On the poor side of town, lives a girl no one knows
With her worn out shoes and her ragged clothes
Her mother tries to provide since her father has died
But no one even cares if she's alive
And when the rain comes down
She's never getting wet
And though the skies are gray
She'll still be smiling yet
Cause in her eyes there's no teardrops
In her heart there's no pain
She's got her love as an umbrella from the rain
Oh, what love is an umbrella from the rain
On the rich side of town, lives a boy no one knows
With his shiny shoes and his fancy clothes
He's got everything he needs if he wants to succeed
But no one even cares if he's alive
And when the rain comes down
He's never getting wet
And though the skies are gray
He'll still be smiling yet
Cause in his eyes there's no teardrops
In his heart there's no pain
He's got his love as an umbrella from the rain
Oh, his love is an umbrella from the rain
Isn't life feeling strange and money can't buy
All you need to get by
All around the world, there are folks no one knows
If they're worn out shoes, their fancy clothes
Will they find more there to give for and open the door
To know that someone cares if they're alive
And when the rain comes down
We're never getting wet
And though the skies are gray
We'll still be smiling yet
Cause in our eyes there's no teardrops
In our hearts there's no pain
We've got a love as an umbrella from the rain
Oh, our love is an umbrella from the rain
And when the rain comes down
We're never getting wet
And though the skies are gray
We'll still be smiling yet
(Repeat 4x to fade)
"you and me
Under a small umbrella
Touch me
Don't be no cindarella
Taste me
We've got that fine tomorrow
Kiss me
Don't let me sink in sorrow
You give it all to me
It's simply you and me
You mean it all to me
It's simply you and me
You and me
Can have it all or nothin`
Say that you care
Or feel
Or something
You give it all to me
It's simply you and me
You mean it all to me
It's simply you and me
(da da da da)
You gave it all to me
It was simply you and me
You meant it all to me
"Umbrella" | ||||||||||||||||||||||||||||
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File:Rihanna-jay-z-umbrella.jpg | ||||||||||||||||||||||||||||
Single by Rihanna featuring Jay-Z | ||||||||||||||||||||||||||||
from the album Good Girl Gone Bad | ||||||||||||||||||||||||||||
Released | March 29, 2007 (2007-03-29) | |||||||||||||||||||||||||||
Format | 12" maxi single, CD single, digital download | |||||||||||||||||||||||||||
Recorded | February 2007 Westlake Recording Studios (Los Angeles, CA) |
|||||||||||||||||||||||||||
Genre | Synthpop, R&B | |||||||||||||||||||||||||||
Length | 4:35 (Album version) 4:14 (Radio edit) |
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Label | Def Jam | |||||||||||||||||||||||||||
Writer(s) | Jay-Z, Kuk Harrell, Terius Nash, Christopher "Tricky" Stewart | |||||||||||||||||||||||||||
Producer | Tricky Stewart, | |||||||||||||||||||||||||||
Rihanna singles chronology | ||||||||||||||||||||||||||||
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"Umbrella" is a song recorded by Barbadian singer Rihanna, featuring a rap verse by Jay-Z. The song was written by The-Dream, Christopher Stewart, Kuk Harrell and Jay-Z, and was produced by Stewart for Rihanna's third studio album, Good Girl Gone Bad (2007). The song was originally written for recording artist Britney Spears, whose label rejected it. "Umbrella" is a pop and R&B song and lyrically it refers to a romantic and platonic relationship and the strength of that relationship. It is generally considered Rihanna's signature song.
"Umbrella" was well received by music critics, many of whom appreciated the "ella, ella" hook as well as the covincing vocals with which she deilvered the chorus. Entertainment Weekly ranked the song number one on the 10 Best Singles of 2007, while Rolling Stone and Time listed the song at number three on the 100 Best Songs of 2007. The song has earned Rihanna several awards and nominations. In 2007, the song won two awards at the MTV Video Music Awards, when it was nominated for four. At the 50th Grammy Awards, "Umbrella" also earned Rihanna and Jay-Z a Grammy Award for Best Rap/Sung Collaboration in addition to receiving nominations for Record of the Year and Song of the Year.
The song serves as the lead single to the album, and was released worldwide on March 29, 2007 through Def Jam Recordings. "Umbrella" was a commercial success, topping the charts in Australia, Canada, Germany, France, the Republic of Ireland, Sweden, Switzerland, the United Kingdom, and the United States. In the United Kingdom, where the song's chart performance generated controversy when the country was experiencing excessive flooding and large amounts of rain at the time, it is deemed an iconic song and was one of the most played songs on radio in the 2000s (decade). It managed to stay at number one on the UK Singles Chart for ten consecutive weeks, the longest run at number one for any single of that decade. The single was one of the highest digital debuts in the United States and remained at the top of the US Billboard Hot 100 for seven consecutive weeks.
The single's accompanying music video was directed by Chris Applebaum and features Rihanna's nude body covered in silver paint. The video earned Rihanna a Video of the Year at the 2007 MTV Video Music Awards and Most Watched Video on MuchMusic.com at MuchMusic Video Awards. Along with countless amateurs, "Umbrella" has been covered by several notable performers from a variety of musical genres, including Taylor Swift, OneRepublic, Mike Shinoda of Linkin Park, Vanilla Sky and The Baseballs. Rihanna performed the song at the 2007 MTV Movie Awards, 2008 BRIT Awards and was the closing song of the Good Girl Gone Bad, Last Girl on Earth, and Loud Tours.
