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Lynn Sweet is the Washington, D.C. bureau chief for the Chicago Sun-Times and a columnist for The Hill, a weekly newspaper that covers the U.S. Congress, and for The Huffington Post.

Sweet is a past president of the Washington Press Club Foundation and is a member of the Gridiron Club.

Sweet, a Chicago native, holds a master's from Northwestern University's Medill School of Journalism. She received her undergraduate degree from the University of California at Berkeley after attending the University of Illinois at Champaign-Urbana.

External links[link]

• Chicago Sun-Times - Lynn Sweet
  • Column archive, blog archive, biography
• Column archive at The Huffington Post
• Column archive at Politics Daily
• Column archive at The Hill
• Appearances on C-SPAN

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Joseph Lynn Patrick (February 3, 1912 – January 26, 1980) was a Canadian professional ice hockey player and executive. As a player, Patrick played for the New York Rangers in the National Hockey League. Lynn was an important member of one Stanley Cup title the Rangers won in 1940. After his playing career, he went on to be the general manager of the Boston Bruins and St. Louis Blues. It was he who introduced Scotty Bowman to coaching.

Patrick is the son of NHL Hall of Famer Lester Patrick, brother of fellow NHL player Muzz Patrick, and the father of Lester Lee Patrick, from his first marriage, and Craig Patrick, the former Pittsburgh Penguins general manager, who served in that capacity from 1989 until 2006. Once when his father Lester Patrick had won the stanley cup and put it in his basement Lynn and his brother Muzz carved their own names into the cup. Patrick was inducted into the Hockey Hall of Fame in 1980. His uncle Frank Patrick is also a member of the Hockey Hall of Fame, also with his father Lester and son Craig. He was married to film actress Dorothy Patrick.

He was on his way home from a game between the Colorado Rockies and the St. Louis Blues at the St. Louis Arena to walk the dog his daughter had given him, when he suffered a heart attack, and his car crashed into a fire hydrant. He died that night.^[1]

In 2009, Patrick was ranked No. 27 on the all-time list of New York Rangers in the book 100 Ranger Greats (John Wiley & Sons).

Career statistics[link]

References[link]

See also[link]

• Notable families in the NHL

External links[link]

• Lynn Patrick's career stats at Eliteprospects.com
• Lynn Patrick's biography at Legends of Hockey
• Lynn Patrick's career stats at The Internet Hockey Database

This biographical article relating to a Canadian ice hockey centre born in the 1910s is a stub. You can help Wikipedia by expanding it. v t e

This biographical article relating to a Canadian ice hockey coach is a stub. You can help Wikipedia by expanding it. v t e

Loretta Lynn
Loretta Lynn in concert in 2005
Background information
Birth name	Loretta Webb
Also known as	The Coal Miner's Daughter
Born	( 1932-04-14) April 14, 1932 (age 80) Butcher Holler, Kentucky
Genres	Country, honky tonk, gospel
Occupations	Singer-songwriter, Actress author
Instruments	Vocals, Guitar
Years active	1960-present
Labels	Zero (1960) Decca/MCA (1961–1989) Columbia (1993) Audium (2000) Interscope (2004)
Associated acts	Ernest Tubb, Kitty Wells, Wilburn Brothers, Patsy Cline, Conway Twitty, Dolly Parton, Tammy Wynette, Jack White, Crystal Gayle, Peggy Sue
Website	www.lorettalynn.com

Loretta Lynn (born Loretta Webb April 14, 1932),^[1] is an American country music singer-songwriter, author and philanthropist. Born in Butcher Hollow, near Paintsville, Kentucky in Johnson County to a coal miner father, Lynn married at 15 years old, was a mother soon after, and moved to Washington with her husband, Oliver Vanetta Lynn, Jr. (1926–1996), nicknamed "Doo". Their marriage was sometimes tumultuous; he had affairs and she was headstrong. Their experiences together became inspiration for her music.

On her 21st birthday, Lynn's husband bought her a $17.00 Harmony guitar. She taught herself to play and when she was 24, on her wedding anniversary, Doo encouraged her to become a singer. She learned the guitar better, started singing at the Delta Grange Hall in Washington State with the Pen Brothers' band, The Westerners, then eventually cut her first record in February, 1960. She became a part of the country music scene in Nashville in the 1960s, and in 1967 charted her first of 16 number-one hits (out of 70 charted songs as a solo artist and a duet partner^[2]) that include "Don't Come Home A' Drinkin' (With Lovin' on Your Mind)", "You Ain't Woman Enough", "Fist City", and "Coal Miner's Daughter". She focused on blue collar women's issues with themes of philandering husbands and persistent mistresses, and pushed boundaries in the conservative genre of country music by singing about birth control ("The Pill"), repeated childbirth ("One's on the Way"), double standards for men and women ("Rated "X""), and being widowed by the draft during the Vietnam War ("Dear Uncle Sam"). Country music radio stations often refused to play her songs. Nonetheless, she became known as "The First Lady of Country Music" and continues to be one of the most successful vocalists of all time.

Her best-selling 1976 autobiography was made into an Academy Award winning film, Coal Miner's Daughter, starring Sissy Spacek and Tommy Lee Jones in 1980. Her most recent album, Van Lear Rose, was released in 2004, produced by Jack White, and topped the country album charts. As of 2011, Lynn continues to tour and has received numerous awards in country and American music.

