6:41
Adam Drzewiecki - pop/rock keyboardist - demonstration movie
VISIT MY NEW WEBSITE: www.adamdrzewiecki.com Some pieces played by me with some loops. I u...
published: 14 Aug 2007
Author: SnuffProduction
Adam Drzewiecki - pop/rock keyboardist - demonstration movie
VISIT MY NEW WEBSITE: www.adamdrzewiecki.com Some pieces played by me with some loops. I use Yamaha MO8, Korg Karma, Unitra Estrada 207 and MacBook (Cubase, ProTools). Used songs: "Africa" (by TOTO), "Gdzie ten, który powie mi" (by Brathanki), "Light my fire" (by The Doors), "Home of the brave" (by TOTO), "Isn't she lovely" (by Stevie Wonder). This movie is publicated only for informative and educational purpose.
2:06
Amazing Keyboardist! Caroline Dahl @ Pier 39
Amazing keyboardist Caroline Dahl playing keyboards on Pier 39 in San Francisco...
published: 21 Sep 2010
Author: stuntmonkeyfan
Amazing Keyboardist! Caroline Dahl @ Pier 39
Amazing keyboardist Caroline Dahl playing keyboards on Pier 39 in San Francisco
2:12
Zac Baird - keyboardist
Zac Baird plays keyboards for Korn and was a member of cottonmouth, texas. He has also pla...
published: 13 Feb 2007
Author: realpeoplerealshit
Zac Baird - keyboardist
Zac Baird plays keyboards for Korn and was a member of cottonmouth, texas. He has also played with Hairy Apes BMX, Billygoat, Daniel Powter, Everlast and Maimou.
3:30
Piano Solo Jill Scott Live in Paris -Keyboardist Pete Kuzma
Pete Kuzma piano solo with Jill Scott live in Paris DVD. Anyone have any more of this keyb...
published: 06 Feb 2008
Author: Dcimetta
Piano Solo Jill Scott Live in Paris -Keyboardist Pete Kuzma
Pete Kuzma piano solo with Jill Scott live in Paris DVD. Anyone have any more of this keyboardist? He was Jill's original music director until 2006....heard him on organ once in London...just brilliant
4:07
White Key Serenade
A tune I composed which was inspired by a very plain-sounding Rhodes patch I wrote for my ...
published: 09 Feb 2009
Author: LordValve
White Key Serenade
A tune I composed which was inspired by a very plain-sounding Rhodes patch I wrote for my Roland Fantom G. "White Key Serenade" is an original, copyrighted work, and may not be reproduced or otherwise used without express permission from the composer. Also, many thanks to my fine son, who shot the video and did all the editing, and was instrumental in the production of the Official Seal of the United States Department of Jive.. ;-)
2:52
James Ross @ Jason Tyson (Keyboards & Piano) - Marvin Sapp Band - www.Jross-tv.com
Pianist / Keyboardist Jason Tyson for years has set an industry standard. His masterful ye...
published: 04 Jun 2010
Author: lethbptl
James Ross @ Jason Tyson (Keyboards & Piano) - Marvin Sapp Band - www.Jross-tv.com
Pianist / Keyboardist Jason Tyson for years has set an industry standard. His masterful yet melodic iterations are synonymous with the term virtuoso... Here he backs up gospel great, singer, Marvin Sapp at Friendly Temple Missionary Baptist Church in St. Louis, where Michael Jones is Pastor.......
3:46
David O'Doherty - My Beefs 2009
Allstar Supershow.One of the best performances by King of the Casio....
published: 02 Sep 2010
Author: GreenBaldrick
David O'Doherty - My Beefs 2009
Allstar Supershow.One of the best performances by King of the Casio.
9:33
Zac Baird from Korn on Live Keyboards
Korn keyboardist Zac Baird explains their deep, athmospheric live sound, and how NI instru...
published: 01 Apr 2008
Author: NativeInstruments
Zac Baird from Korn on Live Keyboards
Korn keyboardist Zac Baird explains their deep, athmospheric live sound, and how NI instruments like Kore, Kontakt and Massive figure into their stage and studio setup.
