Look up gateway in Wiktionary, the free dictionary.

A gateway is a point of entry or exit.

Gateway may also refer to:

Computer terminology[link]

• Gateway address, an IP address for a network interface on a router that leads to a larger network
• Gateway (telecommunications), a network node equipped for interfacing with another network that uses different communication protocols
• Gateway (web page), a webpage designed to attract visitors and search engines to a particular website
• Payment gateway, the software interface between a web-based shopping cart and a merchant account
• Gateway (computer program), a link between two computer programs allowing them to share information and bypass certain protocols on a host computer
• Residential gateway, a home networking device

Companies[link]

• Gateway, Inc. (formerly Gateway 2000), a computer manufacturer
• Gateway, a former UK supermarket chain rebranded as Somerfield in the 1990s
• Gateway Building Society, a UK building society bought in 1988 by the Woolwich Building Society
• Gateways Books and Tapes, a book and audio tape retailer bought in 1988 by Books-A-Million
• Gateway Newstands, a Canadian convenience store chain located in large office buildings, shopping centres, public places, and transit stations in the United States and Canada

Geography[link]

Africa[link]

South Africa[link]

• Gateway Theatre of Shopping, a shopping centre in Durban

Australia[link]

• Gateway Bridge, Brisbane, the most eastern crossing of the Brisbane River, Brisbane
• Gateway Motorway, a freeway in Brisbane

Asia[link]

Hong Kong[link]

• The Gateway, Hong Kong, a shopping centre in Tsim Sha Tsui, Kowloon, Hong Kong

India[link]

• Gateway of India, Bombay

Singapore[link]

• Gateway Monorail Station, a station on the Sentosa Monorail
• The Gateway, Singapore, a twin-building office complex

Taiwan[link]

• The Gateway Park, Taiwan, a park in Taichung City, Taiwan

Turkestan[link]

• Iron Gate (Central Asia)

Europe[link]

Poland[link]

• Iron Gate, Warsaw

Romania /Serbia[link]

• Iron Gate

North America[link]

Canada[link]

• Gateway Boulevard, a major street in Edmonton
• Gateway Station on the Vancouver SkyTrain's Expo Line
• Greater Vancouver Gateway Program, an infrastructure project for Greater Vancouver

United States : Communities[link]

• Gateway, Alaska, census-designated place
• Gateway, Arkansas, town
• Gateway, Los Angeles County, California
• Gateway, Nevada County, California
• Gateway, San Diego, California, neighborhood
• Gateway, Colorado, unincorporated town
• Gateway, Florida, census-designated place
• Gateway, Oregon, unincorporated community

United States : Landmarks and structures[link]

• Gateway International Raceway, a racetrack in Madison, Illinois
• Gateway Arch, part of the Jefferson National Expansion Memorial in St. Louis
• Gateway Region, the most urbanized part of northeastern New Jersey, including Newark and Jersey City
• Gateway National Recreation Area, parks and beaches in New York City and New Jersey
• Westfield Gateway, an enclosed shopping mall in Lincoln, Nebraska
• Gateway Station (Charlotte, North Carolina), a proposed intermodal transit center in Charlotte, North Carolina
• Gateway Project, a rail expansion project between Newark, New Jersey and New York City
• The Gateway Sports and Entertainment Complex (more commonly known as "Gateway"), a stadium complex in Cleveland, Ohio, containing Progressive Field and Quicken Loans Arena
• The Gateway District, a large open air retail, residential and office complex in Salt Lake City

Music[link]

• Gateway (band) a jazz trio featuring John Abercrombie, Jack DeJohnette and Dave Holland
  • Gateway (Gateway album) a 1976 album released by the band on ECM Records
  • Gateway 2, the band's second album
• Gateway (Bongzilla album), an album by stoner metal band Bongzilla
• Gateway, an album by electronic ambient artist Erik Wøllo
• Gateway Indoor, an indoor percussion ensemble from St. Louis, Missouri

Film[link]

• Gateway (film), a 1938 dramatic film directed by Alfred L. Werker

In fiction[link]

• Common synonym for portal
• Gateway (novel), a 1977 novel by Frederik Pohl, the first book of the Heechee series and winner of the Hugo Award and Nebula Award
  • Gateway (computer game), two adventure games based on the novel have been created by Legend Entertainment
• Gateway (comics), a supporting character in Marvel's X-Men series

Other[link]

• Gateway drug theory, a hypothesis on drug use
• "Gateway" in oceanography, ocean currents in the global thermohaline circulation
• "Gateway" in aviation, the start or the termination for airlines at airports
• Gateway Technology, a cloning system in molecular biology

See also[link]

• Gateway Church (disambiguation)
• Gateways (disambiguation)
• Gateway Bridge (disambiguation)
• Gateway Center (disambiguation)
• Gateway Mall (disambiguation)
• Gateway Theatre (disambiguation)

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Kari Jobe
Kari at 4th Annual Love Your Neighbor Benefit
Background information
Birth name	Kari Brooke Jobe
Born	(1981-04-06) April 6, 1981 (age 31) Waco, Texas, United States
Origin	Southlake, Texas, United States
Genres	Contemporary Christian music, worship music
Occupations	Singer-songwriter, associate worship pastor
Instruments	Vocals
Years active	2003–present
Labels	EMI
Associated acts	Gateway Worship, Klaus Kuehn, Desperation Band
Website	www.karijobe.com

Kari Brooke Jobe (April 6, 1981) is an American Christian singer and songwriter.

Biography[link]

Kari Jobe was born in Waco, Texas^[1] to parents Mark Douglas and Caroline "Sandy" (Nee Bragg). Jobe and was raised in Watauga, Texas and Hurst, Texas; she has two other siblings, Kristen and Caleb. Jobe first began singing at the age of three, [3] and became a Christian at the age of 5. As she grew older, she attended Oral Roberts University, Christ for the Nations Institute and Dallas Baptist University and got her degree in pastoral studies and psychology.

After graduation, Jobe was asked to work as an associate worship pastor for Gateway Church in Southlake, TX, Jobe’s church of six years, which she accepted. She works alongside her father, Mark, in the church^[2] and has traveled internationally on mission trips to lead worship.^[3] Jobe is also a member of Gateway Worship, a Christian worship band associated with Gateway Church. Their live album, Wake Up the World, debuted at No. 2 on Billboard's Top Christian Albums chart in 2008.

Aside from being a worship leader and pastor, Jobe released her first major-label self-titled debut album in February 2009 by Integrity Music/Columbia Records/Gateway Create. The album shot to No. 67 on the Billboard 200 list,^[4] and No. 1 on iTunes' Christian music chart.^[5] and No. 3 on Billboard's Christian music chart. Alongside Kari Jobe is the album Le Canto, a Spanish-language version of the album. Prior to releasing Kari Jobe, Jobe has released a compilation album titled Kari Jobe, a live concert album titled Throneroom Worship: Live Acoustic Worship and a Christmas album titled Bethlehem.