Childhood and early adulthood[link]

Born to Melvin "Ted" Webb (1906–1959) and Clara Marie (Ramey) Webb (1912–1981) and named in honor of Loretta Young,^[3] Loretta was the second of eight children. Three of her siblings also pursued country careers — her youngest sister, Crystal Gayle, sister Peggy Sue and brother Jay Lee Webb. She is also, on her mother's side, distantly related to country singer Patty Loveless (née Patricia Ramey). Lynn grew up in Butcher Hollow ("Butcher Holler"), a section of Van Lear, a mining community near Paintsville, Kentucky. Clara Ramey Webb was of Scots-Irish and Cherokee ancestry. Her father, Ted, was a coal miner, storekeeper, and farmer.

She was married to Oliver Vanetta Lynn, commonly known as "Doolittle", "Doo" or "Mooney" (for running moonshine), on January 10, 1948. Oliver was 21 years old; Loretta, born in 1932 according to Kentucky Birth Records, was almost 16 years old.^[1] In an effort to break free of the coal mining industry, the couple moved to the logging community of Custer, Washington. The Lynns had six children — Betty Sue, Jack Benny, Clara Marie (Cissy), Ernest Ray, and twins Peggy and Patsy (named after Patsy Cline). Before her marriage, Loretta regularly sang at churches and in local concerts. After she married, she stopped singing in public, focusing on family life. Instead, she passed her love of music on to her children, often singing to them around the house. When she was 21 years old, her husband bought her a $17.00 Harmony guitar as a birthday present, which she taught herself to play.^[4]

Original childhood home of Loretta Lynn in Butcher Hollow, Kentucky

Although married for almost fifty years, with six children,^[5] the Lynns' marriage was reportedly rocky up to Doolittle's death in 1996. In her 2002 autobiography, Still Woman Enough, and in an interview with CBS News the same year, Lynn recounts how her husband cheated on her regularly and once left her while she was giving birth.^[6] Lynn and her husband also fought frequently, but, she said, "he never hit me one time that I didn't hit him back twice".^[6]

Music career[link]

1960–1966: Early country success[link]

Lynn began singing in local clubs in 1959 and later formed her own band, The Trailblazers, which included her brother Jay Lee Webb. Lynn appeared in a televised Tacoma, Washington talent contest, hosted by Buck Owens, which was seen by Canadian Norm Burley, one of the founders of Zero Records.^[7]

Zero Records president, Canadian Don Grashey arranged a recording session in Hollywood, where four of Lynn's own compositions were recorded: "I'm A Honky Tonk Girl", "Whispering Sea", "Heartache Meet Mister Blues", and "New Rainbow". Her first release featured "Whispering Sea" and "I'm A Honky Tonk Girl". Musicians backing her on the single included 17 dollar acoustic guitarist Speedy West and guitarist Roy Lanham. With Zero's initial support, Lynn went on to become one of country music’s greats.

Lynn signed her first contract on February 2, 1960, with Zero Records. She recorded her first release that same month, with bandleader Speedy West on steel guitar, Harold Hensely on fiddle, Roy Lanham on guitar, Al Williams on bass, and Muddy Berry on drums. The material was recorded at United Western Recorders, in Hollywood and engineered by Don Blake and produced by Grashey.^[8]

In 1960, under the Zero label,^[9] Lynn recorded "I'm A Honky Tonk Girl." The Lynns toured the country to promote the release to country stations,^[7] while Grashey and Del Roy took the music to KFOX in Long Beach, California.^[8] When the Lynns reached Nashville, the song was a hit, climbing to #14 on Billboard's C & W Chart, and Lynn began cutting demo records for the Wilburn Brothers' Publishing Company.^[7] Through the Wilburns, Lynn was able to secure a contract with Decca Records.^[7] From the onset of her career fans took notice and rallied behind her all the way, with the first Loretta Lynn Fan Club formed in November 1960. By the end of the year Billboard magazine listed Loretta Lynn as the #4 Most Promising Country Female Artist.

Her relationship with the Wilburn Brothers and her appearances on the Grand Ole Opry, beginning in 1960,^[5] helped Lynn become the number one female recording artist in country music. Lynn's contract with the Wilburn Brothers gave them the publishing rights to her material. She was still fighting to regain these rights 30 years after ending her business relationship with them, but was ultimately denied the publishing rights. Lynn stopped writing music in the 1970s because of these contracts.

Although Kitty Wells had become the first major female country vocalist during the 1950s, by the time Lynn recorded her first record, only three other women - Patsy Cline, Skeeter Davis, and Jean Shepard - had become top stars. By the end of 1962, it was clear that Lynn was on her way to becoming the fourth. Lynn credits Cline as her mentor and best friend during those early years, and as fate would have it, Lynn would follow her as the most popular country vocalist of the early 1960s and 1970s.

Lynn released her first Decca single, "Success," in 1962, and it went straight to Number 6, beginning a string of Top 10 singles that would run through the rest of the decade and throughout the next. She was a hard honky-tonk singer for the first half of the '60s and rarely strayed from the genre.^[2] Between this time, Lynn soon began to regularly hit the Top 10 after 1964 with "Before I'm Over You", which peaked at #4, followed by "Wine, Women, and Song", which peaked at #3. In late 1964, Lynn also recorded a duet album with Lynn's idol and Country performer, Ernest Tubb. Their lead single, "Mr. and Mrs. Used to Be" peaked within the Top 15. Together, the pair recorded two more albums, "Singin' Again" (1967) and If we Put Our Heads Together (1969). In 1965, Lynn's solo career continued with three major hits that year, "Happy Birthday", "Blue Kentucky Girl" (later recorded and made a Top 10 hit in the 70s by Emmylou Harris), and "The Home You're Tearing Down". Lynn's label issued two albums that year, Songs from My Heart and Blue Kentucky Girl. While most of these songs were Top 10 Country hits, none of them reached #1.