5:15
Access Virus TI Desktop DEMO by Kingsley keyboardist Stephen Limbaugh
uhhh.... the audio got screwed up when I uploaded it to youtube.. it sounds a lot cooler n...
published: 09 Jul 2010
Author: KingsleyBand
Access Virus TI Desktop DEMO by Kingsley keyboardist Stephen Limbaugh
uhhh.... the audio got screwed up when I uploaded it to youtube.. it sounds a lot cooler not going through a mac book mic and getting super compressed. Some notes: -Some of the patches I made outright or edited, others were stock sounds. -No computer help or anything - just running midi out of my keyboard into the Virus. -A lot of this is improv/messing around, but some of the things played are the keyboard parts to Kingsley songs. Also on our album Digital Providence, I used the Virus pretty much exclusively for all of the synth parts.
6:32
Pianist/Keyboardist Jay Oliver - Somewhere Over The Rainbow
Jay Oliver - World Class Pianist/Keyboardist - performs an innovative version of Somewhere...
published: 27 Sep 2011
Author: jayoliverkeys
Pianist/Keyboardist Jay Oliver - Somewhere Over The Rainbow
Jay Oliver - World Class Pianist/Keyboardist - performs an innovative version of Somewhere Over the Rainbow. Hear more and get CD / MP3 at: www.jayoliver.com - - - Credits Video Directed & Produced by Jay Oliver. Camera Operation and Co-production: Casey Kuzdrowski. Audio Production: Jay Oliver. Special thanks to Muse Research and the Receptor, and the IVORY Piano Sample from Synthogy.
6:09
"Barock" (Russian Swing) from Saltimbanco (Cirque du Soleil)
A close-up overhead view of keyboardist Armen Chakmakian playing on stage for Cirque du So...
published: 06 Dec 2008
Author: armenjc
"Barock" (Russian Swing) from Saltimbanco (Cirque du Soleil)
A close-up overhead view of keyboardist Armen Chakmakian playing on stage for Cirque du Soleil's "Saltimbanco" band in Rio de Janeiro, December 9, 2006. Read my notes on top of the video so you can follow along with the things that are going on in the show and on the band stage. The music you hear is from the feed of my in-ear monitors. Armen Chakmakian - Keyboards Benoit Martin - Guitar Paul Hanson, Horns, Woodwinds Marc Soheir, Bass, Bandleader Serge Maheux - Drums, Percussion Martin de Blois - Monitor mixer
7:58
James Ross @ Jross & Al Henderson - Keyboardist - (Funked Up) - Jross-tv
Jross & Al Henderson messing around again in the bass-ment with grooving Wade in The W...
published: 06 Oct 2006
Author: lethbptl
James Ross @ Jross & Al Henderson - Keyboardist - (Funked Up) - Jross-tv
Jross & Al Henderson messing around again in the bass-ment with grooving Wade in The Water............
3:47
Columbus jazz keyboardist Bobby Floyd performs Just A Closer Walk With Thee
Jazz makes its return to the Lincoln Theatre in Columbus with a concert featuring the Byro...
published: 12 Mar 2010
Author: JonesImaging
Columbus jazz keyboardist Bobby Floyd performs Just A Closer Walk With Thee
Jazz makes its return to the Lincoln Theatre in Columbus with a concert featuring the Byron Stripling and The Columbus Jazz All Stars. This excerpt features a Bobby Floyd organ solo. For more information: www.bobbyfloyd.com or www.byronstripling.com .
Vimeo results:
0:21
Tayyeap The Drummer
bobiler.org/educatedear
--
Only a few times in history has a musician & politician been ...
published: 07 Jun 2009
Author: Vulcane
Tayyeap The Drummer
bobiler.org/educatedear
--
Only a few times in history has a musician & politician been singled out as the world-class master of his instrument. RTE is one of those few artists. For over 30 years, he has received international acclaim as the consummate percussionist, performing and recording with the legends of jazz & fusion.
RTE takes the viewer through a 75 minute musical experience featuring "Mines (with Israel Jazz Band)," Waterless Ankara (with his bass player Melih Gokchek)," "Metrobus (with the famous keyboardist Kadir Topbash)," and many others. Mixed in 5.1 Surround Sound.
