Look up gallo in Wiktionary, the free dictionary.

Gallo can mean:

• related to Gaul, as in Gallo-Roman culture
• Gallo language, a regional language of France
• Gallo-Romance, a branch of Romance languages
• Gallo-Italic or Gallo-Italian language, a branch spoken in Northern Italy of the Romance languages
• Gallo-Italic of Sicily, a group of Gallo-Italic dialects spoken in central-eastern Sicily
• Gallo-Iberian languages, a branch of Romance languages
• Gallo-Brittonic, a term used to describe the common aspects between Celtic Gaul and Celtic Britain
• Gallo-Roman religion, a fusion of the traditional religious practices of the Gauls and the Roman and Hellenistic religions
• Italian and Spanish word for Rooster
• Gallo (beer), from Guatemala
• Gallo Matese, a commune of 761 inhabitants in the province of Caserta, Italy
• Gällö, a locality situated in Bräcke Municipality, Jämtland County, Sweden
• Gallo Record Company, a South African record label
• The Gallo river, a tributary of the Tagus
• San Gallo, Italian name for St. Gallen
• nickname for Italian basketball player Danilo Gallinari of the Denver Nuggets
• A Spanish slang word for marijuana.

Gallo is also a surname and can refer to:

• American gangsters:
  • Albert Gallo, one of the "Gallo brothers"
  • Joe Gallo, one of the "Gallo brothers"
  • Joseph N. Gallo, consiglieri of the Gambino crime family
  • Larry Gallo, one of the "Gallo brothers"
• Anna Maria Gallo, better known as Mary Frances of the Five Wounds of Jesus, Italian saint
• Armando Gallo, an Italian journalist and photographer
• Bill Gallo, cartoonist and columnist for the New York Daily News
• Carla Gallo, U.S. actress
• Dean Gallo, U.S. congressman
• Diego Gallo, a Uruguayan swimmer
• Domenico Gallo, an Italian composer and violinist whose works are sometimes mistakenly attributed to Pergolesi.
• E & J Gallo Winery, founded in 1933
  • Ernest Gallo, co-founder
  • Julio Gallo, co-founder
  • Joseph Edward Gallo, brother of Ernest and Julio Gallo
• Fortune Gallo, impresario of the San Carlo Opera Company
• George Gallo, an American film producer
• Mario Gallo, an Italian born Argentine film director
• Max Gallo, a French author who wrote a series of novels based on the life of Napoleon I of France
• Melissa Gallo, now uses the name Melissa Fumero
• Robert Gallo, a retrovirus expert famous for his co-discovery of HIV, the virus that causes AIDS
• Vincent Gallo, a film director
• Samuel Sarfati, physician to Pope Julius II, known as Gallo

Popular culture

• Boss Gallo, the Gungan hero and ancestor of Boss Nass who united the Gungan tribes 3000 years before Star Wars: Episode I
• Cordelia Gallo, the mother of Victorica from Gosick

See also[link]

• Galo (disambiguation)

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Robert Charles Gallo
Robert Gallo in July 1995
Born	(1937-03-23) March 23, 1937 (age 75) Waterbury, Connecticut, United States
Education	Providence College (B.S.; 1959) Thomas Jefferson University (MD; 1963)
Years active	1963–present
Known for	Co-discoverer of HIV
Profession	Medical doctor
Institutions	National Cancer Institute
Specialism	Infectious disease and virology
Research	Biomedical research
Notable prizes	Lasker Award (1982)

Robert Charles Gallo (born March 23, 1937) is an American biomedical researcher. He is best known for his role in the discovery of the human immunodeficiency virus (HIV), the infectious agent responsible for acquired immune deficiency syndrome (AIDS), and he has been a major contributor to subsequent HIV research.

Gallo is the director of the Institute of Human Virology at the University of Maryland School of Medicine in Baltimore, Maryland. He and two longtime scientific collaborators, Robert R. Redfield and William A. Blattner, co-founded the institute in 1996 in a partnership including the State of Maryland and the City of Baltimore. In 2005, Gallo co-founded Profectus BioSciences, Inc., which develops and commercializes technologies to reduce the morbidity and mortality caused by human viral diseases, including HIV.^[1]

Gallo was born in Waterbury, Connecticut to a working-class family of Italian immigrants. He earned a BS degree in Biology in 1959 from Providence College and received an MD from Jefferson Medical College in Philadelphia, Pennsylvania in 1963. After completing his medical residency at the University of Chicago, he became a researcher at the National Cancer Institute. Gallo states that his choice of profession was influenced by the early death of his sister from leukemia, a disease to which he initially dedicated much of his research.^[2]