From her self-titled album, "I'm Singing" debuted at No. 13 on Billboard's Christian singles chart.^[6] Jobe's second single, "Healer" was released in 2009 and debuted at No. 33 on Billboard's Soft A/C chart.^[7] She released the single "Adore Him" in 2009, the song appearing as part of Integrity Music's compilation album Worship and Adore: A Christmas Offering.

Kari Jobe won two Dove Awards for Special Event Album of the Year and Spanish Language album and was nominated for New Artist of the Year.^[8][9]

In 2011, Jobe signed with EMI CMG Sparrow Records.

Jobe released her second recording project, "Where I Find You" on January 24, 2012. The album reached No. 1 on iTunes upon release.^[10] The album debuted at No. 75 on the Canadian Albums Chart.^[11] The album also debuted at No. 10 on the Billboard 200.^{[citation needed]}

Discography[link]

Studio albums[link]

• Bethlehem (2007)
• Kari Jobe (2009)
• Le Canto (2009)
• Where I Find You (2012)
• Donde Te Encuentro (2012)

Live albums[link]

• Throneroom Worship: Live Acoustic Worship (2004)

Compilation albums[link]

• Kari Jobe (2005)

Singles[link]

• "I'm Singing" (2008)
• "Adore Him" (2009)
• "You Are For Me" (2010)
• "Healer" (2010)
• "We Are" (2011)

Albums with Gateway Worship[link]

• Unbreakable (2003)
• Masterpiece (2004)
• Drawing Closer: Songs from Gateway Devotions (2006)
• The Battle: Songs from Gateway Devotions (2007)
• First: Songs from Gateway Devotions (2008)
• My Beloved (2009)

(Songs Inspired By) Conversations With God (2009)

• Let's Go: Songs from Gateway Devotions (2010)
• The More I Seek You (2010)

Live Albums with Gateway Worship[link]

• Living for You (2006)
• Wake Up the World (2008)
• The More I Seek You (2010)
• God Be Praised (2010)
• Great Great God (2011)

Featured vocals[link]

• Glory with Klaus Kuehn and Elizabeth Clark
• "Revelation Song (Spanish Version)" with Danilo Montero
• Glory Revealed II The Word Of God In Worship: "To You Be the Glory" with Matt Maher
• "Whom Shall I Fear" with Lincoln Brewster
• Prepare The Way with Klaus Kuehn
• Worship and Adore: A Christmas Offering (2009)
• WOW Worship: Purple (2010)
• You are For Me with C3 Church (2011)

Awards and nominations[link]

References[link]

External links[link]

• Official website
• Kari Jobe's Gateway Church biography
• Kari Jobe's Revelife page

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (January 2011)

Dave Holland
Background information
Born	(1946-10-01) October 1, 1946 (age 65) Wolverhampton, Staffordshire England United Kingdom
Genres	Jazz, avant-garde, jazz fusion
Occupations	Musician, composer, bandleader
Instruments	Double bass, bass guitar, cello, ukulele
Years active	1967–present
Labels	Dare2
Associated acts	Miles Davis, Chick Corea, Circle, Anthony Braxton, Kenny Wheeler, Gateway, Chris Potter
Website	Dave Holland.com

Dave Holland (born October 1, 1946) is an English jazz double bassist, composer and bandleader who has been performing and recording for five decades. He has lived in the United States for 40 years.^[1]

His work ranges from pieces for solo performance to big band. Holland runs his own independent record label, Dare2, which he launched in 2005. He has explained his musical philosophy by quoting fellow jazz artist Sam Rivers. "Sam said, ‘Don’t leave anything out — play all of it,’ ”

Holland has played with some of the greatest names in jazz, and has participated in several classic recording sessions.

Biography[link]

Born in Wolverhampton, England, Holland taught himself how to play stringed instruments, beginning at four on the ukulele, then graduating to guitar and later bass guitar. He quit school at the age of 15 to pursue his profession in a top 40 band, but soon gravitated to jazz. After seeing an issue of Down Beat where Ray Brown had won the critics' poll for best bass player, Holland went to a record store, and bought a couple of LPs featuring Brown backing pianist Oscar Peterson. He also bought two Leroy Vinnegar albums (Leroy Walks! and Leroy Walks Again) because the bassist was posed with his instrument on the cover. Within a week, Holland traded in his bass guitar for an acoustic bass and began practicing with the records. In addition to Brown and Vinnegar, Holland was drawn to the bassists Charles Mingus and Jimmy Garrison.

After moving to London in 1964, Holland played acoustic bass in small venues and studied with James Edward Merrett, principal bassist of the Philharmonia Orchestra and, later, the BBC Symphony Orchestra. Merrett trained him to sight read and then recommended he apply to the Guildhall School of Music and Drama. Holland received a fulltime scholarship for the three-year program. At 20, Holland was keeping a busy schedule in school, studios and Ronnie Scott's Jazz Club, London’s premier jazz club, where he often played in bands that supported such touring American jazz saxophonists as Coleman Hawkins, Ben Webster and Joe Henderson. He also linked up with other British jazz musicians, including guitarist John McLaughlin, saxophonist Evan Parker, reedsman John Surman, South Africa-born London-based pianist Chris McGregor, and drummer John Stevens, and performed on the Spontaneous Music Ensemble's classic 1968 album Karyobin. He also began a working relationship with Canada-born, England-based trumpeter Kenny Wheeler that continues today.

With Miles Davis[link]

In 1968, Miles Davis and Philly Joe Jones heard him at Ronnie Scott's Jazz Club, playing in a combo that opened for the Bill Evans Trio. Jones told Holland that Davis wanted him to join his band (replacing Ron Carter). Davis left the UK before Holland could contact him directly, and two weeks later Holland was given three days' notice to fly to New York for an engagement at Count Basie's nightclub. He arrived the night before, staying with Jack DeJohnette, a previous acquaintance. The following day Herbie Hancock took him to the club, and his two years with Davis began. This was also Hancock's last gig as Davis's pianist, as he left afterwards for a honeymoon in Brazil and was replaced by Chick Corea when he couldn't return for an engagement due to illness. Holland's first recordings with Davis were in September 1968, and he appears on half of the album Filles de Kilimanjaro (with Davis, Corea, Wayne Shorter and Tony Williams).

Holland was a member of Davis's rhythm section through the summer of 1970; he appears on the albums In a Silent Way and Bitches' Brew. All three of his studio recordings with Davis were important in the evolution of jazz fusion.^{[citation needed]} In the first year of his tenure with Davis, Holland played primarily upright bass. By the end of 1969, he played electric bass guitar (often treated with wah-wah pedal and other electronic effects) with greater frequency as Davis's music became increasingly electronic, amp-based and funky.