9:52
Jordan Rudess Omnisphere Demo
At Winter NAMM, keyboardist extraordinaire, Jordan Rudess, gives an amazing demonstration ...
published: 22 Jul 2009
Author: Spectrasonics
Jordan Rudess Omnisphere Demo
At Winter NAMM, keyboardist extraordinaire, Jordan Rudess, gives an amazing demonstration of what he's been doing with Omnisphere.
7:59
The Gospel According to Jazz Chapter 3 Double CD/DVD
The Gospel According to Jazz, Chapter III will be available as a Double CD and DVD on Marc...
published: 21 Dec 2009
Author: Kirk Whalum
The Gospel According to Jazz Chapter 3 Double CD/DVD
The Gospel According to Jazz, Chapter III will be available as a Double CD and DVD on March 16, 2010. Featuring Kirk Whalum, George Duke, Lalah Hathaway, Doc Powell, Kevin Whalum with special guests, John Stoddart, Hugh "Peanuts" Whalum, Kenneth Whalum III, Kyle Whalum, and Caleb Tha Bridge. Also playing: Jerry Peters, Aaron Broadus, Reginald Veal, Lenny Castro, Sean McCurley, and Kortland Whalum
KIRK WHALUM
The Gospel According to Jazz, Chapter III
For yours is the kingdom, the victory and the majesty, the power and dominion, for all that is in heaven and earth are yours…1 Chronicles 29:11a
On October 13, 2007, at Reid Temple AME Church on the outskirts of Washington DC, a standing room only audience packed the 3000-plus capacity state-of-the-art worship complex to experience the transforming power of Kirk Whalum’s The Gospel According to Jazz, Chapter III. Recorded live by three generations of Whalums and some of the most resounding names in jazz, pop, gospel and r&b;, The Gospel According to Jazz, Chapter III comes ten years after the first chart-topping Gospel According to Jazz, Chapter I CD debuted, and in the wake of the Grammy nominated, Stellar Award winning second chapter, released in 2002.
The two-disk set, plus DVD, is the most expansive in the series in terms of sheer minutes of music, 118.35 to be exact, but also in terms of content and concept. From the first plaintive note in “Call to Worship,” it is clear that this will be far more than an extension or installment of what came before. Kirk Whalum and company blow the roof off with subtlety, nuance, inspired performances and a message of faith, hope and love that both encompasses and transcends every point on the musical compass.
The accompanying DVD makes the most of Whalum the philosopher, theologian and theorist, with film director Jim Hanon (End of The Spear; and Miss HIV, for which Kirk wrote the soundtrack) capturing him as he weaves the story of jazz, gospel, the blues (verbally and instrumentally) in candid shots interposed with concert footage.
Although Whalum—who lives up to his reputation as “the most influential saxophonist of his generation”—is front and center throughout, this is undoubtedly an ensemble recording. He shares the stage with what could be called the ‘Whalum dynasty’ (three generations and six Whalums: brother Kevin (vocals); Uncle Peanuts (vocals, sax, and piano); son, Kyle (electric bass); nephews Kenneth III (saxophone) and Kortland (vocals), plus first cousin Caleb tha Bridge (vocals/rap). The unparalleled George Duke, featured on both I and II, returns on keys, and is joined by vocalist Lalah Hathaway, guitarist Doc Powell, keyboardist/vocalist John Stoddart, trumpeter/vocalist Aaron Broadus, stand-up bassist, Reginald Veal, percussionist Lenny Castro and Kirk’s former bandmate, drummer Sean McCurley.
The renowned gospel/r&b; writer and producer Jerry Peters once again brings his prodigious talent, sharing credits with Whalum on two songs and also as album co-producer, along with Kirk and Hal Sacks, the latter has served as engineer for all three GATJ live recordings. “My father loved James Cleveland and Jerry brought that sensibility, as well as playing the B3 organ.”