Retrovirus work[link]

Robert C. Gallo (in the early eighties)

After listening to a talk by biologist David Baltimore, Gallo became interested in the study of retroviruses, and made their study the primary activity of his lab. In 1976, Doris Morgan, a researcher in Gallo's lab, was successful in growing T lymphocytes. Frank Ruscetti, Gallo, and Morgan coauthored a paper in Science describing their method.^[3] Morgan and Ruscetti eventually identified the activity of a new T-cell growth factor, later isolated and identified as IL-2 (interleukin-2) by a lab led by Kendall A. Smith.^[4] These breakthroughs allowed researchers to grow T-cells and study the viruses that affect them, such as human T-cell leukemia virus, or HTLV, the first retrovirus identified in humans, which Bernard Poiesz and Ruscetti isolated in Gallo's lab.^[5] HTLV's role in leukemia was clarified when a group of Japanese researchers, puzzling over an outbreak of a rare form of the disease, independently isolated the same retrovirus and showed it was the cause.^[6] In 1982, Gallo received the prestigious Lasker Award: “For his pioneering studies that led to the discovery of the first human RNA tumor virus and its association with certain leukemias and lymphomas.”^[7] In 2009, Robert Gallo received the Dan David Prize of the Dan David Foundation and Tel Aviv University.^[8]

HIV/AIDS research[link]

On May 4, 1984, Gallo and his collaborators published a series of four papers in the scientific journal Science^[9] demonstrating that a retrovirus they had isolated, called HTLV-III in the belief that the virus was related to the leukemia viruses of Gallo's earlier work, was the cause of AIDS.^[10] A French team at the Pasteur Institute in Paris, France, led by Luc Montagnier, had published a paper in Science in 1983, describing a retrovirus they called LAV (lymphadenopathy associated virus), isolated from a patient at risk for AIDS.^[11]

Gallo was awarded his second Lasker Award in 1986 for "determining that the retrovirus now known as HIV-1 is the cause of Acquired Immune Deficiency Syndrome (AIDS).” He is the only recipient of two Lasker Awards.^[12]

In 1995, Gallo published his discovery that chemokines, a class of naturally occurring compounds, can block HIV and halt the progression of AIDS. This was heralded by Science magazine as one of the top scientific breakthroughs within the same year of his publication.^[13] The role chemokines play in controlling the progression of HIV infection has influenced thinking on how AIDS works against the human immune system^[14] and led to a class of drugs used to treat HIV, the chemokine antagonists or entry inhibitors.

Gallo's team at the Institute of Human Virology maintain an ongoing program of scientific research and clinical care and treatment for people living with HIV/AIDS, treating more than 4,000 patients in Baltimore and 200,000 patients at institute-supported clinics in Africa and the Caribbean.^[15] In July 2007, Gallo and his team were awarded a $15 million grant from the Bill and Melinda Gates Foundation for research into a preventive vaccine for HIV/AIDS.

In 2008, Montagnier and his colleague Francoise Barre-Sinoussi from the Institut Pasteur were awarded the Nobel Prize in Physiology or Medicine for their work on the discovery of HIV. Harald zur Hausen also shared the Prize for his discovery that human papilloma viruses lead to cervical cancer, but Gallo was left out.^[16] Gallo said that it was "a disappointment" that he was not named a co-recipient.^[17] Montagnier said he was "surprised" Gallo was not recognized by the Nobel Committee: "It was important to prove that HIV was the cause of AIDS, and Gallo had a very important role in that. I'm very sorry for Robert Gallo."^[16]

Controversy[link]

Assignment of responsibility for the discovery of HIV has been controversial and was the topic of 1993 American television film docudrama And the Band Played On.

Montagnier's group, in France isolated HIV, almost one and a half years before Gallo,^[18] while Gallo's group demonstrated that the virus causes AIDS and generated much of the science that made the discovery possible, including a technique previously developed by Gallo's lab for growing T cells in the laboratory.^[3] When Montagnier's group first published their discovery, they said HIV's role in causing AIDS "remains to be determined."^[16]