Her first self-penned song to crack the Top Ten, 1966’s "Dear Uncle Sam”, was among the very first recordings to recount the human costs of the Vietnam War.^[10] In the latter half of the decade, although she still worked within the confines of honky tonk, her sound became more personal, varied, and ambitious, particularly lyrically. Beginning with 1966's Number 1 hit in Cash Box, "You Ain't Woman Enough", Lynn began writing songs with a feminist viewpoint, which was unheard of in country music. This song made Loretta Lynn the first country female recording artist to pen a #1 hit.^[11]

1967–1980: Breakthrough success[link]

In 1967, she reached #1 with "Don't Come Home A' Drinkin' (With Lovin' on Your Mind)".^[12] Her album, Don't Come Home A-Drinkin, went to number one and became one of the first albums by a female country artist to reach sales of 500,000 copies.^[13] Her next album, Fist City was released in 1968. The title track became Lynn's second #1 hit, as a single in earlier that year, and the other single from the album, "What Kind of a Girl (Do You Think I Am)", peaked within the Top 10. In 1968, her next studio album, Your Squaw Is on the Warpath, spawned two Top 5 Country hits: the title track and "You've Just Stepped In (From Stepping Out on Me)". In 1969, her next single, "Woman of the World (Leave My World Alone)", was Lynn's third chart-topper, followed by a subsequent Top 10, "To Make a Man (Feel Like a Man)".

Lynn was reportedly once inspired to write a song about a real woman she suspected was flirting with her husband. The song, "You Ain't Woman Enough (To Take My Man)", was an instant hit and became one of Lynn's all-time most popular. Despite some criticism, Lynn's openness and honesty drew fans from around the nation, including some who were not previously familiar with country music.^{[citation needed]}

Lynn's career continued to be successful into the 1970s, especially following the success of her hit "Coal Miner's Daughter", which peaked at #1 on the Billboard Country Chart in 1970. "Coal Miner's Daughter" tells the story of Lynn's life growing up in rural Butcher Holler, Kentucky. The song later served as the impetus for the best-selling biography (1976) and the Oscar-winning biopic starring Sissy Spacek (1980), both of which share the song's title.^[14] The song became Lynn's first single to chart on the Billboard Hot 100, peaking at #83. Lynn would have a series of singles that would chart low on the Hot 100 between 1970 and 1975.

In 1971, she began a professional partnership with Conway Twitty. As a duo, Lynn and Twitty had five consecutive Number 1 hits between 1971 and 1975: their first release "After the Fire Is Gone" (1971),won them a Grammy award, "Lead Me On" (1971), "Louisiana Woman, Mississippi Man" (1973), "As Soon as I Hang Up the Phone" (1974), and "Feelins'" (1974). The hit-streak kick-started what became one of the most successful duos of country history. For four consecutive years (1972–1975), Lynn and Twitty were named the "Vocal Duo of the Year" by the Country Music Association. The Academy of Country Music named them the "Best Vocal Duet" in 1971, 1974, 1975 and 1976. The American Music awards selected them as the "Favorite Country Duo" in 1975, 1976 & 1977. The fan-voted Music City News readers voted them the #1 duet in 1971, 1972, 1973, 1974, 1975, 1976, 1977, 1978, 1980 and 1981. In addition to their five Number 1 singles, they had seven other Top 10 hits between 1976 and 1981.^[2] Lynn and Twitty are the most successful male/female duet team in country music history.

As a solo artist, Lynn continued to be very successful into 1971, achieving her fifth #1 solo hit, "One's on the Way", written by poet and songwriter Shel Silverstein. The songs that didn't reach the top spot peaked within the Top 10 during this time, "I Wanna Be Free", "You're Lookin' At Country" and 1972's "Here I Am Again", all released on separate albums. The next year, she became the first country star on the cover of Newsweek.^[15] In 1973, "Rated X" peaked at #1 on the Billboard Country Chart and was considered one of Lynn's most controversial hits. The next year, her next single, "Love Is the Foundation", also became a #1 country hit from her album of the same name. The second and last single from that album, "Hey Loretta", became a Top 5 hit. Lynn continued to reach the Top 10 until the end of the decade, including with 1975's "The Pill", considered to be the first song to discuss birth control, other than an obscure 1967 song in French, Pilule d'Or (The Golden Pill) by Luc Dominique, the former "Singing Nun".

Her unique material, which sassily and bluntly addressed issues in the lives of many women (particularly in the South), made her stand out among female country vocalists. As a songwriter, Lynn believed no topic was off limits, as long as it spoke to other women, and many of her songs were autobiographical.^[6] In the spring of 1976, Lynn released her autobiography, Coal Miner's Daughter, with the help of writer George Vecsey. It became a #1 bestseller, making Lynn the first country music artist to make the New York Times bestseller list. This opened a flood gate of country artists who followed with books.

In 1977, Lynn recorded I Remember Patsy, an album to friend and Country-pop singer, Patsy Cline, who died in a plane crash in 1963. The album covered some of Cline's biggest hits. The two singles Lynn released from the album, "She's Got You" and "Why Can't He Be You", became major hits. "She's Got You", which formerly went to #1 by Cline in 1962, went to #1 again that year by Lynn. "Why Can't He Be You" peaked at #7 shortly afterward.

Lynn enjoyed enormous success on country radio until the early 1980s, when a more pop-flavored type of country music began to dominate the market. She stayed within the country Top 10 up until the mid 1980s; however, most of her music by the late '70s had a slick pop sound to it. Lynn had her last Number 1 hit in early 1978 with her solo single, "Out of My Head and Back In My Bed." In 1979, she had two Top 5 hits, "I Can't Feel You Anymore" and "I've Got a Picture Of Us on My Mind", each from separate albums.

