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Jawan (from Persian جوان Javān, meaning "young") refers to a young man in Hindi, Urdu, Bengali, and Punjabi. It can also refer to a "donkey" in the Bengali language. In the Indian subcontinent, it has additionally taken on the reference to an infantryman, and is used in much the same meaning as soldier in English. This term is specific to all ranks below that of a Commissioned Officer, primarily used in the armed forces of India and Pakistan.

See also[link]

• Jawan Sikandarpur a Block in District Aligarh
• Indian Army
• Pakistan Army

This article on a military rank or appointment is a stub. You can help Wikipedia by expanding it. v t e

Deepika Padukone
Deepika Padukone promotes 'Cocktail' on DLF IPL's Extraaa Innings.
Born	(1986-01-05) 5 January 1986 (age 26) Copenhagen, Denmark
Occupation	Actress, Model
Years active	2006–present

Deepika Padukone (born 5 January 1986) is an Indian actress and a former model. She appears mostly in Hindi as well as Tamil and Kannada language films. Born to badminton player Prakash Padukone, she chose to become an actress and not pursue a career in sports.^[1]

Padukone made her acting debut in the 2006 Kannada film Aishwarya.^[2] The following year, she made her Hindi film debut in Om Shanti Om, for which she earned the Filmfare Best Female Debut Award. It also remains her biggest commercial success so far. She subsequently appeared in films such as Love Aaj Kal (2009) and Housefull (2010). While the former earned her a Filmfare nomination in the Best Actress category, the latter emerged as a commercial success.^[3]

In addition to acting, Padukone is also the ambassador of prominent brands such as Tissot, Sony Cybershot, Nescafe and Kingfisher Airlines.^[4]

Early life and background[link]

Padukone was born in Copenhagen, Denmark. Her father, Prakash Padukone, is a former badminton player of international repute, and her mother is a travel agent. Her father was then training in Denmark in the sport and when she was eleven months old, her family moved to Bangalore, Karnataka, India.^[5] Padukone also has a younger sister, Anisha, born on 2 February 1991.^[6]

Padukone attended Sophia High School in Bangalore, and completed her pre-university studies at Mount Carmel College Bangalore.^[7] While in high school she played badminton at the state level.^[8] However, she was not keen on pursuing a career as a badminton player.^[9] During the time of her film debut she was enrolled with the Indira Gandhi National Open University in Bachelors of Arts (Sociology).^[10][11]

Career[link]

Early Modelling Career, until 2006[link]

While in college, Padukone pursued a career in modeling.^[12] She was spotted in a ramp competition in NLS, Bangalore.^{[citation needed]} Over the years, she has modeled for such Indian brand names as Liril, Dabur Lal powder, Close-Up toothpaste and Limca, and has been "brand ambassador" for the Jewels of India retail jewelry show.^[13] The cosmetics company Maybelline made her its international spokesperson.^[14]

At the fifth annual Kingfisher Fashion Awards she was awarded the title "Model of the Year".^[15] Shortly afterward, she was chosen as one of the models for the Kingfisher Swimsuit Calendar for 2006 and won two trophies at the Idea Zee Fashion Awards: "Female Model of the Year - (Commercial Assignments)" and "Fresh Face of the Year".^[16][17] Padukone was also chosen as the brand ambassador of Kingfisher Airlines and later Levi Strauss and Tissot SA.^[18] In addition, she appeared in the music video for Himesh Reshammiya's song Naam Hai Tera.

Debut & Breakthrough in Films, 2006-09[link]

Padukone made her cinematic debut in Kannada with Aishwarya opposite Upendra in 2006. She later made a successful Bollywood debut in 2007 with Farah Khan's blockbuster Om Shanti Om opposite Shahrukh Khan. The film was a re-incarnation melodrama, featuring her in a double role.^[19][20] Her performance was well received, earning the actress a Filmfare Best Female Debut Award as well as her first Filmfare Best Actress nomination. Taran Adarsh from indiaFM noted, "Deepika has all it takes to be a top star — the personality, the looks and yes, she's supremely talented too. Standing in the same frame as SRK and getting it right is no small achievement. She comes as a whiff of fresh air!"^[21] About being cast opposite Shah Rukh Khan, she said,