Investigative journalist John Crewdson^[19] suggested that Gallo's lab may have misappropriated a sample of HIV isolated at the Pasteur Institute by Montagnier's group.^[20] Investigations by the National Institutes of Health (NIH) and the HHS ultimately cleared Gallo's group of any wrongdoing.^[16] As part of these investigations, the United States Office of Research Integrity at the National Institutes of Health commissioned Hoffmann–La Roche scientists to analyze archival samples established at the Pasteur Institute and the Laboratory of Tumor Cell Biology (LTCB) of the National Cancer Institute between 1983 and 1985. The conclusion was that virus used in Gallo's lab had come from Montagnier's lab, a patient virus that had contaminated a virus from another patient. On request, Montagnier's group had sent a sample of this culture to Gallo, not knowing it contained two viruses. It then contaminated the pooled culture on which Gallo was working.^[21]

Because of the discovery uncertainties, the French and US governments disputed a patent for an HIV test that had been filed by the United States Department of Health and Human Services (HHS).^[10] In 1987, the two governments agreed to split equally the proceeds from the patent,^[10] naming Montagnier and Gallo co-discoverers.^[16][22] Montagnier and Gallo resumed collaborating with each other again for a chronology that appeared in Nature in 1987.^[16]

In the November 29, 2002 issue of Science, Gallo and Montagnier published a series of articles, one of which was co-written by both scientists, in which they acknowledged the pivotal roles that each had played in the discovery of HIV.^[23][24][25]

In awarding the Nobel Prize for Physiology or Medicine in 2008, the Nobel Committee decided not to grant Gallo the award. The rules limit the number of winners to three people, and the Committee chose to split the award to include both the discovery of HIV and the discovery of human papilloma viruses causing cervical cancer. The award was given to Montagnier (HIV), Françoise Barré-Sinoussi (HIV), and Harald zur Hausen (papilloma virus). Montagnier expressed his surprise that Gallo was passed over by the Nobel Committee.^[16]

HHV-6[link]

In 1986, Gallo, Dharam Ablashi, and Saira Salahuddin discovered Human herpesvirus 6 (HHV-6),^[26] later found to cause Roseola, an infantile disease.

References[link]

Further reading[link]

• Gallo, Robert (1991). Virus Hunting: AIDS, Cancer & The Human Retrovirus. A Story of Scientific Discovery.. ISBN 0-465-09806-1. 
• Epstein, Steven (1996). Impure Science: AIDS, Activism, and the Politics of Knowledge. University of California Press. pp. 480 pages. ISBN 978-0-520-20233-7. 
• Crewdson, John (2002). Science Fictions: A Scientific Mystery, a Massive Coverup, and the Dark Legacy of Robert Gallo. Little, Brown & Co.. pp. 670, xviii. ISBN 0-316-13476-7. 
• Shilts, Randy (2007 (revised edition)). And the Band Played On: Politics, People, and the AIDS Epidemic. St. Martin's Griffin. pp. 656 pages. ISBN 978-0-312-37463-1. 

External links[link]

Wikiquote has a collection of quotations related to: Robert Gallo

• [1] Combatting AIDS at Home by Dr. Robert Gallo, The Washington Post, op-ed, November 16, 2008
• [2] Statement of Robert C. Gallo, October 6, 2008
• AIDS at 20: A Look Back, A Look Ahead with World-Renowned Scientist Dr. Robert Gallo
• Official biography
• Discovering the Cause of AIDS, by Stanley B. Prusiner
• Robert Gallo optimistic about finding an HIV vaccine soon - A recorded Interview on IsraCast
• NIH oral History of Dr. Robert C. Gallo on AIDS research
• The Sound and Fury of HIV
• Press Release on the Nobel Prize in Physiology or Medicine 2008
• French researchers win for virus discovery; controversial scientist shunned
• Portrait, Interviews und Lectures
• Dan David Prize laureate 2009

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2012)

"The Man" is a slang phrase that may refer to the government or to some other authority in a position of power. In addition to this derogatory connotation, it may also serve as a term of respect and praise.

The phrase "the Man is keeping me down" is commonly used to describe oppression. The phrase "stick it to the Man" encourages resistance to authority, and essentially means "fight back" or "resist", either openly or via sabotage.^[1]

History[link]

The earliest recorded use^{[citation needed]} of the term "the Man" in the American sense dates back to a letter written by a young Alexander Hamilton in September 1772, when he was 15. In a letter to his father James Hamilton, published in the Royal Dutch-American Gazette, he described the response of the Dutch governor of St. Croix to a hurricane that raked that island on August 31, 1772. "Our General has issued several very salutary and humane regulations and both in his publick and private measures, has shewn himself the Man." ^{[2][dubious – discuss]} In the Southern U.S. states, the phrase came to be applied to any man or any group in a position of authority, or to authority in the abstract. From about the 1950s the phrase was also an underworld code word for police, the warden of a prison or other law enforcement or penal authorities.

