- published: 18 Mar 2008
- views: 7141666
- author: BarackObama.com
37:39
Obama Speech: 'A More Perfect Union'
Obama 2012: Are you in? http://my.barackobama.com/moreperfectvid Barack Obama speaks in Ph...
published: 18 Mar 2008
author: BarackObama.com
Obama Speech: 'A More Perfect Union'
Obama 2012: Are you in? http://my.barackobama.com/moreperfectvid Barack Obama speaks in Philadelphia, PA at Constitution Center, on matters not just of race ...
- published: 18 Mar 2008
- views: 7141666
- author: BarackObama.com
6:47
SHEE | SHEEmusic - Extinction of Female Rappers Part 3 (Consumers / Buying Public)
Visit http://www.SHEEmusic.com - Casual discussion regarding female rappers / emcees Part ...
published: 02 Apr 2009
author: SHEEmusic
SHEE | SHEEmusic - Extinction of Female Rappers Part 3 (Consumers / Buying Public)
Visit http://www.SHEEmusic.com - Casual discussion regarding female rappers / emcees Part 3 of 3. In this clip I discuss the consumers / general buying publi...
- published: 02 Apr 2009
- views: 4245
- author: SHEEmusic
0:21
Get All Online Coupons and Get Paid to Shop
Coupons and cash back rewards http://cashbackrebates.net 1 Stop Florists 1&1 1-800 Contact...
published: 08 Aug 2007
author: AllCoupons
Get All Online Coupons and Get Paid to Shop
Coupons and cash back rewards http://cashbackrebates.net 1 Stop Florists 1&1 1-800 Contacts 1-800-4Clocks 1-800-FLORALS 1-800-FLOWERS.com 1-800-GET-LENS 1-80...
- published: 08 Aug 2007
- views: 6038
- author: AllCoupons
10:45
Willful Ignorance
Collective punishment of an entire people is ALWAYS wrong. Period. But there comes a point...
published: 04 Jan 2009
author: 55ella2007k
Willful Ignorance
Collective punishment of an entire people is ALWAYS wrong. Period. But there comes a point, when mere complacency turns into WILLFUL ignorance. This ignoranc...
- published: 04 Jan 2009
- views: 596
- author: 55ella2007k
9:48
My Little Pony Physics Presentation
Thank you viewers who accidentally clicked this video one million times. And a big thank y...
published: 21 May 2011
author: Beatledude64
My Little Pony Physics Presentation
Thank you viewers who accidentally clicked this video one million times. And a big thank you to the Tosh.0 blog, Huffington Post, Cracked.com, and other big ...
- published: 21 May 2011
- views: 1352170
- author: Beatledude64
4:12
Woodworking Information : How to Bend Wood to Make Furniture
Bend wood to make furniture using a bent lamination technique that involves cutting wood i...
published: 10 Nov 2008
author: eHow
Woodworking Information : How to Bend Wood to Make Furniture
Bend wood to make furniture using a bent lamination technique that involves cutting wood into the desired shape, ripping wood strips, applying glue with a ro...
- published: 10 Nov 2008
- views: 845405
- author: eHow
3:29
Trailer For Every Oscar-Winning Movie Ever
Catchphrase! Brought to you by the fine folks at BriTANicK.com....
published: 06 Mar 2010
author: Cracked.com
Trailer For Every Oscar-Winning Movie Ever
Catchphrase! Brought to you by the fine folks at BriTANicK.com.
- published: 06 Mar 2010
- views: 1774941
- author: Cracked.com
Vimeo results:
11:27
Percebeiros (Sea Bites) 1920x1080
http://www.enpiedeguerra.tv/percebeiros/
(12 min) Corto documental dirigido por David Ber...
published: 03 Dec 2011
author: enpiedeguerra
Percebeiros (Sea Bites) 1920x1080
http://www.enpiedeguerra.tv/percebeiros/
(12 min) Corto documental dirigido por David Beriain sobre la historia de Serxio Ces, percebeiro de Cedeira, Galicia.
Preseleccionado para los Premios Goya 2012.