"When Farah was casting for Happy New Year, she saw my commercials on TV and called my agent. I met her when she was rehearsing at a dance hall in Juhu. When that film didn’t happen, she offered me OSO. Farah took care of me right from the first meeting, introducing me to Shah Rukh Khan and ensuring that I was comfortable with him. Six months prior to shooting, we frequently met up for lunches and dinners."^[22]

Padukone was then seen playing a feisty, modern-day Indian woman, Gayatri, in Siddharth Anand's romantic comedy Bachna Ae Haseeno alongside Ranbir Kapoor, Bipasha Basu and Minissha Lamba.^[23] The film, which released on 15 August 2008, performed reasonably well at the box office, but her performance drew flak. Adarsh wrote, "Deepika is a sore point. Her role isn't convincing and that's the reason why this performance doesn't work. The only consolation is, she looks gorgeous."^[24]

Deepika Padukone at the premiere of Khelein Hum Jee Jaan Sey

She played a double role again in her next film, Chandni Chowk To China, which released on 16 January 2009. The film, directed by Nikhil Advani, also featured Akshay Kumar, Mithun Chakraborty and Ranvir Shorey in the lead. It was a critical and commercial disaster, with Nikhat Kazmi of The Times Of India commenting, "Deepika looks lost and forlorn for most of the film."^[25]

Padukone's fourth release Love Aaj Kal, released on 31 July 2009 and proved to be one of the biggest hits of 2009.^[26] Directed by Imtiaz Ali, the film documented the changing value of relationships among the youth. Padukone played the role of Meera Pandit, a practical and head-strong career woman opposite Saif Ali Khan. Of her performance, NDTV's Anupama Chopra wrote, "Deepika looks fabulous but she isn’t a strong enough actor to breathe life into the character."^[27] Despite this, she received her second Filmfare Award for Best Actress nomination.^[3] The same year, she teamed up with Farah Khan and Shah Rukh Khan once again for an item number in the Irrfan Khan-Lara Dutta starrer Billu.^[28] She also made guest appearances in the Telegu film Love 4 Ever and in Sohail Khan's Main Aur Mrs Khanna.^[29][30]

Initial Success, 2010-present[link]

Her first release in 2010 was Excel Entertainment’s Karthik Calling Karthik. The thriller featured Farhan Akhtar as Karthik, a troubled schizophrenic man, and Padukone as his supportive girlfriend, Shonali Mukherjee. This time, Anupama Chopra wrote, "Padukone finally seems to be thawing in front of a camera."^[31] The film, however, was a commercial failure.^[32] She then featured in Sajid Khan's multistarrer Housefull with Akshay Kumar, Ritesh Deshmukh, Lara Dutta, Arjun Rampal, Jiah Khan and Boman Irani . She played the role of Soundarya Bhagyalakshmi Venkateshwari Baassappa Rao, Kumar's girlfriend and later fiancée. The film became a blockbuster in India, with a net gross of INR 95 crores in the first week itself.^[33] As for her performance, Taran Adarsh mentioned that "Deepika is a surprise. She carries her part with amazing confidence...Housefull is the film that would make people notice her talent as well as beauty".^[34]

She then appeared in her second Yash Raj production, Lafangey Parindey which was directed by Pradeep Sarkar. She starred opposite Neil Nitin Mukesh as Pinky Palkar, a blind girl, hell bent on winning a skating competition. Upon release, Sudhish Kamath, of The Hindu wrote, "This really is Deepika Padukone's film though. She exercises considerable restraint, dances, skates, makes you cry and smile."^[35]

Padukone with her Break Ke Baad co-star Imran Khan

Her next release was Kunal Kohli's syrupy romance Break Ke Baad opposite Imran Khan, where she played Aaliya Khan, an impetuous brat. The film was not a commercial success, but won Padukone favorable reviews.^[36] Nikhat Kazmi noted, "Padukone's climactic act seems to be the best performance in her entire career: completely spontaneous, crazy and cute."^[37]

Her final release of 2010; Ashutosh Gowarikar's Khelein Hum Jee Jaan Sey top-lining Abhishek Bachchan, met with scathing reviews and was declared a flop. The period drama was a retelling of the 1930 Chittagong armoury raid, with Bachchan playing the revolutionary leader Surya Sen and Padukone playing Kalpana Dutta, his lover and confidant.^[38] A review carried by The Hollywood Reporter, however, mentioned her portrayal of Dutta as "impressive".^[39]