Lynn would sit for an hour or more on a stage giving autographs to her fans after a performance. Once in Salisbury, Maryland, the town's newspaper editor interviewed her while she was signing autographs. Editor Mel Toadvine asked her why she took so much time to sign autographs while more than 100 people stood in line all the way to the front of the Wicomico Youth and Civic Center. "These people are my fans," she told Toadvine. "I'll stay here until the very last one wants my autograph. Without these people, I am nobody; I love these people."^{[citation needed]}

In 1979, she became the spokeswoman for Procter & Gamble's Crisco Oil, and did TV commercials and print ads for them for a decade, ending in 1989. Because of her dominant hold on the 1970s, Lynn was named the "Artist of the Decade" by the Academy of Country Music. She is the first and only woman to win this honor.

1980–1989: Continued success[link]

On 5 March 1980, the film Coal Miner's Daughter debuted in Nashville. The film soon became the #1 box office hit in American and Loretta Lynn crossed over from country music superstar to American legend. The film starred Sissy Spacek as Loretta and Tommy Lee Jones as Mooney Lynn. The film received seven Academy Award nominations winning a Best Actress Oscar for Sissy Spacek and a slew of other top honors including a gold album for the soundtrack album, a Grammy nomination for Spacek's singing as Lynn, a Country Music Association & Academy of Country Music awards plus several Golden Globe awards as well.

The 1980s featured more hits ("Pregnant Again", "Naked In The Rain", "Somebody Led Me Away").^[16] Her 1980 and 1981 albums, Loretta and Lookin' Good spawned these hits. Lynn was the first woman in country music to have 50 Top 10 hits. Her last Top 10 record as a soloist was "I Lie" in 1982, but her releases continued to chart until the end of the decade. Lynn continued to have Top 20 hits throughout the 1980s. One of her last solo releases was 1985's "Heart Don't Do This to Me," which reached #19; her last Top 20 hit. In 1993, Lynn stopped releasing singles and focused more on touring than promoting. As a concert artist, she remained a top draw throughout her career, but by the early 1990s she drastically cut down the number of personal appearances due to the fragile health of her husband, who died in 1996.

Lynn's 1985 album, Just a Woman spawned a Top 40 hit. In 1987, Lynn lent her voice to a song on k.d. Lang's album, Shadowland with other Country stars, Kitty Wells and Brenda Lee called "Honky Tonk Angels Medley". They released a video for this medley, the album went gold and was Grammy nominated for the four women.

Lynn's 1988 album Who Was That Stranger would be her last solo album for a major record company as a solo artist. She remained one of country music’s most popular and well-loved stars. She was inducted into the Country Music Hall of Fame in 1988.^[17]

1990–present: Later music career[link]

Lynn returned to the public eye in 1993 with a hit CD. The trio album Honky Tonk Angels, recorded with Dolly Parton and Tammy Wynette. The CD peaked at #6 on the Billboard Country charts and #68 on the Billboard Pop charts and charted a single with "Silver Threads and Golden Needles." They also released a popular video of this song. The album sold over 800,000 copies and was certified gold in the United States and Canada.The trio was also nominated for Grammy and Country Music Association awards. Loretta also lost her longtime singing partner Conway Twitty in 1993. The following year released a three-CD boxed set chronicling her career on MCA Records. In 1995, she taped a seven-week series on the Nashville Network (TNN) titled Loretta Lynn & Friends, and performed about 50 dates that year as well.^[18]

In 1995, Loretta was presented with the Pioneer Award at the 30th Academy of Country Music Awards.

In 1996, Lynn was widowed. In 2000, Lynn released her first album in several years, entitled Still Country. In it, she included a song, "I Can't Hear the Music," as a tribute to her late husband. She also released her first new single in over 10 years from the album, "Country In My Genes", when the single charted on the Billboard Country singles chart it made Lynn the first woman in Country Music to chart singles in five decades. While the album gained positive critical notices, sales were low in comparison with her previous releases. In 2002, Lynn published her second autobiography, Still Woman Enough and it became her secord New York Times bestseller peaking in the top ten. In 2004, she published a cookbook, You're Cookin' It Country.^{[citation needed]}

In 2004, Lynn made a comeback with the highly successful album Van Lear Rose, the second album on which Lynn either wrote or co-wrote every song. The album was produced by her "friend forever" ^[19] Jack White of The White Stripes, and featured guitar work and backup vocals by White. Her collaboration with White allowed Lynn to reach new audiences and generations, even garnering high praise in magazines that specialize in mainstream and alternative rock music, such as Spin and Blender.^[20] Rolling Stone voted the album the second best of the year for 2004. (White has long been an admirer of Lynn and claims she is his favorite singer. He has covered several songs of hers, including the controversial "Rated X.")

Loretta Lynn is working on the follow-up to 2004's Van Lear Rose, plus a new CD of re-recorded versions of some of her hits over the past 45 years. She is hoping to release both CDs by the end of 2011.

In late 2010, Lynn released a new album titled Coal Miner's Daughter: A Tribute to Loretta Lynn, featuring stars like Reba McEntire, Faith Hill, Paramore, and Carrie Underwood to re-record Loretta's hits over the past 45 years. The CD produced a top ten video hit on GAC with the lead single "Coal Miner's Daughter" that Lynn recorded with Miranda Lambert & Sheryl Crow. The single cracked the Billboard singles chart making Lynn the first female country recording artist to chart records in six decades.^{[citation needed]} The trio also received an Academy of Country Music, CMT Video and Country Music Association nominations.