Sinopsis:
Ruge el viento. El mar golpea los acantilados. Dos metros de roca, ésa es la franja de agua y oxígeno en la que crece el percebe. Dos metros donde el mar se ensaña, donde bate con fuerza milenaria. Una frontera de olas y espuma en la que Serxo y sus compañeros luchan por un bocado de mar.
Una frontera de valor y miedo. De temeridad y sentido común. Dos metros sin margen de error. Ahí vive el percebe. Ahí vive Serxo.
Percebeiros es la batalla contra el mar de unos guerreros que no se consideran héroes.
___
CREDITS
DAVID BERIAIN Director
David Beriain is a Spanish war correspondent that has covered conflicts in Iraq, Afghanistan, Congo, Colombia and Kashmir, among others. He is currently in charge of coordinating the fea- ture section at Medina Media, a production com- pany based out of Spain.
Beriain is one of the few reporters in the world that has managed to infiltrate the FARC guerrilla camps in Colombia. His work there made him a finalist for the Bayeux-Calvados, the most pres- tigious international award for war correspon- dents. He has interviewed the Taliban command- ers who killed Spanish soldiers, met with the twelve-year-old hitmen that Colombian druglords exploit as child soldiers, and even accompanied the American Army on some of their most danger- ous military operations in Iraq and Afghanistan. His latest TV documentary took him to Eastern Congo, where he covered the conflict between the Congolese Army and the rebels who fight, kill and rape in order to gain the control of the Coltan and Cassiterite mines.
During his time at Sea Bites, Beriain was in charge of producing the story and coordinating all the members in the team. He was the one who convinced everyone to get on board and as a true leader, he turned a group of people who did not know each other into a real team.
(+34) 609 72 71 61 beriain.david@gmail.com enpiedeguerra.tv/


FERNANDO UREÑA Script Writer
Fernando Ureña is a Spanish editor and script writer. For the past three years, he has worked as a script analyst for Cuatro’s national fiction shows. He has also supervised the scripts for several other Spanish networks such as Canal+, Digital+, TVE or Audiovisual Sport. He is currently writing the scripts for various Spanish movies, a work he combines with his editorial tasks at some of Spain’s most prestigious publishing compa- nies.
Ureña gave birth to the idea of Sea Bites.
He conceived the story and was David Beriain’s second hand in the team. They wrote the script together and Ureña followed the entire process of video-editing, post-production and sonorization.
(+34) 655 01 89 80 fmumary@gmail.com
SERGIO CARO Director of photography
Sergio Caro is a Spanish photographer and cam- eraman. He is specialized in international con- flicts and illegal immigration in Europe. His 2005 photographs of Sub-Saharan immigrants being hauled away by bus to be abandoned in the desert won him the Visa D’Or at the International Photo- journalists Awards in Perpignan, one of the most prestigious ceremonies in the world. His photo- graphs have been published in renowned media such as Newsweek, Le Figaro or the Financial Times. As a television cameraman, he has cov- ered Iraq, Afghanistan and Congo together with David Beriain.
Together with Ernesto Villalba, he created Once Upon a Time, a multimedia company that por- trays unique characters from a very artistic point of view.
In Sea Bites, Caro’s ten years of experience al- lowed him to hang himself from the rocks just as the barnacle fishermen did and taking as many risks as they do. He also played the role of direc- tor of photography coordinating all the camera- men at work.
(+34) 656 55 06 57 sergio@sergiocaro.com sergiocaro.com/

ERNESTO VILLALBA Cameraman
Ernesto Villalba is a Spanish multimedia journal- ist. He is a co-founder of Once Upon a Time, a pioneer online production company that makes short films and other multimedia materials for the web. The company’s first work, “Time to Time”, was selected by Innovative Interactivity as one of the fifty best multimedia packages of the year. Since 2008, he has directed all graphic design- and social media-related strategies for REC, the main feature aired by Cuatro, one of Spain’s “Big Five” TV networks.
Villalba is currently focused on his work at Once Upon a Time developing several documentary projects and combines them with his role as a teacher for several innovative seminars.