It was also used as a term for a drug dealer in the 1950s and 1960s and can be seen in such media as Curtis Mayfield's "No Thing On Me", William Burroughs's novel Naked Lunch, and in the Velvet Underground song "I'm Waiting for the Man", in which Lou Reed sings about going to Uptown Manhattan, specifically Lexington Avenue and 125th Street, to buy heroin.

The use of this term was expanded to counterculture groups and their battles against authority, such as the Yippies, which, according to a May 19, 1969 article in U.S. News and World Report, had the "avowed aim ... to destroy 'The Man', their term for the present system of government". The term eventually found its way into humorous usage, such as in a December 1979 motorcycle ad from the magazine Easyriders which featured the tagline, "California residents: Add 6% sales tax for The Man."

In present day, the phrase has been popularized in commercials and cinema, featuring particularly prominently as a recurring motif in the 2003 film School of Rock.^[3][4][5][6]

Use as praise[link]

The term has also been used as an approbation or form of praise. This may refer to the recipient's status as the leader or authority within a particular context, or it might be assumed to be a shortened form of a phrase like "He is the man (who is in charge)." One example of this usage dates to 1879 when Otto von Bismarck commented, referring to Benjamin Disraeli's pre-eminent position at the Congress of Berlin, "The old Jew, he is the man."^{[7][dubious – discuss]}

In more modern usage, it can be a superlative compliment ("you da man!") indicating that the subject is currently standing out amongst his peers even though they have no special designation or rank, such as a basketball player who is performing better than the other players on the court. It can also be used as a genuine compliment with an implied, slightly exaggerated or sarcastic tone, usually indicating that the person has indeed impressed the speaker but by doing something relatively trivial.

See also[link]

• Absentee landlord
• Big Brother (Nineteen Eighty-Four)
• New World Order (conspiracy theory)
• Ruling class
• The Establishment
• Power elite
• Corrections officer
• YTMND

Notes[link]

References[link]

• Lighter, J.E. (Ed.). (1997). Random House Dictionary of American Slang. New York: Random House.

Ana Gabriel
Background information
Birth name	María Guadalupe Araujo Yong
Born	(1955-12-10) December 10, 1955 (age 56)
Origin	Mexico
Genres	Latin pop, Mexican pop
Occupations	Singer, songwriter, record producer
Years active	1977–present (singer)
Labels	Sony International

Ana Gabriel (born on December 10, 1955) is a Mexican singer and composer.

Ana Gabriel was born as María Guadalupe Araujo Yong, in Santiago de Comanito, Sinaloa, Mexico. She first sang on the stage at age six, singing "Regalo A Dios" by José Alfredo Jiménez. She moved to Tijuana, Baja California and studied accounting. At age 21, in 1977, she recorded her first song, titled "Compréndeme". During her long career, she has hits in three different genres of music: rock en español, Latin Pop, and rancheras. In 2006 she received the Lo Nuestro award's "Premio a la Excelencia" (Excellence Award).

Personal Life[link]

In 1988 Gabriel released her first album, Tierra de Nadie, followed by Pecado Original in 1989, which met with some chart success. Her 1990 album Quien Como Tu made her a force within the Mexican music industry. Eight months later, her live album En Vivo showcased her powerful stage act and scored several hits: "Hice Bien Quererte", "Propuesta", and "Solamente una Vez".

Throughout the 1990s Gabriel released an album almost every year. A versatile singer, she showcased her talent as an interpreter of many different musical styles, from lambada to mariachi and romantic ballads to pop music. She also honed her skills as a songwriter and a producer, releasing Mi Mexico, a ranchera-influenced, mariachi-backed pop album, in 1991. This unique blend of styles was also reflected in the songs, all written by Gabriel. Her lyrics described strong, active women involved in their love lives, counter to their passive, traditional depiction in older songs. The album also included a tribute to Mexico's most popular singer-songwriter, Juan Gabriel (no relation).

Gabriel scored a number-one hit with the duet "Cosas del Amor" in 1991, which she sang with Vicki Carr, a Mexican-American pop singer famous in the 1960s. The single earned Gabriel a Lo Nuestro Award for Song of the Year in 1992. At the same awards ceremony Gabriel was also named Female Artist of the Year in the Regional Mexican category and Pop Female Artist of the Year; Mi México was named Regional Mexican Album of the Year.