She began the year 2011 with an item number in Rohan Sippy's Dum Maaro Dum starring Abhishek Bachchan and Bipasha Basu in the lead. Her song was a remixed version of Zeenat Aman's iconic song from Hare Rama Hare Krishna.^[40] The raunchy lyrics and suggestive dancing received mixed reviews. The Deccan Chronicle mentioned her moves as "mechanised gyrations", while Adarsh wrote, "Deepika scorches the screen in the title track. "^[41][42]

Padukone at a promotional event for Aarakshan. Pictured with Prakash Jha

Next, she featured in Prakash Jha's reservation melodrama, Aarakshan starring alongside Amitabh Bachchan, as his daughter, and Saif Ali Khan, as his love-interest.^[43] Pratim D. Gupta noted, "Deepika, though, is again the refreshing thing about a movie. Both her scenes with Bachchan — one where she revolts and the other where she redeems herself — show how she has come of age as an actor."^[44] Padukone next appeared in Rohit Dhawan's Desi Boyz alongside Akshay Kumar, John Abraham and Chitrangada Singh. The film received mixed reviews from critics and was an average success at the box office.

In 2012, Padukone is expected to appear in Homi Adajania's Cocktail opposite Saif Ali Khan and Diana Penty and will make her Kollywood debut in Soundarya Rajnikanth's Kochadaiyaan opposite Rajnikanth. Following this, Padukone will be seen in Ayan Mukerji's Yeh Jawani Hai Deewani opposite ex-boyfriend Ranbir Kapoor^[45][46] and Race 2 alongside Saif Ali Khan, Anil Kapoor, John Abraham, Jacqueline Fernandez and Ameesha Patel.

Other work[link]

Philanthropy[link]

As part of NDTV's Greenathon Campaign, Padukone adopted Ambegaon, a village in Maharashtra, that was facing a major electricity crisis.^[47]

In The Media[link]

In 2009, Padukone started writing weekly columns for HT City, the lifestyle supplement of Hindustan Times. These columns appear online on social network, Desimartini.^[48]

She appeared on the cover of lifestyle magazine Vogue on May 2010 and 2011.^[49] She also walked the red carpet at the 2010 Cannes Film Festival.^[50]

On November 2010, she appeared on Koffee With Karan, a popular chat show along with Sonam Kapoor. Her comments on ex-flame Ranbir Kapoor lead to a lot of controversy among Bollywood inner-circles.^[51]

Personal life[link]

In March 2008, Padukone began dating Ranbir Kapoor, her co-star from the film Bachna Ae Haseeno (2008).^[52] After her high profile break up with Kapoor in November 2009, Padukone has decided to keep her personal life away from media attention.^[53]

Awards and nominations[link]

Filmography[link]

Notes[link]

External links[link]

Wikimedia Commons has media related to: Deepika Padukone

• Deepika Padukone at the Internet Movie Database

Hemanta Kumar Mukhopadhyay (Bengali: হেমন্ত কুমার মুখোপাধ্যায়; Hemonto Kumar Mukhopaddhae) also known as Hemanta Mukherjee (16 June 1920 – 26 September 1989) was a Bengali singer, composer and producer. He sang in Hindi films under the name Hemant Kumar.

Early life[link]

Hemanta was born in the city of Varanasi, India although his family hailed from a village named Baharu in West Bengal. They migrated to Kolkata in the early 20th century. Hemanta grew up there and attended Mitra Institution school of Bhawanipore area. There he met his longtime friend, Subhas Mukhopadhyay who later became a Bengali poet. After passing the intermediate examinations (12th grade), Hemanta joined Bengal Engineering college to pursue Engineering.^[1] However, he quit academics to pursue a career in music, despite parental objection. He briefly tried his hand at literature and also published a short story in a prestigious Bengali magazine called Desh, but by the late-1930s he was committed entirely to music.

