Kismet

Kismet may refer to:

Geography

Film and stage

Kismet (musical)

Kismet is a musical with lyrics and musical adaptation (as well as some original music) by Robert Wright and George Forrest, adapted from the music of Alexander Borodin, and a book by Charles Lederer and Luther Davis, based on Kismet, the 1911 play by Edward Knoblock. The story concerns a wily poet who talks his way out of trouble several times; meanwhile, his beautiful daughter meets and falls in love with the young Caliph.

The musical was first produced on Broadway in 1953 and won the Tony Award for best musical in 1954. It was also successful in London's West End and has been given several revivals. A 1955 film version was released by MGM.

Production history

The musical was commissioned by Edwin Lester, founder and director of the Los Angeles Civic Light Opera, who conceived of a musical based on the 1911 play Kismet by Edward Knoblock. Lester had previously produced Song of Norway, with the same composing team, adapting the melodies of Edvard Grieg. For Kismet, the writers seized upon the melodies of Alexander Borodin, which they felt had a suitable exotic flavor and lush melodies.

Kismet (DC Comics)

Kismet ([Urdu] (قسمت)) is a fictional character, a cosmic entity published by DC Comics. Created by Jerry Ordway and Tom Grummett, the character first appeared in Adventures of Superman #494 (September 1992). Kismet in Urdu language literally means fate.

Fictional character biography

Ahti was originally a peer and lover of the man who would become Dominus. They had a falling out when she ascended to the role of Kismet, which he craved bitterly.

Kismet was transformed into Strange Visitor for a time. Not much is known about Kismet because of her rare appearances in comics. Kismet is known for having saved Clark Kent's father while he was dying and searching for Superman. She is a member of The Lords of Order. In Superman Forever, part of the story line of Superman Red/Superman Blue, Kismet tells the story of Superman's powers and make a warning of something terrible to come. Shown in Our Worlds At War storyline, she is the protector of the DC Universe.

During JLA/Avengers she met Eternity and the two fell in love. They were then kidnapped by Krona who used their connections to their universes to destroy both. After the Crisis was averted the two sadly parted ways.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.