In 2012, Lynn published her third autobiography, Honky Tonk Girl: My Life in Lyrics.^[21]

Personal life[link]

Lynn is the second of eight children. Some of her siblings, including Jay Lee Webb and Peggy Sue, have pursued short-lived country music careers in the past. The most successful of Lynn's siblings on the Country charts is Crystal Gayle. Lynn is also distantly related to country singer Patty Loveless (née Patricia Ramey).

Lynn was married to Doolittle "Doo" Lynn from 1948 until his death from diabetes in 1996. They were married in Kentucky three months shy of her 16th birthday.^[22] Lynn had four children before she turned 21, and then had twins in the early 1960s: Peggy (Rita) and Patsy Lynn. Patsy Lynn was named in honor of Patsy Cline. Lynn's twin daughters formed their own Country music duo group, The Lynns, in 1998. Jack Benny Lynn, Loretta's eldest son, drowned July 22, 1984, while trying to ford the Duck River at the family ranch in Hurricane Mills, Tennessee.^[23] He was 34 years old.

Lynn owns a ranch in Hurricane Mills, Tennessee, billed as "The 7th Largest Attraction in Tennessee," featuring a recording studio, museums, lodging, and other attractions. For over 30 years the ranch has hosted the Loretta Lynn's Amateur Motocross National Championship, the world's largest amateur motocross race, in addition to GNCC Racing events. The ranch is centered around her large plantation home, along with a replica of her Butcher Hollow cabin. She no longer lives in the plantation home, but tours of the house are available.

In 2006, Lynn underwent shoulder surgery after injuring herself in a fall; complications occurred during the operation, where she died during the surgery, with the doctors having to revive her before they could finish the surgery procedure, which was successful.^[24][25]

Honors and awards[link]

Lynn has written over 160 songs and released 70 albums. She has had ten Number 1 albums and sixteen Number 1 singles on the country charts. Lynn has won dozens of awards from many different institutions, including four Grammy Awards, seven American Music Awards, eight Broadcast Music Incorporated awards, twelve Academy of Country Music, eight Country Music Association and twenty-six fan voted Music City News awards. She was the first woman in Country Music to receive a certified gold album for 1967's "Don't Come Home A' Drinkin' (With Lovin' on Your Mind)"

In 1972, Lynn was the first woman named "Entertainer of the Year" by the Country Music Association, and is one of six women to have received CMA's highest award. She was named "Artist of the Decade" for the 1970s by the Academy of Country Music. Lynn was inducted into the Country Music Hall of Fame in 1988^[5] and the Country Gospel Music Hall of Fame in 1999.^[26] She was also the recipient of Kennedy Center Honors in 2003. Lynn is also ranked 65th on VH1's 100 Greatest Women of Rock & Roll^[27] and was the first female country to receive a star on the Hollywood Walk of Fame in 1977.^[28]

In 2001, "Coal Miner's Daughter" was named among NPR's "100 Most Significant Songs of the 20th Century". In 2002, Lynn had the highest ranking #3 for any living female CMT television's special of the 40 Greatest Women of Country Music.^{[citation needed]}

On November 4, 2004, Lynn, who has been a BMI affiliate for over 45 years, was honored as a BMI Icon at the BMI Country Awards.^[29]

In 2008 Loretta Lynn was inducted into the Songwriters Hall of Fame in New York City. To date Lynn had been inducted into more music Halls Of Fame than any other female recording artist. In 2010, Lynn received the Grammy Lifetime Achievement Award for her 50 years in country music.^[30]

Loretta Lynn appeared at the 44th Annual Country Music Awards on November 10, 2010 and was honored for fifty years in country music.^[31] Also that year, Lynn was also presented with a rose named in her honour.^[32]

In November 2010 Sony Music released a tribute CD to Loretta Lynn titled Coal Miner's Daughter: A Tribute to Loretta Lynn. The CD featured Kid Rock, Reba McEntire, Sheryl Crow, Miranda Lambert, Alan Jackson, Gretchen Wilson,The White Stripes, Martina Mc Bride, Paramore, Steve Earl, Faith Hill. In 2011 Lynn was nominated for an Academy of Country Music, CMT Video and Country Music Association award for "Vocal Event of the Year" with Miranda Lambert and Sheryl Crow for "Coal Miner's Daughter" released as a video and single off the CD.^{[citation needed]}

Controversies and politics[link]

At the height of her popularity, Lynn was subject to much controversy. She possibly had more banned songs than any other artist in the history of country music,^{[citation needed]} including "Rated "X"," about the double standards divorced women face, "Wings Upon Your Horns," about the loss of teenage virginity, and "The Pill", lyrics by T.D. Bayless, about a wife and mother becoming liberated via the birth control pill. Her song, "Dear Uncle Sam", released in 1966 during the Vietnam War, describes a wife's anguish at the loss of a husband to war. It has been included in live performances during the Iraq War.^[7]

Though Lynn has been outspoken about her views on often-controversial social and political subjects, she stated, "I don't like to talk about things where you're going to get one side or the other unhappy. My music has no politics."^[33] She has visited the White House six times since 1976, under both Republican and Democratic presidents,^[34] and in her autobiography, she said her father was a Republican and her mother was a Democrat. In 2002's Still Woman Enough, she discusses her longtime friendship and support for Jimmy Carter,^[35] yet during the same time period she made her only recorded political donations ($4,300) to Republican candidates and Republican-aligned PACs. She is known to have a friendly relationship with both George H. W. Bush and George W. Bush, who awarded her Kennedy Center Honors in 2003 ^[36] At other times, she has also questioned both political parties: "Dear Uncle Sam" was written in 1966 during the Lyndon B. Johnson administration to "recount the human costs of the Vietnam War", and she made a return to her live sets during the Iraq War under George W. Bush's presidency.