Holland was also a member of Davis's working group during this time, unlike many of the musicians who would appear only on the trumpeter's studio recordings. The so-called "lost quintet" of Davis, Shorter, Corea, Holland and Jack DeJohnette was active in 1969 but never made any studio recordings as a quintet. A 1970 live recording of this group plus percussionist Airto Moreira, Live at the Fillmore East, March 7, 1970: It's About That Time, was issued in 2001. Steve Grossman replaced Shorter in early 1970; Keith Jarrett joined the group as a second keyboardist thereafter, and Gary Bartz replaced Grossman during the summer of 1970. By the end of the summer, rhythm and blues bass guitarist Michael Henderson would replace Holland.

Post-Davis and the 1970s[link]

After leaving Davis's group, Holland briefly joined the avant-garde jazz group Circle with Chick Corea, Barry Altschul and Anthony Braxton. This started a 34-year association with the ECM record label. After recording a few albums, Circle disbanded when Corea departed. 1972 saw the recording of Conference of the Birds, with Rivers, Altschul and Braxton – Holland's first recording as a leader, and the beginning of a long musical relationship with Rivers. The title of the album is taken from that of a 4,500 line epic poem by Persian Sufist writer, Farid al-Din Attar.

Holland worked as a leader and as a sideman with many other jazz artists in the 1970s. He worked with reed player Anthony Braxton, appearing on several important studio and live recordings from 1972 to 1976. Holland recorded several important albums with Braxton – including "New York, Fall 1974" (1974) and "Five Pieces (1975)" – that were released on Arista Records. His performances with Braxton also were documented on live recordings such as "Quartet (Dortmund)" (1976) and "Town Hall 1972" (1972), originally released on the Swiss Hat Hut label.^[2] Holland also recorded duo sessions with saxophonist Rivers and fellow bassist Barre Phillips, and the solo bass album Emerald Tears. Also in the 1970s he appeared with performers including Stan Getz and the Gateway Trio with John Abercrombie and DeJohnette. The Gateway trio released two influential modern jazz albums in 1975 and 1977, and reformed in 1994 for a recording session which yielded another two albums. As a sideman, he appeared on rock and pop recordings as well, working with singer Bonnie Raitt on her 1972 album Give It Up.

The 1980s[link]

Holland formed his first working quintet in 1983, and over the next four years released Jumpin’ In, Seeds of Time, and Razor’s Edge, featuring alto saxophonist Steve Coleman, trumpeter Wheeler and trombonist Julian Priester. Subsequently, he formed the Dave Holland Trio (with Coleman and DeJohnette) for the 1988 album Triplicate, and teamed with Coleman, electric guitarist Kevin Eubanks and drummer Marvin “Smitty” Smith for Extensions. He also recorded Life Cycle, an album of compositions played on solo cello.

The bassist also continued to collaborate with his peers, often connecting with legendary figures from the previous generation of jazz icons. In 1989, Holland teamed with drummer Billy Higgins and pianist Hank Jones to record The Oracle, and joined drummer Roy Haynes and guitarist Pat Metheny in 1989 to record Question and Answer (album).

The 1990s and 2000s[link]

During the ‘90s, he renewed an affiliation, begun in the 1970s, with Joe Henderson, joining the tenor saxophonist on So Near (So Far), a tribute to Miles Davis, Porgy & Bess, and Joe Henderson Big Band. Holland also reunited with vocalist Betty Carter, touring and recording the live album Feed the Fire (1993). Fellow Davis alumnus Herbie Hancock invited Holland to tour with him in 1992, subsequently recording The New Standard. Holland joined Hancock’s band again in 1996. (More recently, he was part of the sessions for River: The Joni Letters, winner of the 2008 Grammy for Album of the Year.)

As a leader, Holland formed his third quartet – and released Dream of the Elders (1995), which introduced the vibraphonist Steve Nelson to his ensembles. Holland also formed his current quintet, which includes tenor saxophonist Chris Potter, trombonist Robin Eubanks and, a more recent addition, drummer Nate Smith. Their recordings to date are Points of View, Not for Nothin, Prime Directive, Extended Play: Live at Birdland and Critical Mass. In addition to releasing four quintet albums on ECM, Holland debuted his Big Band, which released What Goes Around in 2002. The album won Holland his first Grammy award as a leader, in the Best Large Jazz Ensemble Album category. The second Big Band recording, Overtime (2005), was released on Holland's own Dare2 record label and again won the Grammy in the Best Large Jazz Ensemble Album category.

Holland’s work with the group won wide public recognition that year. He won Downbeat's Critics Poll for Musician of the Year, Big Band of the Year, and Acoustic Bassist of the Year (he also garnered top bassist in the 2006 poll). The Jazz Journalist’s Association also honored him as Musician and Acoustic Bassist of the Year. He was the recipient of the prestigious Miles Davis Award at the Montreal Jazz Festival. Also in 2005, Holland formed Dare2 Records, an independent record label that allowed him to have more control over his recordings. Besides Overtime, the label has released the quintet recording Critical Mass (2006) and the sextet recording Pass It On (2008). Pathways, the debut recording of Holland’s octet, was released on March 23, 2010. On October 5, 2010, Holland released Hands, a studio album featuring flamenco guitarist Pepe Habichuela.

In 2009, Holland was a co-founder of an all-star group called The Overtone Quartet. The group consisted of Holland on bass, Chris Potter on tenor saxophone, Jason Moran on piano, and Eric Harland on drums. The group toured extensively throughout the United States and Europe.

Off the bandstand, Holland has received honorary doctorates from the New England Conservatory (Boston), where he held a fulltime teaching position in 1987–88 and where he has been visiting artist in residence since 2005; Berklee College of Music (Boston); and Birmingham Conservatoire (Birmingham, England). He was also named Fellow of the Guildhall School of Music and Drama (London). From 1982-'89, Holland served as the artistic director of the Banff Summer Jazz Workshop through the Banff School of Fine Arts in Alberta, Canada. In addition, he has taught workshops and master classes around the world at universities and music schools and is President of the UK based National Youth Jazz Collective.

Holland currently resides in upstate New York.

Discography[link]

As leader[link]

• 1971 - Music from Two Basses (with Barre Phillips) - ECM
• 1972 - Conference of the Birds - ECM
• 1976 - Dave Holland / Sam Rivers - Improvising Artists
• 1976 - Sam Rivers / Dave Holland Vol. 2 - Improvising Artists
• 1977 - Emerald Tears (double bass solo) - ECM
• 1982 - Life Cycle (cello solo) - ECM
• 1983 - Jumpin' In - ECM
• 1984 - Seeds of Time - ECM
• 1987 - The Razor's Edge - ECM
• 1988 - Triplicate - ECM
• 1990 - Extensions - ECM
• 1993 - Ones All - Intuition
• 1995 - Dream of the Elders - ECM
• 1998 - Points of View - ECM
• 1999 - Prime Directive - ECM
• 2001 - Not for Nothin' - ECM
• 2002 - What Goes Around (with Big Band) - ECM
• 2003 - Extended Play: Live at Birdland - ECM
• 2005 - Overtime - Dare2
• 2006 - Critical Mass - Dare2
• 2007 - Live at the 2007 Monterey Jazz Festival
• 2008 - Pass It On - Dare2
• 2010 - Pathways - Dare2
• 2010 - Hands (with Pepe Habichuela) - Dare2

