Kalibangan
—  village  —
Kalibangan Location of Kalibangan in Rajasthan and India
Coordinates	29°28′N 74°08′E / 29.47°N 74.13°E / 29.47; 74.13Coordinates: 29°28′N 74°08′E / 29.47°N 74.13°E / 29.47; 74.13
Country	India
State	Rajasthan
District(s)	Hanumangarh
Time zone	IST (UTC+05:30)

Kalibangān (Hindi: काली बंगा) is a town located at 29°28′N 74°08′E / 29.47°N 74.13°E / 29.47; 74.13 on the left or southern banks of the Ghaggar (Ghaggar-Hakra River), identified by some scholars with Sarasvati River^[1][2] in Tehsil Pilibangān, between Suratgarh and Hanumāngarh in Hanumangarh district, Rajasthan, India 205 km. from Bikaner. The prehistoric and pre-Mauryan character of Indus Valley Civilization was first identified by Luigi Tessitori at this site. Kalibangan's excavation report was published in its entirety in 2003 by the Archaeological Survey of India, 34 years after the completion of excavations. The report concluded that Kalibangan was a major provincial capital of the Indus Valley Civilization. Kalibangan is distinguished by its unique fire altars and "world's earliest attested ploughed field".^[3]

Indus Valley Civilization[link]

Western mound known as Citadel

The identity of Kalibangan as a pre-historic site was discovered by Luigi Pio Tessitori, an Italian Indologist (1887–1919) ^[4]. He was doing some research in ancient Indian texts. He was surprised by the character of ruins in that area, and he sought help from Sir John Marshall of the Archaeological Survey of India. At that time ASI had some excavations done on Harappa, but they never had any idea about the character of the ruins. In fact, Tessitori is the first person to recognize that the ruins are 'Prehistoric' and pre-Mauryan. Luigi Pio Tessitori also pointed out the nature of the culture, but at that time it was not possible to guess that Indus Valley Civilisation lay in the ruins of Kalibangan, and he died five years before Harappan culture was duly recognized.

After India's independence, both the major Harappan cities together with the Indus became a part of Pakistan and Indian archaeologists were compelled to intensify the search for Harappan sites in India. Amlānand Ghosh (Ex. Director General, Archaeological Survey of India, or ASI) was the first person to recognise this site as Harappan and marked it out for excavations.^[5]. Under the leadership of B. B. Lal (then Director General, ASI), Balkrishna (B.K.) Thapar, M. D. Khare, K. M. Shrivastava and S. P. Jain carried out excavations for 9 years (1960-9) in 9 successive excavation sessions. Two ancient mounds were excavated, spread over half kilometre (area quarter square kilometer). On western side is the smaller mound (KLB1), 9 meters high and known as citadel. Eastern mound is higher(12 meters) and bigger, known as lower city (KLB2).

The excavation unexpectedly brought to light a twofold sequence of cultures, of which the upper one (Kalibangan I) belongs to the Harappan, showing the characteristic grid layout of a metropolis and the lower one (Kalibangan II) was formerly called pre-Harappan but now it is called "Early Harappan or antecedent Harappan".^[6]

Proto-Harappan Phase[link]

Traces of pre-Harappan culture have been found only at the lower levels of the western mound. According to archaeological evidence, the Indus Valley culture existed at the site from the proto-Harappan age (3500 BC - 2500 BC) to the Harappan age (2500 BC - 1750 BC). This earlier phase is labelled Kalibangan-I (KLB-I) or Period-I.Similarity of pottery relates Kalibangan-I with the Sothi culture because this type of pottery was first discovered at Sothi village in North Western India.

Fort and houses[link]

Ruins of Kalibanga. Brick wall can be seen in the hole in the center.

In this phase, the settlement was fortified, using dried mud bricks, from the beginning of occupation. This fort had been built twice in different periods. Earlier, fort wall had a thickness of 1.9 meters, which was raised to 3.7-4.1 meters during reconstruction in this phase. Brick size was 20 x 20 x 10 cm in both construction-phases. The citadel mound (smaller mound) is a parallelogram about 130 meters on the east-west axis and 260 meters on the north-south. Town planning was like that of Mohenjodaro or Harappa. The direction of houses and brick sizes was markedly different from that used in the Harappan phase (KLB-II).