In Sea Bites, he was the cameraman that followed Serxo, our protagonist, outside the sea. Villalba’s particular sensitivity made our protagonist feel so comfortable with him that he even got the nick- name “Sombra”, shadow in Spanish.
(+34) 667 55 56 10 ernestovillalba.photo@gmail.com e
11:27
Percebeiros (Sea Bites) 1280x720
Corto Documental dirigido por David Beriain sobre la historia de Serxio Ces, percebeiro de...
published: 03 Dec 2011
author: enpiedeguerra
Percebeiros (Sea Bites) 1280x720
Corto Documental dirigido por David Beriain sobre la historia de Serxio Ces, percebeiro de Cedeira, Galicia.
Preseleccionado para los Premios Goya 2012.
Sinopsis
Ruge el viento. El mar golpea los acantilados. Dos metros de roca, ésa es la franja de agua y oxígeno en la que crece el percebe. Dos metros donde el mar se ensaña, donde bate con fuerza milenaria. Una frontera de olas y espuma en la que Serxo y sus compañeros luchan por un bocado de mar.
Una frontera de valor y miedo. De temeridad y sentido común. Dos metros sin margen de error. Ahí vive el percebe. Ahí vive Serxo.
Percebeiros es la batalla contra el mar de unos guerreros que no se consideran héroes
_____
CREDITS
DAVID BERIAIN Director
David Beriain is a Spanish war correspondent that has covered conflicts in Iraq, Afghanistan, Congo, Colombia and Kashmir, among others. He is currently in charge of coordinating the fea- ture section at Medina Media, a production com- pany based out of Spain.
Beriain is one of the few reporters in the world that has managed to infiltrate the FARC guerrilla camps in Colombia. His work there made him a finalist for the Bayeux-Calvados, the most pres- tigious international award for war correspon- dents. He has interviewed the Taliban command- ers who killed Spanish soldiers, met with the twelve-year-old hitmen that Colombian druglords exploit as child soldiers, and even accompanied the American Army on some of their most danger- ous military operations in Iraq and Afghanistan. His latest TV documentary took him to Eastern Congo, where he covered the conflict between the Congolese Army and the rebels who fight, kill and rape in order to gain the control of the Coltan and Cassiterite mines.
During his time at Sea Bites, Beriain was in charge of producing the story and coordinating all the members in the team. He was the one who convinced everyone to get on board and as a true leader, he turned a group of people who did not know each other into a real team.
(+34) 609 72 71 61 beriain.david@gmail.com enpiedeguerra.tv/


FERNANDO UREÑA Script Writer
Fernando Ureña is a Spanish editor and script writer. For the past three years, he has worked as a script analyst for Cuatro’s national fiction shows. He has also supervised the scripts for several other Spanish networks such as Canal+, Digital+, TVE or Audiovisual Sport. He is currently writing the scripts for various Spanish movies, a work he combines with his editorial tasks at some of Spain’s most prestigious publishing compa- nies.
Ureña gave birth to the idea of Sea Bites.
He conceived the story and was David Beriain’s second hand in the team. They wrote the script together and Ureña followed the entire process of video-editing, post-production and sonorization.
(+34) 655 01 89 80 fmumary@gmail.com
SERGIO CARO Director of photography
Sergio Caro is a Spanish photographer and cam- eraman. He is specialized in international con- flicts and illegal immigration in Europe. His 2005 photographs of Sub-Saharan immigrants being hauled away by bus to be abandoned in the desert won him the Visa D’Or at the International Photo- journalists Awards in Perpignan, one of the most prestigious ceremonies in the world. His photo- graphs have been published in renowned media such as Newsweek, Le Figaro or the Financial Times. As a television cameraman, he has cov- ered Iraq, Afghanistan and Congo together with David Beriain.
Together with Ernesto Villalba, he created Once Upon a Time, a multimedia company that por- trays unique characters from a very artistic point of view.
