recent years, he has focused on film. Koo has become one of the more famous actors of the Hong Kong film industry, and a spokesman for Pepsi, Osim, Tag Heuer, Lotte, Zero Eyewear, Lay's, and other Chinese products.

Career[link]

Before entering showbiz, Koo spent 22 months in jail for robbery. Koo did not have a proper education and decided to enter showbiz afterwards. Koo began his career as a fashion model and a karaoke MTV actor before becoming a contract artist with TVB in 1993. Since then he has starred in many television dramas and commercials which raised his popularity to new heights in recent years. Ever since he changed his image by getting an extreme tan (which he is well known for), his career gained a huge boost. His distinctive style has captivated audiences of all ages. In 1999, Koo was honoured with TVB's Most Popular Male Artist Award for Detective Investigation Files IV. In 2001, Koo was given the award once again for A Step into the Past and also the Most Stylish Personality Award and Men of Power 2001.

Koo also starred in various TVB television dramas, most notably The Condor Heroes 95 (1995); Detective Investigation Files IV (1999); and A Step into the Past (2001). From the cool, aloof character that he had always been cast, he took a different character in A Step Into the Past. This deviation from the cool and aloof character to a funnier, carefree and down-to-earth one opened his career to an extensive list of romantic comedy movies that now have a distinctive Louis Koo element. His silent and sincere attitude, and his devotion to his family, makes his characters more convincing, and thus earns him a wide range of fan base. He further sang a couple of theme song for the television series that he played in. Besides that, he also has various other songs. A notable one is the album "Mr.Cool". Koo plays Octopus in 2006 film Robin B Hood along with Jackie Chan.

The 2007 film, Happy Birthday, introduced a sensitive character portrayed by Koo. What sets this movie apart from his other romantic movies is the serious tone between dialogues. This is another first in Koo's film career, that is to portray a sensitive man sans the comical gestures he has always done in past romantic comedies.

His most recent screen character as a drug addict in Protégé transcended from his usual charm and wit performances, as he attempted to forego his hunky image. Little screen time did not stop him to successfully achieve this role, and thus earned him positive feedback tucked under his belt.

Koo later received international acclaim for his performance in Election 2 (aka Triad Election), which was screened during the Out of Competition section at the 2006 Cannes Film Festival.

He won the award for Most Beloved Actor in the Hong Kong UA Film Awards 2006 through public voting for his role in Election 2.

Education[link]

He is an alumnus of St. Teresa's School Kowloon.

Filmography[link]

Actor[link]

Television series[link]

• 2001 A Step into the Past
• 2000 At the Threshold of an Era II
• 1999 At the Threshold of an Era
• 1999 Detective Investigation Files IV
• 1998 Burning Flame
• 1997 A Recipe for the Heart
• 1997 I Can't Accept Corruption
• 1997 Man's Best Friend
• 1997 War & Remembrance
• 1996 Cold Blood Warm Heart
• 1996 The Hit Man Chronicles
• 1995 Against the Blade of Honour
• 1995 The Condor Heroes 95
• 1995 Happy Harmony
• 1994 Class of Distinction
• 1994 Knot to Treasure

^{[1] [2]}

References[link]

External links[link]