Within the walled area, the houses were also built of mud bricks of the same size as used in the fort wall; the use of burnt bricks is attested by a drain within the houses, remains of ovens and cylindrical pits, lined with lime plaster. Some burnt wedge shaped bricks also have been found ^[7].

Earliest ploughed field[link]

B. B. Lal, former DG of ASI, said : "Kalibangan in Rajasthan has given the evidence of the earliest (ca. 2800 BC) ploughed agricultural field^[8] ever revealed through an excavation."^[9][10]. It has been found south east of the pre-Harappan settlement, outside the fort. "Kalibangan excavations in present western Rajasthan shows a ploughed field, the first site of this nature in the world. It shows a grid pattern of furrows, placed about 30 cm apart running east-west and other spaced about 190 cm apart running north-south, a pattern remarkably similar to the one practiced even now."^[11]. Even today, similar ploughing is used for two simultaneous crops in this region, esp. of mustard and gram. For preservation , this excavated ploughed field area was refilled after excavation and the area was marked by concrete pillar posts.

Pottery[link]

The distinguishing mark of this early phase is pottery, characterized by six fabrics labeled A, B, C, D, E and F, which were first identified at Sothi in North Western India.

Fabrics A, B, and D can be clubbed together. They are red painted. Fabric-A is carelessly potted in spite of use of potter's wheel. It contains designs in light-black, often decorated with white lines. Lines, semicircles, grids, insects, flowers, leaves, trees and squares were favorite motifs. Fabric-B shows marked improvement in finishing, but the lower half was deliberately roughened. Flowers, animals were painted in black on red background.

Fabric-D contained designs of slanted lines or semicircles in some, while most pots were plain. But Fabric-C pottery was thicker and stronger. Fabric-C was distinguished by violet tinge and fine polish, with designs in black; it is the best proto-Harappan pottery in finishing. Fabric-E was light colored and Fabric-F was grey.^[12].

Other finds[link]

Among the other finds of this Period are: small blades of chalcedony and agate, sometimes serrated or backed; beads of steatite, shell, carnelian, terracotta and copper; bangles of copper, shell and terracotta; terracotta objects like a toy-cart, wheel and a broken bull; quem with mullers, a bone point, and copper celts, including an unusual axe, etc ^[13][14]. Toy carts suggest carts were used for transportation in early phase of Kalibangan.

Earliest earthquakes & end of Phase-I[link]

B. B. Lal, former DG of ASI, said : "Kalibangan in Rajasthan ... has also shown that there occurred an earthquake around 2600 BC, which brought to an end the Early Indus settlement at the site."^[9]. This is perhaps the earliest archaeologically recorded earthquake.^[15] At least three pre-historic earthquakes affecting the Indus Valley Civilization at Dholavira in Khadir have been identified during 2900–1800 BC ^[16].

KLB-I phase has left 1.6 meters of continuous deposits during five distinct structural strata, the last of which was destroyed perhaps by an earthquake and the site was abandoned around 2600 BCE, soon to be settled again by Harappans.

Harappan Phase[link]

The most distinctive feature of KLB-II or Harappan phase was settlements in two parts, one citadel and another lower town, as in other Harappan towns, which was absent in KLB-I.

Citadel[link]

In KLB-I, all the inhabitants lived within the fortified town on western mound. But in KLB-II, the citadel was built atop the ruined citadel of KLB-I on the western mound, with a lower town at some distance in the east. The citadel complex was roughly a parallelogram, consisting of two equal halves (northern and southern), both squares but differently designed. Both parts were within a fort whose wall was 3–7 metres wide with bastions at some distances, made of 40 x 20 x 10 cm bricks in first phase of Harappan period, and of 30 x 15 x 7.5 cm in second structural phase. The fort had four entrances from the outside, three in the eastern-northern half. The southern gate is in a dilapidated state, but stairs outside the southern gate have been identified. There was a narrow corridor beside the stairs. This southern gate was for the public, while northern gate was for the aristocracy living in the northern half of the citadel. The main northern gate was between two bastions. There were two other gates in the north-eastern side.