With Gateway

• Gateway (ECM, 1975)
• Gateway 2 (ECM, 1977)
• Homecoming (ECM, 1994)
• In the Moment (ECM, 1994)

With Scolohofo

• Oh! (Blue Note, 2003)

Compilation:

• Rarum, Vol. 10: Selected Recordings (ECM, 2004)

As sideman[link]

With Claudia Acuna

• Rhythm of Life (Verve, 2002)

With Norman Blake, Tut Taylor, Sam Bush, Butch Robins, Vassar Clements and Jethro Burns

• Norman Blake/Tut Taylor/Sam Bush/Butch Robins/Vassar Clements/David Holland/Jethro Burns (Flying Fish, 1976)

With George Adams

• Sound Suggestions (ECM, 1979)

With Anouar Brahem

• Thimar (ECM, 1997)

With Anthony Braxton

• Town Hall 1972 (Trio, 1972)
• New York, Fall 1974 (Arista, 1974)
• Five Pieces 1975 (Arista, 1975)
• Creative Orchestra Music 1976 (Arista, 1976)
• Dortmund (Quartet) 1976 (hatART, 1976 [1991])
• The Montreux/Berlin Concerts (Arista, 1975-6)

With Michael Brecker

• Tales from the Hudson (Impulse!, 1996)

With Betty Carter

• Feed the Fire (Verve, 1993)

With Steve Coleman

• Rhythm People (Novus/RCA, 1990)
• Phase Space (Rebel-X/DIW, 1991) Duo recording
• Black Science (Novus/BMG, 1991)
• Rhythm in Mind (Novus/BMG, 1991)

With Chick Corea

• Is (Groove Merchant, 1969)
• Sundance (Groove Merchant, 1969)
• The Song of Singing (Blue Note, 1970)
• A.R.C. (ECM, 1971)

With Circle

• Circling In (1970)
• Circulus (1970)
• Circle 1: Live in Germany Concert (1970)
• Paris Concert (1971)
• Circle 2: Gathering (1971)

With Miles Davis

• Filles de Kilimanjaro (1968)
• In a Silent Way (1969)
• 1969 Miles - Festival de Juan Pins (1969)
• Bitches Brew (1969)
• Live at the Fillmore East, March 7, 1970: It's About That Time (1970)
• Miles Davis at Fillmore: Live at the Fillmore East (1970)
• Black Beauty: Live at the Fillmore West (1970)
• Live-Evil (1970)
• Big Fun (1969–1972)

With Bill Frisell

• With Dave Holland and Elvin Jones (Nonesuch, 2001)

With Laszlo Gardony

• The Legend of Tsumi (Antilles, 1989)

With Herbie Hancock

• River: The Joni Letters (Verve, 2006)

With Billy Hart

• Oshumare (Gramavision, 1985)

With John Hartford

• Morning Bugle (Warner Bros., 1972)
• Vassar Clements, John Hartford, Dave Holland (Rounder, 1988)

With Joe Henderson

• So Near, So Far (Musings for Miles) (1993)

With Lee Konitz

• Satori (1974)

With Joe Lovano

• Trio Fascination: Edition One (Blue Note, 1997)

With Pat Metheny (and Roy Haynes

• Question and Answer (Geffen, 1990)

With Sam Rivers

• Sizzle (Impulse!, 1975)
• Waves (Tomato, 1978)
• Contrasts (ECM, 1981)

With Tomasz Stańko

• Balladyna (ECM, 1976)

With Collin Walcott

• Cloud Dance (ECM, 1975)

With Kenny Wheeler

• Gnu High (ECM, 1975)
• Deer Wan (ECM, 1977)
• Double, Double You (ECM, 1984)
• Flutter By, Butterfly (Soul Note, 1988)
• Music for Large & Small Ensembles (ECM, 1990)
• The Widow in the Window (ECM, 1990)
• Angel Song (ECM, 1997)
• What Now? (CAM Jazz, 2005)

Filmography[link]

As a leader[link]

• 2000 - DeJohnette, Hancock, Holland and Metheny - Live in Concert
• 2005 - Dave Holland Quintet - Live in Freiburg
• 2009 - Dave Holland Quintet: Vortex
• 2009 - Dave Holland Quintet - Live from the Zelt-Musik-Festival, Freiburg 1986

As a sideman[link]

• 1992 - Renaud Le Van Kim: Miles Davis and Friends (Bravo!)
• 2001 - Mike Dibb: The Miles Davis Story (Channel 4)
• 2004 - Murray Lerner: Miles Electric - A Different Kind of Blue (Eagle Rock) - about the Isle of Wight Festival 1970

References[link]

External links[link]

Wikimedia Commons has media related to: Dave Holland

• Official website
• Dave Holland on ECM's official website, with reviews
• Dave Hollands ECM recordings on trovar.com
• Audio Interview with Dave Holland
• Review of the album Critical Mass from JazzChicago.net
• Dave Holland: Jazz at the Bass Level, Oregon Music News
• Dave Holland at All About Jazz
• Discography on Discogs

Jack DeJohnette
DeJohnette in 2006
Background information
Born	(1942-08-09)August 9, 1942 Chicago, Illinois United States
Genres	Jazz, jazz fusion, new age
Occupations	Musician, composer
Instruments	Drums, piano, percussion, melodica
Years active	1961–present
Labels	Milestone/Prestige, ECM, MCA, Blue Note, Columbia, Kindred Rhythm
Website	www.jackdejohnette.com

Jack DeJohnette (born 9 August 1942)^[1] is an American jazz drummer, pianist, and composer. An important figure of the fusion era of jazz, DeJohnette is one of the most influential jazz drummers of the 20th century, due to extensive work as leader and sideman for musicians like Miles Davis, Joe Henderson, Freddie Hubbard, Keith Jarrett, Sonny Rollins, and John Scofield.