In Sea Bites, Caro’s ten years of experience al- lowed him to hang himself from the rocks just as the barnacle fishermen did and taking as many risks as they do. He also played the role of direc- tor of photography coordinating all the camera- men at work.
(+34) 656 55 06 57 sergio@sergiocaro.com sergiocaro.com/

ERNESTO VILLALBA Cameraman
Ernesto Villalba is a Spanish multimedia journal- ist. He is a co-founder of Once Upon a Time, a pioneer online production company that makes short films and other multimedia materials for the web. The company’s first work, “Time to Time”, was selected by Innovative Interactivity as one of the fifty best multimedia packages of the year. Since 2008, he has directed all graphic design- and social media-related strategies for REC, the main feature aired by Cuatro, one of Spain’s “Big Five” TV networks.
Villalba is currently focused on his work at Once Upon a Time developing several documentary projects and combines them with his role as a teacher for several innovative seminars.
In Sea Bites, he was the cameraman that followed Serxo, our protagonist, outside the sea. Villalba’s particular sensitivity made our protagonist feel so comfortable with him that he even got the nick- name “Sombra”, shadow in Spanish.
(+34) 667 55 56 10 ernestovillalba.photo@gmail.com ernestovillalba.com/

SERGIO CARMONA Underwater
4:10
The Truth about 2012
NASA's David Morrison, expert on Earth impact hazards and currently Interim Director of th...
published: 05 Nov 2009
author: NASA Lunar Science Institute
The Truth about 2012
NASA's David Morrison, expert on Earth impact hazards and currently Interim Director of the NASA Lunar Science Institute, speaks on what are the risk to Earth in 2012. He addresses misconceptions related to the year 2012, Earth crossing objects, planetary alignment, and related myths like Nibiru. More information on Dr. Morrison can be found at http://lunarscience.arc.nasa.gov/bios/david-morrison.
For more information on this topic, please see http://astrobiology.nasa.gov/ask-an-astrobiologist/intro/nibiru-and-doomsday-2012-questions-and-answers.
TRANSCRIPT
Hi, my name is David Morrison, I’m a space scientist at NASA Ames Research Center. For the last two years I’ve been answering hundreds of questions from the public about 2012 and the supposed threat to earth. And so now I want to take a chance to talk to some of you more directly.
There is no threat to earth in 2012. There is no danger. All of the talk about a doomsday is a big hoax perpetuated on the Internet and with people trying to make money. So please don’t worry about it. Let me talk about some of the specific things. There has been a lot of talk about a “Planet-x”, or a “Niburu” as a giant planet that’s going to hit the earth or at least come very close in December 2012. The simple fact is Nibiru does not exist.
Aside from worrying about the weird places, the ideas came from, all you have to do is ask the astronomers. If Nibiru or Planet-X were going to come into the inner solar system in 2012, astronomers would have been tracking it for the last decade. All over the world, amateur as well as professional. And it would be visible now to the naked eye. It’s not there. It’s a no-show. There’s nothing to worry about some object coming and striking the earth or damaging us.
There’s also been concern about a so-called galactic alignment. Because in December of every year the sun is roughly in the direction of the galactic center as seen from earth. This happens every year, it really does not mean anything, and there is nothing special about 2012. If you’re not worried about December 2009, don’t worry about December 2012. In fact, alignments, although it may sound scary to some people, are just not an issue for scientists. There are no special forces when planets align, or the sun aligns. It is sort of a curiosity, but not something of real scientific interest.
There’s also been concern that somehow the earth’s poles are going to flip. No one quite explains how this could happen, and if you’re talking about the rotation pole of the earth, that can’t change. It never has and it never will. Some people however are concerned about the change in the magnetic polarity. A shift of the north and south pole which does take place every few hundred thousand years. But there is no reason to think it will happen in 2012, and actually no evidence that it would do any harm to us, even if it did happen. Some people couple this with ideas of solar outbursts, of flares, or coronal mass ejections, which could do great damage to the earth. Well, the solar maximum takes place every 11 years, and occasionally there is some damage to satellites in orbit. And we see bright aurora or northern lights here, but very little real damage is done. And there’s no solar maximum predicted in 2012. The next solar maximum is predicted for the spring of 2013, and it’s actually anticipated that it will be much lower than usual.