In 1996 she released the pop-oriented Viven-cias. She followed this with the traditional ranchera album Con un Mismo Corazon in 1997, an album she wrote and produced herself. Of particular interest is her title-track duet with Vicente Fernandez, one of the most prolific and popular ranchera singers in Mexican history. Burr wrote of the duet, "The beauty here lies in the melding of two great voices—Gabriel's husky sensuality and Fernandez's powerful, understated expressions—set against a 25-piece symphony."

Gabriel released another live album in 1998, En la Plaza de Toros Mexico, a 30-track boxed set. That same year she traveled to Miami to work with the renowned producer Emilio Estefan, Jr., on her 1999 album Soy Como Soy. The result was a pop-influenced ranchera album that went gold in the Latin music market and helped Gabriel win the Ritmo Latino Music Award for Female Pop Artist of the Year in 2000.

With the release of Eternamente in 2000 Gabriel returned to mariachi love ballads, using only guitar as accompaniment. That same year she also appeared with other Mexican music icons in an independence day television special called Viva Mexico, a celebration of Mexican music and history. In 2001 Gabriel released Huelo a Soledad, once again balancing the traditional sounds of Eternamente with sophisticated pop songs, a cappella numbers, and dance tracks.

In 2002 Gabriel's platinum-selling album Sagitario was released. In that same year she won the Billboard Latin Music Estrella Award in recognition of her contribution to the Latin music industry, performed at a tribute concert for Vicente Fernandez sponsored by the Latin Music Awards, and participated in the ninth annual Las Cruces International Mariachi Concert and Festival in New Mexico. In December of that year she was scheduled to perform at the eleventh annual Christmas Mariachi Festival in Phoenix, Arizona, but was denied a work visa and refused entry into the United States.

Gabriel is a devout Catholic, telling Luther Orrick-Guzman of QV Magazine, "I believe and have a lot of faith in God." She places a red rose and a white carnation onstage at each of her performances, telling Orrick-Guzman the flowers symbolize "communication between myself and God." Her performances are also noted for their power and the respect she has for all of her fans.

Albums[link]

• 1985: Un estilo
• 1986: Sagitario
• 1987: Pecado Original
• 1988: Tierra de nadie
• 1989: Quién como tú
• 1990: En Vivo
• 1991: Mi México
• 1992: Silueta
• 1993: Luna
• 1994: Ayer y hoy
• 1995: Joyas de dos siglos
• 1996: Vivencias
• 1997: Con un mismo corazón
• 1998: ...En la Plaza de Toros México
• 1999: Soy como soy
• 2000: Eternamente
• 2002: Huelo a soledad
• 2003: Dulce y salado
• 2004: Tradicional
• 2006: Dos amores, un amante
• 2007: Arpegios de amor
• 2009: Renacer...Homenaje A Lucha Villa ARDC music division .
• 2010: Renacer...Special Edition

Compilation[link]

• 1992 The Best
• 1995 Ayer Y Hoy Sony
• 1998 The Best: The Latin Stars Series Sony International
• 1999 20th Anniversary Sony International
• 1999 3 CD Box Sony International
• 2001 Una Voz Para tu Corazón - 30 Grandes Éxitos
• 2002 Coleccion de Oro
• 2002 Personalidad: 20 Éxitos
• 2005 Historia de Una Reina
• 2006 Canciones de Amor
• 2006 La Reina Canta a México
• 2006 Best of Ana Gabriel
• 2006 Con Sentimiento
• 2007 Los Gabriel… Simplemente Amigos
• 2008 Los Gabriel: Cantan a México

References[link]

http://www.enotes.com/contemporary-musicians/gabriel-ana-biography

Bibliography[link]

• Lipsitz, George, Footsteps in the Dark: The Hidden Histories of Popular Music, U of Minnesota Press, 2007, ISBN 0-8166-5020-9

External links[link]

• Ana Gabriel at the Internet Movie Database

David Gallo on the set of Madagascar Live!

David Gallo (born January 10, 1966) is an American scenic designer and projection designer for Broadway, off-Broadway, regional, and international theatre venues. He won the Tony Award for Best Scenic Design and the Drama Desk Award, Outer Critics Circle Award, and Los Angeles Drama Critics Circle Award for Outstanding Set Design in 2006 for The Drowsy Chaperone.^[1]

David Gallo designed the Tony Award winning musicals Memphis and Thoroughly Modern Millie.