Contents |
American songwriter-producer Christopher "Tricky" Stewart and Terius "The-Dream" Nash and Kuk Harrell convened in January 2007 at the Atlanta-based Triangle Studios to create new material. In the studio, Stewart was "messing around with a walloping hi-hat sound", which he found in the free music software GarageBand, which is included in all Mac computers. With his attention caught by the sound, Nash asked Stewart what he was doing: "Oh, my Gosh, what is that beat?" When Stewart incorporated chords onto the hi-hat, "immediately the word popped into [Nash's] head"; he went to the vocal booth and started singing.[1] Nash wrote the first two verses and the chorus over Stewart's skeleton track.[2] They quickly wrote the lyrics, completing the first verse in 60 seconds. They continued into writing, adding the hook while "Tricky would put the next chord". In a matter of hours, they had recorded a demo of the track.[1] The song was written with American pop superstar Britney Spears in mind, with whom Stewart had previously worked with in the 2003 song "Me Against the Music". Stewart and Nash thought that Spears, who had "her personal life ... a little out of control" at the time, needed a hit as musical comeback.[1] Spears was working on her fifth album, Blackout, so they sent a copy of the demo to Spears' management. However, Spears did not hear of the song because her label rejected it, claiming they had enough songs for her to record.[3]
Following the management's rejection of the track, Stewart and Nash dealt it out to other record labels. It was also given to UK R&B Singer/Song Writer Taio Cruz, who failed to convince his record company to release it.[4] It was then opted Island Def Jam chairman Antonio "L.A." Reid, a friend of Stewart who established his first studio. By early February 2007, the demo was sent to Reid's right-hand woman, A&R executive Karen Kwak, who passed it along to Reid with a message confirming that they had found a song suited for Rihanna, who was working on her third studio album, Good Girl Gone Bad, at the time. Reid immediately sent the demo to Rihanna, who was also positive of it: "When the demo first started playing, I was like, This is interesting, this is weird. ... But the song kept getting better. I listened to it over and over. I said, 'I need this record. I want to record it tomorrow."[1]
When [Rihanna] recorded the 'ellas,' you knew it was about to be the jump-off and your life was about to change if you had anything to do with that record.
However, since it was the Grammy season of 2007, Stewart and Nash eyed American R&B singer Mary J. Blige for the demo.[3] Upon calling them to set the record aside for Rihanna, Stewart had played it to an associate of Blige, subsequently promising the song to her. Having heard the move of the writers, Kwak began calling Stewart and his manager, Mark Stewart, incessantly. Meanwhile, considering Blige's nominations at the Grammys, Stewart and Nash agreed to wait for her response. However, Blige failed to hear the song in full due to her obligations to the Grammys at the time and "had to sign off on the record before her reps could accept it".[3][5] Finally, Reid "stepped in, trading on his power-broker status and longstanding relationship with Stewart", and admits, "I made the producers an offer they couldn't refuse."[1] By the time Reid had successfully persuaded Stewart's camp, they "just couldn't say no".[3] On giving up the record to Reid's camp, Mark Stewart comments, "We knew Rihanna's album would be out in a few months. Mary wasn’t even in an album cycle yet. We made the sensible business decision."[1]
Rihanna recorded the song, with vocal production by Thaddis "Kuk" Harrell, in a Westlake Recording Studios in Los Angeles. Initially, Stewart admitted he was still reluctant as to whether Rihanna was the right artist to record the song, but following the recording of the "ella, ella" catch phrase, he felt they were onto "something".[3] Following Rihanna's recording, Def Jam CEO-rapper Jay-Z added his rap. However, Jay-Z rewrote his verse without the awareness of Stewart and Nash. Stewart could not understand it, but later realized it made "sense" instead of the first version. Stewart noted that "from a songwriter's standpoint, he just really made it more about the song, with the metaphors about umbrellas and about the weather versus what he had before".[3]
"Umbrella" was released worldwide on March 29, 2007, debuting on Rihanna's Def Jam website.[6][7] The song was released digitally in the United Kingdom on May 14, 2007, its physical release following two weeks later.[8]
"Umbrella" is a pop and R&B song.[9][10][11] The song's musicscape is based on the hi-hat, synthesizers, and a distorted bassline. According to Entertainment Weekly magazine, the song's beat can be recreated through a slowed-down drum loop from the Apple music-software program GarageBand (Vintage Funk Kit 03).[12] The song is written in the key of A#minor. The song's lyrics are written in the traditional verse-chorus form. They open with a rap verse, and the hook "ella, ella" follows every chorus. A bridge follows the second hook, and the song ends in a fadeout.
"Umbrella" received acclaim from music critics. Andy Kellman of Allmusic commented: "'Umbrella' is [Rihanna's best song] to date, delivering mammoth of spacious drums, a towering backdrop during the chorus, and vocals that are somehow totally convincing without sounding all that impassioned — an ideal spot between trying too hard and boredom, like she might've been on her 20th take."[13] Alex Macpherson of British newspaper The Guardian, "Umbrella" is "evidence" that Rihanna's "strict work ethic is paying off", adding that she "delivers [in the song] an impassioned declaration of us-against-the-world devotion".[14] Tom Breihan of Pitchfork Media, though he complimented the production, dismissed Rihanna's voice which "takes on an unpleasant icepick edge when she tries to fill the space between the slow-tempo beats", adding that the song is "uncompelling as event-pop, particularly because of the disconnect between Rihanna's cold, clinical delivery and the comforting warmth of the lyrics".[15] Sal Cinquemani from Slant Magazine wrote "That the song is just plain good, regardless of genre, proves that Jay and Rihanna, who's already scored hits across several formats with a string of singles that couldn't be more different from each other, are dedicated to producing quality hits—however frivolous they may be."[16] Quentin B. Huff of PopMatters.com said that "“Umbrella” is a monster, so much so that I’ll even confess to spending a portion of a rainy afternoon practicing the hook."[17] Jonah Weiner of Blender magazine called the song the album’s highlight and stated that it "would be far less engrossing if it wasn’t for the way Rihanna disassembles its ungainly title into 11 hypnotic, tongue-flicking syllables".[17] The New York Times's Kelefa Sanneh described the song as "a space-age hip-hop song".[18]
The song has earned Rihanna several awards and nominations. In 2008, "Umbrella" earned Rihanna and Jay-Z a Grammy Award for Best Rap/Sung Collaboration in addition to receiving nominations for Record of the Year and Song of the Year.[19][20] "Umbrella" has also been recognized in various forms of accolades by the music press. The song is listed number three on the 100 Best Songs of 2007, published by the music magazine Rolling Stone.[21] Time magazine also listed the song number three on their Top 10 Songs of 2007.[22] The song is listed number one on Entertainment Weekly magazine's list of the 10 Best Singles of 2007,[12] while topping the magazine's poll for the best single of 2007.[23] Blender magazine awarded the song Song of the Year in their Readers' Poll 2007.[1] The music press has considered "Umbrella" as 2007's Song of the Summer,[24][25][26] while The New York Times writer Kelefa Sanneh regarded it as "arguably 2007's signature slow jam".[27] In 2009 Pitchfork ranked the song as the #25 song on list of The Top 500 Tracks of the decade.[28] Entertainment Weekly put it on its end-of-the-decade, "best-of" list, saying, "In 2007, Rihanna had us all singin' in the rain."[29] On Rolling Stone's updated version of their The 500 Greatest Songs of All Time, "Umbrella" was listed at number 412, making Rihanna one of the youngest living artists in that list.[30] In October 2011, NME placed it at number 63 on its list "150 Best Tracks of the Past 15 Years".[31]