Again, all this 2012 talk is just a hoax. It’s a fake. It’s nothing you should worry about. I get questions from many people who are really scared, even some young people who have said they are contemplating suicide, this sort of thing. It’s really sad. And the point of my talking to you now is just to explain to you that there is no problem there. And the many things you see on the Internet and Youtube where people claim that there is some horrible threat about to descend on us are not true. Don’t worry about 2012, and enjoy 2013 when it comes.
47:26
Megalightning
ENTIRELY NEW FORMS OF LIGHTNING HAVE BEEN DISCOVERED UP TO 1000 TIMES BIGGER THAN ANY BOLT...
published: 07 Jul 2011
author: dmptv
Megalightning
ENTIRELY NEW FORMS OF LIGHTNING HAVE BEEN DISCOVERED UP TO 1000 TIMES BIGGER THAN ANY BOLT PREVIOUSLY SEEN. WHILE NORMAL LIGHTNING FIRES DOWN BELOW CLOUDS, THESE GIANT BOLTS SHOOT UP, STUNNING EXPERTS WITH IMAGES OF LIGHTNING 80 KILOMETRES HIGH.
THIS LIGHTNING, SIX TIMES MORE POWERFUL THAN PASSENGER PLANES ARE DESIGNED TO WITHSTAND, MAY BE THE REAL KILLER IN A SPATE OF BAFFLING AIR DISASTERS.
Camera takes photo.
AND FOR THE FIRST TIME WE CAN REVEAL THE PHOTOGRAPH THAT SPARKED A SECRET NASA ENQUIRY.
WAS THIS THE PROOF THAT A HIGH ALTITUDE LIGHTNING STRIKE CAUSED THE CRASH OF THE SPACE SHUTTLE COLUMBIA?
Title card:
MEGA-LIGHTNING
NARRATOR:
EACH DAY, THE EARTH IS SHAKEN BY 8 MILLION BOLTS OF THE SKY'S MOST POWERFUL FORCE: LIGHTNING.
Bolt of lightning.
NARRATOR:
ENERGY FROM ONE BOLT EXPLODES IN SPLIT SECOND, BUT COULD POWER A HOUSEHOLD FOR HALF A YEAR. AT ANY TIME, 1800 STORMS PUMMEL OUR PLANET. EACH ONE IS A GIANT BATTERY. INSIDE A STORM, WATER TURNS TO HAIL. FAILLING ICE CRASHES ON RISING DROPLET, CREATING STATIC ELECTRICITY. CHARGES OF UP TO 100 MILLION VOLTS BUILD UP. ARCS OF ELECTRICITY FIRE OUT. THIS IS LIGHTNING. MORE THAN 90 PERCENT OF ALL BOLTS FIRE WITHIN CLOUDS. BUT A HIGHLY CHARGED STORM WILL FIRE A CASCADE OF ELECTRICAL CHARGE TO EARTH, DRAWN TO THE HIGHEST POINT. A TREE OR A BLADE OF GRASS CAN TRIGGER LIGHTNING, OR EVEN A PERSON. EACH YEAR, 100O PEOPLE AROUND THE WORLD DIE FROM DIRECT HIT. A LIGHTNING BOLT IS ONLY 3 CM WIDE. BUT AT 33,000 DEGREES CELCIUS, IT IS HOTTER THAN THE SURFACE OF THE SUN.
CGI lightning.
NARRATOR:
THIS HEAT EXPANDS THE SURROUNDING AIR, WHICH EXPLODES OUTWARDS AS THUNDER, THE SOUND OF LIGHTNING.
CGI lightning strike.
NARRATOR:
A LIGHTNING FLASH TRAVELS AT THE SPEED OF LIGHT; IT'S THUNDER TRAVELS MUCH SLOWER. THE SHORTER THE TIME BETWEEN THE FLASH AND THE THUNDER, THE CLOSER THE LIGHTNING BOLT. FEW CLOUD TO GROUND STRIKES ARE LONGER THAN THREE KILOMETRES. AND TEXTBOOKS SAID NO LIGHTNING COULD EXIST ABOVE THE CLOUDS.