But “gospel” in the radio/church sense is only whispered or suggested. The range of material is reflected in its creators/writers—from Whalum, himself, and son Kyle, to Charlie Chaplin, Diane Warren, Isaiah Jones and Frankie Beverly, among others. This genre-and-time-spanning array of songwriting is the perfect backdrop for Whalum’s seemingly endless expression. His signature r&b-inflected; jazz, rich with romance and melodic power, imbued with blues, funk, pop, Latin and world music is solidly present, but on songs like Ananias and Sapphira, we see the more adventurous Whalum. As he describes it, “The song is definitely avant garde; we go into deep improvisation. This isn’t a good groove and some licks, this is where we go somewhere.” And where he goes is in the direction of Elvin Jones, Coltrane and Henderson. Not only does Whalum pull out all the stops on this sobering nod to God’s holiness and power, but Reginald Veal is a standout on upright, as he turns his bass into a sitar and plucks out a driving percussive and intricate melody.
Whalum is on a mission not just to share the Good News of the Gospel, but to expand it far beyond the walls of the church and traditionally accepted ways of communicating the message, and jazz is the medium. Whalum’s God is a lot bigger and the music that glorifies him is as limitless, transcendent, unexpected and powerful as He is. “How can you describe the indescribable?” queries Whalum. “That’s an opportunity for jazz and other creative arts. I wanted to make sure there were moments where it was ethereal, avant garde—that’s something that’s missing in the genre we call gospel. It needs to go where it is more ‘art music,’ It’s not just in y
7:59
The Gospel According to Jazz Chapter 3
KIRK WHALUM
The Gospel According to Jazz, Chapter III
For yours is the kingdom, the victo...
published: 25 Oct 2008
Author: Kirk Whalum
The Gospel According to Jazz Chapter 3
KIRK WHALUM
The Gospel According to Jazz, Chapter III
For yours is the kingdom, the victory and the majesty, the power and dominion, for all that is in heaven and earth are yours…1 Chronicles 29:11a
On October 13, 2007, at Reid Temple AME Church on the outskirts of Washington DC, a standing room only audience packed the 3000-plus capacity state-of-the-art worship complex to experience the transforming power of Kirk Whalum’s The Gospel According to Jazz, Chapter III. Recorded live by three generations of Whalums and some of the most resounding names in jazz, pop, gospel and r&b;, The Gospel According to Jazz, Chapter III comes ten years after the first chart-topping Gospel According to Jazz, Chapter I CD debuted, and in the wake of the Grammy nominated, Stellar Award winning second chapter, released in 2002.
The two-disk set, plus DVD, is the most expansive in the series in terms of sheer minutes of music, 118.35 to be exact, but also in terms of content and concept. From the first plaintive note in “Call to Worship,” it is clear that this will be far more than an extension or installment of what came before. Kirk Whalum and company blow the roof off with subtlety, nuance, inspired performances and a message of faith, hope and love that both encompasses and transcends every point on the musical compass.
The accompanying DVD makes the most of Whalum the philosopher, theologian and theorist, with film director Jim Hanon (End of The Spear; and Miss HIV, for which Kirk wrote the soundtrack) capturing him as he weaves the story of jazz, gospel, the blues (verbally and instrumentally) in candid shots interposed with concert footage.
Although Whalum—who lives up to his reputation as “the most influential saxophonist of his generation”—is front and center throughout, this is undoubtedly an ensemble recording. He shares the stage with what could be called the ‘Whalum dynasty’ (three generations and six Whalums: brother Kevin (vocals); Uncle Peanuts (vocals, sax, and piano); son, Kyle (electric bass); nephews Kenneth III (saxophone) and Kortland (vocals), plus first cousin Caleb tha Bridge (vocals/rap). The unparalleled George Duke, featured on both I and II, returns on keys, and is joined by vocalist Lalah Hathaway, guitarist Doc Powell, keyboardist/vocalist John Stoddart, trumpeter/vocalist Aaron Broadus, stand-up bassist, Reginald Veal, percussionist Lenny Castro and Kirk’s former bandmate, drummer Sean McCurley.
The renowned gospel/r&b; writer and producer Jerry Peters once again brings his prodigious talent, sharing credits with Whalum on two songs and also as album co-producer, along with Kirk and Hal Sacks, the latter has served as engineer for all three GATJ live recordings. “My father loved James Cleveland and Jerry brought that sensibility, as well as playing the B3 organ.”