The single was in the top ten & top five throughout the charts in the world. Prior to its physical release, "Umbrella" achieved the biggest debut in the six-year history of the iTunes, breaking a record previously held by Colombian singer Shakira and American hip hop artist Wyclef Jean’s "Hips Don't Lie".[3] As a digital single, "Umbrella" topped the iTunes Store singles chart in more than 17 different countries around the world.[1] "Umbrella" was a commercial and chart success in the United States. On Billboard magazine's issue dated June 9, 2007, "Umbrella" ascended from number 42 to number one on the Billboard Hot 100, based on the single's first-week digital sales of over 277,000 units. The single became one of the highest digital debut in the United States since Nielsen SoundScan began tracking downloads in 2003.[32] "Umbrella" is Rihanna's second number-one single after "SOS",[32] which was also noted for its huge leap on the Hot 100 to the top spot in 2006 based on digital sales alone.[33] Significantly sustained by the strong airplay of the single[34][35] and preventing American rap group Shop Boyz' "Party Like a Rockstar" to advance on the chart, "Umbrella" spent seven consecutive weeks at the top of the Hot 100,[36] until it was replaced by American pop rock band Plain White T's' "Hey There Delilah".[37] On the 2007 Billboard year end chart, "Umbrella" was ranked at number two; it was ranked only behind Beyoncé's hit single "Irreplaceable".[38] The song debuted at number one in Canada, becoming the first song to top the recently launched Canadian Hot 100, a singles chart in Canada issued by Billboard magazine, similar to that of the Billboard Hot 100.[39] The song has sold 4 million paid digital downloads in the United States, according to Nielsen Soundscan.[40]
The single performed, most notably, in the United Kingdom, breaking a record on the UK Singles Chart.[41] The song debuted at number one on the chart based on digital sales alone,[42] becoming Rihanna's first chart-topper in the country.[43] During the single's fourth week on the chart, it earned Rihanna the accolade in the United Kingdom when both the single and album topped the UK Singles Chart and UK Albums Chart.[44] Having reached nine straight weeks at number one on the chart, it broke the record of American group Gnarls Barkley's "Crazy" as the longest of the decade.[45] "Umbrella" eventually reached a total of ten weeks at number one on the UK Singles Chart, becoming the country's longest-running number-one single of the 21st century.[46] Rihanna has become the seventh artist in the history of the UK Singles Chart to top the chart for ten straight weeks.[47] By the end of 2008, "Umbrella" had sold more than 600,000 units, making it her biggest-selling single to date and the second biggest-selling single of 2007 in the United Kingdom, only behind Leona Lewis' "Bleeding Love".[48] It has since been certified platinum by the British Phonographic Industry on December 12, 2008.[49] In total, "Umbrella" has amassed 51 weeks on the official UK Top 75, making it the joint 20th longest runner of all time, and 71 on the Top 100, in which it has appeared in three consecutive years. In 2007 it peaked at #1, in 2008 at #18 and 2009 at #99.[50] It currently stands as the eighth best selling song by a female artist in the UK in the 21st century, and also the eighth best selling collaboration following the same criteria.[51]
As well as topping the charts in the United Kingdom, "Umbrella" had a similar success throughout Europe, reaching number one in Ireland, Poland, Sweden, Belgium, Austria, Norway, Italy, Portugal, Romania, Germany and specially in Spain, where the song achieved eight times platinum selling 160,000 units,[52] and topped the charts for five consecutive weeks. In Australia, "Umbrella" entered the Australian ARIA Singles Chart at number one and spent six consecutive weeks at the top. "Umbrella" has been certified platinum in 2007 by the Australian Recording Industry Association[53] for over 70,000 units shipment of the single, and ended as Australia's third best-performing single in 2007.[54] The single peaked at number one in the New Zealand charts and was the country's best-performing single in 2007.[55] In total, "Umbrella" reached number one on 18 of its 29 charts released and it reached top 10 on every chart at that matter.
Worldwide the song has sold more than 6.6 million copies, with which became one of the best selling singles of all the time.[56]
While working on the album, ideas began to circulate concerning Rihanna's image, extending into her music videos. She asked American music video director Chris Applebaum to send her "something" to work on. Def Jam representatives were expecting Applebaum of the treatment.[57] In response, Applebaum hurriedly made a treatment for the video, one of his first ideas being the silver body paint that Rihanna is seen in. Applebaum was doubtful whether Rihanna would embrace the idea, but her "positive response" following a letter the director sent to the artist ensured its approval. Makeup artist Pamela Neal mixed a silver paint that would give Rihanna such a look. During the session, the paint was re-applied between takes to ensure she was completely covered. The set was closed to Rihanna, Applebaum and a camera assistant.[57] Rihanna also contributed her own ideas towards the video shoot, suggesting to Applebaum that she dance en pointe, an idea which he accepted.[57]
The music video premiered on April 26, 2007 at her website. Downloads were made available for those in the U.S. only from the website for a limited time. The video was officially released on the iTunes Store on May 11, 2007, peaking at number one for a period of eight weeks. On May 1, 2007, "Umbrella" debuted on MTV’s Total Request Live at number 10, before reaching number one on May 9 where it remained for fifteen days, making it the longest running number one of 2007. The video was well-played in MTV during the second half of 2007; it has reached over 8,000 plays, receiving a platinum recognition at the MTV Platinum and Gold Video Awards.[58] Such was the success of the promotional video that it received five nominations at the 2007 MTV Video Music Awards, including "Female Artist of the Year", "Video of the Year" and "Monster Single of the Year", going on to win the latter two.[59]
"Umbrella" has been covered by several notable performers from a variety of musical genres:
Then-upcoming singer Marié Digby recorded an acoustic version of "Umbrella" which was released August 3, 2007 as the debut single from her Hollywood Records Start Here EP and included as the closing track on Digby's debut album Unfold.[62] Scottish rock group Biffy Clyro also released an acoustic version of the song,[63] just like the Italian singer Neja has done in her cover – album Acousticlub, while Italian band Vanilla Sky went in the opposite direction and released a punk cover of the song[64] while Norwegian band Bare Egil Band have made a doom metal version of the song.[65] For her debut album a.K.a. Cassandra, Filipina singer and actress KC Concepcion covered the song in English, while singer Miss Ganda recorded a version in Filipino entitled "Payong" (means umbrella).[66]