Biography[link]

Early Life and Musical Beginnings[link]

DeJohnette was born on 9 August 1942 in Chicago, Illinois.^[2] He began his musical career as a piano player, studying from age four and beginning to play professionally at age 14,^[3] but he decided to forsake it and took on the drums as his main instrument.^[4] DeJohnette would later credit an uncle, Roy I. Wood Sr., as the person in his life who inspired him to play music. Wood was a Chicago disc jockey who would later become vice president of the National Network of Black Broadcasters.^[5]

DeJohnette began his drumming career playing R&B, hard bop, and avant-garde music in Chicago, leading his own groups while playing also with Richard Abrams and Roscoe Mitchell, both of whom were members of the Association for the Advancement of Creative Musicians.^[6] In the early 1960s, Dejohnette had the opportunity to perform with John Coltrane and his quintet, an early foray into playing with big name jazz musicians.^[7]

In 1966 DeJohnette moved to New York City, where he became a member of the Charles Lloyd Quartet.^[8] A band that recognized the potential influence of rock and roll on jazz, Lloyd’s group was where DeJohnette would first encounter pianist Keith Jarrett, who would work extensively with DeJohnette throughout his career.^[9] However, DeJohnette left the group in early 1968, citing Lloyd’s deteriorating, “flat” playing as his main reason for leaving.^[10] While Lloyd’s band was where he received international recognition for the first time,^[11] it was not the only group DeJohnette played with during his early years in New York, as he also worked with groups including Jackie McLean, Abbey Lincoln, Betty Carter, and Bill Evans.^[12] DeJohnette joined Evan’s trio in 1968, the same year the group headlined the Montreux Jazz Festival and produce the album Bill Evans at the Montreux Jazz Festival. In November 1968 he worked briefly with Stan Getz and his quartet, which led to his first recordings with Miles Davis.^[13]

The Miles Davis Years[link]

In 1969, DeJohnette left the Evans trio and replaced Tony Williams in Miles Davis’ live band. Davis had seen DeJohnette play many times, one of which was during a stint with Evans at Ronnie Scott’s Jazz Club in London in 1968, where he also first saw the exploits of bassist Dave Holland.^[14] Davis recognized DeJohnette’s ability to combine the driving grooves associated with rock and roll with improvisational aspects associated with jazz.^[15]

DeJohnette put some work into the album Directions, and was the drummer on the landmark album Bitches Brew. DeJohnette himself, along with others, saw the sessions that brought about this album as unstructured and done in fragments but as innovative nonetheless: “As the music was being played, as it was developing, Miles would get new ideas...He’d do a take, and stop, and then get an idea from what had just gone on before, and elaborate on it...The recording of Bitches Brew was a stream of creative musical energy. One thing was flowing into the next, and we were stopping and starting all the time.”^[16] While he was not the only drummer involved in the project, as Davis had also enlisted Billy Cobham, Don Alias, and Lenny White, DeJohnette was considered the leader of the rhythm section within the group.^[17] He played on the live albums that would follow the release of Bitches Brew, taken from concerts at the Fillmore East in New York and Fillmore West in San Francisco. These ventures were undertaken at the behest of Clive Davis, then president of Columbia Records.^[18]

DeJohnette continued to work with Davis for the next three years, which led to collaborations with other Davis band members John McLaughlin, Chick Corea, and Holland; he also drew Keith Jarrett into the band.^[19] He contributed to such famous Davis albums as Live-Evil (1971), A Tribute to Jack Johnson (1971), and On the Corner (1972).^[20] He left the Davis group in the middle of 1971, although he returned to the group for several concerts through the rest of that year.^[21]

DeJohnette as a Solo Artist and Bandleader in the 1970s and 80s[link]

DeJohnette had begun his career as a bandleader during his time in the Davis group. His first record, The DeJohnette Complex, was released in 1968; on the album, DeJohnette played melodica as well as drums, preferring often to let a mentor of his, Roy Haynes, sit behind the set. He also recorded, in the early 1970s, the albums Have You Heard, Sorcery, and Cosmic Chicken.^[22] He released these first four albums on either the Milestone or Prestige labels,^[23] and then switched to ECM for his next endeavors; ECM gave him a “fertile platform” for his “atmospheric drumming and challenging compositions.”^[24]

The musical freedom he had while recording for ECM offered DeJohnette many dates as a sideman and opportunities to start his own groups.^[25] He first formed the group Compost in 1972, but this was a short-lived endeavor, and DeJohnette cited the music as far too experimental to achieve commercial success.^[26] During this period, DeJohnette continued his career as a sideman as well, rejoining Stan Getz’s quartet from 1973 to October 1974, and also enticing Dave Holland to join Getz’s rhythm section.^[27] This stint briefly preceded the formation of the Gateway Trio, a group that DeJohnette helped form but did not lead. This group came directly out of the DeJohnette’s time with Getz, as Holland joined him in this group along with guitarist John Abercrombie, both of whom would become associated with DeJohnette throughout his career.^[28] His next group effort was Directions, a group formed in 1976 featuring saxophonist [Alex Foster], bassist Mike Richmond, and Abercrombie,^[29] showing the links between the members of the Gateway trio. This was another short-lived group, yet it led directly to the formation of DeJohnette’s next group, New Directions, which featured Abercrombie again on guitar along with Lester Bowie on trumpet and Eddie Gomez on bass.^[30] This group coexisted with another DeJohnette group, Special Edition, which was the first DeJohnette-led group to receive critical acclaim.^[31] This group also helped the careers of many lesser-known young horn players, as it had a rotating front line that included David Murray, Arthur Blythe, Chico Freeman, John Purcell, and Rufus Reid, among many others.^[32]

During this period, especially with Special Edition, DeJohnette offered “the necessary gravity to keep the horns in a tight orbit” in his compositions while also treating his listeners to “the expanded vocabulary of the avant-garde plus the discipline of traditional jazz compositions.”^[33] DeJohnette’s work with Special Edition has been interrupted regularly by other projects, the most significant of which are his recordings in 1983 and tours from 1985 as a member of Keith Jarrett’s trio, which was totally devoted to playing jazz standards.^[34] The trio included his longtime compatriot Jarrett and bassist Gary Peacock, and all three have been members of the group for over 25 years.^[35]

DeJohnette in the 1990s and the present[link]

DeJohnette continued to work with Special Edition into the 1990s, but did not limit himself to that. In 1990 he toured in a quartet consisting of himself, Herbie Hancock, Pat Metheny, and his longtime collaborator Holland,^[36] and released the Parallel Realities CD with this group the same year.^[37] In 1992 he released a major collaborative record, Music for the Fifth World, which was inspired by studies with a Native American elder and brought him together musically with players like Vernon Reid and John Scofield.^[38] He had also, during the 1980s, resumed playing piano, which led to his 1994 tour as an unaccompanied pianist.^[39] He also began working again with Abercrombie and Holland, reviving the Gateway trio.^[40]