While a recognized "advocate for ordinary women", she is also famously suspicious of the Women's Liberation movement.^[37] She once stated, "I'm not a big fan of Women's Liberation, but maybe it will help women stand up for the respect they're due." Along these lines, her music has spanned from "The Pill" and "Rated X" to more culturally-conservative gospel albums.^[38]

She allowed PETA to use her song "I Wanna Be Free" in a public service campaign encouraging people not to chain their dogs outside.^[39]

She often claimed to have been married when she was 13 years old. She was actually married when she was 15, which was not unusual in the South at the time.^[1]

Discography[link]

Studio Albums

See also[link]

• Academy of Country Music
• List of country musicians
• Country Music Hall of Fame

References[link]

Further reading[link]

• In The Country of Country: A Journey to the Roots of American Music, Nicholas Dawidoff, Vintage Books, 1998. ISBN 0-375-70082-X
• Are You Ready for the Country: Elvis, Dylan, Parsons and the Roots of Country Rock, Peter Dogget, Penguin Books, 2001. ISBN 0-14-026108-7
• Dreaming Out Loud: Garth Brooks, Wynonna Judd, Wade Hayes and the changing face of Nashville, Bruce Feiler, Avon Books, 1998. ISBN 0-380-97578-5

External links[link]

Wikiquote has a collection of quotations related to: Loretta Lynn

• Official website
• Loretta Lynn's Radio appearance on "The Motley Fool"
• Loretta Lynn at the Country Music Hall of Fame
• Loretta Lynn at the Grand Ole Opry
• Official Website of the Van Lear, Kentucky Historical Society, Inc.
• 60 Minutes II interview with Loretta Lynn and Jack White
• Coal “Minors” Daughter? New Data Offers Light and Controversy on Loretta Lynn on "AwaitingTheFlood.com"

Ellen Muriel Deason (born August 30, 1919), known professionally as Kitty Wells, is an American country music singer. Her 1952 hit recording, "It Wasn't God Who Made Honky Tonk Angels", made her the first female country singer to top the U.S. country charts, and turned her into the first female country star. Her Top 10 hits continued until the mid-1960s, inspiring a long list of female country singers who came to prominence in the 1960s.

Wells ranks as the sixth most successful female vocalist in the history of Billboard's country charts, according to historian Joel Whitburn's book The Top 40 Country Hits, behind Dolly Parton, Loretta Lynn, Reba McEntire, Tammy Wynette, and Tanya Tucker. In 1976, she was inducted into the Country Music Hall of Fame and is currently its oldest living member. In 1991, she became the third country music artist, after Roy Acuff and Hank Williams, and the eighth woman to receive the Grammy Lifetime Achievement Award. Wells' accomplishments earned her the nickname The Queen of Country Music.

Biography[link]

Early life[link]

Wells was born Ellen Muriel Deason in 1919 in Nashville, Tennessee, one of the few country singers born in Nashville. She began singing as a child, learning guitar from her father. As a teenager, she sang with her sisters, who performed under the name the Deason Sisters on a local radio station beginning in 1936.^[1]

At the age of 18 she married Johnnie Wright, a cabinet-maker who aspired to country-music stardom (which he'd eventually achieve as half of the duo Johnnie & Jack).^[2]

Music career[link]

Wells sang with Wright and his sister Louise Wright; the three toured as Johnnie Right and the Harmony Girls. Soon Wright met Jack Anglin, who married Louise and became part of the band, which became known first as the Tennessee Hillbillies and then the Tennessee Mountain Boys.

Wright and Wells performed as a duo; it was at this time she adopted "Kitty Wells" as her stage name. When Anglin returned from the Army, he and Wright formed the Johnnie & Jack duo. Wells would tour with the pair, occasionally performing backup vocals.^[1]

On Louisiana Hayride, she performed with her husband's duo. Wells, however, did not sing on their records until signing with RCA Records in 1949 releasing some of her first singles, including "Death At The Bar" and "Don't Wait For The Last Minute To Pray", neither of which charted. While these early records gained some notice, promoters still weren't keen on promoting female singers, and therefore Wells was dropped from the label in 1950.

1952: "It Wasn't God Who Made Honky Tonk Angels"[link]

In 1952, Paul Cohen, an executive at Decca Records, approached Wells to record "It Wasn't God Who Made Honky Tonk Angels".^[1] Wells was disenchanted with her career prospects and was considering retirement, but agreed to the session (at Owen Bradley’s studio on May 3, 1952) because of the $125 union scale recording payment. "I wasn't expecting to make a hit," said Wells later. "I just thought it was another song."

"It Wasn't God Who Made Honky Tonk Angels" was an answer song to Hank Thompson's No. 1 smash, "The Wild Side of Life", and its lyrical treatment of seductive, wayward women. Wells' single retorted, "It's a shame that all the blame is on us women."

The record's message was controversial at the time, and was banned by many radio stations.^[3] It was also temporarily banned from the Grand Ole Opry. Nevertheless, audiences couldn’t get enough of it.^[4] The single took off during the summer of 1952, and sold more than 800,000 copies in its initial release. It became the first single by a female singer to peak at No. 1 in the eight-year history of the country music chart, where it remained for six weeks. (Certain female country songs, notably Patsy Montana's million-selling "I Want to Be a Cowboy's Sweetheart" predate the creation of Billboard's country chart in 1944.) "It Wasn't God Who Made Honky Tonk Angels" also crossed over to Billboard’s pop charts, hitting No. 27.^[4] Because of her major breakthrough, Wells received a membership to the Grand Ole Opry, which had originally banned the single.