Pop-punk outfit All Time Low covered the song for the Fearless Records compilation album Punk Goes Crunk,[67] and Welsh rock band Manic Street Preachers produced their own version of "Umbrella", which was originally recorded for the album NME Awards 2008.[68] Produced in celebration of the Shockwaves NME Awards 2008 and Big Gig, that album was given free with a special souvenir box set of the magazine NME on February 27. Two additional versions (acoustic and Grand Slam mix) were later made available on iTunes, and the trio now comprise an Umbrella EP; a video for the cover is available on the band's official website.[69] British pop rock band McFly performed their own version of "Umbrella" during their "Greatest Hits So Far Tour" in 2007,[70] and Finnish melodic death metal band Children of Bodom performed their 2008 cover live at Wacken Open Air.[71] Country-pop singer-songwriter Taylor Swift recorded a live version of the song, which was later included in an iTunes Store exclusive EP titled Live from SoHo – EP (2008).[72] Her version of the song peaked at number seventy-nine on Billboard Pop 100.[73]
There have also been notable mixed versions of the song. American rapper Lil Mama recorded a version of "Umbrella" that replaced Jay-Z's opening rap verse. An article by Blender magazine, who dismissed Jay-Z's version, said "Lil Mama actually seems to understand the song's metaphorical themes of protection and loyalty".[74] American punk band Blink-182 drummer Travis Barker remixed the song, adding to the track "quicksilver snare flourishes and... real-life guitars".[75] Singer Chris Brown created an answer song titled "Cinderella", replacing some of the verses and part of the chorus of "Umbrella" with his own lyrics. This version is the official remix. This version has been performed as a duet between Brown and Rihanna when he joined Rihanna on a late-2008 tour in the Asia-Pacific region.[76] R&B/hip-hop singer The-Dream, who wrote "Umbrella", recorded the demo with a slightly different intro and instrumental. Recently[when?], Korean girl group 2NE1 covered this song on Music Bank. The song's drum beat is sampled in "Symphonies" by Dan Black. An episode of Glee featured this song performed by Gwyneth Paltrow in a mash-up with "Singin' in the Rain." The song has also been covered by Tiffany, an American-Korean singer from the popular girl group Girls' Generation in their first Asia Tour. In 2009, Lady Gaga incorporated the "Eh, Eh" hook for her song "Eh, Eh (Nothing Else I Can Say)".[77]
In 2011, Cuban timba band Combinacion de la Habana did a song Asi soy yo which uses the same melody as Umbrella...
The song's reign at number one in the United Kingdom occurred as the region was hit by extreme rainfall and flooding, which led The Sun to humorously suggest the two events were related, with the media referring to it as the "Rihanna Curse." The UK-based publication also highlighted the date of the single's video shot which was Friday the 13th (April 13, 2007), adding further coincidence of the curse.[78] Before the single's release on May 14, the temperature in London, UK was relatively high, reaching 20 °C. However, just a day after the release, "severe weather warnings hit the headlines".[78] An article in The Sun it urged readers to join the campaign to knock the song off the chart's top spot, suggesting to readers several other songs to download instead, all of which shared the theme of sunshine or summer.[78]
A similar situation occurred in New Zealand, where the song hit number one in the early winter of 2007 as the country was experiencing some of the worst storms in its history.[79] During the weather conditions, Taranaki, Tauranga, and Auckland had experienced tornadoes and flooding in the Far North of the country. Once the single was replaced on the top spot, weather condition almost in the entire New Zealand pacified, although Hawke's Bay was still stormy.[79]
The same happened in Romania where "Umbrella" hit the stations in the nation during the summer. That summer was in its first half the hottest and driest period of time in Romania since 1946.[80] As the song reached the top ten and then its number-one peak, the country experienced the worst storms and most pouring rains in its history.[81] As the song was losing positions in the charts, the storm ended and the temperatures lowered step-by-step.[80]
With the record-breaking success of the single and the reported coincidence with the weather, Def Jam's marketing team collaborated with British umbrella manufacturer Totes. The company produced five types of Rihanna umbrellas, of which was a double-colored satin umbrella that Rihanna debuted in public during her performance of the song at the 2007 MTV Movie Awards.[82] Although manufactured by a UK-based company, the collection was made available only to US residents by online through the company's website.[83]
In November 2007 MADtv's Nicole Parker and Keegan-Michael Key, who were depicting U.S. Democratic presidential candidates Hillary Clinton and Barack Obama respectively, performed a parody of "Umbrella".[84]
"Umbrella" has been featured in the karaoke video games SingStar Pop Volume 2 and Lips, both accompanied by the music video.[85] A cover of the song is also featured in Dance Dance Revolution Hottest Party 2 as a playable track.[86]
"Umbrella" was performed by Rihanna during the 2007 MTV Movie Awards on June 3, 2007.[87] In the United Kingdom, she performed the song on GMTV and on The Brit Awards in 2008. She also performed "Umbrella " during her AOL sessions.[88] In France, she performed it on Star Academy.[89] "Umbrella" was added to the setlist of her first headlining Good Girl Gone Bad Tour where it was performed as the final song for the Encore. It was also included as the closing act of Last Girl on Earth Tour and the current The Loud Tour.
Year | Ceremony | Award | Result |
---|---|---|---|
2007 | MuchMusic Video Awards | Best International Artist Video[90] | Nominated |
Teen Choice Awards | Choice Music: Single[91] | Nominated | |
MTV Video Music Awards | Video of the Year[92] | Won | |
Best Female Video[92] | Nominated | ||
Monster Single of the Year[92] | Won | ||
Best Direction in a Video[92] | Nominated | ||
Billboard Music Awards | Hot Dance Airplay: Song of the Year | Won | |
European Hot 100: Song of the Year | Won | ||
MTV Europe Music Awards | Best Song[93] | Nominated | |
2008 | Grammy Awards | Song of the Year[94] | Nominated |
Record of the Year[94] | Nominated | ||
Best Rap/Sung Collaboration[95] | Won | ||
MuchMusic Video Awards | Most Watched Video on MuchMusic.com[96] | Won |
Umbrella[link]
Sides A & B
Side A
Side B
|
Umbrella: Remixes[link]
|
Book: Good Girl Gone Bad | |
Wikipedia books are collections of articles that can be downloaded or ordered in print. |
Charts[link]
Certifications[link]
|
Chart | Position |
---|---|
Australian Singles Chart[139] | 3 |
German Singles Chart[140] | 5 |
Irish Singles Chart[141] | 2 |
Dutch Singles Chart[142] | 8 |
Hungarian Airplay Chart[143] | 11 |
UK Singles Chart[144] | 2 |
New Zealand Singles Chart[145] | 1 |
Austrian Singles Chart[146] | 2 |
Swiss Singles Chart[147] | 2 |
Swedish Singles Chart[148] | 9 |
French Singles Chart[149] | 46 |
U.S. Billboard Hot 100[150] | 2 |
Chart (2000–2009) | Position |
---|---|
German Singles Chart[151] | 72 |
UK Top 100 Songs of the Decade[152] | 33 |
U.S. Billboard Hot 100 Songs of the Decade[153] | 57 |
U.S. Billboard Radio Songs of the Decade[154] | 75 |
U.S. Billboard Digital Songs of the Decade[155] | 27 |
U.S. Billboard Ringtones of the Decade[156] | 29 |
"Umbrella" | |
---|---|
File:Vanilla Sky - Umbrella cover.jpg | |
Single by Vanilla Sky | |
from the album Changes Edizione Speciale | |
Released | 2007 |
Format | CD |
Recorded | 2007 |
Genre | Pop punk |
Length | 4:03 |
Label | Universal Music |
"Umbrella" was covered by the Italian band Vanilla Sky in 2007. Though there is only one version of the song, it was released three times: first on the band's MySpace,[157] then as a single, and finally as a bonus track from Changes Edizione Speciale.