In 2004 he was nominated for a GRAMMY award for his work on Keith Jarrett’s live album The Out-of-Towners, and continued to work with that group into 2005.^[41] In the next few years DeJohnette would begin and lead three new projects, the first of which was the Latin Project consisting of percussionists Giovanni Hidalgo and Luisito Quintero, reedman Don Byron, pianist Edsel Gomez, and bassist Jerome Harris.^[42] The other two new projects were the Jack DeJohnette Quartet, featuring Harris again alongside Danilo Perez and John Patitucci, and the Trio Beyond, a tribute to DeJohnette’s friend Tony Williams and his The Tony Williams Lifetime trio (consisting of Williams, Larry Young and John McLaughlin)featuring John Scofield and Larry Goldings.^[43] He also founded his own label, Golden Beams Productions, in 2005. That same year, he released Music in the Key of OM on his new label, an electronic album which he created for relaxing and meditative purposes on which he played synthesizer and resonating bells, and which was nominated for a GRAMMY in the Best New Age Album category.^[44] He continued to makes albums as a leader and sideman throughout this period as well, one of which was The Elephant Sleeps But Still Remembers, a collaboration that documents the first meeting of DeJohnette and guitarist Bill Frisell in 2001 and led to another tour, with Frisell and Jerome Harris.^[45] The next year Trio Beyond released Saudades, a live recording of a concert commemorating Tony Williams in London in 2004. In 2008 he toured with Bobby McFerrin, Chick Corea, and the Jarrett trio, and the next year won the Grammy Award for Best New Age Albumwith Peace Time.^[46] In 2010 he founded the Jack DeJohnette Group, featuring Rudresh Mahanthappa on alto saxophone, David Fiuczynski on double-neck guitar, George Colligan on keyboards and piano, and long-time associate Jerome Harris on electric and acoustic bass guitars.^[47] In 2012, DeJohnette released Sound Travels, a multi-genre album that DeJohnette himself dominates but features many new collaborators like Bruce Hornsby, Esperanza Spalding, and Lionel Loueke as well as old faces such as McFerrin, Quintero, and Jason Moran.^[48] He was also, in 2012, awarded with an NEA Jazz Masters Fellowship for his "significant lifetime contributions have helped to enrich jazz and further the growth of the art form."^[49]

Style[link]

Jack DeJohnette successfully incorporates elements of free jazz and world music, while maintaining the deep grooves of jazz and R&B drummers. His exceptional experience of time and style, combined with astounding improvisational ingenuity, make him one of the most highly regarded and in-demand drummers. He also occasionally appears on piano, on his own recordings. His drumming style has been called unique by many; some see him not as a drummer but as a “percussionist, colourist and epigrammatic commentator mediating the shifting ensemble densities” in his groups. Though he is often content with his drumming remaining behind the music, “his drumming is always part of the music's internal construction.”^[50] Modern Drummer magazine, in a 2004 interview, called DeJohnette’s drumming “beyond technique.”^[51] While most of his drumming is considered free and flowing, he commented that he has to play with a lot of restraint when playing with Keith Jarrett and his trio, saying that he’s challenged when playing in that group “to play with the subtlety that the music requires.”^[52] His work on the cymbals especially has been described as “loose,” creating an almost free tempo, and he calls himself an “abstract thinker” when it comes to soloing, saying that he puts “more weight on the abstract than, ‘What were you thinking in bar 33?’ I don’t like to think that way. I can do it, but I like to be more in the flow.”^[53] In terms of what he feels when he plays, DeJohnette said that when he plays, he goes “into an altered state, a different headspace. I plug into my higher self, into the cosmic library of ideas.”^[54]

Discography[link]

As leader[link]

• The DeJohnette Complex (Milestone, 1969)
• Have You Heard (Milestone, 1970)
• Sorcery (Prestige, 1974)
• Cosmic Chicken (Prestige, 1975)
• Untitled (ECM, 1976)
• Pictures (ECM, 1976)
• New Rags (ECM, 1977)
• New Directions (ECM, 1978) with John Abercrombie, Lester Bowie and Eddie Gomez
• Special Edition (ECM, 1979) with Arthur Blythe and David Murray
• New Directions in Europe (ECM, 1980)
• Tin Can Alley (ECM, 1980) with Chico Freeman, John Purcell and Peter Warren
• Inflation Blues (ECM, 1982)
• Album Album (ECM, 1984) with John Purcell and David Murray
• The Jack DeJohnette Piano Album (1985)
• Zebra (1989) with Lester Bowie
• In Our Style (DIW, 1986) with David Murray
• Irresistible Forces (1987)
• Audio-Visualscapes (1988)
• Parallel Realities (1990) with Pat Metheny, Herbie Hancock and Dave Holland
• Earthwalk (1991)
• Music for the Fifth World (1992)
• Extra Special Edition (1994)
• Dancing with Nature Spirits (ECM, 1995)
• Oneness (ECM, 1997)
• Music in the Key of Om (2005), nominated for a 2006 Grammy as Best New Age Album
• Music from the Hearts of the Masters (2005) with Foday Musa Suso
• The Ripple Effect (2005) with Ben Surman and Foday Musa Suso
• Hybrids (2005) with Ben Surman and Foday Musa Suso
• The Elephant Sleeps but Still Remembers (2006) with Bill Frisell
• Peace Time (2008)
• Music We Are (2009) with John Patitucci and Danilo Perez
• Sound Travels (2012)

As co-leader[link]

• Saudades on ECM Label, with John Scofield and Larry Goldings

• Gateway Trio on ECM with John Abercrombie and Dave Holland

• In Our Style with Dave Murray

• The Super Premium Band with Ron Carter and Kenny Baron

As sideman[link]

With John Abercrombie

• Timeless (ECM, 1974)
• Night (ECM, 1984)

With George Adams

• Sound Suggestions (ECM, 1979)

With Cannonball Adderley

• Lovers (1975)

With Geri Allen

• The Life of a Song (2004)

With Chet Baker

• She Was Too Good to Me (1974)

With Richard Beirach

• Elm (ECM, 1979)
• Trust (1993)

With George Benson

• Beyond the Blue Horizon (1971)
• Body Talk (1972)

With Joanne Brackeen

• Keyed In (1979)
• Special Identity (1981)

With Michael Brecker

• Michael Brecker (1986)
• Tales from the Hudson (1996)
• Don't Try This at Home (1998)
• Nearness of You (2000)
• Pilgrimage (2007)

With Henry Butler

• The Village (1987, Impulse!)

With Alice Coltrane and Carlos Santana

• Illuminations (1974)

With Compost

• Compost (1971)
• Life is Round (1973)

With Bill Connors

• Of Mist and Melting (ECM, 1977)

With Chick Corea

• Is (1969)
• Sundance (1969)

With Miles Davis

• Directions (1968–70)
• Bitches Brew (1969)
• Miles Davis at Fillmore: Live at the Fillmore East (1970)
• Live-Evil (1970)
• Big Fun (1970)
• Black Beauty: Live at the Fillmore West (1970)
• Live at the Fillmore East, March 7, 1970: It's About that Time (1970)
• A Tribute to Jack Johnson (1970)
• Circle in the Round (1970)
• On the Corner (1972)

With Paul Desmond

• Skylark (CTI, 1973)

With Eliane Elias

• Cross Currents (1987)

With Bill Evans

• Bill Evans at the Montreux Jazz Festival (1968)

With Antonio Farao

• Thorn (2000)

With Joe Farrell

• Joe Farrell Quartet (1970)
• Moon Germs (1972)

With Chico Freeman

• The Outside Within (1981)
• Freeman & Freeman (1981)
• Tradition in Transition (1982)

With Jan Garbarek

• Places (1977)

With Gateway

• Gateway (1975)
• Gateway 2 (1977)
• Homecoming (1994)
• In the Moment (1994)