Fire altars[link]

At Kalibangan, fire Vedic altars have been discovered, similar to those found at Lothal which S.R. Rao thinks could have served no other purpose than a ritualistic one ^[17]. These altars suggest fire worship or worship of Agni, the Hindu god of fire. It is the only Indus Valley Civilization site where there is no evidence to suggest the worship of the "mother goddess".

Within the fortified citadel complex, the southern half contained many (five or six) raised platforms of mud bricks, mutually separated by corridors. Stairs were attached to these platforms. Vandalism of these platforms by brick robbers makes it difficult to reconstruct the original shape of structures above them but unmistakable remnants of rectangular or oval kuṇḍas (Kundas) or fire-pits of burnt bricks for Vedi (altar)s have been found, with a yūpa or sacrificial post (cylindrical or with rectangular cross-section, sometimes bricks were laid upon each other to construct such a post) in the middle of each kuṇḍa and sacrificial terracotta cakes (piṇḍa) in all these fire-pits. Houses in the lower town also contain similar altars. Burnt charcoals have been found in these fire-pits. The structure of these fire-altars is reminiscent of (Vedic) fire-altars, but the analogy may be coincidental, and these altars are perhaps intended for some specific (perhaps religious) purpose by the community as a whole. In some fire-altars remnants of animals have been found, which suggest a possibility of animal-sacrifice.^[18].

The official website of ASI reports : "Besides the above two principle [sic] parts of the metropolis there was also a third one-a moderate structure situated upwards of 8O m e. of the lower town containing four to five fire altars. This lonely structure may perhaps have been used for ritual purposes ^[19]." Thus, fire-altars have been found in three groups : public altars in the citadel, household altars in lower town, and public altars in a third separate group.

Lower town[link]

The lower town was also a fortified parallelogram, although only traces are now left. The fort was made of mud bricks (40 x 20 x 10 cm) and three or four structural phases have been recognized. It had gates in north and west.

B. B. Lal wrote :"Well-regulated streets (were) oriented almost invariably along with the cardinal directions, thus forming a grid-iron pattern. (At Kalibangan) even the widths of these streets were in a set ratio, i.e. if the narrowest lane was one unit in width, the other streets were twice, thrice and so on. (...) Such a town-planning was unknown in contemporary West Asia."^[20].

The lower town was 239 meters east to west, but north-south extent cannot be determined. 8 main roads have been recognized, 5 north-south and 3 east-west. Few more east-west roads are expected to be buried within the unexcavated remains. Second east-west road ran in a curved outline to meet the first at the north-eastern end (towards the river), where a gateway was provided. This road was an anomaly in the grid-pattern of straight roads. There were many lanes connected to specific housing complexes. Roads and lanes had widths in accurately determined proportions, like in other Harappan cities, ranging from 7.2 meters for main roads to 1.8 meters for narrow lanes. Fender posts were installed at street corners to prevent accidents. In second structural level, roads were laid with mud tiles. Drains from houses emptied into pits (soakage jars) beneath the roads. Some central authority must be there to plan and regulate all this ^[21].

Housing[link]

Like town planning, housing also followed the common pattern of other Harappan cities. Due to grid-pattern of town planning like a chess board, all houses opened out to at least two or three roads or lanes. Each house had a courtyard and 6-7 rooms on three sides, with a well in some houses. One house had stairs for going to the roof. Houses were built of 30 x 15 x 7.5 cm mud bricks (same as those used in second structural phase of fort wall). Burnt bricks were used in drains, wells, bathing platforms and door-sills, besides fire-altar. Floors of rooms were built of thrashed fine mud, sometimes laid with mud bricks or terracotta cakes. One house had floors built of burnt tiles decorated with geometrical designs ^[22]. Kalibangan 1953 A. Ghosh Situated in Rajasthan on the Bank of Ghaggar 1. Shows both Pre Harappan and Harappan phase 2. Evidence of furrowed land 3. Evidence of camel bones 4. Many houses had their own well 5. Kalibangan stand for black bangles 6. Evidence of wooden furrow

Pottery[link]

Some early Kalibangan pottery has close resemblance to the pottery of the Hakra ware in Cholistan, to other Early Harappan pottery from the Indus Valley Civilization and to the pottery of the Integration Era ^[23]. Functionally, pottery can be classified into household pots, religious and burial purposes. Structurally, we have classes like plain and decorated wares. Some pots had Harappan inscriptions (undeciphered) on them.