Early music career[link]

Under the influence of his friend Subhas Mukhopadhyay, Hemanta recorded his first song for All India Radio in 1933. The first line of the song was Amar Ganete Ele Nabarupi Chirantanii. Hemanta's music career was primarily mentored by the Bengali musician, Sailesh Duttagupta. In an interview on television in the early 1980s, Hemanta had mentioned that he had also received classical music training from Ustad Faiyaz Khan, but his tutelage was cut short by Ustad's untimely death.

In 1937, Hemanta cut his first gramophone disc under the Columbia label. The songs (non-film) on this disc were Janite Jadi Go Tumi and Balo Go Balo More whose lyrics were by Naresh Bhattacharya and music was composed by Sailesh Duttagupta. Thereafter, every year Hemanta continued to record non-film discs for the Gramophone Company of India (GCI) till 1984. His first Hindi songs were Kitana Dukh Bhulaya Tumne and O Preet Nibhanewali, released in 1940 under GCI's Columbia label. Music for these songs were composed by Kamal Dasgupta, lyrics were by Faiyaz Hashmi.

Hemanta's first film song was in the Bengali film Nimai Sanyas released in 1941. Music for this film was scored by Hariprasanna Das. Hemanta's first compositions for himself were the Bengali non-film songs Katha Kayonako Shudhu Shono and Amar Biraha Akashe Priya in 1944. Lyrics of these two songs were by Amiya Bagchi.

His first Hindi film songs were in Irada in 1944 under Pt. Amarnath's music direction. Lyrics were by Aziz Kashmiri.

Hemanta is considered a foremost exponent of Rabindrasangeet. His first recorded Rabindrasangeet was in the Bengali film Priya Bandhabi (1944).^[2] The song was Pather Sesh Kothaye. He recorded his first non-film Rabindrasangeet disc in 1944 under the Columbia label. The songs were Aamar Aar Habe Na Deri and Keno Pantha E Chanchalata.^[3]

His first movie as a music director was the Bengali film Abhiyatri in 1947. Although many of the songs Hemanta recorded during this time received critical acclaim, major commercial success eluded him until 1947. Some contemporary male singers of Hemanta in Bengali around that period were Jaganmay Mitra, Robin Majumdar, Satya Chowdhury, Dhananjay Bhattacharya, Sudhirlal Chakraborty, Bechu Dutta^[4] and Talat Mahmood.

Family[link]

Hemanta had three brothers and a sister, Nilima. His elder brother, Tarajyoti, was a short-story writer in Bengali. The youngest brother, Amal Mukhopadhyay, composed music for some Bengali movies, most notably Hospital and Abak Prithibi. He also recorded a few Bengali songs in the 1960s.^[5]

In 1945, Hemanta married Bela Mukherjee (died 25 June 2009),^[6] a singer from Bengal. Although Bela (maiden name also Bela Mukhopadhyay) had sung some popular songs in a Bengali movie, Kashinath (1943), with music by Pankaj Mullick – she did not actively pursue her musical career after marriage.

They had two children: a son, Jayant, and a daughter, Ranu. Ranu as Ranu Mukhopadhyay pursued a music career in the late 1960s and early 1970s, with somewhat limited success. Jayant is married to Moushmi Chatterjee, an Indian film actress who was popular in the 1970s.

Success and migration to Mumbai[link]

In the mid 1940s, Hemanta became an active member of the Indian People's Theatre Association (IPTA) and started an association with another active IPTA member – songwriter and composer – Salil Chowdhury. One of the main driving forces behind the establishment of IPTA was the Bengal famine of 1943 and the inaction of the British administration and wealthy Indians to prevent it from happening. In 1948, Hemanta recorded a non-film song called ganyer badhu (literally translates to 'The rural bride') that had music and lyrics by Salil Chowdhury. The six minute song recorded on two sides of a 78 rpm disc was sung at a varying pace and lacked the conventional structure and romantic theme of a Bengali song. It depicted an idyllic, prosperous and caring rural woman's life and family, and how it gets ravaged by the demons of famine and ensuing poverty. This song generated an unforeseen popularity for Hemanta and Salil in eastern India, and, in a way, established Hemanta ahead of his male contemporaries. Hemanta and Salil paired again in several songs over the next four years and almost all these songs proved to be very popular.^[7]