The music video is a parody of the original "Umbrella" video.[158]
"Umbrella" | ||||
---|---|---|---|---|
File:The Baseballs - Umbrella - cover.jpg | ||||
Single by The Baseballs | ||||
from the album Strike! | ||||
Released | May 1, 2009 | |||
Format | CD, digital download | |||
Genre | Rockabilly | |||
Length | 3:07 | |||
Label | Warner Bros. | |||
The Baseballs singles chronology | ||||
|
"Umbrella" was covered by the rockabilly coverband, The Baseballs, in 2009. It was certified Platinum in Finland by Musiikkituottajat – IFPI Finland.[159]
Promo CD/CD single[160] | ||||||||||
---|---|---|---|---|---|---|---|---|---|---|
No. | Title | Length | ||||||||
1. | "Umbrella" | 3:07 | ||||||||
2. | "Bleeding Love" | 3:52 | ||||||||
Total length:
|
6:59 |
Date | Country | Format | Label |
---|---|---|---|
May 1, 2009 | Europe | CD | Warner Bros. Records |
Chart (2009–2010) | Peak position |
---|---|
Austria (Ö3 Austria Top 75)[161] | 70 |
Belgium (Ultratop 50 Flanders)[162] | 30 |
Netherlands (Dutch Top 40)[163] | 4 |
Netherlands (Mega Single Top 100)[164] | 5 |
Finland (Suomen virallinen lista)[165] | 1 |
Spain (PROMUSICAE)[166] | 40 |
Sweden (Sverigetopplistan)[167] | 19 |
Switzerland (Schweizer Hitparade)[168] | 9 |
Chart (2009) | Position |
---|---|
Dutch Singles Chart[169] | 28 |
Swiss Singles Chart[170] | 36 |
Order of precedence | ||
---|---|---|
Preceded by "Because of You" by Ne-Yo |
New Zealand Singles Chartnumber-one single June 4, 2007 – July 16, 2007 |
Succeeded by Bartender" by T-Pain featuring Akon |
Preceded by "Survivalism" by Nine Inch Nails |
Canadian Hot 100 number-one single June 16, 2007 – July 7, 2007 |
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An umbrella or parasol (also called a brolly, parapluie, rainshade, sunshade, gamp, bumbershoot, or umbrolly) is a canopy designed to protect against rain or sunlight. The term parasol usually refers to an item designed to protect from the sun; umbrella refers to a device more suited to protect from rain. Often the difference is the material; some parasols are not waterproof. Parasols are often meant to be fixed to one point and often used with patio tables or other outdoor furniture. Umbrellas are almost exclusively hand-held portable devices; however, parasols can also be hand-held. The collapsible (or folding) umbrella originated from China,[2][3] and had sliding levers similar to those in use of today.[4]
The word umbrella comes from the Latin word umbra, meaning shade or shadow (the Latin word, in turn, derives from the Ancient Greek ómbros [όμβρος].) Brolly is a slang word for umbrella, used often in Britain, New Zealand, Australia, South Africa, and Kenya. Bumbershoot is a fanciful Americanism from the late 19th century.[5]
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"Parasol" from "para" meaning to stop or to shield and "sol" meaning sun. The word "umbrella" evolved from the Latin "umbella" (an "umbel" is a flat-topped rounded flower) or "umbra", meaning "shaded."
In Britain, umbrellas are sometimes called "gamps"[6] after the character Mrs. Gamp in the Charles Dickens novel Martin Chuzzlewit. Mrs. Gamp's character was well known for carrying an umbrella.[7]
In the sculptures at Nineveh the parasol appears frequently.[8] Austen Henry Layard gives a picture of a bas-relief representing a king in his chariot, with an attendant holding a parasol over his head.[8] It has a curtain hanging down behind, but is otherwise exactly like those in use today.[8] It is reserved exclusively for the monarch (who was bald), and is never carried over any other person.[8]
In Persia the parasol is repeatedly found in the carved work of Persepolis, and Sir John Malcolm has an article on the subject in his 1815 "History of Persia."[8] In some sculptures, the figure of a king appears attended by a servant, who carries over his head an umbrella, with stretchers and runner complete.[8] In other sculptures on the rock at Taghe-Bostan, supposed to be not less than twelve centuries old, a deer-hunt is represented, at which a king looks on, seated on a horse, and having an umbrella borne over his head by an attendant.[8]
In Egypt, the parasol is found in various shapes. In some instances it is depicted as a flagellum, a fan of palm-leaves or coloured feathers fixed on a long handle, resembling those now carried behind the Pope in processions.[8] Gardiner Wilkinson, in his work on Egypt, has an engraving of an Ethiopian princess travelling through Upper Egypt in a chariot; a kind of umbrella fastened to a stout pole rises in the centre, bearing a close affinity to what are now termed chaise umbrellas.[8] According to Wilkinson's account, the umbrella was generally used throughout Egypt, partly as a mark of distinction, but more on account of its useful than its ornamental qualities.[8] In some paintings on a temple wall, a parasol is held over the figure of a god carried in procession.[8]
In Greece, the parasol (skiadeion), was an indispensable adjunct to a lady of fashion in the late 5th century BC.[9] Aristophanes mentions it among the common articles of female use;[10] they could apparently open and close.[11] Pausanias describes a tomb near Triteia in Achaia decorated with a 4th-century BC painting ascribed to Nikias; it depicted the figure of a woman, "and by her stood a female slave, bearing a parasol".[12] Its use seems to have been confined to women. For a man to carry one was considered a mark of effeminacy.[13] In Aristophanes' Birds, Prometheus uses one as a comical disguise.[14]
It had also its religious signification. In the Scirophoria, the feast of Athene Sciras, a white parasol was borne by the priestesses of the goddess from the Acropolis to the Phalerus. In the feasts of Dionysos the umbrella was used, and in an old bas-relief the same god is represented as descending ad inferos with a small umbrella in his hand. In the Panathenæa, the daughters of the Metics, or foreign residents, carried parasols over the heads of Athenian women as a mark of inferiority.