Terracota[link]

The best terracota figure from Kalibangan is that a charging bull which is considered to signify the "realistic and powerful folk art of Harappan Age".^[24]

Seals[link]

Harappan seals have been found in this phase. Most noteworthy is a cylindrical seal.

Other finds[link]

A cylindrical graduated measuring rod and a clay ball with human figures are other notable finds.

Burial systems[link]

The passage to the graveyard

Three systems of burial have been attested in the burial ground ~300 yards south-west of the citadel, where ~34 graves have been found :

1. Burial in rectangular or oval pit, with corpse laid down straight (extended), head northwards amidst pottery. In one pit a copper mirror was found among these objects. Pits were mud filled after burying. One grave was enclosed with a mud brick wall plastered from inside. One child had six holes in the skull. Many paleopathological evidences have been gathered from these graves.
2. Burial in pot(urn) in a circular pit, with no corpse. Four to 29 pots and utensils were placed around the main pot(urn). In some graves beads, shell, etc have been found.
3. Rectangular or oval grave-pit, containing only pottery and other funerary objects. Like the first type, the length of this type of graves was also along north-south. The latter two methods were not associated with any skeletal remains and may be related to symbolic burial, not found at other Harappan towns. The third type of graves contained objects as in the second type, like beads, shells, etc, but no corpse. Some pits were not filled ^[25] ASI official website :^[19].

End of civilization[link]

Robert Raikes ^[26] has argued that Kalibangan was abandoned because the river dried up. Prof. B. B. Lal (retd. Director General of Archaeological Survey of India) supports this view by asserting: "Radiocarbon dates indicate that the Mature Harappan settlement at Kalibangan had to be abandoned around 2000-1900 BCE. And, as the hydrological evidence indicates, this abandonment took place on account of the drying up of the Sarasvati(Ghaggar). This latter part is duly established by the work of Raikes, an Italian hydrologist, and of his Indian collaborators" ^[27].

Modern Kalibangan[link]

Kalibangan name translates to "black bangles" ("Kālā", in Hindi, means black and "bangan" means bangles). Few miles downstream is the railway station and township named Pilibangā, which means Yellow Bangles.

ASI set up a Archaeological Museum at Kālibangan in 1983 to store the excavated materials here during 1961-69. In one gallery, Pre-Harappan finds are displayed, while Harappan finds are displayed in the other two galleries.

Notes[link]

References[link]