Around the same period, Hemanta started receiving more assignments for music composition for Bengali films. Some of these films were for a director named Hemen Gupta. When Hemen moved to Mumbai a few years later, he called upon Hemanta to compose music for his first directorial venture in Hindi titled Anandmath under the Filmistan banner. Responding to this call, Hemanta migrated to Mumbai in 1951 and joined the Filmistan Studios. The music of Anand Math (1952) was a moderate success. Perhaps, the most notable songs from this movie is vande mataram sung by Lata Mangeshkar, which Hemanta set to a marching tune. Following Anandmath, Hemanta scored music for a few Filmistan movies like Shart in subsequent years, the songs of which received moderate popularity. Simultaneously, Hemanta also gained popularity in Mumbai as a playback singer.^[8] His songs playbacked for actor Dev Anand under music director Sachin Dev Burman in movies like Jaal, House No. 44, and Solva Saal became quite popular.

Career rise[link]

By the mid-1950s, Hemanta had consolidated his position as a prominent singer and composer. In Bengal, he was one of the foremost exponents of Rabindrasangeet and perhaps the most sought after male singer. In Mumbai, along with playback singing, He also carved a niche as a composer. He composed music for a Hindi film called Nagin (1954) which became a major success owing largely to its music. Songs of Nagin remained chart-toppers continuously for two years and culminated in Hemant receiving the prestigious Filmfare Best Music Director Award in 1955. The very same year, he scored music for a Bengali movie called Shapmochan in which he also played back four songs for the Bengali actor Uttam Kumar. This started a long partnership between Hemant and Uttam as a playback singer-actor pair. They were the most popular singer-actor duo in Bengali Cinema over the next decade.

In the latter part of the 1950s, Hemanta composed music and sang for several Bengali and Hindi films, recorded several Rabindrasangeets and Bengali non-film songs. Almost all of these, especially his Bengali songs became very popular. This period can be termed as the zenith of his career and lasted for almost a decade. He sang songs composed by the major music directors in Bengal such as Nachiketa Ghosh, Robin Chatterjee and Salil Chowdhury. Some of the notable films Hemanta himself composed music for during this period include Harano Sur, Marutirtha Hinglaj, Neel Akasher Neechey, Lukochuri, Swaralipi, Deep Jwele Jaai, Shesh Parjanta, Kuhak, Dui Bhai, and Saptapadi in Bengali, and, Jagriti and Ek Hi Raasta in Hindi.

Movie production[link]

In the late 1950s, Hemanta ventured into movie production under his own banner Hemanta-Bela productions. The first movie under this banner was a Bengali film directed by Mrinal Sen, titled Neel Akasher Neechey (1959). The story of this film was based on the travails of a Chinese street hawker in Calcutta in the backdrop of India's freedom struggle. The movie went onto win the President's Gold Medal – the highest honour for a movie from Government of India. In the next decade, Hemanta's production company was renamed Geetanjali productions and it produced several Hindi movies such as Bees Saal Baad, Kohraa, Biwi Aur Makaan, Faraar, Rahgir and Khamoshi – all of which had music by Hemanta. Almost all of these, except Bees Saal Baad and Khamoshi, weren't major commercial successes. Back in Bengal, Hemanta scored music for a movie titled Palatak in 1963 where he experimented with merging Bengal Folk Music and light music. This proved to be a major success and Hemanta's composition style changed noticeably for many of his future films in Bengal such as Baghini, and Balika Badhu. In Bengali films Manihar and Adwitiya, both of which were major musical as well as commercial successes, his compositions had a light classical tinge. In 1961, for commemorating Rabindranath Tagore's birth centenary, Gramophone company of India featured Rabindrasangeet by Hemanta in a large portion of its commemorative output. This too proved to be a major commercial success. Hemanta also went on several overseas concert tours in this period including his trip to the West Indies. Overall, in the 1960s decade he retained his position as the major male singer in Bengal, and, as a composer and singer to be reckoned with in Hindi films.