Writer Bill Friskics-Warren has argued that part of the song's appeal came from its combination of a modern message with

a familiar, antediluvian tune, a melody drawn from the Carter Family's "I'm Thinking Tonight of My Blue Eyes" (as were "The Wild Side of Life" and Roy Acuff's "The Great Speckled Bird"). Practically anyone could hum along with "Angels" the first time they heard it.^[5]

Wells is also credited as the one who discovered and encouraged a young 15-year-old musician who would be known as Zane Ashton (real name Bill Aken), to pursue his musical ambitions as a singer and guitarist. Elvis would later nickname the young guitar player "The Fixer," due to his ability to 'fix' mediocre sound tracks with his guitar work, and this further served to validate her ability to recognize young talent in its early stages.

1953–1969: Career peak[link]

"It Wasn't God Who Made Honky Tonk Angels" was followed by "Paying For That Back Street Affair", a response to Webb Pierce's "Back Street Affair". The single reached number six in the spring of 1953, helping to establish a lasting place at the top of the charts for Wells.^[1] Between 1953 and 1955, she was popular on the country charts, and was the only female solo artist at the time to be able to maintain her success. In 1953, Wells had two Top 10 hits with "Hey Joe" and "Cheatin's A Sin". The next year, Wells partnered with country star Red Foley for the duet "One By One", which peaked at No. 1 on the Billboard Country Chart, and became her second chart-topper. The song led to a string of hit singles from the duo within the next two decades, including 1954's "As Long as I Live", which peaked at No. 3. As a solo artist in 1954, Wells had two major hits with the No. 8 "Release Me" and the Top 15 hit, "Thou Shalt Not Steal" (written by Don Everly of the Everly Brothers).

Record companies were reluctant to issue albums by country's female artists until Wells proved that women could sell.^[6] She became the first female country singer to issue an LP, starting with 1956's Kitty Wells' Country Hit Parade, which consisted of her biggest hits. She released her first studio album in 1957 with Winner of Your Heart. Soon other female country singers released LPs in the late 1950s and early 1960s.

"Making Believe" and "Lonely Side of Town" became chart-toppers^[7] for Wells, however not on Billboard magazine. "Making Believe" is widely regarded as one of the greatest songs in country music history and Wells' as the definitive version of the song despite scores of covers over the years. Wells' later 1950s releases included "Searching (For Someone Like You)", "I Can't Stop Loving You", and "Amigo's Guitar", which she wrote with John D. Loudermilk.^[7] In 1957, Wells issued Winner of Your Heart. This was followed by a string of LPs released from Decca Records between 1957 and 1973. She also partnered with Webb Pierce the same year for two duet singles, including the Top 10 hit, "Oh So Many Years". The duo didn't record together again until 1964 with the Top 10 hit, "Finally". In 1959, Wells had two Top 5 hits with "Amigo's Guitar" and "Mommy For A Day". Wells was later awarded a BMI award for writing "Amigo's Guitar." Although not known much for her songwriting, Wells has won two BMI awards, including one for "Amigo's Guitar". She has published more than 60 songs.

She continued to put much of herself into her songs throughout her career, inspiring other female country singers to record risky material as well. Loretta Lynn was one of her followers in this sense, when she recorded "Don't Come A Drinkin' (With Lovin' On Your Mind)" in 1967. Dolly Parton's 1968 recording "Just Because I'm a Woman", like "Honky Tonk Angels", questioned the male-female double-standard.

Wells entered the 1960s on top with songs like "Heartbreak U.S.A." and "Day into Night".^[7] "Heartbreak USA" peaked at No. 1 on the Billboard Country Chart and became her third and final No. 1 hit. The follow-up, "Day Into Night" was a Top 10 hit the same year. Owen Bradley took over as Wells' producer in the 1960s. While Bradley did produce some of the biggest-selling country crossover singers of the time period, including Patsy Cline, he did have to record some of what Nashville then called "The Old-Timers," or the "Honky-Tonkers" from the 1950s, including Webb Pierce, Ernest Tubb, and Wells. With these singers, including Wells, he steered them all into the new contemporary sound without pushing them out of their limits. Wells' sound changed slightly due to Bradley's influence, incorporating some of the new Nashville sound into her material.^[6] The well-known Nashville Sound vocal group, The Jordanaires, can be heard backing Wells on her big country hit from 1961, "Heartbreak USA".

In the early '60s, her career dipped slightly, but she continued to have Top Ten hits frequently.^[8]

In 1962, Wells had three Top 10 hits with "Will Your Lawyer Talk to God", "Unloved Wanted," and "We Missed You". Beginning in 1964, Wells' albums began to chart the Top Country Albums chart, starting with the LP, Especially for You. Some of Wells' albums peaked within the Top 10 on that chart. That same year, her singles began to return to the Top 10 with "This White Circle on My Finger" and "Password", both of which peaked at No. 7 on the Billboard Country Chart. In 1965, Wells had her last Top 10 hit with "Meanwhile, Down At Joe's" and in 1966, Wells then had her final Top 20 hit with "It's All Over But the Crying", which peaked at No. 14 on the country charts.

During the late '60s and '70s, Wells' streak of hits evaporated, but she managed to have a string of minor hits and remained a popular concert attraction.^[9] She continued with a string of Top 40 hits nearly until the end of the decade with her last Top 40 single, "My Big Truck Drivin' Man" in 1968. In 1968, Wells recorded a duet album with husband Johnnie Wright called, We'll Stick Together. Wells also reunited with Red Foley at the end of the decade for a studio album. Her albums continued to chart the Top Country Albums chart until 1969 with Guilty Street.