From Greece it is probable that the use of the parasol passed to Rome, where it seems to have been commonly used by women, while it was the custom even for effeminate men to defend themselves from the heat by means of the Umbraculum, formed of skin or leather, and capable of being lowered at will. There are frequent references to the umbrella in the Roman Classics, and it appears that it was, not unlikely, a post of honour among maid-servants to bear it over their mistresses. Allusions to it are tolerably frequent in the poets. (Ovid Fast. lib. ii., 1. 31 I.; Martial, lib. xi., ch. 73.; lib. xiv, ch. 28, 130; Juvenal, ix., 50.; Ovid Ars. Am., ii., 209). From such mentions the umbrella does not appear to have been used as a defence from rain; this is curious enough, for it is known that the theatres were protected by the velarium or awning, which was drawn across the arena whenever a sudden shower came on. Possibly the expense bestowed in the decoration of the umbraculum was a reason for its not being applied to such use.
According to Gorius, the umbrella came to Rome from the Etruscans who came to Rome for protection, and certainly it appears not infrequently on Etruscan vases and pottery, as also on later gems and rubies. One gem, figured by Pacudius, shows an umbrella with a bent handle, sloping backwards. Strabo describes a sort of screen or umbrella worn by Spanish women, but this is not like a modern umbrella.
Very many curious facts are connected with the use of the umbrella throughout the East, where it was nearly everywhere one of the insignia of royalty, or at least of high rank.
In written records, the oldest reference to a collapsible umbrella dates to the year 21 A.D., when Wang Mang (r. 9–23) had one designed for a ceremonial four-wheeled carriage.[15] The 2nd century commentator Fu Qian added that this collapsible umbrella of Wang Mang's carriage had bendable joints which enabled them to be extended or retracted.[16] A 1st century collapsible umbrella has since been recovered from the tomb of Wang Guang at Lelang Commandery in the Korean Peninsula, illustrated in a work by Harada and Komai.[17] However, the Chinese collapsible umbrella is perhaps a concept that is yet centuries older than Qin's tomb. Zhou Dynasty bronze castings of complex bronze socketed hinges with locking slides and bolts—which could have been used for parasols and umbrellas—were found in an archeological site of Luoyang, dated to the 6th century BC.[17]
An even older source on the umbrella is perhaps the ancient book of Chinese ceremonies, called Zhou Li (The Rites of Zhou), dating 2400 years ago, which directs that upon the imperial cars the dais should be placed. The figure of this dais contained in Zhou-Li, and the description of it given in the explanatory commentary of Lin-hi-ye, both identify it with an umbrella. The latter describes the dais to be composed of 28 arcs, which are equivalent to the ribs of the modern instrument, and the staff supporting the covering to consist of two parts, the upper being a rod 3/18 of a Chinese foot in circumference, and the lower a tube 6/10 in circumference, into which the upper half is capable of sliding and closing.
The Chinese character for umbrella is 傘 (sǎn) and is a pictograph resembling the modern umbrella in design. Some investigators have supposed that its invention was first created by tying large leaves to bough-like ribs (the branching out parts of an umbrella). Others assert that the idea was probably derived from the tent, which remains in form unaltered to the present day. However, the tradition existing in China is that it originated in standards and banners waving in the air, hence the use of the umbrella was often linked to high ranking (though not necessarily royalty in China). On one occasion at least, twenty-four umbrellas were carried before the Emperor when he went out hunting. In this case the umbrella served as a defense against rain rather than sun. The Chinese design was later brought to Japan via Korea and also introduced to Persia and the Western world via the Silk Road. The Chinese and Japanese traditional parasol, often used near temples, to this day remains similar to the original ancient Chinese design.
A late Song Dynasty Chinese divination book that was printed in about 1270 AD features a picture of a collapsible umbrella that is exactly like the modern umbrella of today's China.[17]
The Sanskrit epic Mahabharata (about 4th century) relates the following legend: Jamadagni was a skilled bow shooter, and his devoted wife Renuka would always recover each of his arrows immediately. One time however, it took her a whole day to fetch the arrow, and she later blamed the heat of the sun for the delay. The angry Jamadagni shot an arrow at the sun. The sun begged for mercy and offered Renuka an umbrella.[18]
Jean Baptiste Tavernier, in his 17th century book "Voyage to the East", says that on each side of the Mogul's throne were two umbrellas, and also describes the hall of the King of Ava as decorated with an umbrella. The chháta of the Indian and Burmese princes is large and heavy, and requires a special attendant, who has a regular position in the royal household. In Ava it seems to have been part of the king's title, that he was "King of the white elephant, and Lord of the twenty-four umbrellas." In 1855 the King of Burma directed a letter to the Marquis of Dalhousie in which he styles himself "His great, glorious, and most excellent Majesty, who reigns over the kingdoms of Thunaparanta, Tampadipa, and all the great umbrella-wearing chiefs of the Eastern countries".
Simon de la Loubère, who was Envoy Extraordinary from the French King to the King of Siam in 1687 and 1688, wrote an account entitled a "New Historical Relation of the Kingdom of Siam", which was translated in 1693 into English. According to his account the use of the umbrella was granted to only some of the subjects by the king. An umbrella with several circles, as if two or three umbrellas were fastened on the same stick, was permitted to the king alone, the nobles carried a single umbrella with painted cloths hanging from it. The Talapoins (who seem to have been a sort of Siamese monks) had umbrellas made of a palm-leaf cut and folded, so that the stem formed a handle.
The Atzacoalco district of Tenochtitlan was reported to have used an umbrella made from feathers and gold as its pantli, an identifying marker that is the equivalent of a modern flag. The pantli was carried by the army general.[19]
The extreme paucity of allusions to umbrellas throughout the Middle Ages shows that they were not in common use. In an old romance, "The Blonde of Oxford", a jester makes fun of a nobleman for being out in the rain without his cloak. "Were I a rich man", says he, "I would bear my house about with me". It appears that people depended on cloaks, not umbrellas, for protection against storms.