Cloud to ground lighting with measuring rod.
Walt Lyons on balcony.
NARRATOR:
BUT THEN WEATHERMAN WALT LYONS AIMED HIS CAMERA ACROSS THE COLORADO PLAINS ON JULY 6, 1993.
Mountains through Walt's eye glasses
NARRATOR:
WHAT HE SAW OVERTURNED 200 YEARS OF SCIENTIFIC CERTAINTY IN AN INSTANT.
Green sprites images.
NARRATOR:
HE FILMED THESE VIDEO IMAGES. THEY SHOW LIGHTNING 80 KILOMETRES HIGH AND 40 KILOMETRES WIDE FIRING ABOVE THE CLOUDS. THEIR EXISTENCE HAD BEEN DISMISSED AS FANTASY. THEIR DISCOVERY SHEDS NEW LIGHT ON WHAT HAS BEEN CAUSING AIRPLANES TO FALL FROM THE SKY.
Sunrise.
Stuart Beecher lights a pipe.
NARRATOR:
THE DISCOVERY OF MEGA-LIGHTNING BEGAN WITH ORDINARY PEOPLE SEEING EXTRAORDINARY THINGS.
Stills of Beecher in name separated by light flashes.
NARRATOR:
IN 1969 STUART BEECHER WAS DEFENDING A MORTAR PIT OUTSIDE SAIGON IN SOUTH VIETNAM, WHEN A STORM BROKE.
Stuart Beecher:
There was this giant flash of lighting that reached from the ground through the base of the cloud, completed illuminated the cloud, and out the top from the ground, in this beautiful double helix pattern, that seemed to just go on forever. It was just like it was going straight into space.
Amateur photo of above cloud lightning.
STRAPLINE:
Photograph: Tudor Williams
NARRATOR:
THERE HAD EVEN BEEN PHOTOGRAPHS. THIS WAS TAKEN AT MT ISA IN AUSTRALIA, IN 1968. SCIENTISTS HAD IGNORED THE SIGHTINGS.
Skeet Vaughan flying.
NARRATOR:
SKEET VAUGHAN, A SENIOR NASA ENGINEER, MET A WITNESS WHO HAD SEEN GIANT LIGHTNING IN 1981. AS A TRAINED PILOT, VAUGHAN TOOK THE SIGHTING SERIOUSLY.
STRAPLINE:
Skeet Vaughan - NASA Engineer 1959-96
Skeet Vaughan:
I wrote an article in one of the flying magazines, and asked pilots to tell me if they'd seen any unusual lightning, or anything out of the ordinary. A number of pilots, about 19 of them, sent me letters telling me about this kind of a thing.
Pilot walks to letterbox.
NARRATOR:
PILOT LARRY PARTRIDGE WAS ONE OF THOSE WHO WROTE TO VAUGHN, REVEALING THAT HE'D SEEN GIANT LIGHTNING ABOVE THE CLOUDS GOING UP, AND NOT DOWN.
STRAPLINE:
Larry Partridge, pilot.
Larry Partridge:
All of a sudden, POW! Just a split second, this huge bolt of lightning came out of the top and disappeared into deep blue space. The captain turned to me and said, wide eyed, and said did you see that? And so I said yes, and so we turned and told the flight engineer, and he said, that's impossible. Lightning doesn't go up.
CGI blue jet.
Pilot Robin May flying.
STRAPLINE:
Robin May - pilot
Robin May:
A Strike of lightning appeared to come from the top of the cloud, went straight up, bright white, for ten or 15 thousand feet, then broke up into a lot of little fingers that went through the different colours of the spectrum, and disappeared off into space.
CGI of sprite to show what Larry sees through window of plane.
Skeet Vaughn:
But most of the pilots had said they'd never talk to people about this, they were somewhat reluctant to, in the case that they