With Stan Getz

• The Song Is You (1969)

With Mick Goodrick

• In Pas(s)ing (ECM, 1978)

With Herbie Hancock

• Blow-Up (1966)
• The New Standard (1996)

With Joe Henderson

• Tetragon (1968)
• Power to the People (1969)
• Black is the Color (1973)
• Multiple (1973)
• Double Rainbow: The Music of Antonio Carlos Jobim (1995)

With Dave Holland

• Triplicate (ECM, 1988)

With Freddie Hubbard

• Straight Life (1970)
• First Light (1971)
• Freddie Hubbard/Stanley Turrentine In Concert Volume One (1974)
• In Concert Volume Two (1974)
• Polar AC (1975)
• Super Blue (1978)

With D. D. Jackson

• Anthem (1999)

With Keith Jarrett

• Ruta and Daitya (1971)
• Standards, Vol. 1 (January 1983; studio recording)
• Standards, Vol. 2 (January 1983; studio recording)
• Changes (January 1983; studio recording)
• Standards Live (July 1985; live recording)
• Still Live (July 1986; live recording)
• Changeless (October 1987; live recording), a record of free improvisation
• Standards in Norway (October 1989; live recording)
• Tribute (October 1989; live recording), which consists of songs played in tribute to various jazz figures associated with them
• The Cure (April 1990; live recording)
• Bye Bye Blackbird (October 1991; studio recording), a tribute to the recently deceased Miles Davis
• Keith Jarrett at the Blue Note (June 1994; live recording), a six-disc boxed set that documents three nights (six sets) in the famous New York City nightclub
• Tokyo '96 (March 1996; live recording)
• Whisper Not (July 1999; live recording)
• Inside Out (July 2000; live recording), a record of free improvisation
• Always Let Me Go (April 2001; live recording), a double album of free improvisation
• The Out-of-Towners (July 2001; live recording)
• Up for It - Live in Juan-les-Pins, July 2002 (July 2002; live recording)
• My Foolish Heart (July 2001; a double album of a live recording, Montreux Jazz Festival 2001)
• Setting Standards - New York Sessions (2008; 3CD set of the first three albums by the trio: Standards1, Standards2, Changes from 1983)
• Yesterdays (2009)

With Steve Khan

• Got My Mental (1996)

With Eric Kloss

• Sky Shadows (1968)
• To Hear is To See! (1969)
• Consciousness! (1970)

With Eero Koivistoinen

• Picture in Three Colours (1983)
• Altered Things (1992)

With Lee Konitz

• Peacemeal (1969)
• Satori (1974)

With Steve Kuhn

• Trance (ECM, 1974)

With Hubert Laws

• The Rite of Spring (CTI, 1971)

With Dave Liebman

• Trio + One (1988)

With Charles Lloyd

• Dream Weaver (1966)
• Forest Flower (1966)
• Charles Lloyd in Europe (1966)
• The Flowering (1966)
• Love-In (1967)
• Journey Within (1967)
• Charles Lloyd in the Soviet Union (1967)
• Soundtrack (1968)

With Joe Lovano

• Universal Language (Blue Note 1992)

With Harold Mabern

• Straight Street (1989)
• The Leading Man (1993)

With Rudresh Mahanthappa & Bunky Green

• Apex (2010)

With Michael Mantler

• The Hapless Child and Other Inscrutable Stories (1976)

With Lyle Mays

• Fictionary (1992)

With John McLaughlin

• Electric Guitarist (1979)

With Jackie McLean

• Jacknife (1966)
• Demon's Dance (1967)

With Pat Metheny

• 80/81 (1980)
• Song X (1985) with Ornette Coleman

With Kalman Olah

• Always (2006)

With Gary Peacock

• Tales of Another (ECM, 1977)
• Voice from the Past - Paradigm (ECM, 1981)

With Chris Potter

• Unspoken (1997)

With Teri Roiger

• Misterioso (1998)

With Sonny Rollins

• Next Album (1972)
• Reel Life (1982)
• Falling in Love with Jazz (1989)
• Here's to the People (1991)
• Old Flames (1993)
• Sonny Rollins + 3 (1996)
• This Is What I Do (2000)

With Terje Rypdal

• Terje Rypdal / Miroslav Vitous / Jack DeJohnette (ECM, 1978)
• To Be Continued (ECM, 1981)

With John Scofield

• Time on my Hands (1989)

With Don Sebesky

• Giant Box (CTI, 1973)

With Wayne Shorter

• Super Nova (1969)
• Tribute to John Coltrane: Live under the Sky (1987)

With Wadada Leo Smith

• Golden Quartet (2000)
• America (Tzadik, 2009)

With John Surman

• The Amazing Adventures of Simon Simon (ECM, 1981)
• Invisible Nature (ECM, 1999)
• Free and Equal (ECM, 2001)
• Brewster's Rooster (ECM, 2008)

With Steve Swallow

• Real Book (1993)

With Gábor Szabó

• Mizrab (CTI, 1972)

With Szakcsi Generation

• 8 Trios for 4 Pianists (2005)

With Bobby Timmons

• Do You Know the Way? (1968)

With Ralph Towner

• Batik (ECM, 1978)

With Trio Beyond

• Saudades (2007)

With Stanley Turrentine

• Have You Ever Seen the Rain (1975)

With McCoy Tyner

• Supertrios (1977)
• Together (1979)
• 13th House (1982)

With Miroslav Vitous

• Infinite Search (1969)
• Magical Shepard (1976)
• Universal Syncopations (2003)

With Collin Walcott

• Cloud Dance (ECM, 1976)

With Bennie Wallace

• Twilight Time (1985)

With Peter Warren

• Solidarity (1981)

With Sadao Watanabe

• Round Trip (1974)

With Kenny Werner

• A Delicate Balance (1997)

With Kenny Wheeler

• Gnu High (1975)
• Deer Wan (1977)
• Double, Double You (1983)

With the World Saxophone Quartet

• Selim Sivad: a Tribute to Miles Davis (1998)

With Joe Zawinul

• Joe Zawinul (1971)

References[link]