Wikimedia Commons has media related to: Kalibangan

• B.B. Lal, Jagat Pati Joshi, B.K. Thapar and Madhu Bala: Excavations at Kalibangan: The Early Harappans (1960–1969); New Delhi, Archaeological Survey of India, Jan 2003 , 1st ed., xiv, 340 p. [Memoirs of the Archaeological Survey of India, No. 98] . Contents of this authoritative report: Foreword. Preface. 1. The setting/B.K. Thapar. 2. Discovery and previous work/B.K. Thapar. 3. Summary of results/Jagat Pati Joshi. 4. Chronology of the early Harappan settlement/B.B. Lal. 5. The early Harappan culture-complex of Kalibangan in its wider setting/B.B. Lal. 6. Stratigraphy/Jagat Pati Joshi. 7. Structures/Jagat Pati Joshi. 8. The agricultural field/B.B. Lal. 9. The end of the early Harappan settlement at Kalibangan/B.B. Lal. 10. The pottery/Madhu Bala. 11. Minor antiquities/Madhu Bala. 12. Graffiti/Madhu Bala. 13. Technical reports: A. Scientific analysis of early Harappan pottery/B.N. Tandon. B. Report on metal specimens/B.B. Lal. C. Identification of animal remains/S. Banerjee, R.N. Mukherjee and B. Nath. D. Identification of plants and seeds/Vishnu Mittre and R. Savithri.
• Nayanjot Lahiri, Finding Forgotten Cities : How the Indus Civilization was Discovered, Seagull Books, Aug 2006, 410 pages, 1-905422-18-0
• Lal, B. B., The earliest datable earthquake in India. Science Age, 1984, 8, 8–9.
• Lal, B. B., India 1947-1997: New Light on the Indus Civilization (New Delhi: Aryan Books International, 1998)
• Lal, B. B., The Earliest Civilization of South Asia (New Delhi : Aryan Books International, 1997)
• Madhu Bala 1997. Some Unique Antiquities and Pottery from Kalibangan, in Facets of Indian Civilization Recent Perspectives, Essays in Honour of Professor B.B. Lal, (Jagat Pati Joshi Ed.), pp. 103–106. New Delhi: Aryan Books International.
• Sharma, A.K. 1970. Kalibangan Human Skeletal Remains: an Osteo-Archaeological Approach, Journal of the Oriental Research institute XIX: 109-113.
• Thapar, B.K. 1975. Kalibangan: a Harappan Metropolis Beyond the Indus Valley, Expedition XVII(2): 13-19.
• Thapar, B.K. 1972. New Traits of the Indus Civilization at Kalibangan: an Appraisal, in South Asian Archaeology 1971 (Noman Hammond Ed.), pp. 85–104. Park Ridge: Noyes Press.
• The Indus Basin History of Irrigation, Drainage and Flood Management, Edited by H. Fahlbusch, Bart Schultz and C.D. Thatte, February 2004, ISBN :8185068771
• Elements of Indian Archaeology (Bharatiya Puratatva,in Hindi) by Shri Krishna Ojha, published by Research Publications in Social Sciences, 2/44 Ansari Riad, Daryaganj, New Delhi-2. (The fifth chapter summarizes the excavation report of Kalibangan in 11 pages).
• Robert Raikes, Kalibangan: Death from Natural Causes, Antiquity, XLII,286-291,1968
• Lal, B. B., The Homeland of Indo-European Languages and Culture: Some Thoughts, Paper presented at a seminar organized by the Indian Council for Historical Research on the same theme in Delhi on 7–9 January 2002.
• B.B. Lal. Frontiers of the Indus Civilization.1984:57-58
• S.R. Rao. The Aryans in Indus Civilization.1993:175
• Madison: Wisconsin Archaeological Reports 2. Bhan, Suraj 1973. The Sequence and Spread of Protohistoric Cultures in the Upper Sarasvati Basin, Radiocarbon and Indian Archaeology (D.P. Agrawal and A. Ghosh Eds.), pp. 252–263. Bombay: Tata Institute of Fundamental Research.
• Gupta, S.P. 1997. The Origins of the Indus-Sarasvati Civilization, in The Facets of Indian Civilization (J.P. Joshi, Chief Editor), pp. 129–141. New Delhi: Aryan Books International.
• Gupta, S.P. 1982. The Late Harappan: a Study in Cultural Dynamics, in Harappan Civilization (Gregory L. Possehl Ed.), pp. 51–59. New Delhi: Oxford-IBH.
• Gupta, S.P. 1997. The Indus-Sarasvati Civilization. New Hegde, K.T.M., K.K. Bhan and V.H. Sonawane 1984-85.
• Misra V.N. 1993. Indus Civilization and the Rigvedic Sarasvati, in South Asian Archaeology 1991 (A. Parpola and P. Koskikallio Eds.), pp. 511–525. Helsinki: Soumalainen Tiedeakatemia. Mughal, M.R. 1981. New Archaeological Evidence from Bahawalpur, in Indus Civilization: New Perspectives (Ahmad Hasan Dani Ed.), pp. 32–42. Islamabad: Quaid-i-Azam University.
• Sharma, A.K. 1970. Kalibangan Human Skeletal Remains: an Osteo-Archaeological Approach, Journal of the Oriental Research institute XIX: 109-113.
• Sharma, A.K. 1993. The Harappan Horse was Buried under Dunes of..., Puratattva (Bulletin of the Indian Archaeological Society, No. 23, 1992–93, pp. 30–34.
• Singh, Bhagwan 1995. The Vedic Harappans. New Delhi: Aditya Prakshan.
• Mughal, M.R. 1997. Ancient Cholistan. Lahore: Feroz and Sons.