Thomas Wright, in his "Domestic Manners of the English", gives a drawing from the Harleian MS., No. 604, which represents an Anglo-Saxon gentleman walking out attended by his servant, the servant carrying an umbrella with a handle that slopes backwards, so as to bring the umbrella over the head of the person in front.[20] It probably could not be closed, but otherwise it looks like an ordinary umbrella, and the ribs are represented distinctly.[20]
The general use of the umbrella in France and England was adopted, probably from China,[20] about the middle of the seventeenth century.[20] At that period, pictorial representations of it are frequently found, some of which exhibit the peculiar broad and deep canopy belonging to the large parasol of the Chinese Government officials, borne by native attendants.[20]
John Evelyn, in his Diary for June 22, 1664, mentions a collection of rarities shown to him by "Thompson", a Roman Catholic priest, sent by the Jesuits of Japan and China to France.[20] Among the curiosities were "fans like those our ladies use, but much larger, and with long handles, strangely carved and filled with Chinese characters", which is evidently a description of the parasol.[20]
In Thomas Coryat's "Crudities", published in 1611, about a century and a half prior to the general introduction of the umbrella into England,[20] is a reference to a custom of riders in Italy using umbrellas:
In John Florio's "A WORLD of Words" (1598), the Italian word Ombrella is translated
In Randle Cotgrave's "Dictionary of the French and English Tongues" (1614), the French Ombrelle is translated
In Fynes Moryson's "Itinerary" (1617) is a similar allusion to the habit of carrying umbrellas in hot countries "to auoide the beames of the sunne." Their employment, says the author, is dangerous, "because they gather the heate into a pyramidall point, and thence cast it down perpendicularly upon the head, except they know how to carry them for auoyding that danger."[20]
Kersey's Dictionary (1708) describes an umbrella as a "screen commonly used by women to keep off rain."
Daniel Defoe's Robinson Crusoe constructs his own umbrella in imitation of the ones he had seen used in Brazil. "I covered it with skins", he says, "the hair outwards, so that it cast off the rain like a pent-house, and kept off the sun so effectually, that I could walk out in the hottest of the weather with greater advantage than I could before in the coolest." From this description the original heavy umbrellas obtained the name of "Robinson", which they retained for many years, both in England and France.
Captain James Cook, in one of his voyages, sees some of the natives of the South Pacific Islands, with umbrellas made of palm leaves.
That the use of the umbrella or parasol—though not unknown—was not very common during the earlier half of the eighteenth century, is evident from the fact that General (then Lieut.-Colonel) James Wolfe, writing from Paris in 1752, speaks of the people there using umbrellas for the sun and rain, and wonders that a similar practice does not obtain in England. Just about the same time they seem to have come into general use, and that pretty rapidly, as people found their value, and got over the shyness natural to a first introduction. Jonas Hanway, the founder of the Magdalen Hospital, has the credit of being the first man who ventured to dare public reproach and ridicule by carrying one habitually in London. As he died in 1786, and he is said to have carried an umbrella for thirty years, the date of its first use by him may be set down at about 1750. John Macdonald relates that in 1770, he used to be greeted with the shout, "Frenchman, Frenchman! why don't you call a coach?" whenever he went out with his umbrella. By 1788 however they seem to have been accepted: a London newspaper advertises the sale of 'improved and pocket Umbrellas, on steel frames, with every other kind of common Umbrella.'[21]
Since this date, however, the umbrella has come into general use, and in consequence numerous improvements have been effected in it. In China people learned how to waterproof their umbrellas by waxing and lacquering their paper Parasols. The transition to the present portable form is due, partly to the substitution of silk and gingham for the heavy and troublesome oiled silk, which admitted of the ribs and frames being made much lighter, and also to many ingenious mechanical improvements in the framework. Victorian era umbrellas had frames of wood or baleen, but these devices were expensive and hard to fold when wet. Samuel Fox invented the steel-ribbed umbrella in 1852; however, the Encyclopédie Méthodique mentions metal ribs at the end of the eighteenth century, and they were also on sale in London during the 1780s.[21] Modern designs usually employ a telescoping steel trunk; new materials such as cotton, plastic film and nylon often replace the original silk.
In 1928, Hans Haupt's pocket umbrellas appeared.[22] In 1969, Bradford E Phillips, the owner of Totes Incorporated of Loveland, Ohio obtained a patent for the first "working folding umbrella".[23]
Umbrellas have also been fashioned into hats as early as 1880 and as recently as 1987.[24]
Umbrellas are now a consumer product with a large global market. As of 2008, most umbrellas worldwide are made in China, mostly in the Guangdong, Fujian and Zhejiang provinces. The city of Shangyu alone had more than a thousand umbrella factories. In the US alone, about 33 million umbrellas, worth $348 million, are sold each year.[25]
Umbrellas continue to be actively developed. In the US, so many umbrella-related patents are being filed that the U.S. Patent Office employs four full-time examiners to assess them. As of 2008, the office registered three thousand active patents on umbrella-related inventions. Nonetheless, Totes, the largest American umbrella producer, has stopped accepting unsolicited proposals. Its director of umbrella development was reported as saying that while umbrellas are so ordinary that everyone thinks about them, "it's difficult to come up with an umbrella idea that hasn’t already been done."[25]
In 2005 Gerwin Hoogendoorn,[26] a Dutch industrial design student of the Delft University of Technology[27] in the Netherlands, invented an aerodynamically streamlined storm umbrella (with a similar shape as a stealth plane)[28][29] which can withstand wind force 10 (winds of up to 100 km/h or 70 mp/h)[29][30] and won't turn inside-out like a regular umbrella[27] as well as being equipped with so-called ‘eyesavers’ which protect others from being accidentally wounded by the tips.[27] Hoogendoorn's storm umbrella was nominated for and won several design awards[31] and was featured on Good Morning America.[28] The umbrella is sold in Europe as the Senz umbrella and is sold under license by Totes in the United States.[32]
Alan Kaufman's "Nubrella" and Greg Brebner's "Blunt" are other contemporary designs.[30]
As a canopy of state, umbrellas were generally used in southern and eastern Europe, and then passed from the imperial court into church ceremony. They are found in the ceremonies of the Byzantine Church, were borne over the Host in procession, and form part of the Pontifical regalia.