Also known for his long time collaboration with playwright August Wilson, Gallo designed the Broadway premieres of all his later works, including Jitney, King Hedley II, Gem of the Ocean, Radio Golf, and the revival of Ma Rainey's Black Bottom. Gem of the Ocean and Radio Golf earned the designer two additional Tony Award nominations.Gallo was honored to design the Kennedy Center’s tribute production of August Wilson’s Twentieth Century.

David Gallo has designed for regional theaters throughout the United States, including Cincinnati Playhouse in the Park, Pittsburgh Public Theater, Goodspeed Opera House and La Jolla Playhouse, working with notable directors Kenny Leon, Ed Stern, Christopher Ashley, Keith Glover and Marion McClinton.

Outside of the US, Gallo is a frequent collaborator with Netherlands based Joop van den Ende's Stage Entertainment and has served as his designer for productions throughout dozens of cities within the European Union including Amsterdam, Antwerp, Vienna, Hamburg, Oberhausen, Berlin, Stuttgart, Rome, Milan, Madrid, Barcelona and many more. He also works with many producing interests in Asia, including Seol and Company, Creative Productions and Broadway Asia. A recent Asian venture was the original musical, Tears of Heaven, in Seoul. Nine[1] will premiere in Manila, Philippines in fall 2012.

Gallo designed the 2009 New Year’s Eve extravaganza in Miami for jamband Phish and was Creative Director for their 2010 New Year’s Eve production at Madison Square Garden where the global version of ‘Meatstick’ was born. Gallo was the creative collaborator with Phish for NYE at MSG in 2011.

Often credited with a whimsical style, many of Gallo's projects have been centered on children and family entertainments. Gallo designed the 135th Ringling Bros. and Barnum & Bailey Circus and served as the Production Designer for many youth oriented Live productions including Yo Gabba Gabba; Madagascar; Super Why; Blues Clues; Dora the Explorer; Go, Diego, Go!; Clifford the Big Red Dog; SpongeBob SquarePants; and various projects for Nickelodeon. David Gallo designed the popular Christmas television special Elmo's Christmas Countdown for Sesame Street and was honored by the Jim Henson Company with a true Muppet crafted in his likeness.

David Gallo designed the 2010 Broadway Cares Collection Official Snow Globe to benefit Broadway Cares/Equity Fights Aids Fund.

In 2000, David Gallo's body of work was chosen to represent innovative contemporary American set design in the Cooper-Hewitt, National Design Museum inaugural National Design Triennial. His paintings for the 1997 Broadway revival of A View from the Bridge are in the Smithsonian Institution archives in Washington, D.C. Gallo's designs were featured in the 2003 Prague Quadrennial, and many can be found in the permanent collection of the McNay Art Museum in San Antonio, Texas as well assorted public and private collections.

Awards and Recognition[link]

• Acclaim Award: Fall of Heaven, The History of Invulnerability
• American Theater Wing Award nomination: A View from the Bridge, Hughie, Jackie
• AUDELCO Award: King Hedley II
• AUDELCO Award nomination: Jar the Floor
• Barrymore Award for Excellence in Theatre
• Drama Desk Award: Bunny Bunny, Jitney, The Drowsy Chaperone
• Drama Desk Award nomination: The Mountaintop, A Catered Affair, King Hedley II, Machinal, Thoroughly Modern Millie, The Wild Party, Wonder of the World, You’re a Good Man, Charlie Brown
• Eddy Award for Excellence in Design and Technology
• FANY Award nomination: Little Me, You’re a Good Man, Charlie Brown
• Hewes Design Award: Jitney, The Wild Party, Wonder of the World
• Hewes Design Award nomination: Memphis, reasons to be pretty
• IRNE Award nomination: Stick Fly
• Kevin Kline Award: High
• L.A. Drama Critics Circle Award: Gem of the Ocean, Jitney, The Drowsy Chaperone
• L.A. Drama Critics Circle Award nomination: Angels in America
• Lucille Lortel Award: Bunny Bunny, Jitney, The Wild Party
• Lucille Lortel Award nomination: Wonder of the World
• NAACP Award: King Hedley II
• Obie Award for Sustained Excellence in Set Design
• Outer Critics Circle Award: Bunny Bunny, The Drowsy Chaperone
• Ovation Award: Gem of the Ocean, Jitney
• Ovation Award nomination: King Hedley II
• The Musical Award (Korean 'Tony' Award) nomination: Tears of Heaven
• Tony Award: The Drowsy Chaperone
• Tony Award Nomination: Gem of the Ocean, Radio Golf

References[link]

External links[link]

• Official website
• David Gallo stage credits at the Internet Broadway Database
• New York Times profile article