Wells was popular enough to start her own syndicated television program with her husband in 1969. The Kitty Wells/Johnnie Wright Family Show also featured appearances by their children, including actor Bobby Wright, and stayed on the air for several years.^[7] She became the first female country star to have her own syndicated television show, but the program could not compete against shows starring more contemporary male artists like Porter Wagoner and Bill Anderson and only ran for one year.

1970–present: Later career and retirement[link]

Wells stayed under the Decca label until 1973. She released three studio albums in 1970 and two in 1971. The singles from these albums did not become major hits, some which didn't even make the Top 70 on the Billboard Country Chart. In 1973, when Decca became MCA Records, Wells stayed with them for a short period time, before leaving the label. In 1974 she signed with Capricorn Records, a southern rock label of the era, and recorded a blues-flavored album entitled Forever Young on which she was backed by members of the Allman Brothers Band. The album was not a huge commercial success (though the Dylan-penned title tune did receive some airplay), but it received considerable acclaim and, through its association with the Allmans, brought Wells to the attention of a younger audience.

In 1976 she was inducted into the Country Music Hall of Fame.^[10] Wells became the second female country singer to be elected (Patsy Cline was the first to be honored as a solo act in 1973). In the late 1970s, Wells and husband formed their own record label, Rubocca (the name was a composite of their three children's names: Ruby, Bobby, and Carol) and released several albums. In 1979 at age 60 she was back on the Billboard charts with a modest hit, "I Thank You for the Roses".

Despite her waning popularity, Wells remained a successful concert attraction at smaller venues throughout the country and was still performing on the summer resort circuit as late as the mid-1980s.^[7] In 1987 she joined fellow Opry legends Brenda Lee and Loretta Lynn on k.d. lang's "Honky Tonk Angels Medley", which failed to crack the U.S. country charts despite high critical acclaim and crossover success in Canada. Wells' 1955 recording "Making Believe" was included in the soundtrack of the film Mississippi Burning.

In 1991, Wells was awarded from the Grammy Awards a Lifetime Achievement award. She, along with Johnnie and Bobby, joined producers Randall Franks and Alan Autry for the In the Heat of the Night CD “Christmas Time’s A Comin’” performing "Jingle Bells" with the cast on the CD released on Sonlite and MGM/UA for one of the most popular Christmas releases of 1991 and 1992 with Southern retailers.

Wells and her husband opened the Family Country Junction Museum and Studio in 1983 in their hometown of Madison, but stopped running it on their own in 2000. Their grandson, John Sturdivant, Jr. has kept the Junction Recording Studio at its present location which also houses Junction Records and Music Entertainment.^[11] Wells and her husband-singing partner of 53 years performed their final show together on December 31, 2000 at the Nashville Nightlife Theater; they had announced their retirement earlier that year.^[3]

Wells was ranked No. 15 on CMT's 40 Greatest Women of Country Music in 2002.

An exhibit honoring Wells at the Country Music Hall of Fame and Museum in Nashville ran from August 2008 through June 2009.^[12] On May 14, 2008, Wells' "It Wasn't God Who Made Honky Tonk Angels" was added to the National Recording Registry at the Library of Congress, along with Roy Orbison's "Oh, Pretty Woman".

Personal life[link]

Wells married Johnnie Wright (1914–2011) in 1937. They had three children: two daughters, Ruby (1939–2009)^[13] and Carol Sue and a son, Bobby. In addition, Wells has five siblings: Jewel, William, Orville, Raymond, and Mae. Her parents were Charles Cary and Myrtle Deason. She and Johnnie also have 8 grandchildren, 12 great grandchildren and 3 great-great grandchildren. ^[14]

Carol Sue released a single with Wells in the mid-'50s titled "How Far Is Heaven", which peaked at No. 11 on the Billboard Country Chart. Wells' other children have both had tries as country music singers, but neither had any bigger success. Ruby recorded an album for the Kapp label, while Bobby recorded albums for both Decca and ABC Dot.^[15] Wells and her husband – lifelong members of the Church of Christ celebrated their 70th wedding anniversary in 2007, a rare achievement for any couple and one of the longest celebrity marriages in history. Ruby died in 2009 at the age of 69 and Johnnie died in 2011 at the age of 97.

Honors[link]

• NARAS Governor's Award for Outstanding Achievement in the Recording Industry (1981)
• Academy of Country Music's Pioneer Award (1985)
• NARAS Grammy Lifetime Achievement Award (1991)
• The Music City News Living Legend Award (1993)

Discography[link]

References[link]

1910, 1920 U.S. Federal Census

External links[link]

• Kitty Wells' official website
• CMT.com: Kitty Wells
• Kitty Wells at the Country Music Hall of Fame and Museum

Chris Ballard is an American sports journalist and a senior writer at Sports Illustrated. Ballard has written books on a variety of sport subjects, including Hoops Nation, which was named one of Booklist’s Top Ten Sports Books of 1998,^[1] and The art of a beautiful game: the thinking fan’s tour of the NBA. ^[2] Ballard joined Sports Illustrated in September, 2000 after working as a sports journalist at the Courier-Post in Camden, New Jersey.^[3] His 2012 book, One Shot at Forever: A Small Town, an Unlikely Coach, and a Magical Baseball Season chronicles the story of the baseball team at Meridian High School in Macon, Illinois during its improbable run to the 1971 Illinois state baseball championship tournament.^[4] Ballard has also written feature articles for USA Today and the New York Times. Ballard graduated from Pomona College and currently resides in Berkeley, California with his wife and children.^[5]

References[link]

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