Yu Dafu
Born	(1896-12-07)December 7, 1896 Fuyang, Zhejiang, China
Died	September 17, 1945(1945-09-17) (aged 48)
Occupation	Short Story writer and Poet

Yu Dafu (simplified Chinese: 郁达夫; traditional Chinese: 郁達夫; pinyin: Yù Dáfū; Wade–Giles: Yu Ta-fu) (December 7, 1896—September 17, 1945). Born in Fuyang, Hangzhou, Zhejiang, was a modern Chinese short story writer and poet.

Early years[link]

Yu Dafu's father died when he was three, leaving the family poverty-stricken and destitute. He received a number of scholarships through the Chinese government and went on to receive a traditional Chinese education in Hangzhou. Chronologically he studied in Jiangxing-Fu Middle School (before he came to Hangzhou), Hangzhou-Fu Middle School, Yuying Academy^[1] (育英学堂, formerly of Zhejiang University).

In 1912, he entered Hangchow University (later its major part merged into Zhejiang University) preparatory through examination. He was there only for a short period before he was expelled for participation in a student strike.^[2]

He then moved to Japan, where he studied economics at the Tokyo Imperial University between 1913 and 1922, where he met other Chinese intellectuals (namely, Guo Moruo, Zhang Ziping and Tian Han). Together, in 1921 they founded the Chuangzao she 創造社 ("Creation Society"), which promoted vernacular and modern literature. One of his earlier works Chenlun 沉淪, also his most famous, published in Japan in 1921. The work had gained immense popularity in China, shocking the world of Chinese literature with its frank dealing with sex, as well as grievances directed at the incompetence of Chinese government at the time.

In 1922, he returned to China as a literary celebrity and worked as the editor of Creation Quarterly, editing journals and writing short stories. In 1923, after an attack of tuberculosis, Yu Dafu directed his attention to the welfare of the masses.

In 1927, he worked as an editor of the Hongshui literary magazine. He later came in conflict with the Communist Party of China and fled back to Japan.

Second Sino-Japanese war[link]

After the start of the Second Sino-Japanese war, he returned to China and worked as a writer of anti-Japanese propaganda in Hangzhou, and later in Zhejiang. From 1938 to 1942, he worked as a literary editor for the newspaper Sin Chew Jit Poh in Singapore.

In 1942 when the Imperial Japanese Army invaded Singapore, he was forced to flee to Sumatra. Known under a different identity, he settled there among other overseas Chinese and began a brewery business with the help of the locals. Later he was forced to help the Japanese military police as an interpreter when it was discovered that he was one of the few "locals" in the area who could speak Japanese.

In 1945, he was arrested by the Kempeitai when his true identity was finally discovered. It is believed that he was executed by the Japanese shortly after the surrender of Japan.

Works[link]

• Chenlun 沉淪 "Sinking" (1921)
• Riji jiuzhong 日記九種 “Nine Diaries” (1927)
• Guoqu 過去 “The Past" (1927)
• his first novel?? (1928) (moderately successful)
• his second novel?? (1932)
• Chuben 出奔 "Flight" (1935)

His most popular work, breaking all Chinese sales records, was Jih-chi chiu-chung "Nine Diaries", which detailed his affair with the writer Wang Ying-hsin. The most critically acclaimed work is Kuo-ch'u or "The Past", written in 1927.^{[citation needed]}

References[link]

• Encyclopædia Britannica 2005 Ultimate Reference Suite DVD, article- "Yü Ta-fu"

External links[link]

• Works by Yu Dafu at Project Gutenberg