Latter part of career[link]

In the 1970s, Hemanta's contribution in Hindi films was nominal. He scored music for a handful of his home productions, but none of these movies were successful nor the music of them. In Bengal, however, he remained the foremost exponent of Rabindrasangeet. His non-film output was popular in the early part of the decade. In 1971, Hemanta debuted as a film director in for his self-produced Bengali movie titled Anindita. The movie didn't fare exceedingly well at the box office. In the early to mid 1970s, two major music composers in Bengal, Nachiketa Ghosh and Robin Chatterjee, who had worked closely with Hemanta since the early 1950s, died. Simultaneously, music composed by Hemanta for Bengali films like Fuleswari, Raag Anurag and Dadar Kirti established Hemanta as the major film music composer in the Bengal movie scene. In 1979, Hemanta re-recorded some of his earlier works with composer Salil Chowdhury from the 1940s and 1950s. This album, titled 'Legend of Glory, vol. 2' was a major commercial success, despite Hemanta's aged and slightly tired voice.

In 1980, Hemanta suffered a major heart attack (myocardial infarction) that severely affected his vocal capabilities, especially his breath control. He continued to record songs in the early eighties, but his voice was a shade of its rich baritone past. In 1984, Hemanta was felicitated by different organizations, most notably by the Gramophone Company of India, for completing 50 years in music. Ironically, that very year Hemanta released his last album with Gramophone Company of India – a 45 rpm extended play disc with four non-film songs. Over the next few years, Hemanta released non-film songs under various small-time labels that had cropped up in the nascent cassette-based music industry. Only a few of these were commercially successful. He composed music for a handful of Bengali movies and one Bengali and one Hindi tele-series. However, by this time he had become an institution, a beloved personality, and a courteous and friendly gentleman. He continued to feature regularly on All India Radio, Doordarshan (TV) and live programmes/concerts during this period.

In September 1989, he travelled to Dhaka, Bangladesh to receive the Michael Madhusudan Award. He performed a concert in Dhaka as well. Immediately after returning from this trip, he suffered a major heart attack (myocardial infarction) on September 26 and died at 11:15 pm in a nursing home in South Calcutta. Interestingly, even 15 years after his death, Gramophone Company of India releases at least one album by him every year, repackaging his older songs, because of the commercial viability of his songs. His legacy still lives on through the numerous songs he has recorded, music he has composed and through many male singers in Bengal and the rest of India who continue to imitate his singing style.

English filmography as a composer[link]

• 1972: Siddhartha

Bengali filmography as a composer[link]

Total number of films: 138

• 1947: Abhiyatri, Purbaraag
• 1948: Bhuli Naai, Padma Pramatta Nadi, Priyatama
• 1949: Diner Par Din, '42, Sandipan Pathshala, Swami
• 1951: Jighansa, Paritran
• 1952: Swapno O Samadhi-(Jointly with Khagen Dasgupta)
• 1955: Shapmochan
• 1956: Suryamukhi
• 1957: Shesh Parichay, Taser Ghar, Harano Sur
• 1958: Lukochuri, Shikar, Surjatoran, Joutuk, Neel Akasher Neechey
• 1959: Deep Jwele Jaai, Khelaghar, Marutirtha Hinglaj, Sonar Harin, Kshaniker Atithi
• 1960: Baishey Shravan, Gariber Meye, Kuhak, Khoka Babur Prayabartan, Shesh Paryanta
• 1961: Dui Bhai, Agni Sanskar, Madhya Rater Tara, Punashcha, Saptapadi, Sathi Hara, Swaralipi
• 1962: Atal Jaler Ahwan, Agun, Dada Thakur, Hansuli Banker Upakatha, Nabadiganta
• 1963: Badshah, Barnachora, Ek Tukro Agun, High Heel, Palatak, Saat Pake Bandha, Shesh Prahar, Tridhara
• 1964: Arohi, Bibhas, Natun Tirtha, Pratinidhi, Prabhater Rang, Swarga Hotey Biday, Sindure Megh
• 1965: Alor Pipasa, Ek Tuku Basa, Ek Tuku Chhonya Lage, Suryatapa
• 1966: Kanch Kata Hirey, Manihar
• 1967: Balika Badhu, Dushtu Prajapati, Nayika Sangbad, Ajana Shapath
• 1968: Adwitya, Baghini, Hansamithun, Jiban Sangeet, Panchasar, Parisodh
• 1969: Chena Achena, Man Niye, Parineeta, Shuk Sari
• 1970: Deshbandhu Chittaranjan, Duti Mon
• 1971: Kuheli, Malayadan, Nabarag, Nimantran, Sansar, Mahabiplabi Arabindo
• 1972: Anindita, Shriman Prithviraj
• 1974: Bikele Bhorer Phool, Thagini, Phuleshwari
• 1975: Agniswar, Mohan Baganer Meye, Nishi Mrigaya, Raag Anuraag, Sansar Simantey
• 1976: Banhi Sikha, Datta, Sankhabish, Pratisruti
• 1977: Din Amader, Hatey Roilo Tin, Mantramugdha, Pratima, Proxy, Rajani, Sanai, Shesh Raksha, Swati
• 1978: Ganadevta, Nadi Theke Sagare, Pranay Pasha
• 1979: Shahar Theke Dooray, Nauka Dubi
• 1980: Bandhan, Dadar Kirti, Paka Dekha, Pankhiraj, Shesh Bichar
• 1981: Kapal Kundala, Khelar Putul, Meghmukti, Subarna Golak
• 1982: Chhoto Maa, Chhut, Uttar Meleni, Pratiksha
• 1983: Amar Geeti, Rajeshwari
• 1984: Agni Shuddhi, Ajantay, Bishabriksha, Didi, Madhuban, Suryatrishna
• 1985: Bhalobasa Bhalobasa, Tagari
• 1986: Pathbhola, Ashirwad
• 1987: Pratibha, Tunibou, Agaman, Boba sanai, Parasmani, Surer Sathi