But “gospel” in the radio/church sense is only whispered or suggested. The range of material is reflected in its creators/writers—from Whalum, himself, and son Kyle, to Charlie Chaplin, Diane Warren, Isaiah Jones and Frankie Beverly, among others. This genre-and-time-spanning array of songwriting is the perfect backdrop for Whalum’s seemingly endless expression. His signature r&b-inflected; jazz, rich with romance and melodic power, imbued with blues, funk, pop, Latin and world music is solidly present, but on songs like Ananias and Sapphira, we see the more adventurous Whalum. As he describes it, “The song is definitely avant garde; we go into deep improvisation. This isn’t a good groove and some licks, this is where we go somewhere.” And where he goes is in the direction of Elvin Jones, Coltrane and Henderson. Not only does Whalum pull out all the stops on this sobering nod to God’s holiness and power, but Reginald Veal is a standout on upright, as he turns his bass into a sitar and plucks out a driving percussive and intricate melody.
Whalum is on a mission not just to share the Good News of the Gospel, but to expand it far beyond the walls of the church and traditionally accepted ways of communicating the message, and jazz is the medium. Whalum’s God is a lot bigger and the music that glorifies him is as limitless, transcendent, unexpected and powerful as He is. “How can you describe the indescribable?” queries Whalum. “That’s an opportunity for jazz and other creative arts. I wanted to make sure there were moments where it was ethereal, avant garde—that’s something that’s missing in the genre we call gospel. It needs to go where it is more ‘art music,’ It’s not just in your face, but, rather, the music provokes one to deeper contemplation about the Savior, and sin, and the truth. Jazz is very much underused in that sense.”
Whalum purposely included songs and featured guests that are not traditionally thought of as “gospel” or Christian with stunning affect. George Duke offers up one of the performances of a lifetime on Diane Warren’s “Because
Youtube results:
0:40
Wedding Keyboardist Accident
A disturbing accident happened to a keyboardist in a German wedding....
published: 17 Oct 2006
Author: Guy Soffer
Wedding Keyboardist Accident
A disturbing accident happened to a keyboardist in a German wedding.
5:18
JASON STREETER-Keyboardist, 'Lord Prepare Me' Nice B3 Chords
(Repost) Jason lives in Anderson, Indiana but works musically in Indianapolis, IN. He is t...
published: 09 Aug 2007
Author: Ezra Bufford
JASON STREETER-Keyboardist, 'Lord Prepare Me' Nice B3 Chords
(Repost) Jason lives in Anderson, Indiana but works musically in Indianapolis, IN. He is the head musician at Eastern Star Church, Indianapolis, IN. Jason reads music as well as he plays by ear! -A awesome 'down to earth' personality musician! -Piano by him coming soon'
3:25
EXCLUSIVE CHAT! Tommy Ratliff Keyboardist Adam Lambert Kissed at 2009 AMAs! Raleigh, NC 8/28/10
Several of us continued to hang out near the auditorium long after the crowds left Adam La...
published: 18 Sep 2010
Author: supervid09
EXCLUSIVE CHAT! Tommy Ratliff Keyboardist Adam Lambert Kissed at 2009 AMAs! Raleigh, NC 8/28/10
Several of us continued to hang out near the auditorium long after the crowds left Adam Lambert's Raleigh, NC concert on August 28. I guess his band thought everyone was gone, so they started roaming around! Tommy Ratliff, guitarist, came over and talked to us for a good bit. Tommy was the blond keyboardist on the receiving end of Adam Lambert's controversial kiss at the 2009 American Music Awards! He talked to us about how he does his own makeup and what brands he prefers to use. NOTE: The original video was not as dark as this. It looks lighter when you play it on 480 p. The camera battery was about to die and I think it made this video darker as a result. Tommy was in the shadows too. I may try to lighten this up and re-upload later.
4:09
NAMM 2010 Garaj Mahal keyboardist Eric Levy at the Mason & Hamlin booth
Keyboard Magazine caught up with Garaj Mahal keyboardist Eric Levy playing the Mason &...
published: 29 Jan 2010
Author: keyboardmag1
NAMM 2010 Garaj Mahal keyboardist Eric Levy at the Mason & Hamlin booth
Keyboard Magazine caught up with Garaj Mahal keyboardist Eric Levy playing the Mason & Hamlin 9'4" grand piano at the NAMM show in Anaheim, CA in January 2010. More videos are online at www.keyboardmag.com