1. ^ "Jack DeJohnette:Artist Info". Riad.usk.pk.edu.pl. 1942-08-09. http://riad.usk.pk.edu.pl/~pmj/dejohnette/info.html. Retrieved 2011-10-11. 
2. ^ Stephen L. Barnhart, Percussionists: a Biographical Dictionary (Westport, CT: Greenwood Press, 2000), 88.
3. ^ "Jack DeJohnette: Biography". http://www.jackdejohnette.com/biography. Retrieved 23 April 2012. 
4. ^ Barnhart, Percussionists, 88.
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6. ^ "Jack DeJohnette: Biography". http://www.jackdejohnette.com/biography. Retrieved 23 April 2012. 
7. ^ Lewis Porter, “Jack DeJohnette,” in Barry Kernfield, ed., The New Grove Dictionary of Jazz, volume 1 (New York: Grove, 2002), 594.
8. ^ Barnhart, Percussionists, 88.
9. ^ Stuart Nicholson, Jazz Rock: a History (New York: Schirmer Books, 1998), 77-78.
10. ^ Nicholson, Jazz Rock, 81.
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12. ^ Barnhart, Percussionists, 88.
13. ^ Porter, “Jack DeJohnette,” in Kernfield, ed., New Grove Dictionary of Jazz, 594.
14. ^ Paul Tingen, Miles Beyond: the Electric Explorations of Miles Davis, 1967-1991 (New York: Billboard Books, 2001), 51.
15. ^ Tingen, Miles Beyond, 55.
16. ^ Jack DeJohnette, quoted in Tingen, Miles Beyond, 65.
17. ^ Tingen, Miles Beyond, 65.
18. ^ Nicholson, Jazz Rock, 115.
19. ^ "Jack DeJohnette: Biography". http://www.jackdejohnette.com/biography. Retrieved 23 April 2012. 
20. ^ Barnharrt, Percussionists, 89; Nicholson, Jazz Rock, 117.
21. ^ Porter, “Jack DeJohnette,” in Kernfield, ed., New Grove Dictionary of Jazz, 594.
22. ^ "Jack DeJohnette: Biography". http://www.jackdejohnette.com/biography. Retrieved 23 April 2012. 
23. ^ "Jack DeJohnette: Biography". http://www.jackdejohnette.com/biography. Retrieved 23 April 2012. 
24. ^ Modern Drummer (12 May 2004). "Jack DeJohnette". Modern Drummer Magazine. http://www.moderndrummer.com/site/2004/05/jack-dejohnette/#.T4zA39VObbg. Retrieved 23 April 2012. 
25. ^ Modern Drummer (12 May 2004). "Jack DeJohnette". Modern Drummer Magazine. http://www.moderndrummer.com/site/2004/05/jack-dejohnette/#.T4zA39VObbg. Retrieved 23 April 2012. 
26. ^ Marjorie Burgess. "Jack DeJohnette Biography". Musician Biographies. http://www.musicianguide.com/biographies/1608000691/Jack-DeJohnette.html. Retrieved 23 April 2012. 
27. ^ Porter, “Jack DeJohnette,” in Kernfield, ed., New Grove Dictionary of Jazz, 594.
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29. ^ Marjorie Burgess. "Jack DeJohnette Biography". Musician Biographies. http://www.musicianguide.com/biographies/1608000691/Jack-DeJohnette.html. Retrieved 23 April 2012. 
30. ^ Marjorie Burgess. "Jack DeJohnette Biography". Musician Biographies. http://www.musicianguide.com/biographies/1608000691/Jack-DeJohnette.html. Retrieved 23 April 2012. 
31. ^ Porter, “Jack DeJohnette,” in Kernfield, ed., New Grove Dictionary of Jazz, 594.
32. ^ Porter, “Jack DeJohnette,” in Kernfield, ed., New Grove Dictionary of Jazz, 594.
33. ^ Geoffrey Himes (3 June 1983). "Jack DeJohnette and Art Blakey". The Washington Post. http://search.proquest.com/docview/147551728/pageviewPDF?accountid=11837. Retrieved 23 April 2012. 
34. ^ Porter, “Jack DeJohnette,” in Kernfield, ed., New Grove Dictionary of Jazz, 594.
35. ^ "Jack DeJohnette: Biography". http://www.jackdejohnette.com/biography. Retrieved 23 April 2012. 
36. ^ Porter, “Jack DeJohnette,” in Kernfield, ed., New Grove Dictionary of Jazz, 594.
37. ^ "Jack DeJohnette: Biography". http://www.jackdejohnette.com/biography. Retrieved 23 April 2012. 
38. ^ "Jack DeJohnette: Biography". http://www.jackdejohnette.com/biography. Retrieved 23 April 2012. 
39. ^ Porter, “Jack DeJohnette,” in Kernfield, ed., New Grove Dictionary of Jazz, 594.
40. ^ Porter, “Jack DeJohnette,” in Kernfield, ed., New Grove Dictionary of Jazz, 594.
41. ^ "Jack DeJohnette: Biography". http://www.jackdejohnette.com/biography. Retrieved 23 April 2012. 
42. ^ C. Andrew Hovan (19 February 2005). "Reviews: Jack DeJohnette Latin Project". All About Jazz. http://www.allaboutjazz.com/php/article.php?id=16688. Retrieved 24 April 2012. 
43. ^ "Jack DeJohnette: Biography". http://www.jackdejohnette.com/biography. Retrieved 24 April 2012. 
44. ^ "Jack DeJohnette: Biography". http://www.jackdejohnette.com/biography. Retrieved 24 April 2012. 
45. ^ "Jack DeJohnette: Biography". http://www.jackdejohnette.com/biography. Retrieved 24 April 2012. 
46. ^ "Jack DeJohnette: Biography". http://www.jackdejohnette.com/biography. Retrieved 24 April 2012. 
47. ^ "Jack DeJohnette:Biography". http://www.jackdejohnette.com/biography. Retrieved 16 July 2011. 
48. ^ "Sound Travels". http://www.jackdejohnette.com/music/sound-travels. Retrieved 24 April 2012. 
49. ^ "National Endowment for the Arts Announces the 2012 NEA Jazz Masters". http://www.nea.gov/honors/jazz/2012-NEA-Jazz-Masters-Announced.html. Retrieved 16 July 2011. 
50. ^ Stuart Nicholson (2 August 1998). "Jazz: Jack DeJohnette/Oneness: Drum major". The Observer. http://au8dt3yy7l.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info:sid/summon.serialssolutions.com&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Jazz%3A+Jack+DeJohnette%2F+Oneness%3A+Drum+major&rft.jtitle=The+Observer&rft.au=STUART+NICHOLSON&rft.date=1998-08-02&rft.issn=0029-7712&rft.spage=009&rft.externalDBID=OBSV&rft.externalDocID=32581846. Retrieved 24 April 2012. 
51. ^ Modern Drummer (12 May 2004). "Jack DeJohnette". Modern Drummer Magazine. http://www.moderndrummer.com/site/2004/05/jack-dejohnette/#.T4zA39VObbg. Retrieved 23 April 2012. 
52. ^ Modern Drummer (12 May 2004). "Jack DeJohnette". Modern Drummer Magazine. http://www.moderndrummer.com/site/2004/05/jack-dejohnette/#.T4zA39VObbg. Retrieved 23 April 2012. 
53. ^ Modern Drummer (12 May 2004). "Jack DeJohnette". Modern Drummer Magazine. http://www.moderndrummer.com/site/2004/05/jack-dejohnette/#.T4zA39VObbg. Retrieved 23 April 2012. 
54. ^ Modern Drummer (12 May 2004). "Jack DeJohnette". Modern Drummer Magazine. http://www.moderndrummer.com/site/2004/05/jack-dejohnette/#.T4zA39VObbg. Retrieved 23 April 2012.