Hindi filmography as a composer[link]

• A: Anand Math, Anjaan, Anupama, Arab Ka Saudagar
• B: Bahu, Bandhan, Bandi, Bandish, Bees Saal Baad, Bees Saal Pehle, Bhagwat Mahima, Bin Badal Barsaat, Biwi Aur Makaan
• C: Chand, Champakali
• D: Daku Ki Ladki, Do Dil, Do Dooni Char, Do Ladke Dono Kadke, Do Mastane, Durgesh Nandini, Duniya Jhukti Hai,Devi Choudhurani
• E: Ek hi Raasta, Ek Jhalak
• F: Ferry, Faraar, Fashion
• G: Girl Friend
• H: Hamara Watan, Hill Station, Hum Bhi Insaan Hai
• I: Inspector
• J: Jagriti
• K: Khamoshi, Kohraa, Kitna Badal Gaya Insaan
• L: Lagan, Laalten, Love in Canada
• M: Maa Beta, Majhli Didi, Miss Mary
• N: Nagin
• P: Payal, Police
• R: Rahgeer
• S: Sahara, Sahib Bibi Aur Ghulam, Samrat, Sannata, Shart
• T: Taj
• U: Us Raat Ke Baad
• Y: Yahudi Ki Ladki

Other languages filmography as a composer[link]

• Ayel Basant Bahar (1961)
• Balma Bada Nadaan (1964)

Hemant Kumar also sang several Marathi songs, notably "Mee Dolkara, Dolkara, Dolakra dariyacha raaja...." (मी डोलकर, डोलकर दर्याचा राजा) with Lata Mangeshkar. This song became immensely popular. Another popular Marathi song by Hemant Kumar, "Gomu sangatina mazya tu yeshil kay" (गोमू संगतीनं माझ्या तू येशील काय), is filmed on the famous actor Kashinath Ghanekar in the film Ha Khel Saavalyancha, हा खेळ सावल्यांचा.

References[link]

This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please improve this article by introducing more precise citations. (June 2009)

Sources[link]

1. Hemanta Kumar Mukhopadhyay, "Ananda dhara", Deb Sahitya Kutir Press, Calcutta, 1970.
2. A. Rajadhakshya and P. Wilhelm, "An Encyclopedia of Indian Cinema," 2nd ed., British Film Institute, 1999.
3. S. Bhattacharya, "Amar gaaner swaralipi," A. Mukherjee Press, Calcutta, 1988.

External links[link]

• Songs of Hemanta Mukherjee
• Hemant Kumar home page
• Mostly complete discography
• Articles on Hemanta Mukherjee
• Hemanta's Hindi Filmography
• Hemanta's Bengali Songs
• Hemanta's Bangla Gaan
• Hemanta Mukherjee's Bengali Songs