The ombrellino or umbraculum is a part of the papal regalia. Although the popes no longer use it personally, it is displayed on the coat of arms of a sede vacante (the papal arms used between the death of a pope and the election of his successor). This umbraculum is normally made of alternating red and gold fabric, and is usually displayed in a partially unfolded manner. The popes have traditionally bestowed the use of the umbraculum as a mark of honor upon specific persons and places. The use of an umbraculum is one of the honorary symbols of a basilica and may be used in the basilica's coat of arms, and carried in processions by the basilica's canons.
A large umbrella is displayed in each of the Basilicas of Rome, and a cardinal bishop who receives his title from one of those churches has the privilege of having an umbrella carried over his head in solemn processions. It is possible that the galero (wide-brimmed cardinal's hat) may be derived from this umbrella.[citation needed] Beatiano, an Italian herald, says that "a vermilion umbrella in a field argent symbolises dominion."
An umbrella, also known as the umbraculum or ombrellino, is used in Roman Catholic liturgy as well. It is held over the Holy Sacrament of the Eucharist and its carrier by a server in short processions taking place indoors, or until the priest is met at the sanctuary entrance by the bearers of the processional canopy or baldacchino. It is regularly white or golden (the colours reserved for the Holy Sacrament) and made of silk.
In several Oriental Orthodox Churches, such as the Ethiopian Orthodox Tewahedo Church, umbrellas are used liturgically to show honor to a person (such as a bishop) or a holy object. In the ceremonies of Timkat (Epiphany), priests will cary a model of the Ark of the Covenant, called a Tabot, on their heads in procession to a body of water, which will then be blessed. Brightly-colored embroidered and fringed liturgical parasols are carried above the Tabota during this procession. Such processions also take place on other major feast days.
Umbrellas with a reflective inside are used by photographers as a diffusion device when employing artificial lighting, and as a glare shield and shade, most often in portrait situations.[33] Some umbrellas are shoot-through umbrellas, meaning the light goes through the umbrella and is diffused, rather than reflecting off the inside of the umbrella.[34] Photographic umbrellas, like all umbrellas, tend to catch the wind, so any umbrella on a lightstand has to be well secured, especially when used outdoors, lest a breeze topple it, possibly destroying the umbrella and/or other equipment on the lightstand.
In January 1902, an article in The Daily Mirror instructed women on how they can defend themselves from ruffians with an umbrella or parasol.
In March 2011 media outlets reveled that French president Nicolas Sarkozy has started using a £10,000 armor-plated umbrella to protect him from attackers. Para Pactum (Latin for "Prepare for peace") is a Kevlar-coated device made by The Real Cherbourg. It will be carried by a member of Sarkozy's security team.[35]
In 1978 Bulgarian dissident writer Georgi Markov was killed in London by a dose of ricin injected via a modified umbrella. The KGB is widely believed to have developed a modified umbrella that could deliver a deadly pellet.
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In music, a song is a composition for voice or voices, performed by singing. A song may be accompanied by musical instruments, or it may be unaccompanied, as in the case of a cappella songs. The lyrics (words) of songs are typically of a poetic, rhyming nature, though they may be religious verses or free prose.
A song may be for a solo singer, a duet, trio, or larger ensemble involving more voices. Songs with more than one voice to a part are considered choral works. Songs can be broadly divided into many different forms, depending on the criteria used. One division is between "art songs", "pop songs", and "folk songs". Other common methods of classification are by purpose (sacred vs secular), by style (dance, ballad, Lied, etc.), or by time of origin (Renaissance, Contemporary, etc.).
A song is a piece of music for accompanied or unaccompanied voice or voices or, "the act or art of singing," but the term is generally not used for large vocal forms including opera and oratorio.[1] However, the term is, "often found in various figurative and transferred sense (e.g. for the lyrical second subject of a sonata...)."[1] The noun "song" has the same etymological root as the verb "to sing" and the Oxford English Dictionary (OED) defines the word to mean "that which is sung" or "a musical composition suggestive of song." The OED also defines the word to mean "a poem" or "the musical phrases uttered by some birds, whales, and insects, typically forming a recognizable and repeated sequence and used chiefly for territorial defence or for attracting mates." [2]
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Art songs are songs created for performance in their own right, usually with piano accompaniment, although they can also have other types of accompaniment such as an orchestra or string quartet, and are always notated. Generally they have an identified author and composer and require voice training for acceptable performance. German-speaking communities use the term art song ("Kunstlied") to distinguish so-called "serious" compositions from folk song ("Volkslied"). The lyrics are often written by a poet or lyricist and the music separately by a composer. Art songs may be more formally complicated than popular or folk songs, though many early Lieder by the likes of Franz Schubert are in simple strophic form. They are often important to national identity.
Art songs feature in many European cultures, including but not limited to: Russian (romancy), German (Lieder), Italian (canzoni), French (mélodies), Scandinavian (sånger), Portuguese (canções), Spanish (canciones). There are also highly regarded British and American art songs in the English language. Cultures outside of Europe that have a classical music tradition, such as India, may or may not feature art songs. The accompaniment of European art songs is considered as an important part of the composition.
The art song of the period in which they originally flowered is often a duet in which the vocalist and accompanist share in interpretive importance. The pieces were most often written to be performed in a home or salon setting, although today the works enjoy popularity as concert pieces. The emergence of poetry during this era was much of what inspired the creation of these pieces by Brahms, Schumann, Schubert and other composers. These composers set poems in their native language. Many works were inspired by Johann Wolfgang von Goethe and Heinrich Heine. Another method would be to write new music for each stanza to create a unique form; this was through-composed form known in German as durchkomponiert. A combination of both of these techniques in a single setting was called a modified strophic form. Often romantic art songs sharing similar elements were grouped as a song cycle.[3]
Folk songs are songs of often anonymous origin (or are public domain) that are transmitted orally. They are frequently a major aspect of national or cultural identity. Art songs often approach the status of folk songs when people forget who the author was. Folk songs are also frequently transmitted non-orally (that is, as sheet music), especially in the modern era. Folk songs exist in almost every culture.
Modern popular songs are typically distributed as recordings and are played on the radio, though all other mass media that have audio capabilities are involved. Their relative popularity is inferred from commercially significant sales of recordings, ratings of stations and networks that play them, and ticket sales for concerts by the recording artists. A popular song can become a modern folk song when members of the public who learn to sing it from the recorded version teach their version to others. Popular songs may be called pop songs for short, although pop songs or pop music may instead be considered a more commercially popular genre of popular music as a whole.
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